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Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
The Courtneys II February 17, 2017 CATLOGUE
The Courtneys drift back to the sound of the early ’90s, drawing from strong influences including Teenage Fanclub, Pavement, Eddy Current Suppression Ring, and The Clean. Courtney Loove's dreamy guitar riffs add a timeless powerpop element to the punk backbone formed by Sydney Koke's driving basslines, while drummer/lead singer Jen Twynn Payne delivers heartfelt lyrics with a powerful vocal style. These components come together through a passionate collaborative songwriting process to deliver a special blend of fuzzy “artisanal grunge”. THE COURTNEYS – The Courtneys II The first Courtneys album (self titled) came out in 2013 on small independent label, Hockey Dad February 17, 2017 Records, based in the band’s hometown of CATLOGUE: FN570 Vancouver, BC, Canada. They have since worked with FILE UNDER: INDIE, POP a number of independent labels including Conquest of WORLD EXCL. AUSTRALIA + NZ Noise in Australia and Waterslide Records in Japan, as well as Burger Records and Gnar tapes in the USA. LP BOX LOT: 20 They have released a number of singles and music LP BARCODE: 942190363339 videos, and toured throughout Canada and the USA, including spots supporting Tegan and Sara and Mac Demarco. In 2015 The Courtneys made their way to Australia VINYL NON-RETURNABLE and New Zealand, where they were hosted by Flying Nun Records. Influenced by the legendary label from CD BOX LOT: 30 early on, the group are honored to now be able to call CD BARCODE: 942190363346 it their home. "the perfect all-summer-long mini-album" - Rookie "alive with fuzzed-up jangle and artful pop that makes TRACK LIST: for both good daytime listening and solitary nighttime 1. -
Children's Folk Music in Canada: Histories, Performers and Canons
Children’s Folk Music in Canada: Histories, Performers and Canons ANNA HOEFNAGELS Abstract: In this paper the author explores the origins, growth and popularity of prominent children’s performers and their repertoires in English Canada from the 1960s-1980s, arguing that this period saw the formation of a canon of children’s folk music in Canada.Various factors that have supported the creation of a children’s folk music canon are highlighted, including the role of folk song collectors, folk singers, educational institutions, media outlets and the role of parents in the perpetuation of a particular canon of folk songs for children. ike many adults, I was rather uninterested in children’s music until I be- Lcame a parent. However, since the birth of my children, my family has been listening to and watching various performers who specialize in music for children. I am not unique in my piqued interest in this repertoire after the birth of my children; indeed many parents seek to provide a musical environ- ment for their children at home, both through songs and lullabies they may sing to their children, and by listening to commercial recordings made for young children. Early music educators recognize the importance of music in the development of young children, and the particular role that parents can have on their child’s musical development; as researchers Wendy L. Sims and Dneya B. Udtaisuk assert: Early childhood music educators stress the importance of pro- viding rich musical environments for young children. The intro- duction to MENC’s National Standards states, “The years before children enter kindergarten are critical for their musical develop- ment,” and infants and toddlers “should experience music daily while receiving caring, physical contact” (Music Educators Na- Hoefnagels: Children’s Folk Music in Canada 15 tional Conference, 1994). -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
COUNTRY DANCE and SONG 21 March 1991
COUNTRY DANCE AND SONG 21 March 1991 , <2./ I Country Dance and Song Editor: David E. E. Sloane, Ph.D. Managing Editor: Henry Farkas Associate Editor: Nancy Hanssen Assistant Editor: Ellen Cohn Editorial Board Anthony G. Barrand, Ph.D. Fred Breunig Marshall Barron Paul Brown Dillon Bustin Michael Cooney Robert Dalsemer Elizabeth Dreisbach Emily Friedman Jerome Epstein, Ph.D. Kate Van Winkle Keller Christine Helwig Louis Killen David Lindsay Margaret MacArthur Jim Morrison John Ramsay John Pearse Richard Powers Sue A Salmons Ted Sannella Jay Ungar Jeff Warner COUNTRY DANCE AND SONG is published annually; subscription is by membership in the Country Dance and Song Society of America, 17 New South Street, Northampton, Massachusetts, 01060. Articles relating to traditonal dance, song, and music in England and America are welcome. Send three copies, typed, double-spaced, to David Sloane, Editor CD&S, 4 Edgehill Terrace, Hamden, CT 06517. Thanks to the University of New Haven for editorial support of this issue. co COUNTRY DANCE AND SONG, March 1991, Copyright Country Dance and Song Society of America. Cover: Figure 1 for "Morris Dancing and America": frontispiece for 1878 sheet music, reprinted courtesy of the Library of Congress. Country Dance and Song Volume 21 March 1991 CONTENTS Morris Dancing and America Prior to 1913 by Rhett Krause . 1 Dancing on the Eve of Battle: Some Views about Dance during the American Civil War by Allison Thompson . 19 Homemade Entertainment through the Generations by Margaret C. MacArthur ........................... 26 Seymour's Humorous Sketches by Alfred Crowquill .......................... ..... 40 Treasured Gifts, Joyous Times: Genny Shimer Remembered by Christine Helwig . -
Literatura De Cordel (“Stories on a String”)
Literatura de Cordel (“Stories on a String”) In marketplaces throughout northeast Brazil, local poets pub- lish their verses in pamphlet form. The pamphlets, called fol- hetos, are hung on clotheslines strung across the poets’ stalls. The poets recite their poems to passing shoppers, who enjoy hearing exploits of their heroes and local news events The literatura de cordel tradition incorporates many elements recited in verse. Called literatura de cordel (“stories on a of Brazil’s cultural heritage. Among the most important are string”), these tales told in verse are, according to anthropol- the Portuguese chapbook tradition, the oral Iberian balladry ogist Candace Slater, “the world’s richest and most varied tradition, and the Brazilian improvised verse dialogues or heirs to a centuries-old ballad and chapbook tradition once contests called desafios or pelejas, which evolved from the embracing most of Europe.” For over a century, folhetos have tenzone, a poetic form practiced by the troubadours. Other been the favorite reading material of the general public in influences are biblical stories, exemplum (tales that illustrate northeast Brazil. a moral point), and folktales (known as trancoso in Brazil). Some scholars have suggested that the cordel also may have The folheto is a little book, usually measuring four by six-and- been influenced by the African narrative tradition called akpa- a-half inches and numbering eight, sixteen, thirty-two, or lo, brought by enslaved Africans to northeast Brazil. sixty-four pages. Printed on newsprint, their covers illustrat- ed with woodcut prints, the folhetos are sold with uncut Further Reading pages. The author’s or publisher’s name (or both) usually appears above the title. -
Midwest Music Fest 2015 Listener's Guide
Organizers Board of Directors Trina Barrett, Sam Brown, Charlie Brown, Sean Burke, Julie Fassbender, Jacob Grippen, Zach Krage,Jim Trouten, Doug Westerman Managing Director Parker Forsell MWMF Assistant Director Dave Casey Booking Manager 168 E. 3rd St. Isaac Sammis Winona, MN 55987 Merchandise Annika Gunderson, On Three Printing GET TICKETS AND MORE Volunteer Coordinator INFO HERE Rebecca Richter Ticketing Coordinator www.midwestmusicfest.org Nicole Kirchner Music Committee Megan Hanson, Brianna Haupt, Stage Design Tim Fair, Doug Harden, Sean Brianna Truax - Modern Design Concepts Burke, Matt Marek, Alex Stevens Production Education Committee Ben Assef - Northern Sun Productions Jacob Grippen, Kelly Blau, Mike Graphic Design Costello, Brianna Haupt, Isaac Danielle Barck Sammis, Nick Novotny, Nick Elstad Fundraising Committee Printed by Sean Burke, Julie Fassbender, Cherie Harkenrider Listener’s Guide Adam Wiltgen, Jonathon Roberts, Brian Voerding, Chris Rodgers, Jim Many thanks Schmidt to the volunteers, Photography artists and sponsors Shannon Porter, Sidney Swanson, - you truly make this Ben Steinquist festival the place Hub Window Design “where music and Sarah Johnson community meet”. 3 Winona Film Society 4 5 North Light Songwriters’ Showcase Friday, April 24 • Winona Arts Center • 6pm - 10pm Frankie Lee • Nicole Rae (The Traveling Suitcase) Eddie Danger • Lydia Liza (Bomba de Luz) Mike Munson • Rachel Kilgour • J.E. Sunde Christopher the Conquered • Jaybone Bell • A gathering of nine accomplished songwriters from Minnesota, Wisconsin, -
MEDICAL EXPLORERS to Ms! Medical Explorers Sun 4:30-5:00
MEDICAL EXPLORERS to Ms! Medical Explorers Sun 4:30-5:00 p.m., 7 Jan-17 Jun 1973 William Gibson, the curator of Woodward Medical Library at the University of British Columbia, hosted this thirteen part series. It provided overviews of medical history but, as the title suggests, it concentrated on individual contributions to the evolution of health care. Leonardo da Vinci, Sir William Harvey, who mapped the circulatory system, Charles Sheffington, pioneer in neurology, Lister and Jenner, the innovators of the smallpox vaccine, Christopher Wren, Florence Nightingale, Frank Fairchild Wesbrook, the developer of the ambulance, and Canadian Sir William Osler were all profiled in the series. Keith Christie produced the series in colour, in Vancouver. The Medicine Show Thu 9:30-10:00 p.m., 17 Jan-10 Apr 1980 Mon 9:30-10:00 p.m., 6 Jul-17 Aug 1981 Mon 10:25-10:55 p.m., 5 Jul-30 Aug 1982 A public affairs show in magazine and documentary format, The Medicine Show applied investigative technique to reports on developments in health care. Among the subjects the show covered were: valium addiction, the treatment of leukemia, agoraphobia, aspirin, health food stores, depression, doctors' housecalls and Montreal's Telemedic service, emergency wards, sports medicine and the roles of doctors in training Olympic athletes, folk medicine and the Salish tribe on the west coast, and cervical cancer. On one show, nurses offered their perspective on health care in Canada. Each program included at least two reports and the results of a poll to gauge Canadians' experiences with doctors and in the health care system. -
The Jingle and Jangle of Emotion Assessment: Imprecise Measurement, Casual Scale Usage, and Conceptual Fuzziness in Emotion Research
Emotion © 2016 American Psychological Association 2017, Vol. 17, No. 2, 267–295 1528-3542/17/$12.00 http://dx.doi.org/10.1037/emo0000226 The Jingle and Jangle of Emotion Assessment: Imprecise Measurement, Casual Scale Usage, and Conceptual Fuzziness in Emotion Research Aaron C. Weidman, Conor M. Steckler, and Jessica L. Tracy University of British Columbia Although affective science has seen an explosion of interest in measuring subjectively experienced distinct emotional states, most existing self-report measures tap broad affect dimensions and dispositional emotional tendencies, rather than momentary distinct emotions. This raises the question of how emotion researchers are measuring momentary distinct emotions in their studies. To address this question, we reviewed the self-report measurement practices regularly used for the purpose of assessing momentary distinct emotions, by coding these practices as observed in a representative sample of articles published in Emotion from 2001–2011 (n ϭ 467 articles; 751 studies; 356 measurement instances). This quanti- tative review produced several noteworthy findings. First, researchers assess many purportedly distinct emotions (n ϭ 65), a number that differs substantially from previously developed emotion taxonomies. Second, researchers frequently use scales that were not systematically developed, and that include items also used to measure at least 1 other emotion on a separate scale in a separate study. Third, the majority of scales used include only a single item, and had unknown reliability. Together, these tactics may create ambiguity regarding which emotions are being measured in empirical studies, and conceptual inconsis- tency among measures of purportedly identical emotions across studies. We discuss the implications of these problematic practices, and conclude with recommendations for how the field might improve the way it measures emotions. -
Celebrating 60 Years: the ACTRA STORY This Special Issue Of
SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve -
Analyzing Genre in Post-Millennial Popular Music
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Analyzing Genre in Post-Millennial Popular Music Thomas Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2884 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ANALYZING GENRE IN POST-MILLENNIAL POPULAR MUSIC by THOMAS JOHNSON A dissertation submitted to the Graduate Faculty in Music in partial Fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 THOMAS JOHNSON All rights reserved ii Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson This manuscript has been read and accepted for the Graduate Faculty in music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ ____________________________________ Date Eliot Bates Chair of Examining Committee ___________________ ____________________________________ Date Norman Carey Executive Officer Supervisory Committee: Mark Spicer, advisor Chadwick Jenkins, first reader Eliot Bates Eric Drott THE CITY UNIVERSITY OF NEW YORK iii Abstract Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson Advisor: Mark Spicer This dissertation approaches the broad concept of musical classification by asking a simple if ill-defined question: “what is genre in post-millennial popular music?” Alternatively covert or conspicuous, the issue of genre infects music, writings, and discussions of many stripes, and has become especially relevant with the rise of ubiquitous access to a huge range of musics since the fin du millénaire.