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S K E N È Journal of Theatre and Drama Studies 4:1 2018 Transitions Edited by Silvia Bigliazzi SKENÈ Journal of Theatre and Drama Studies Founded by Guido Avezzù, Silvia Bigliazzi, and Alessandro Serpieri General Editors Guido Avezzù (Executive Editor), Silvia Bigliazzi. Editorial Board Simona Brunetti, Lisanna Calvi, Nicola Pasqualicchio, Gherardo Ugolini. Editorial Staff Guido Avezzù, Silvia Bigliazzi, Lisanna Calvi, Francesco Dall’Olio, Marco Duranti, Francesco Lupi, Antonietta Provenza. Layout Editor Alex Zanutto. Advisory Board Anna Maria Belardinelli, Anton Bierl, Enoch Brater, Jean-Christophe Cavallin, Rosy Colombo, Claudia Corti, Marco De Marinis, Tobias Döring, Pavel Drábek, Paul Edmondson, Keir Douglas Elam, Ewan Fernie, Patrick Finglass, Enrico Giaccherini, Mark Griffith, Stephen Halliwell, Robert Henke, Pierre Judet de la Combe, Eric Nicholson, Guido Paduano, Franco Perrelli, Didier Plassard, Donna Shalev, Susanne Wofford. Copyright © 2018 SKENÈ Published in May 2018 All rights reserved. ISSN 2421-4353 No part of this book may be reproduced in any form or by any means without permission from the publisher. SKENÈ Theatre and Drama Studies http://www.skenejournal.it [email protected] Dir. Resp. (aut. Trib. di Verona): Guido Avezzù P.O. Box 149 c/o Mail Boxes Etc. (MBE150) – Viale Col. Galliano, 51, 37138, Verona (I) Contents Silvia Bigliazzi – Preface 5 The Editors Guido Avezzù – Collaborating with Euripides: Actors and 15 Scholars Improve the Drama Text Silvia Bigliazzi – Onstage/Offstage (Mis)Recognitions in The 39 Winter’s Tale Miscellany Angela Locatelli – Hamlet and the Android: Reading 63 Emotions in Literature Roberta Mullini – A Momaria and a Baptism: A Note on 85 Beginning and Ending in the Globe Merchant of Venice (2015) Clara Mucci – The Duchess of Malfi:When a Woman-Prince 101 Can Talk Lilla Maria Crisafulli – Felicia Hemans’s History in Drama: 123 Gender Subjectivities Revisited in The Vespers of Palermo Maria Del Sapio Garbero – Shakespeare in One Act. -
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8 SATURDAY 19 AUGUST 2017 Read by Robert Glenister monarchy and giving a glimpse into the essential ingredients of a Written by Sarah Dunant successful sovereign. SAT 00:00 Bruce Bedford - The Gibson (b007js93) Abridged by Eileen Horne In this programme, Will uses five objects to investigate a pivotal Episode 5Saul and Elise make a grim discovery in the nursing Produced by Clive Brill aspect of the art of monarchy - the projection of magnificence. An home. Time-hopping thriller with Robert Glenister and Freddie A Pacificus production for BBC Radio 4. idea as old as monarchy itself, magnificence is the expression of Jones. SAT 02:15 Me, My Selfie and I: Aimee Fuller©s Generation power through the display of wealth and status. Will©s first object SAT 00:30 Soul Music (b04nrw25) Game (b06172qq) unites our current Queen with George III; the Gold State Coach, Series 19, A Shropshire Lad"Into my heart an air that kills Episode 5In the final part of her exploration of the selfie which has been used for coronations since 1821. Built for George From yon far country blows: phenomenon, snowboarder Aimee Fuller describes how she will III in 1762, it reflects Britain©s new found glory in its richly gilded What are those blue remembered hills, be using social media as she sets out to compete for a place at the carvings and painted panels...but the glory was to be short lived. What spires, what farms are those? next Winter Olympics. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Linda by Penelope Skinner and the Wasp by Morgan Lloyd Malcolm Performance Reviews
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 13 | 2016 Thomas Spence and his Legacy: Bicentennial Perspectives Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm Performance reviews William C. Boles Electronic version URL: http://journals.openedition.org/miranda/9420 DOI: 10.4000/miranda.9420 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference William C. Boles, “Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm ”, Miranda [Online], 13 | 2016, Online since 23 November 2016, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/9420 ; DOI: https://doi.org/10.4000/miranda.9420 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm 1 Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm Performance reviews William C. Boles Factual information about the shows 1 Play : Linda by Penelope Skinner Place : Royal Court Theatre Downstairs (London) Running time : November, 29th, 2015-January, 9th, 2016 Director : Michael Longhurst Set Designer : Es Devlin Costume Designer : Alex Lowde Lighting Designer : Lee Curran Composer and Sound Designer : Richard Hammarton Video Designer : Luke Halls Movement Director : Imogen Knight Cast : Imogen Byron, Karla Crome, Jaz Deol, NomaDumezweni, Amy Beth Hayes, Dominic Mafham, -
2020 Movie Catalog
Catalog © 2019 Paramount Pictures © 2019 Disney Enterprises Inc. 2020 © 2019 Warner Bros. Ent. All rights reserved. © 2019 CMTG, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. © 2019 Universal City Studios Productions LLLP. All Rights Reserved. RESOURCEYour Movie The 2020 Swank Movie Catalog features all the films you’ll want to feature in your upcoming movie program. To make it easier for you to select titles based on your audience, we’ve ordered the titles by rating! This year, find all our new G and PG-rated content in the first section followed by new PG-13 titles. TABLE OF Contents G/PG New Releases .............................................................................................................................. 1 PG-13 New Releases ...........................................................................................................................16 2020 Programming Calendar ...........................................................................................................30 Coming Soon ........................................................................................................................................32 Top 50 All-Time Favorites ..................................................................................................................34 Top 20 Halloween ...............................................................................................................................36 Top 20 Holiday .....................................................................................................................................37 -
Reminder List of Eligible Releases for Distinguished Achievements During 1996 A
Reminder List of Eligible Releases for Distinguished Achievements during 1996 A ACROSS THE SEA OF TIME Peter Reznik. Abby Lewis. Dennis O'Connor. THE ADVENTURES OF PINOCCHIO Martin Landau. Jonathan Taylor Thomas. Genevieve Bujold. Udo Kier. Bebe Neuwirth. Rob Schneider. Corey Carrier. Marcello Magni. Dawn French. Richard Claxton. Griff Rhys Jones. John Sessions. Jean-Claude Drouot. Jean-Claude Dreyfus. Teco Celio. Wilfred Benaiche. Erik Averlont. Vladimir Koval. Daniela Tolkein. Anita Zagaria. Lilian Malkina. Vaclav Vydra. Petr Bednar. Stefan Weclawek. Zdenek Podhursky. Jiri Kvasnicka. Gorden Lovitt. Jan Slovak. Dean Cook. Joe Swash. Oliver Barron. Jake Court. Luke Deleon. Kevin Dorsey. Thomas Orange. Sean Woodward. Jiri Patocka. Lida Vlaskova. Paavel Koci. Voiceovers: Jonathan Taylor Thomas. David Doyle. ALASKA Thora Birch. Vincent Kartheiser. Dirk Benedict. Charlton Heston. Duncan Fraser. Gordon Tootoosis. Ben Cardinal. ALL DOGS GO TO HEAVEN 2 Animation voiceovers: Ernest Borgnine. Bebe Neuwirth. Charlie Sheen. Hamilton Camp. Steve Mackall. Dan Castellaneta. Dom DeLuise. Tony Jay. Jim Cummings. Wallace Shawn. Sheena Easton. George Hearn. Adam Wylie. Kevin Michael Richardson. Pat Corley. Marabina Jaimes. Bobby DiCicco. Annette Helde. Maurice La Marche. ALL'S FAIR IN LOVE & WAR Sartaj Khan. Miki O'Brien. Bill Trillo. Christopher B. Aponte. Tony Pressman. Angela Mia. William Night. Jerry Mullen. Robert Mont. Andy Innes. Jenny Z. Barbara Nelson. Rick Nardi. Steven Sahar. Giuliano Belle. Robert Donovan. Art Samuels. J. Paul Vincent. Doug Crews. Gene Ober. Blu Bluestein. "TR" Richards. Dug Credit. Tom Gumpper. Marge Ann Windish. Adam Gordan. Nicola Kelly. Craig Walker. Gary Sohl. Sam Sarpong. Michelle Chastain. Annette Harper. Jason Graziano. Gil Ferrales. Kevin Scott. Carl Thibault. -
Cine Dia a Dia
CINE DIA A DIA MIÉRCOLES 1 12:09 WAR Osmosis Jones INF WAR El buen amigo gigante HBP Olimpo bajo fuego SUS ISA Fear and Loathing in Las 12:10 SPC Prisionera del espacio ACC AVEN 11:32 TNT Cars 2 COM Vegas COM 00:00 CNL Lazos perversos SUS 12:37 CMX Godzilla 2000 ACC 22:10 HBP Máquinas mortales ACC 11:48 SPC Arma mortal 3 POL SPC El cocodrilo TERR STU Jason Bourne ACC 13:10 FOX Mi nueva yo COM 23:18 FXM Superpolicías SUS 11:53 WAR Aviones COM STU Conor McGregor: el infame 00:33 CMX El implacable ACC 13:15 ISA La siesta del tigre DOC 23:29 ISA Phoenix Forgotten TERR 12:00 FXM Perdidos en Nueva York DOC 00:55 A&E Terror en Amityville DRA 13:23 FXM La maldición de la Pantera 23:42 TNT ¿Quién *&$%! son los COM TNT Venganza despiadada ACC 01:00 FOX Resident Evil 4: La Rosa COM Miller? COM 12:28 ISA Pichuco DOC WAR Una pareja explosiva 2 ACC resurrección CFIC 13:28 TNT Click: perdiendo el control 23:45 HBO Escuela nocturna COM 12:30 STU La clase del ‘92 DOC 23:32 SPC El cocodrilo 3 SUS 01:05 HBP Hombres de negro MIB COM 13:13 CNL Más barato por docena 2 23:40 FXM El turista ACC internacional ACC 13:30 STU La historia de Julian JUEVES 2 COM STU Amenaza mortal ACC 01:28 SPC Halloween TERR Assange BIO 13:18 CMX High School Musical 3: La 23:58 ISA Beneath TERR 01:50 HBO Chicos buenos COM 13:35 HBO La casa con un reloj en sus 00:00 A&E Secretos mortales: los niños graduación MUS 01:55 FXM Kill Bill, la venganza: paredes COM perdidos de Dozier DOC 13:25 HBP Silencio del más allá TERR VIERNES 3 Volumen II ACC 13:40 HBP Tierra de zombies AVEN CNL Prometeo -
Shakespeare's Globe
From the United Kingdom: Shakespeare’s Globe Get the Steppenwolf Black Card 6 Credits to use however you want. 3 levels to fit any budget. steppenwolf.org/membership • 312-335-1650 —The Merry Wives of Windsor CHICAGO SHAKEPEARE THEATER Welcome DEAR FRIENDS, We’ve just launched our 30th Anniversary Season at Chicago Shakespeare and could not think of a better way to celebrate than the current scope of work on our stages and in the community. As we write, our production of Twelfth Night is touring, free for all, to nineteen Chicago neighborhoods; rehearsals have just begun for Part Two of Barbara’s epic history cycle, Tug of War; and today, our yearlong international festival—Shakespeare 400 Chicago—welcomes the incomparable Jonathan Pryce as Shylock in The Merchant of Venice from Shakespeare’s Globe. We are excited to continue our relationship with this renowed theater, where Barbara has long served on The Globe Council. The Merchant of Venice marks the third time a Globe production has toured to CST’s stages, beginning in 2003 with its “original practices” production of Twelfth Night, starring Academy Award-winner Mark Rylance as Olivia, and again in 2014 with its ambitious world-circling tour of Hamlet, presented in 197 countries. In 2014, CST’s World’s Stage series welcomed Kneehigh’s production of Tristan and Yseult directed by Emma Rice, now the Globe’s artistic director. The sole North American theater invited to participate in the 2012 Cultural Olympiad “Globe to Globe” festival, CST debuted on the Globe’s stage with its production of Othello: The Remix, created with the Q Brothers. -
37 Plays 37 Films 37 Screens
the complete walk 37 PLAYS 37 FILMS 37 SCREENS A celebratory journey through Shakespeare’s plays along the South Bank and Bankside Credits and Synopses shakespearesglobe.com/400 #TheCompleteWalk 1 contents 1 THE TWO GENTLEMEN OF VERONA 3 20 HENRY V 12 2 HENRY VI, PART 3 3 21 AS YOU LIKE IT 13 3 THE TAMING OF THE SHREW 4 22 JULIUS CAESAR 13 4 HENRY VI, PART 4 23 OTHELLO 14 5 TITUS ANDRONICUS 5 24 MEASURE FOR MEASURE 14 6 HENRY VI, PART 2 5 25 TWELFTH NIGHT 15 7 ROMEO & JULIET 6 26 TROILUS AND CRESSIDA 15 8 RICHARD III 6 27 ALL’S WELL THAT ENDS WELL 16 9 LOVE’S LABOUR’S LOST 7 28 TIMON OF ATHENS 16 10 KING JOHN 7 29 ANTONY AND CLEOPATRA 17 11 THE COMEDY OF ERRORS 8 30 KING LEAR 17 12 RICHARD II 8 31 MACBETH 18 13 A MIDSUMMER NIGHT’S DREAM 9 32 CORIOLANUS 18 14 THE MERCHANT OF VENICE 9 33 HENRY VIII 19 15 HENRY IV, PART 1 10 34 PERICLES 19 16 MUCH ADO ABOUT NOTHING 10 35 CYMBELINE 20 17 HENRY IV, PART 2 11 36 THE WINTER’S TALE 20 18 THE MERRY WIVES OF WINDSOR 11 37 THE TEMPEST 21 19 HAMLET 12 2 THE TWO GENTLEMEN HENRY VI, PART 3 OF VERONA Filmed at Towton Battlefield, England Filmed at Scaligero Di Torri Del Benaco, St Thomas’ Hospital Garden Verona, Italy St Thomas’ Hospital Garden CREDITS Father DAVID BURKE CREDITS Son TOM BURKE Julia TAMARA LAWRANCE Henry VI ALEX WALDMANN Lucetta MEERA SYAL Director NICK BAGNALL Director of Photography ALISTAIR LITTLE Director CHRISTOPHER HAYDON Sound Recordist WILL DAVIES Director of Photography IONA FIROUZABADI Sound Recordist JUAN MONTOTO UGARTE ON-STAGE PRODUCTION (GLOBE TO GLOBE FESTIVAL) ON-STAGE PRODUCTION Performed in Macedonian by the National Theatre (GLOBE ON SCREEN) of Bitola, Macedonia A Midsummer Night’s Dream Twelfth Night Director JOHN BLONDELL As You Like It Othello SYNOPSIS Romeo and Juliet As the War of the Roses rages, Richard, Duke of Measure for Measure York, promises King Henry to end his rebellion if his All’s Well That Ends Well sons are named heirs to the throne. -
Reminder List of Productions Eligible for the 92Nd Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 92ND ACADEMY AWARDS FILM TITLE ACTORS ACTRESSES ABOMINABLE Albert Tsai Chloe Bennet Tenzing Norgay Trainor Sarah Paulson Joseph Izzo Tsai Chin Eddie Izzard AD ASTRA Brad Pitt Ruth Negga Tommy Lee Jones Liv Tyler John Ortiz Kimberly Elise Donald Sutherland LisaGay Hamilton Greg Bryk Loren Dean John Finn Donnie Keshawarz Bobby Nish ADAM Nicholas Alexander Bobbi Salvor Menuez Bobbi Salvor Menuez Margaret Qualley Leo Sheng THE ADDAMS FAMILY Oscar Isaac Charlize Theron Finn Wolfhard Chloe Grace Moretz Nick Kroll Bette Midler Snoop Dogg Allison Janney Martin Short Catherine O'Hara Tituss Burgess Jenifer Lewis Conrad Vernon Elsie Fisher Scott Underwood THE AERONAUTS Eddie Redmayne Felicity Jones Himesh Patel Phoebe Fox Robert Glenister Rebecca Front Vincent Perez Anne Reid Tom Courtenay Page 1 of 53 FILM TITLE ACTORS ACTRESSES AFTER THE WEDDING Billy Crudup Julianne Moore Michelle Williams Abby Quinn THE AFTERMATH Alexander Skarsgard Keira Knightley Jason Clarke Kate Phillips Martin Compston Flora Li Thiemann Jannik Schumann ÁGA Mikhail Aprosimov Feodosia Ivanova Sergey Egorov Galina Tikhonova ALADDIN Will Smith Naomi Scott Mena Massoud Marwan Kenzari Navid Negahban Nasim Pedrad Billy Magnussen Numan Acar ALITA: BATTLE ANGEL Christoph Waltz Rosa Salazar Mahershala Ali Jennifer Connelly Ed Skrein Lana Condor Jackie Earle Haley Idara Victor Keean Johnson Eiza Gonzalez Jorge Lendeborg, Jr. Jeff Fahey Rick Yune ALWAYS BE MY MAYBE Randall Park Ali Wong James Saito Michelle Buteau Daniel Dae Kim Vivian Bang Keanu Reeves Charlyne Yi Karan Soni Susan Park THE AMAZING JOHNATHAN —— —— DOCUMENTARY AMERICAN FACTORY —— —— Page 2 of 53 FILM TITLE ACTORS ACTRESSES AMERICAN WOMAN Aaron Paul Sienna Miller Will Sasso Christina Hendricks Pat Healy Sky Ferreira Alex Neustaedter Amy Madigan E. -
Newsletter 06/14 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 06/14 DIGITAL EDITION Nr. 341 - August 2014 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 06/14 (Nr. 341) August 2014 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Unglaublich aber wahr: es sind schon wieder Sommerferien! Höchste Zeit also, den näch- sten Newsletter steigen zu lassen! Und der ist wieder richtig prall gefüllt mit Informationen zu den wichtigsten DVD- und Blu-ray- Releases in Deutschland und den USA. Ein- fach mit in den Koffer packen und gemütlich am Badestrand lesen. Für alle Multimedialen unter unseren Lesern haben wir natürlich auch wieder zwei neue Videos auf unseren Youtube-Kanal gepackt. Denn während des Indischen Filmfestivals in Stuttgart hatten wir Gelegenheit, uns mit zwei der anwesenden Regisseure zu unterhalten. Ob Sie jetzt also lesen oder schauen – wir wünschen viel Spaß dabei! Ihr Laser Hotline Team Oben: Amit Gupta, Autor und Regisseur der britischen Komödie JADOO Unten: Amit Kumar, Autor und Regisseur des indischen Noir Thrillers MONSOON SHOOTOUT LASER HOTLINE Seite 2 Newsletter 06/14 (Nr. 341) August 2014 Wolfram Hannemanns Film-Blog Montag, 23. Juni 2014 krassen Gegensatz rechnet man ganz Glück – was ist das? gewiss nicht und so wundert es nicht, Eine Komödie mit philosophischen An- dass diese Episode als störend emp- sätzen läutete meine recht volle Presse- funden wird. Dank der flotten Inszenie- woche heute ein. rung und der guten Darsteller aber überwiegt der positive Eindruck, der HECTORS REISE ODER DIE SUCHE allenfalls durch die sich in den Vorder- NACH DEM GLÜCK (1:2.35, DD 5.1) grund spielende Filmmusik etwas ge- OT: Hector And The Search For trübt wird. -
SHAKESPEARE's DIALOGIC STAGE : TOWARDS a POETICS of PERFORMANCE By
SHAKESPEARE'S DIALOGIC STAGE : TOWARDS A POETICS OF PERFORMANCE by WINIFRED MARIA JONES A thesis submitted to the Faculty of Arts of The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute The University of Birmingham March 1999 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Shakespearian performance scholarship is arguably looking for a methodology that can integrate the study of performative work with critical analysis and theory. As an intervention in this discussion, I propose a poetics of performance, a term intended as a playful appropriation of Stephen Greenblatt's poetics of culture but one that restores the central omission of actual performance to his study of Renaissance subjectivity in dramatic texts. This is a systematic study of four plays, The Taming of the Shrew, The Merchant of Venice, Hamlet and Richard II in productions on stage and screen between 1927-1995, arranged diachronically and in dialogic pairings (drawing on 'Bakhtinian thought'). Utilising Greenblatt's discussion of cultural exchange and symbolic acquisition, and restoring Greenblatt's omission of diachronic 'appropriation', I consider the reception of the performative work, drawing attention to interpretative patterns, and enquire into the structuring historical contingency of the Renaissance locus.