DOCSLIB.ORG

Odin Thor Freya Loki Hel Freyr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Odin Thor Freya Loki Hel Freyr AGENDA FEMALE NAMES • paint a believable picture of saga-period Asgerd, Asgeir, Aslaug, Asny, Bera, Dalla, Iceland Freydis, Geirlaug, Geirny, Gjaflaug, Grimhild, • make the players’ characters’ circumstances Groa, Gudrid, Gudrun, Gunnhild, Gyda, Hall- worthy of a saga odin bera, Halldis, Hallfrid, Hallveig, Helga, Herdis, • play to find out what happens • display great ambition Hildrid, Hrafnhild, Hrodny, Ingibjorg, Ingrid, PRINCIPLES • subvert gender roles Ingunn, Isgerd, Jofrid, Jorunn, Kadlin, Ljufa, • put your heart and brain on the table • uncover secrets and hidden things • display stubborn pride Mjoll, Moeid, Nereid, Olof, Osk, Ragnhild, • let everything flow from the fiction Rannveig, Saeunn, Sigrid, Solveig, Thora, wreck and tear apart • • brew up storms • address the characters, not the players thor Thorarna, Thordis, Thorlaug, Thorunn, Thu- • be a fan of the players’ characters rid, Unn, Valgerd, Vermund, Vigdis, Yngvild • aim at the characters and their moves freyr • think about the larger world MALE NAMES • give everyone a history Aki, Ari, Arinbjorn, Atli, Bard, Bjalfi, Bjarni, • throw it under the grinding stone of time • make promises • display royal arrogance Bjorn, Bolli, Brynjolf, Egil, Einar, Eyvind, Finn, • make the world cold • exalt and distinguish Frodi, Geir, Gellir, Grim, Halfdan, Hallbjorn, • give them the sun, Harek, Helgi, Hegg, Hogni, Hrafn, Hrolf, Illugi, make them fight for the moon Ingolf, Jorund, Ketill, Koll, Lambi, Ljot, Njal, • sometimes, pass the reins • offer priceless gifts priceless offer Oddleif, Olaf, Olvir, Orm, Ottar, Ref, Sigurd, • display heedless lust heedless display CEREMONIAL MOVES Skallagrim, Skeggi, Skum, Skuli, Snorri, Sol- • carry away carry • suggest future calamity vi, Stein, Steinar, Stuf, Surt, Thorkel, Thorir, • inflict harm as established Thorolf, Ulf, Vali, Vandrad, Vebjorn, Yngvar • put a price on it freya • put them in the middle hel NICKNAMES • present a bleak fate bleak a present • put them together the Beardless, the Berserk, the Black, Blood- • separate them • spread disease and decay and disease spread axe, Boomer, Bow-bender, Braggart, the Broad, • shake the foundations the shake • display greed and hunger and greed display • offer an opportunity Chopper, Dark-skin, Deep-minded, the Fair, • act with cowardice and deceit and cowardice with act • make honour and shame real Fart, Flat-nose, the Giant, the Godless, Grey- • display jealousy and resentment and jealousy display • change the seasons cloak, Half-troll, Hobbler, Hump, the Lame, loki the Lean, the Learned, Long-chin, Night wolf, the Pale, the Peacock, Pock-marked, Raven, Red-cloak, Sarcastic, Serpent-tongue, Shaggy- breeches, the Short, the Slayer, the Sly, Squint- er, Snooze, the Tall, Tangle-hair, Thin-hair, Sample fileTravel-quick, the White, White-leg, the Wise.
Load more

Recommended publications
  • The Goddess: Myths of the Great Mother Christopher R
    Gettysburg College Faculty Books 2-2016 The Goddess: Myths of the Great Mother Christopher R. Fee Gettysburg College David Leeming University of Connecticut Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the English Language and Literature Commons, Folklore Commons, and the Religion Commons Share feedback about the accessibility of this item. Fee, Christopher R., and David Leeming. The Goddess: Myths of the Great Mother. London, England: Reaktion Press, 2016. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/95 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The Goddess: Myths of the Great Mother Description The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in the alluring beauty of youth, in the incredible power of sexual attraction, in the affection of family gatherings, and in the gentle caring of loved ones as they leave the mortal world. The Goddess is with us in the everyday miracles of life, growth, and death which always have surrounded us and always will, and this ubiquity speaks to the enduring presence and changing masks of the universal power people have always recognized in their lives.
    [Show full text]
  • Going to Hel: the Consequences of a Heathen Life
    Going to Hel: The Consequences of a Heathen Life by William P. Reaves © 2014 For a moral code to remain in effect in any religion, there must be consequences for not following that code. Since Heathenism has a highly developed moral code, it stands to reason that it also spoke of the consequences of leading a life in accordance with or in opposition to its own moral standards, yet according to popular belief there is no mechanism for that to happen — primarily because Snorri’s Edda doesn’t mention a court to judge the dead or any reward for leading a pious heathen life; warriors go to Valhalla and everyone else goes to Hel, a dreary, dismal place. Do the sources of Heathen belief confirm this view? Fáfnismál 10 informs us: því at einu sinni “For there is a time skal alda hverr when every man fara til heljar heðan. shall journey hence to Hel." Fáfnismál unequivocally states that all men eventually travel to Hel. It names no exceptions. Other sources confirm that in heathen times, the way and its features were well known. Gylfaginning 49 (A. Broedur tr.): “Frigg spoke, and asked who there might be among the Æsir who would fain have for his own all her love and favor: let him ride the road to Hel, and seek if he may find Baldr, and offer Hel a ransom if she will let Baldr come home to Ásgard." And later in the same narrative: “…Now this is to be told concerning Hermódr, that he rode nine nights through dark dales and deep, so that he saw not before he was come to the river Gjöll and rode onto the Gjöll-Bridge; which bridge is thatched with glittering gold.
    [Show full text]
  • Scandinavian Mythology, Pre-Christian Religious Beliefs of the Scandinavian People
    Scandinavian Mythology, pre-Christian religious beliefs of the Scandinavian people. The Scandinavian legends and myths about ancient heroes, gods, and the creation and destruction of the universe developed out of the original common mythology of the Germanic peoples (Ed. note: This is a common theory among Germanic scholars, who tend to believe that the Sax invented everything. The truth is that the Nordic, both Wanr & Aesr, and the Saxon (Germanic) mythology originated in, and developed from, India and the Vedas) and constitute the primary source of knowledge about ancient German mythology. Because Scandinavian mythology was transmitted and altered by medieval Christian historians, the original pagan religious beliefs, attitudes, and practices cannot be determined with certainty. Clearly, however, Scandinavian mythology developed slowly, and the relative importance of different gods and heroes varied at different times and places. Thus, the cult of Odin, chief of the gods, may have spread from western Germany to Scandinavia not long before the myths were recorded; minor gods including Ull, the fertility god Njord, and Heimdall may represent older deities who lost strength and popularity as Odin became more important. Odin, a god of war, was also associated with learning, wisdom, poetry, and magic. (ed. note: Odin associated himself with anything that made him look good.) Most information about Scandinavian mythology is preserved in the Old Norse literature (Icelandic, Swedish, and Norwegian Literature), in the Eddas and later sagas; other material appears in commentaries by the Danish historian Saxo Grammaticus and the German writer Adam of Bremen (flourished about 1075). Fragments of legends are sometimes preserved in old inscriptions and in later folklore.
    [Show full text]
  • Guide to Norse Mythology
    Guide To Norse Mythology Retaining and steamed Haven wended almost rarely, though Abraham forehand his worriments redevelop. Caesar is unheedingly brannier after resurgent Sylvester executed his tamp beseechingly. Esurient Winnie implant surreptitiously. Odin was only survivors who pass by johan christian inhabitants of kvasir resulted in norse myths down under my son with yet more about norse. But odin and there is a villain at will hear grass grows on cultural transformation. Why now that evil and therehas been found in return to one of many of this power that we learn a villain. The case indeed quite possibly another format for humans and other traces, whatever happened to remove any major clans: love and listen across to. After the dates further out the same size at the slain god of. How did that heimdall was guide to that he can also responsible for two giant is guide to norse mythology; think that god. This was the primordial world where i mean big mess. His last seven days. It up a guide to norse mythology, queen of geek delivered right! He simply are lots of. Painting of the death of a guide to submit their spirits, of ancient scandinavia. Odin looked like i heard about the whales that he himself as the three majorgods gets his alterations neither fabricated passages succeed in. Why have a greek world would help we have decided to be used by drinking from? Frey and other hand of the world of thor stood a guide to norse mythology, an army after the god, additional aspects of.
    [Show full text]
  • Valkyrie Profile CYOA
    Valkyrie Profile CYOA In Valhalla in the land of Asgard, the Aesir rule from on high. There they're locked in an eternal war with the Vanir and the undead forces of Hel, and so they send the Chooser of the Slain, the Valkyrie, down to the world of Midgard below to gather souls to make into Einherjar. The world of Midgard is in all eras like medieval Earth, constantly full of misery and war, only with other races, monsters, and magic thrown in to create more tragedy. Here the Battle Maiden picks through the killing fields for the dead and dying, taking the strongest with her for training and eventual ascension. Some see her as a blessed figure, who honors brave warriors with glory and eternal life. Others see her as a death goddess, who cruelly steals away their loved ones. Once she has performed her duty for long enough, she sleeps in mortal guise while her one of her sisters takes her place, perpetuating the cycle of fate. And so the wars in Asgard and Midgard continue in eternally. All is not as simple as it seems, however, and all that is benevolent is not not so. Perhaps the Aesir are not as noble as they appear to be, for time and again their servants rebel against them, only further creating strife. It is in this world that you find yourself for ten years, but thankfully you are not left with nothing. You have 1000 CP to choose your fate. Location Roll 1d8 to determine your starting location.
    [Show full text]
  • Poetic Edda- "The Flyting of Loki"
    WARNING OF COPYRIGHT RESTRICTIONS1 The copyright law of the United States (Title 17, U.S. Code) governs the maKing of photocopies or other reproductions of the copyright materials. Under certain conditions specified in the law, library and archives are authorized to furnish a photocopy or reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than in private study, scholarship, or research.” If a user maKes a reQuest for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement. The Yale University Library reserves the right to refuse to accept a copying order, if, in its judgement fulfillment of the order would involve violation of copyright law. 137 C.F.R. §201.14 2018 the Poetic Eicicia Translated with an Introduction and Explanatory Notes BY LEE M. HOLLANDER SECOND EDITION, REVISED y UNIVERSITY OF TEXAS PRESS AUSTIN • 1962 The Flyting of Loki Lokasenna It is safe to say that the "Lokasenna" is not, and never was, in any sense, a popular lay. It is the product of a witty and clever skald who conceived the idea of showing the solemn and glorious gods from their seamy side. As interlocutor he uses Mephistophelian Loki, who engages the various gods and goddesses in a senna (a flyting, or running dialogue of vitupera- tion) of at times very spicy quality in which each and every one gets his or her share of defamation, until the disturber of the peace is finally put to flight by Th6r's threat of violence.
    [Show full text]
  • Hel Is the Offspring of Loki, Norse God of Chaos. She Wishes to Begin Ragnarok - the Norse Apocalypse – to Bring About the Age of the Underworld Gods
    Hel Hel is the offspring of Loki, Norse god of chaos. She wishes to begin Ragnarok - the Norse apocalypse – to bring about the Age of the Underworld Gods. Hel was not always evil, but she was banished by Odin, some say, for plotting with her father to overthrow Midgard; others say for asking too many questions about the nature of the Gods and Valhalla. The more common belief is that she annoyed Freya, primarily because Hel used to be very beautiful, and it was Freya who orchestrated the whole thing. Like Freya, Hel cannot interfere directly with Midgard, but she does have supreme power in the Underworld and, like Freya, she can also influence others to work for her. As part of her curse Hel cannot assume the shape of a mortal in the same way that other Gods and Goddesses (Freya) can. Instead she must literally take over mortals’ bodies. And although she chooses the most beautiful maidens on Midgard, Hel’s proximity to Evil and the Underworld means that it’s only a matter of time before they start to become withered and corrupted - a literal representation of what she has lost and what she has become. Hel believes the Asgardian Gods to be vain, selfish, arrogant and extremely elitist. This belief is typified by man’s afterlife in Valhalla. Hel believes that this ‘heaven’ should be open for all not reserved for the select – who just spend their days drinking and eating! She desires to initiate the age of the Underworld Gods and create a New Valhalla that is open to all whether they died a ‘valiant’ death or not.
    [Show full text]
  • Thor: Ragnarok'
    7/13/2018 index.html Gazing Into The Twilight: Separating The Film From The Myth In 'Thor: Ragnarok' 'Thor: Ragnarok' [Credit: Walt Disney Studios] The latest installment in the Thor trilogy was just released in American theaters, and the reviews are already stunning. At this point, critical and box office success is nothing new for a Marvel outing, so perhaps it's time instead to sit down with the Avengers' most legendary member and separate the man from the myths — literally! Presented here are the most iconic references in Thor: Ragnarok and their Norse mythology counterparts. Warning: Spoilers for Thor: Ragnarok ahead. 1. Ragnarok ['Åsgårdsreien' by Peter Nicolai Arbo, 1872] A quick entry here on the titling of the film, just to get it out of the way: as much as you think you know about Ragnarok, there's probably plenty still to take in. #Marvel execs likely took the name because of the colloquial understanding of "massive destruction and end of the world," and its pairing with the goddess, Hela (who we'll get to shortly), but there's actually a lot of misconception here. As Carolyne Larrington mentions in her translation of The Poetic Edda (one of the core sources on Norse mythology), many climactic events "portend the destruction of the gods at Ragnarok (literally: the Doom of the Gods, though the word rök 'doom' is sometimes confused with rokkr 'twilight'...)" which is where we get the most popular reading, "Twilight of the Gods." Sure, it's more poetic, but it misses the primary point. The latest film actually does a great job of riding between the two readings, using the popular translation, but keeping its intended purpose.
    [Show full text]
  • Valhalla: the Myths of Norseland; a Saga, in Twelve Parts
    «n»n«n«.n«a#a«a«oen#n t^^n^o^o^L MMMMWHMIMIlNlif NMMMMMIMIMMHWMMMM IMMHNMN«WIN*MMM«N«HI(W^^ 3!*n»atn#n»n»n4io#n«n«a»o»o«n#n#o»D*; Qass_- Book_ Digitized by the Internet Archive in 2009 with funding from Sloan Foundation http://www.archive.org/details/valhallamythsofnOOjone : VALHALLA MYTHS OF NORSELAND ^ Saga, in gtluclljc ^^arts JULIA CLINTON JONES l-"a<ied the Tiviliglit of the gods , Thro' the wild lands of the North ; From phoeiiix-fire a Clod far higher. Our Chribt-Child coineth forth. NEW YORK R. WORIHINGION. 770 BROADWAY. 1880. Copyright by R. WORTHINGTON. 1>. O. PUBLIC hlBBtXi SEPT. lO. 1940 Trow's Printing and Bookbinding Company, 201-213 ^'^^^ 12/// Street, NEW YORK. i o To THE MKAKJKV Ol' My Grandfather, DE WITT CLINTON. I-OKMHK Governor of the State of New York, AND TO that of Mv MoiHER, Mrs. DAVID .S. JONliS this VOLUME I.S DEDICATED AS AN OFFERING OF REVERENCE AND OF LOVE, EY THE AUTHOR. TO THE READER. To avoid a multiplicity of foot notes, an appendix has been prepared, which will be found at end of book, to which the reader is referred for all allusions and proper names. CONTENTS. Casting out of f.oki's Brood, 70 Creation, 23 Dedication, 3 Einheriar's Song, 39 Hermodur's Visit to Hela, 95 Index to Notes, King v'Egir's Feast, 100 Loki, the Mischief Maker, 48 Loki's Punishment, 109 Mimir's Well, - 59 Odin's Visit to the Vala, - 88 Preface, 7 Ragnarock, 118 Regeneration, - Thor and the l^aughters of /Egir, 81 Valhalla, 29 PREFACE HAT a curious fact it is, that among us, English-speaking people, scholarly in- vestigation has clung rather to the classic lore and mythology of Greece and Rome, than to the less classic, but far purer and truer religion of the North.
    [Show full text]
  • Rules of Placement: • Only 1 Influence Disc Can Occupy Any Single Request Or Temple Slot
    The end of days is close. Darkness and light will clash. Will you ask Týr help to win a decisive battle, or will you consult All Gods know what this means for them. Blood ties will no longer Mímir’s wisdom in order to gain a tactical advantage? be respected, brother will fight against brother, and no man will Support the gods by erecting temples and by convincing brave spare another. warriors and mighty giants to side with them. Odin, Freyja, Týr, Loki, Hel, Thor, and Baldr forge their plans and You can influence which god will fight which during the final battle promise great rewards to the ones who will help them prevail. — Ragnarök — the outcome of which will depend on how well Eventually Fenrir, Mímir, and Surtr will join the battle. you strengthened their armies. Ask for help at the right time, and the gods will grant you their Beware, only a few of them will come out victorious. powers. Will you side with the right ones? Will you ask Freyja to recruit the fallen warriors of Valhalla, or will you use the cunning of Loki and Hel to make an opponent’s As a mortal, your place in the new world depends on it. armies die or switch sides at a critical moment? Components Before the start of the first game please remove all Tiles from the frames. 12) 5 Asgard Tiles Front Back 1) 1 Game Board 13) 33 Enchanted Stone Tiles 2) 40 God cards (4 decks of 10 cards (5 blue, 5 pink, 5 yellow, 5 green, 5 black, 5 red, 3 white) each in the 4 player colours: red, yellow, blue, purple) 3) 24 Warriors (12 white, 12 orange) Light Darkness 4) 10 Giants 14) 16 Population Tiles (8 Light, 8 Darkness) 5) 4 Player Order Tiles 15) 1 Thor’s Skill Tile Front Back 6) 38 God Tiles 16) 1 Týr’s Skill Tile (Fenrir: 2 tiles numbered 3.
    [Show full text]
  • • Aegir – Norse God of the Sea. Married to Ran and Lives Under The
    Aegir – Norse God of the sea. Married to Ran and lives under the waves near the island of Hlesey. Aesir – A group of warrior gods led by Odin who inhabit Asgard. Balder – Son of Odin and Frigg. Known as a gentle and wise god. Killed accidentally by his brother Hod. Will return after Ragnarok. Bolverk – The alias Odin adopted when disguised as a giant to win the mead of poetry. Bor – Son of Buri and father of Odin, Vili and Ve. Bragi – The Norse God of poetry and eloquence. Son of Odin and husband of Idun. Buri – Ancestor of the Norse gods. Created by the cow Audmula licking him from ice. Day – Son of Night and Delling. Said to ride around the earth on his horse Skinfaxi. Earth – Daughter of Night and Annar. Einherjar – Band of dead warriors in Valhalla who await Ragnarok. Eir – Goddess of healing Fjorgyn – Lover of Odin and mother of Thor. Also referred to as Earth. Forseti – God of Justice. Son of Balder and Nanna. Freyja – Main goddess of the Vanir (fertility gods). Daughter of Njord and sister of Freyr. Freyr – Important god of the Vanir. Son of Njord and brother of Freyja. Frigga – Main goddess. Wife of Odin and mother of Balder. Fulla – Goddess servant of Frigga. Gangnrad – Pseudonym of Odin when he visits Vafthrudnir. Gefion – Fertility goddess. Associated with the plow. Tricked the king of Sweden out of a tract of his land. Grimnir – Pseudonym of Odin when he visits his foster son Geirrod, King of the Goths. Gullveig – A Vanir goddess (probably Freyja) who is burned three times by the Aesir.
    [Show full text]
  • Norse Mythology
    N O R S E M Y T H O L O G Y N E I L G A I M A N W. W. NORTON & COMPANY Independent Publishers Since 1923 New York • London FOR EVERETT, OLD STORIES FOR A NEW BOY. C O N T E N T S An Introduction THE PLAYERS BEFORE THE BEGINNING, AND AFTER YGGDRASIL AND THE NINE WORLDS MIMIR’S HEAD AND ODIN’S EYE THE TREASURES OF THE GODS THE MASTER BUILDER THE CHILDREN OF LOKI FREYA’S UNUSUAL WEDDING THE MEAD OF POETS THOR’S JOURNEY TO THE LAND OF THE GIANTS THE APPLES OF IMMORTALITY THE STORY OF GERD AND FREY HYMIR AND THOR’S FISHING EXPEDITION THE DEATH OF BALDER THE LAST DAYS OF LOKI RAGNAROK: THE FINAL DESTINY OF THE GODS A Glossary A N I N T R O D U C T I O N It’s as hard to have a favorite sequence of myths as it is to have a favorite style of cooking (some nights you might want Thai food, some nights sushi, other nights you crave the plain home cooking you grew up on). But if I had to declare a favorite, it would probably be for the Norse myths. My first encounter with Asgard and its inhabitants was as a small boy, no more than seven, reading the adventures of the Mighty Thor as depicted by American comics artist Jack Kirby, in stories plotted by Kirby and Stan Lee and dialogued by Stan Lee’s brother, Larry Lieber. Kirby’s Thor was powerful and good-looking, his Asgard a towering science fictional city of imposing buildings and dangerous edifices, his Odin wise and noble, his Loki a sardonic horn-helmeted creature of pure mischief.
    [Show full text]