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Nachlässe Von Germanistinnen Und Germanisten Aus Derddr
Erschienen in: Mitteilungen des Deutschen Germanistenverbandes Jg. 64 (2017) H. 2, S. 171-180. Nachlässe von Germanistinnen und Germanisten aus der DDR: eine Beständeübersicht Simone Waidmann / Frederike Teweleit / Ruth Doersing Die nachfolgende Beständeübersicht ist als heuristisches Arbeitsinstrument zu verstehen, das keinerlei Anspruch auf Vollständigkeit erhebt. Sie beruht auf Re cherchen in öffentlich zugänglichen Nachweisinstrumenten und Selbstauskünften bestandshaltender Institutionen. Neben Literaturwissenschaftlerinnen und Literaturwissenschaftlern wurden in Auswahl auch germanistische Linguistinnen und Linguisten berücksichtigt. Auf nahme in die Übersicht fanden nur Bestände (Nachlässe und Vorlässe), die von den genannten Personen bzw. deren Erben gebildet wurden. Instituts- und Gremien unterlagen, Promotions- und Habilitationsakten, Personalakten von Arbeitgebern und andere durch Dritte gebildete Bestände, u. a. Stasiakten, bleiben unberück sichtigt. Die Heterogenität der Angaben ist auf die sehr unterschiedlichen Er schließungsstände in den jeweiligen Archiven zurückzuführen. Becker, Henrik (1902-1984) Universitäts rchiv Jena Nachlass(5,25 lfm, erschlossen, Findbuch) Inhalt:Lehrtätigkeit, hier Unterlagen über die Tätigkeit an der Volkshochschule und der ABF in Leipzig sowie am Germanistischen Institut und dem Institut für Sprachpflege und Wortforschung der FSU Jena. Mitarbeit in Arbeitsgemein schaften und Kommissionen, hauptsächlich Sprachlehrbücher des Sprachlehr- buchausschusses der Gewerkschaft der Lehrer und Erzieher -
ARTIST - TONY OURSLER Born in New York, NY, USA, in 1957 Lives in New York, NY, USA
ARTIST - TONY OURSLER Born in New York, NY, USA, in 1957 Lives in New York, NY, USA EDUCATION - 1979 : BFA, California Institute for the Arts, Valencia, CA, USA SOLO SHOWS - 2020 Magical Variations, Lehmann Maupin Gallery, (Online) Experimentum Cruscis, Match Gallery, Ljubljana, Slovenia 2019 Current, Nanjing Eye Pedestrian Bridge, Nanjing, China Eclipse, Jardin de la Fondation Cartier Water Memory, Guild Hall, East Hampton, New York, USA The Volcano, Poetics Tattoo & UFO, Dep Art Gallery, Milan, Italy 2018 TC: The most interesting man alive, Lisson Gallery, New York, NY, USA Predictive empath, Baldwin Gallery, Aspen, CO, USA 2017 Unidentified, Redling Fine Art, Los Angeles, CA, USA Space men R my friended, Faurshou Fondation, Beijing, China 2016 The Influence Machine, George Square Gardens, University of Edinburgh, Edinburgh, Scotland Galería Moisés Pérez De Albéniz, Madrid, Spain The Imponderable Archive, CCS Bard Galleries, NY, USA Imponderable, MOMA, NY, USA Hans Mayer Gallery, Dusseldorf, Germany TC: The Most Interesting Man Alive, Chrysler Museum, VA, USA Lehmann Maupin, Hong Kong, Honk Kong 2015 Bernier Eliades, Athens, Greece Imponderable: the Archives of Tony Oursler, LUMA Foundation, Arles, France Lehmann Maupin, New York, NY template/variant/friend/stranger, Lisson Gallery, London, UK Influence Machine, Blinc Festival Adelaide, Pink Flats, Adelaide, Australia 2014 Lisson Gallery, London, UK Oude Kerk, Amsterdam, Netherlands Tony Oursler: Obscura, Galerie Hans Mayer, Dusseldorf, Germany Passe-Partout, Baldwin Gallery, Aspen, -
Tony Oursler CV
Tony Oursler Lives and works in New York, NY, USA 1979 BFA, California Institute for the Arts, Valencia, CA, USA 1957 Born in New York, NY, USA Selected Solo Exhibitions 2021 ‘Tony Oursler: Black Box’, Kaohsiung Museum of Fine Arts, Kaohsiung City, Taiwan 2020 ‘Hypnose’, Musée d’arts de Nantes, Nantes, France Lisson Gallery, East Hampton, NY, USA 2019 ‘电流 (Current)’, Nanjing Eye Pedestrian Bridge, Nanjing, China ‘Tony Oursler: Water Memory’, Guild Hall, East Hampton, NY, USA ‘The Volcano & Poetics Tattoo’, Dep Art Gallery, Milan, Italy 2018 ‘predictive empath’, Baldwin Gallery, Aspen, CO, USA ‘Tear of the Cloud’, Public Art Fund, Riverside Park South, New York, NY, USA ‘TC: the most interesting man alive’, Lisson Gallery, New York, NY, USA 2017 ‘Paranormal: Tony Oursler vs. Gustavo Rol’, Pinacoteca Giovanni e Marella Agnelli, Turin, Italy ‘Sound Digressions: Spectrum’, Galerie Mitterand, Paris, France ‘Tony Oursler: b0t / flOw - ch@rt’, Galerie Forsblom, Stockholm, Sweden ‘Tony Oursler: L7-L5 / Imponderable’, CaixaForum, Barcelona, Spain ‘Unidentified’, Redling Fine Art, Los Angeles, CA, USA 2016 ‘Tony Oursler: The Influence Machine’, University of Edinburgh, Edinburgh, United Kingdom ‘A*gR_3’, Galería Moisés Pérez De Albéniz, Madrid ‘M*r>0r’, Magasin III Museum & Foundation for Contemporary Art, Stockholm, Sweden ‘Tony Oursler: The Imponderable Archive’ Hessel Museum of Art, Bard College, Annandale-On-Hudson, NY, USA ‘Imponderable’, Museum of Modern Art, New York, NY, USA ‘TC: The Most Interesting Man Alive’ Chrysler Museum, Norfolk, -
The Impact of Swiss Exile on an East German Critical Marxist
Swiss American Historical Society Review Volume 43 Number 3 Article 3 11-2007 The Impact of Swiss Exile on an East German Critical Marxist Axel Fair-Schulz Follow this and additional works at: https://scholarsarchive.byu.edu/sahs_review Part of the European History Commons, and the European Languages and Societies Commons Recommended Citation Fair-Schulz, Axel (2007) "The Impact of Swiss Exile on an East German Critical Marxist," Swiss American Historical Society Review: Vol. 43 : No. 3 , Article 3. Available at: https://scholarsarchive.byu.edu/sahs_review/vol43/iss3/3 This Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Swiss American Historical Society Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Fair-Schulz: The Impact of Swiss Exile on an East German Critical Marxist The Impact of Swiss Exile on an East German Critical Marxist by Axel Fair-Schulz Among many East German Marxists, who had embraced Marxism in the 1930s and opted to live in East Germany after World War II (between the 1950s until the end of the GDR in 1989), was a commitment to the Communist party that was informed by a more nuanced and sophisticated Marxism than what most party bureaucrats were exposed to. Among them, for example, the writer Stephan Hermlin as well as the literary scholar Hans Mayer both found their own unique way of accommodating themselves Map showing dividing line to and/or confronting the shortcomings of East between East and West Germany. -
EUROPA ERLESEN LEIPZIG Herausgegeben Von Andreas Bode Und Hansdieter Hoyer Inhalt
EUROPA ERLESEN LEIPZIG Herausgegeben von Andreas Bode und Hansdieter Hoyer Inhalt Denis Diderot Leipzig 21 Erich Kästner Märchenhauptstadt 22 Reiselexicon Leipzig, Lipsia 22 Carl Czok Kaiser Maximilians Privilegium 1507 25 Johann Wolfgang Goethe Dichtung und Wahrheit 28 An Cornelia Goethe 34 Paul Burg Lichtträger 35 Erich Kästner Der Karneval des Kaufmanns 36 Meßouvertüre JTAATS-U.UNIV.. I MBL1OTHBK I Wolfgang Hocquel Franz Grillparzer Leipziger Mustermessehäuser Vorzug 47 60 Christian Fürchtegott Geliert Karl Eduard Niese Erinnerung Woyzecks Hinrichtung 49 60 Gotthold Ephraim Lessing Gustav Freytag An Justina Salome Lessing Eine deutsche Stadt 49 62 August Bebel Georg Ticknor Aus meinem Leben Brief an Edward T. Channing 64 50 Mori Ögei Jean Paul Beobachtungen in Leipzig Hungerjahre in Leipzig 66 51 William Carlos Williams Friedrich Schiller Leipzig An Körner 67 53 Axel Frey An Schwan Der »Leipziger Platz« 54 70 Hans Christian Andersen Anonym Reise von Leipzig nach Dresden Lied der Nachdrucker 55 : \ 76 Theodor Fontane Reinhard Piper Mein Leipzig lob ich mir Leipzig und die BUGRA 58 77 Kurt Wolff Tobias Gohlis Erinnerungen Oktober 1813 - Die Völkerschlacht 133 149 August Maurer Johann Sebastian Bach Leipzig imTaumel Brief an Georg Erdmann 133 151 Bernd Weinkauf Siegfried Stadler Leipziger Laut Tach, wir bring'n Bach 136 152 Max Schwimmer Richard Wagner Brief Mein Leben 137 157 Eduard Beaucamp Die Gartenlaube Ich im Himmel, Ich im Eimer Über den Thomanerchor 138 159 Gerhard Mack Seneca Die Stadt der Leinwandhelden Gewandhausinschrift 140 -
THE VIENNESE SCHOOL of ECONOMICS Ual
This draft is not the final edition e Viennese School of Economics Eugen-Maria Schulak and Herbert Unterköfler Translated by Robert Grözinger Copyright © 2010 by the Ludwig von Mises Institute 10 9 8 7 6 5 4 3 2 1 Published under the Creative Commons Attribution License 3.0. http://creativecommons.org/licenses/by/3.0/ Ludwig von Mises Institute 518 West Magnolia Avenue Auburn, Alabama 36832 mises.org able of ontents e Viennese School in brief iii Preface v Vienna in the Mid-th Century Economics as an academic discipline e discovery of the self: e theory of subjective value e emergence of the Viennese School in the Methodenstreit Carl Menger: Founder of the Viennese School Time is money: e Austrian theory of capital and interest Friedrich von Wieser: From economist to social scientist Eugen von Böhm-Bawerk: Economist, minister, aristocrat Emil Sax: e recluse of Voloska Other supporters and students of Menger Money makes the world go round: the monetary theory of the busi- ness cycle Joseph A. Schumpeter: A colorful maverick i ii Schumpeter’s theory of economic development e Viennese School’s critique of Marxism and the consequences: the impending collapse Between the wars: from re-formation to exodus Ludwig von Mises: the logician of freedom Friedrich August von Hayek: Grand seigneur on the fence Other members of the younger Viennese School Praxeology, a new beginning by Ludwig von Mises Friedrich August von Hayek’s model of society and his theory of cul- tural evolution e entrepreneur e rejected legacy: Austria and the Viennese School after e renaissance of the Viennese School: the Austrian School of Eco- nomics List of Abbreviations Selected Introductory Bibliography Bibliography e iennese chool in brief e Viennese School of Economics, also called the Austrian School of Eco- nomics, was founded by Carl Menger in Vienna during the last third of the th century, and enjoys to this day a vibrant teaching tradition. -
Hans Mayer: Deutscher Auf Widerruf
Claudia Wörmann-Adam Hans Mayer: Deutscher auf Widerruf 1907-1945 Hans Mayer wird 1907 in Köln geboren. Seine Familie ist jüdisch und großbürgerlich geprägt. Der Vater Rudolf, von Beruf Kaufmann, sehr kultur- und kunstinteressiert, sammelt moderne Malerei. Die Mutter, Ida, gibt Abendessen für bedürftige KünstlerInnen; zu ihnen gehört u. a. die Dichterin Else Lasker-Schüler, die regelmäßig zum Abendessen kommt; Hans Mayer öffnet ihr als Junge oft die Tür. Schon als junger Mensch liest er viel, besucht Theater, Konzerte, Opern, spielt begnadet Klavier. Er besucht das Gymnasium; studiert in Köln und Berlin Jura, legt 1930 seine Promotion in Köln beim von ihm sehr geschätzten Prof. Hans Kelsen ab und 1933 das zweite Staatsexamen. In seinen Erinnerungen „Ein Deutscher auf Widerruf“1 schreibt Mayer, dass die beiden Bücher, die ihn in jungen Jahren am meisten beeinflusst hätten, Martin Andersen Nexö’s „Pelle der Eroberer“ und George Lukacz‘ „Geschichte und Klassenbewusstsein“ gewesen seien. Beides, jedes auf seine Art, immens politische Bücher. Mit 20 Jahren beginnt seine politische Arbeit als Mitglied einer marxistischen Studentengruppe, die SPD will ihn nach einem Jahr Probe nicht aufnehmen; er wird Mitglied der SAPD; später der KPO, die er 1935 wieder verlässt. Als Referendar nimmt er teil am Prozess gegen Robert Ley, dem späteren „Reichsleiter der NSDAP“ und Leiter des „Einheitsverbands Deutsche Arbeitsfront“. 1932, wird er von den Nazis in Köln auf offener Straße zusammengeschlagen. Die Furcht, so etwas noch einmal erleben zu müssen, verlässt ihn Zeit seines Lebens nicht mehr. Unmittelbar nach Ablegung seines 2. Staatsexamens, bei der mündlichen Prüfung hospitiert Roland Freisler, der spätere Präsident des Reichsgerichtshofs, erhält er aufgrund des „Gesetzes zur Wiederherstellung des Berufsbeamtentums“, dem Gesetz, dass die Juden aus dem öffentlichen Dienst vertrieb, seine Entlassungsurkunde aus dem preußischen Justizdienst. -
Qt1dw7t2cv Nosplash 15A310a
Epic and Exile 8flashpoints The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/flashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Founding Editor; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Coordinator; Catherine Gallagher (English, UC Berkeley), Founding Editor; Nouri Gana (Comparative Literature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Literature, UC Santa Cruz); Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz) A complete list of titles begins on page 289. Epic and Exile Novels of the German Popular Front, 1933–1945 Hunter Bivens northwestern university press ❘ evanston, illinois this book is made possible by a collaborative grant from the andrew w. mellon foundation. Northwestern University Press www.nupress.northwestern.edu Copyright © 2015 by Northwestern University Press. Published 2015. All rights reserved. Digital Printing Library of Congress Cataloging-in-Publication Data Bivens, Hunter, author. -
Edinburgh Research Explorer
Edinburgh Research Explorer Art as utopia Citation for published version: Kelly, E 2014, 'Art as utopia: Parsifal and the East German left', Opera Quarterly, vol. 30, no. 2-3, pp. 246- 66. https://doi.org/10.1093/oq/kbu021 Digital Object Identifier (DOI): 10.1093/oq/kbu021 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Opera Quarterly General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Final author version. Opera Quarterly, Advance Access published October 20, 2014, doi:10.1093/oq/kbu021. Art as Utopia: Parsifal and the East German Left Elaine Kelly The reception of art in the early years of the German Democratic Republic was governed by two significant factors. The first was the premise that the conditions of state socialism would inevitably yield to a communist utopia. The second was that art would facilitate this evolution by illuminating the seeds for utopian development that already existed both in the GDR and in the Germanic cultural heritage more generally. -
Academic Anti-Semitism and the Austrian School: Vienna, 1918–1945 *
Department of Economics Working Paper No. 155 Academic Anti-Semitism and the Austrian School: Vienna, 1918–1945 Hansjoerg Klausinger October 2013 Academic Anti-Semitism and the Austrian School: Vienna, 1918–1945 * Hansjoerg Klausinger † October 2013 Abstract The theme of academic anti-Semitism has been much discussed recently in histories of the interwar period of the University of Vienna, in particular its Faculty of Law and Policy Sciences. This paper complements these studies by focusing in this regard on the economics chairs at this faculty and, more generally, on the fate of the younger generation of the Austrian school of economics. After some introductory remarks the paper concentrates on three case studies: the neglect of Mises in all three appointments of economics chairs in the 1920s; the anti-Semitic overtones in the conflict between Hans Mayer and Othmar Spann, both professors for economics at the faculty; and on anti-Semitism as a determinant of success or failure in academia, and consequently of the emigration of Austrian economists. Finally, we have a short look at the development of economics at the University of Vienna during and after the Nazi regime. Keywords : History of economic thought, Austrian school of economics, University of Vienna, anti-semitism. JEL Classification : A14, B00, B25. * Paper presented to the 75th International Atlantic Economic Conference in Vienna, April 2013. An abridged version is forthcoming in the 2014 volume of Atlantic Economic Journal . I am grateful for useful comments from Bruce Caldwell and Hauke Janssen, and from the panelists, Reinhard Neck, Karl Milford and Dieter Boegenhold. Stephan Boehm kindly made his correspondence with J. -
2. on the Rise of Toleration in Europe: Lessing and the German Contribution1
On the Literature and Thought of the N German Classical Era: Collected Essays ISBET HUGH BARR NISBET On the Literature and Thought of German Classical Era This volume provides a valuable contributi on to our knowledge of eighteenth- and nine- teenth-century intellectual life inside and outside Germany. Prof. Karl S. Guthke, Harvard University This elegant collec� on of essays ranges across eighteenth and nineteenth-century thought, covering philosophy, science, literature and religion in the ‘Age of Goethe.’ A recognised authority in the fi eld, Nisbet grapples with the major voices of the Enlightenment and gives pride of place to the fi gures of Lessing, Herder, Goethe and Schiller. The book ranges widely in its compass of thought and intellectual discourse, dealing incisively with themes including the philosophical implica� ons of literature and the rela� onship between religion, science and poli� cs. The result is an accomplished refl ec� on On the Literature and Thought on German thought, but also on its rebirth, as Nisbet argues for the relevance of these Enlightenment thinkers for the readers of today. of the German Classical Era The fi rst half of this collec� on focuses predominantly on eighteenth-century thought, where names like Lessing, Goethe and Herder, but also Locke and Voltaire, feature. The second has a wider chronological scope, discussing authors such as Winckelmann and Schiller, Collected Essays while branching out from discussions of religion, philosophy and literature to explore the sciences. Issues of biology, early environmentalism, and natural history also form part of this volume. The collec� on concludes with an examina� on of changing a� tudes towards HUGH BARR NISBET art in the a� ermath of the ‘Age of Goethe.’ The essays in this volume are brought together in this collec� on to present Nisbet’s widely- acclaimed perspec� ves on this fascina� ng period of German thought. -
PR Art Dus List of Exhibitors
Press Release 23 September 2019 Düsseldorf From 15 to 17 November 2019 the third edition of Art Düsseldorf will be presenting an expanded, international show with 100 galleries, and it is now announcing its list of exhibitors. With about 100 exhibitors, the fair has recorded an increase of 10% compared to the past year. It remains true to its credo of being an international art fair with regional roots, as half of the exhibitors come from Germany and the Benelux countries. The other 50% of the exhibitors mainly come from Europe. In addition, around 10% of the galleries this year come from the US and Asia. List of Exhibitors at Art Düsseldorf 2019 313 Art Project (Seoul) Parisa Kind (Frankfurt am Main) Galeria Raster (Warsaw) galería juana de aizpuru (Madrid) GALERIE KNOELL (Basel) Thomas Rehbein Galerie (Cologne) Anhava (Helsinki) KÖNIG GALERIE (Berlin | London) Petra Rinck Galerie (Düsseldorf) Piero Atchugarry Gallery (Garzón | Miami) KOW (Berlin | Madrid) Galerie Nikolaus Ruzicska (Salzburg) Galerie Bastian (Berlin | London) KRINZINGER (Vienna) SANATORIUM (Istanbul) Beck & Eggeling International Fine Art Galerie Lange + Pult (Zurich) SCHÖNEWALD (Düsseldorf) (Düsseldorf | Vienna) Irène Laub Gallery (Brussels) Galerie Rüdiger Schöttle (Munich) Galerie Anita Beckers (Frankfurt am Main) Galerie Christian Lethert (Cologne) Galerie nächst St. Stephan Rosemarie Bernheimer Fine Art (Lucerne) Galeria LETO (Warsaw) Schwarzwälder (Vienna) Galleri Bo Bjerggaard (Copenhagen) LEVY (Hamburg) SETAREH GALLERY (Düsseldorf) Lars Kristian Bode (Hamburg)