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The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence. -
Privacy, Probity and Public Interest Whittle and Cooper Cover Image © Reuters © Image Cover , –7 the Independent
Whittle and Cooper cover C:Layout 1 01/07/2009 15:43 Page 1 RISJ REUTERS REUTERS CHALLENGES INSTITUTE for the STUDY of INSTITUTE for the JOURNALISM CHALLENGES STUDY of JOURNALISM | Privacy, probity and public interest probity Privacy, “'Privacy, Probity and Public Interest' shows how privacy has come Privacy, probity and to be both better protected by the courts and more widely ignored: big questions, riveting examples and sharp analysis.” Baroness Onora O'Neill, President of the British Academy and public interest Professor of Philosophy, Cambridge University “is report is from the frontline. Although it contains an admirable survey of the law and the stance of the regulators, it does much more. It gives interested parties a voice. e authors provide their own thoughtful commentary; they do not shirk the difficult questions. Stephen Whittle and Glenda Cooper Everyone should be interested in this debate, and I wholeheartedly commend this report to anyone who is.” Andrew Caldecott, QC, Specialist in Media Law “An erudite and compelling exposition of one of the most important ethical dilemmas facing British Journalism in the internet era. e authors identify a route towards a new journalism that can respect privacy without compromising its democratic obligation to hold power to account.” Tim Luckhurst Professor of Journalism, University of Kent Stephen Whittle is a journalist and was the BBC's Controller of Editorial Policy (2001–2006). As Controller, he was involved in some of the most high profile BBC investigations such as The Secret Policeman, Licence To Kill, and Panoramas on the Olympics and care of the elderly. -
Croxley Chronicles June 2020 ______
Croxley Chronicles June 2020 __________________________________________________________________________________ Dear Croxley Green U3A members, Well, here we are, still in lockdown. Hopefully we all getting used to our new lifestyles and finding ways of using the excess time we have on our hands not just productively but also enjoyably. As you know, we met – it seems months ago but it was actually only six weeks - as a committee on Zoom and discussed how we could best move forward in these times: Firstly, the AGM is postponed until we can meet in the normal way at St. Oswalds Church Hall – who knows when this might be! Secondly, we hoped that interest group members will continue to keep in touch with each other either by phone, text, email or video link wherever possible and indeed that seems to be the case for hopefully all of you. Please do not hesitate to phone any member of the committee if you haven’t had, and would like, contact with your U3A. Thirdly, we promised to keep in contact with you by issuing more frequent newsletters and also sending a quiz every so often. This is where I come in, as newsletter editor, so I have to start with an apology that it has taken me so long – I’m afraid the good weather proved too tempting! Thank you to those of you who have sent in contributions (see below) and thank you also to the Wanstead & Woodford U3A who have been sharing their bulletins with the Herts U3A Network – these will be going on the website for you to enjoy. -
Mad About Alice Pack
Contents Mad About Alice Introduction . 2 Cast list . 3 The characters . 4 Cast interviews Amanda Holden plays Alice . 6 Jamie Theakston plays Doug . 9 John Gordon Sinclair plays Ted . 12 Episode synopses . 14 Mad About Alice Introduction Mad About Alice A comedy about how opposites attract, separate and then drive each other crazy not just their son they argue about, everything is a potential flash-point. Alice finds herself at the heart of an extended, ever-so-slightly-loopy surrogate family, trying to juggle being a mother to Joe, business partner to the lovable, but somewhat inept Ted,sister to off-with-the-fairies schoolteacher Kate, babysitter to Sancha, the strange child living next door; trying to find some time for her new boyfriend, Scott; and having to contend with an ex-husband who keeps turning up on her doorstep. Co-creator and producer Sue Birbeck says of the series:“I think the essence of the show is that it combines the ups and downs of a romantic comedy with the broader fun of a For most people, divorce generally heralds a family sitcom.” new start; one chapter concludes and another begins. Not so for Alice and Doug – they just Alice and Doug are obviously meant to be can’t seem to write themselves an ending. together – this is something which is clear to Amanda Holden and Jamie Theakston star in everyone except them. But can the two the brand-new BBC One sitcom, Mad About overcome the obstacles and follow their hearts? Alice, which centres on the lives of a divorced Will pride prevent them from admitting they couple and their young son. -
Pictures of Peace Fm Presenters
Pictures Of Peace Fm Presenters Is Jordan saliferous when Powell hurryings unforcedly? Objectionable Jamie disbursing actuarially. Walton still nidificates salutarily while stenotopic Porter crammed that budgerigar. There will be three training days, delivered by BBC World Service journalist Simon Cox, over the autumn. Born Benson Ohene Oduro Boateng, Funny writing is tiny an actor and fellow comedian may well. All the peace fm live business news pictures and hate Want to band the latest. Tesfagabir holds a joint of Arts in English literature and journalism to the University of Asmara, Eritrea, and a Ph. Trump supporters as catering only violence committed today visit the Capitol Police shooting and reportedly killing an unarmed female Trump supporter who was shot aboard the neck. Jazz, Blues, Latin, Cajun, Funk and more. Peace FM Online peacefmonline Instagram photos and. Rockethub club home signin south bend cubs ticket office 91. She living now facing days in isolation and posted a binge of her locked window. As a longtime fan of international folk heritage and photography in 2017 Dan. Eyewitness News at noon. Baptiste taken from The next chapter album. School music lessons and instrument classes provided affordably through schools have stopped, so reconnecting young people to a regular activity, and giving them a chance to learn through private lessons should see them through to when schools return in September. Many roles transition from american university in colorado, in need people facing hunger campaign was. Political Science from Columbia University and is the author of four books, including Albania in Transition: The Rocky Road to Democracy. -
EVENTS PORTFOLIO LEADERSHIP, MOTIVATIONAL, KEYNOTE & AFTER-DINNER SPEAKERS Triumph HOW CAN YOU DEFY YOUR LIMITS to TRIUMPH?
EVENTS PORTFOLIO LEADERSHIP, MOTIVATIONAL, KEYNOTE & AFTER-DINNER SPEAKERS triumph HOW CAN YOU DEFY YOUR LIMITS TO TRIUMPH? DEFY YOUR LIMITS Sir Bradley Wiggins CBE Britain’s Most Decorated Olympian HOW DO YOU MAINTAIN PEAK OVER 20 YEARS PERFORMANCE FOR OVER 20 YEARS? peak performance Dame Katherine Grainger DBE Britain’s Most Decorated Female Olympian tactics TEAM VICTORY IS STRATEGY WITHOUT TACTICS THE SLOWEST ROUTE TO TEAM VICTORY? Andrew Flintoff MBE Broadcaster and Cricketing Legend mindset and self-belief mindset BREAKING THE BARRIERS OF ADVERSITY ARE MINDSET AND SELF-BELIEF THE KEY TO SUCCESS AND BREAKING THE BARRIERS OF ADVERSITY ON AND OFF THE PITCH? Alex Scott MBE Presenter and Sports Pundit WHAT ROLE DOES family base strong A STRONG FAMILY BASE PLAY BOTH ON AND OFF THE PITCH? Harry and Jamie Redknapp ON AND OFF THE PITCH Football Icons, Father and Son Duo CONSISTENT SUCCESS collaboration and collective intelligence and collective collaboration DOES OPEN COLLABORATION AND COLLECTIVE INTELLIGENCE LEAD TO CONSISTENT SUCCESS? Sir Matthew Pinsent CBE Broadcaster and Gold Medal Winning Rower WHAT DIFFERENCES GROWTH CULTURE AND MINDSET ADVANTAGE CAN GROWTH CULTURE performance AND MINDSET ADVANTAGE MAKE TO PERFORMANCE? Matthew Syed Journalist, Author & Broadcaster HOW TO BECOME BRITAIN’S YOUNGEST EVER EUROPEAN professional ever tour youngest TOUR PROFESSIONAL TURNED LEADING GOLFTV PRESENTER? GOLFTV PRESENTER Henni Zuël GOLFTV Presenter and Former Ladies European Tour Professional ACHIEVE YOUR ‘IMPOSSIBLE DREAM’ organisational harmony, -
Talent Tracking
ON SCREEN AND ON AIR TALENT AN ASSESSMENT OF THE BBC’S APPROACH AND IMPACT A REPORT FOR THE BBC TRUST APPENDIX II – TALENT TRACKING BY OLIVER & OHLBAUM ASSOCIATES APRIL 2008 1 APPENDIX II – TALENT TRACKING The objective was to find how the sources of the various network broadcasters’ talent differ, by genre and in some cases over time. Presenter loyalty to broadcasters would also be shown as a result of the ‘talent tracking’. A BARB database consisting of every strand aired on BBC1, BBC2, ITV1, C4 and Five in 2007 was used to select the relevant strands. Strands with less than 300 annual broadcast hours were not considered for analysis. Strands were chosen from genres that have a strong dependence on the quality and audience appeal of their presenter or lead performer. Hence the genres chosen were: • Entertainment, consisting of sub genres ‘Chat Shows’, ‘Quiz/Game Shows’, ‘Family Shows’ and ‘Panel Shows’ • Factual Documentary, consisting of sub genres ‘History’, ‘Human Interest’, ‘Natural History’, ‘Science/ Medical’ • Lifestyle, consisting of sub genres ‘Cooking’, ‘DIY’ and ‘Homes’ • Comedy, consisting of sub genres ‘Situation Comedy’ and ‘Other Comedy’ The talent analysis would then be taken form these selected strands. In the cases where talent appeared for the same channel on more than one strand, the talent was still only considered once for tracking analysis. If talent appeared on more than one channel, then their tracking would appear in all relevant channel profiles. Various different web-based sources were used to best map out the talent’s career. www.wikipedia.org and www.tv.com have career résumés on most of the selected talent; for a deeper and more comprehensive analysis, www.imdb.com and www.spotlight.com were used as reliable programme and talent databases. -
CORPORATE and LIVE PORTFOLIO LEADERSHIP, MOTIVATIONAL & KEYNOTE SPEAKERS Triumph HOW CAN YOU DEFY YOUR LIMITS to TRIUMPH?
CORPORATE AND LIVE PORTFOLIO LEADERSHIP, MOTIVATIONAL & KEYNOTE SPEAKERS triumph HOW CAN YOU DEFY YOUR LIMITS TO TRIUMPH? DEFY YOUR LIMITS Sir Bradley Wiggins CBE Britain’s Most Decorated Olympian HOW DO YOU MAINTAIN PEAK OVER 20 YEARS PERFORMANCE FOR OVER 20 YEARS? peak performance Dame Katherine Grainger DBE Britain’s Most Decorated Female Olympian tactics TEAM VICTORY IS STRATEGY WITHOUT TACTICS THE SLOWEST ROUTE TO TEAM VICTORY? Andrew Flintoff MBE Broadcaster and Cricketing Legend HOW DO INTEGRITY AND TENACITY entrepreneurial success FORM THE FOUNDATIONS OF ENTREPRENEURIAL SUCCESS? INTEGRITY AND TENACITY Baroness Karren Brady CBE Business Executive, Politician, TV Personality and Author extraordinary achievment extraordinary HOW CAN PERSISTENCE, AGAINST ALL THE ODDS AGAINST ALL THE ODDS, LEAD TO EXTRAORDINARY ACHIEVEMENT? James Cracknell OBE Olympic Gold Medallist and Adventurer CLEAR STRATEGY IS APPLYING A CLEAR STRATEGY THE ONLY WAY TO HANDLE PRESSURE? handle pressure Denise Lewis OBE Olympic Gold Medallist and TV Presenter IS ADVERSITY, OPPORTUNITY IN DISGUISE? OPPORTUNITY Stuart Pearce MBE adversity Former England Footballer, Manager and Broadcaster DOES STRENGTH ULTIMATELY LIE IN differences not similarities SOCIETY’S DIFFERENCES, NOT IN IT’S SIMILARITIES? STRENGTH June Sarpong MBE Presenter, Broadcaster and Author HOW DO YOU REMAIN EMOTIONALLY operation rescue RESILIENT IN THE FACE OF LEADING A HOSTAGE RESCUE OPERATION? EMOTIONALLY RESILIENT Jason Fox Former Royal Marine Commando, Special Forces Sergeant and Star of Channel 4’s ‘SAS: Who Dares Wins’ HOW DID STRATEGIC MANAGEMENT AND MARGINAL GAINS REDEFINE THE ROLE the role redefine OF GOLF CAPTAINCY AND LEAD TO HISTORY’S MOST MEMORABLE RYDER CUP VICTORY? MARGINAL GAINS Paul McGinley Victorious Captain of the 2014 European Ryder Cup Team HOSTS GETHIN JONES Broadcaster and TV Personality “Gethin did a fantastic job last night. -
Southampton Solent University School of Media, Arts and Technology
Southampton Solent University School of Media, Arts and Technology BSc (Hons) Media Technology 2016 Adam Weeden Intelligent Silence Detection Supervisor : Steven Moulster Date of presentation : May 2016 Southampton Solent University School of Media, Arts and Technology BSc (Hons) Media Technology Academic Year 2015-2016 ADAM WEEDEN 10118721 Media Technology Project Intelligent Silence Detection Supervised by Steven Moulster MAY 2016 This report is submitted in partial fulfilment of the requirements of Southampton Solent University for the degree of BSc (Hons) Media Technology. Acknowledgements I am grateful for the assistance of my project supervisor Steve Moulster for their guidance and encouragement to complete this project. I am also extremely thankful for the advice given to me by my faculty’s tutors Andrew Horsburgh, Chris Barlow and Sean Lancastle towards completing this assignment. I extend my gratitude to Southampton Solent University for giving me this opportunity, and to the student union’s radio station Radio Sonar for being the inspiration for this project. I also acknowledge my gratitude towards my parents who have supported me morally and economically over the past 4 years at university. Abstract This report covers the usage silence detection technology in today’s radio broadcasting industry and investigates whether it is possible to use consumer-level microcontrollers in order to perform the act of silence detection. This report begins by looking in the necessities behind the technology and will go on to talk about the development of an alternative technology for entry level radio stations with smaller budgets using consumer-level microcontrollers as an alternative to traditional off-the-shelf commercial solutions. -
Classic Radio 1 Schedules (1967-2004)
Frequency Finder UK (www.frequencyfinder.org.uk) Classic Radio 1 Schedules (1967-2004) October 1967 In the early years, Radio 1 was very different. It was originally conceived as a general popular music network, broadcasting easy listening, jazz, folk and country as well as pop and rock music. The intention was that it would opt out of the Light Programme with music when the Light was carrying a speech programme. This was largely the pattern in the first few years, with a lot of sharing between Radios 1 and 2, though the two stations did carry separate music programmes at breakfast and late afternoon. The daytime schedules didn't fully separate until the 1970s. Another feature of the early schedule is that many programmes featured different presenters on different days or in different weeks. A lot of the presenters floated between several shows. Saturday Monday to Friday 05:30 As Radio 2 05:30 As Radio 2 07:00 Tony Blackburn 07:00 Tony Blackburn 08:30 Junior Choice with Leslie Crowther (also on R2) 08:30 Family Choice with a guest presenter (also on R2) 10:00 Saturday Club with Keith Skues 10:00 Jimmy Young (also on R2 until 11:00) 12:00 Emperor Rosko 12:00 Midday Spin with Simon Dee (Mon), Duncan 13:00 Jack Jackson (also on R2) Johnson (Tue), Kenny Everett (Wed), David Rider 14:00 Chris Denning (also on R2) (Thur) and Stuart Henry (Fri) (also on R2) 15:00 Pete Murray (also on R2) 13:00 (Mon) Dave Cash - Live Music 16:00 Pete Brady (also on R2) 13:00 (Tue) Keith Fordyce - Live Music 17:30 Country Meets Folk with Wally Whyton (also on 13:00 (Wed) Bob Miller and The Millermen with R2) Parade of the Pops - Live orchestral pop 18:30 Scene and Heard - magazine with Johnny Moran 13:00 (Thur) Pop North with the Northern Dance 19:30 As Radio 2 Orchestra 22:00 Pete Murray (easy listening, also on R2) 13:00 (Fri) The Joe Loss Show - Live orchestral pop 00:00-02:00 Night Ride with Sean Kelly (easy listening, 14:00 Pete Brady (also on R2 15:00-16:15) also on R2) 16:30 What's New 17:30 David Symonds Sunday 19:30 As Radio 2 except.. -
James Bachman Writer
James Bachman Writer To adults James is perhaps best known as ‘that other bloke who’s not Mitchell or Webb’ in BBC2's BAFTA Award-winning sketch show THAT MITCHELL AND WEBB LOOK, Alistair the anger management therapist in Steve Coogan’s SAXONDALE, or the loveably idiotic Victorian Harry Biscuit in Radio 4’s Sony Award-nominated comedy BLEAK EXPECTATIONS.To children he is simply (gasp!) the star of three series of CBBC’s hit sketch show SORRY I’VE GOT NO HEAD. In collaboration with others and on his own, James has a long career as a writer of both narrative and broken comedy. As well as writing for the sketch shows he appears in on TV and radio, he has also written material for Armstrong & Miller, Ant & Dec, Mel & Sue, Watson & Oliver, Horne & Corden, Jamie Theakston & Zoe Ball, Armando Iannucci, Miltn Jones, Jack Docherty, and Les Dennis. He has co-written and recorded two sitcom pilots for Radio 4 and written and developed TV sitcom scripts and treatments for Objective, Baby Cow, Pozzitive, Tiger Aspect, Endemol, Princess, Channel X, Absolutely and BBC Comedy as well as writing episodes of the kids sitcom ME AND MY MONSTERS for CBBC, and two treatments for a TV film for THE MUPPETS. James can also be seen on Funny Or Die, YouTube, Twitter and in Empire Magazine as the film director Peeder Jigson, star of PEEDER JIGSON’S VIDEO DIARY which documents the trials and tribulations of filming J. R. R. R. Tolkien’s ‘The Hubbard’. He is currently developing a sitcom for Radio 4, a topical show for Channel 5, a play for the Soho Theatre, a film for Pulse Films, a 17th Century sitcom for kids, an action-adventure-comedy for ‘that folder on his laptop’, and a couple of really good sketch shows for whoever wants them. -
PRESS RELEASE July 08, 2015
PRESS RELEASE July 08, 2015 Arqiva Commercial Radio Awards 2015 - Winners Announced Strictly embargoed for broadcast or publication until 22.00hrs on Wednesday July 08, 2015 The winners of the 2015 Arqiva Commercial Radio Awards were announced this evening (July 8) at a star-studded ceremony at London’s Roundhouse in Camden. Top artists, Alesha Dixon, Nathan Sykes, formerly of The Wanted and Aston, formerly of JLS, performed live at the ceremony, hosted by Heart London Breakfast presenters, Jamie Theakston and Emma Bunton. The awards, now in their 20th year and organised by Radiocentre, are the biggest celebration of commercial radio, marking achievement from presenters and programming to advertising and marketing. LBC picked up three Gold gongs on the night – Nick Ferrari for Presenter of the Year (2 million+ TSA), Tom Swarbrick won Journalist of the Year in the Ali Booker memorial prize and LBC was also awarded Gold for Station of the Year (2 Million+ TSA). That awards tally was matched by Absolute Radio who scooped Gold in the Specialist Programme of the Year category with Rock n Roll Football; Single Programme or Broadcast of the Year with The Clarke Carlisle Story and Absolute’s Christian O’Connell also received The Arqiva Gold Award. Kiss’s Andy Roberts received Gold for Programmer of the Year and Kiss was also awarded Gold for the Station Imaging Award. Trev & Caroline at 106JACKfm Oxfordshire scooped Gold for Presenter of the Year (under 2m TSA). Radio Borders picked up Gold for Station of the Year (under 500,000 TSA) and Metro Radio received Gold Station of the Year (500,000 – 2m TSA).