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Tattoo Narratives: the Intersection of the Body, Self‐Identity and Society

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Tattoo Narratives: the Intersection of the Body, Self‐Identity and Society This article was downloaded by: [University of Crete] On: 09 September 2012, At: 03:16 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Visual Sociology Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rvst19 Tattoo Narratives: The intersection of the body, self‐identity and society Mary Kosut a a Ethnographer and Sociology doctoral student, The New School for Social Research, New York Version of record first published: 03 Jul 2008 To cite this article: Mary Kosut (2000): Tattoo Narratives: The intersection of the body, self‐identity and society, Visual Sociology, 15:1, 79-100 To link to this article: http://dx.doi.org/10.1080/14725860008583817 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Visual Sociology 15, pp. 79-100, © International Visual Sociology Association, 2000 79 Tattoo Narratives The Intersection of the Body, Self-Identity and Society Mary Kosut Drawing upon Frank's (1995) discussion of the personal and social aspects of embodied storytelling, this paper considers the tattoo as a form of visual communication created within a multiplicity of contexts. Based on in- depth interviews with eight tattooed men and women, the focus of this article is the stories that these individuals tell about their tattoos. I argue that the tattooed body is a distinc- tively communicative body. It has a great deal to say, not only about the identity of the wearer, but also about the culture in which she lives. I conclude with some reflections on examining the tattoo as a conceptual latch- key—a tool that may enable researchers to begin to unlock the complicated relationship between the body, self-identity and society. hrough the course of everyday interaction Twe encounter and interpret a profusion of signs. In modern life it appears as if any physi- cal entity may serve as a medium to convey a message; we encounter symbols and logos on Downloaded by [University of Crete] at 03:16 09 September 2012 clothing, advertisements on taxis, trains and buses, and billboards papered directly onto the sides of buildings. Just as architecture, trans- portation and clothing carry signage, so too does the human body. Characteristics such as race, gender, size, and looks are a few of the Figure 1: Black outline of St. Michael the archangel "sign vehicles" that we read when we interact (approx. 12 inches). with others (Qoffman 1959). Sign vehicles such as these are birth-given, yet the body is also the body such as make-up and clothing, others replete with signs that are culturally given. While choose sign vehicles of a permanent nature, some may choose to place temporary signs on such as tattooing. Mary Kosut is an ethnographer and Sociology doctoral student at The New School for Social Research, New York. Her research interests include alternative art forms and lifestyles, the body, fashion, and working-class culture. 80 Kosut Although tattooing is a way to construct "carnivalesque" modification that includes the one's body and self in one's own desired image, extremely rare practices of cutting, scarring and it is also a phenomenon that reflects cultural genital piercing. influences. An important characteristic of the By narrowly focusing on motivational tattoo as a form of communication is that it factors within very select populations, or situat- largely "speaks" through non-verbal transmis- ing tattoos within extreme and highly unusual sion. It is seen (or read) by oneself and if placed types of body modification practices and psy- in a visible location, it may also be read by chological illness, some academic investigations others. While interactions with others may of tattooing have failed to account for the provoke a verbal exchange, much of the con- diversity and richness of contemporary tattoo versation that attributes to a tattoo's meaning is cultures. Instead of focusing on the motivational unspoken. Notwithstanding, the meanings of factors that drive individuals to get tattooed, or tattoos are formed and reconstructed as indi- theorizing the tattoo as an aberration, I theorize viduals participate in daily life. the tattooed body as a distinctively communica- Tattooing is an ancient non-Western form tive body created within a multiplicity of con- of body modification, yet it continues to become texts. Drawing from Frank (1995), I assert that an increasingly prosaic phenomenon in contem- the tattooed body is most profitably conceptual- porary American culture. Because of its ubiq- ized as an unfinished corporeal and social uity, commodification and growing visibility phenomenon that is transformed, to a certain within diverse populations, some sociologists degree, as a result of social interactions. In The have studied tattooing. With a few exceptions Wounded Storyteller, Frank (1995) posits that (see Myers 1992; Sanders 1989), tattooing was the stories that ill people tell are not simply told addressed exclusively in anthropological and by, but are communicated through, the body. psychiatric journals, the former focusing on The body in crisis encounters its own corporeal- non-Western body modification and its cultural ity, while it is simultaneously constructed by significance (Brian 1979; Hambly 1925; Rubin institutions that govern the culture of illness. As 1988; Teilhet-Fisk 1988), the latter on linking such, illness narratives are embodied stories tattooing to psychopathological disorders and that are both personal and social. Frank takes bizarre sexual practices (Caplan et al. 1996; into account that the individual exists within a Gittleson et al. 1969; Hamburger 1996; triad of body, self and society. This study Newman 1982; Post 1968). Until recently, considers tattooed bodies within this framework. research on tattooing has focused almost In the following interpretive analysis, eight exclusively on male subjects (see DeMello tattoo narratives from four men and four women 1995, 2000; Marcia-Lees and Sharpe 1992 for between the ages of 23 and 31 are presented exceptions). Nevertheless, some contemporary within three sections of narrative typologies: Downloaded by [University of Crete] at 03:16 09 September 2012 studies that address tattooed women as a Social Landscapes, Self Stories and Body Talk. subject of inquiry have succumbed to a similar This select group of eight was culled from an deviance bias found in previous male-centered original snowball sample of 35 people of similar studies. For example, Hewitt's (1997) investiga- characteristics.1 As evidenced in their narra- tion places tattooing within a context of "mutila- tives, this discrete sample represents a highly tive" body practices such as cutting and eating creative and articulate group of people. Five of disorders. While her "goal was not to pass the eight informants are college educated and judgement on people who adorn their bodies three have master's degrees. The eight infor- with tattoos," she perpetuates antiquated mants are of European-American descent. At stereotypes by characterizing tattoos within a the time of the interviews, all were employed context of psychological illness (Hewitt, and could be considered functional or even 1997:2). Similarly, Pitts' (1998) analysis of successful by society's standards. Older people, contemporary female body modifiers situates non-European Americans and economically tattooing within a context of "grotesque" and disadvantaged people with tattoos who have Tattoo Narratives 81 altered their bodies within dissimilar cultural and techniques. Frank offers a more complex historical contexts may experience their tattoos theoretical frame in which to consider bodies: in a considerably different manner. Although Body techniques are socially given— this sample is limited by its homogeneous individuals may improvise on them but they ethnic and age make-up, it can tell us some- rarely make up any for themselves—but thing about how relatively socially advantaged these techniques are only instantiated in young adults experience their tattoos. their practical use by bodies, on bodies. Moreover, these techniques are as much About the Body resources for bodies as they are constraints on them; constraints enable as much as they There may be aspects of the body that are restrict. (Frank 1991:48) not self, and vice versa, but just where one Currently, individuals are using an exten- ends and the other begins is undecidable. sive variety of body techniques in the process of (Frank 1995) working on the self. Many are adopting diet and Although the body is a dichotomous entity, exercise regimes to control the appearance of simultaneously biological and cultural,
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