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Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
PHILLIPS End to BEGINNING
MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz. -
Bio for Website Edit C Hammond
MY EDIT: Stanley Sagov is a dazzling jazz pianist and composer, equally proficient on a number of other musical instruments as well as surgical instruments, as evidenced by his simultaneous full time career as a medical doctor. He never fails to amaze his colleagues in the music and medical fields with his ability to lead such an intense dual life as a physician as well as a musician. Dr. Sagov is releasing yet another CD from his home studio where he produces enough music to fill a full disc practically every month. He is also a top notch photographer shooting nature, people and places with the eyes of an unusually sensitive personality. Born in 1944, in Cape Town, South Africa, to a Jewish family who had immigrated there to escape the chaos and anti-Semitism that followed the Russian Revolution, the young Sagov grew up in the midst of the horrid South African regime of Apartheid and its resulting police state. Born with Gordon’s Syndrome, an extremely rare genetic disorder which can cause club feet, cleft palate, dysplasia of the hip and thumb-in-palm deformity, he suffered greatly during his first 13 years, as he was forced to endure sixteen different abnormality-correcting surgeries in London, New York and Boston. At school he was stigmatized and teased by other boys because of his awkward gait and the leg irons he had to wear for many years. At an early age, this extraordinary strain triggered a sudden insight in him. “This was not my fault,” says Sagov, “Suddenly there was a realization about this, around age 9. -
LESTER BOWIE Brass Memories
JUNE 2016—ISSUE 170 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LESTER BOWIE brASS MEMories REZ MIKE BOBBY CHICO ABBASI REED PREVITE O’FARRILL Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East JUNE 2016—ISSUE 170 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Rez Abbasi 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Mike Reed 7 by ken waxman General Inquiries: [email protected] On The Cover : Lester Bowie 8 by kurt gottschalk Advertising: [email protected] Encore : Bobby Previte by john pietaro Calendar: 10 [email protected] VOXNews: Lest We Forget : Chico O’Farrill 10 by ken dryden [email protected] LAbel Spotlight : El Negocito by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] In Memoriam by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD Reviews 14 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Miscellany 41 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 42 Andrew Vélez, Ken Waxman Contributing Writers Tyran Grillo, George Kanzler, Matthew Kassel, Mark Keresman, Eric Wendell, Scott Yanow Jazz is a magical word. -
Cadence the Independent Journal of Creative Improvised Music
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC VOLUME 38 NUMBER 2 APRIL MAY JUNE 2012 Cadence The Independent Journal of Creative Improvised Music April - May - June 2012 ABBREVIATIONS USED Vol. 38 No. 2 (400) IN CADENCE Cadence ISSN01626973 is published quarterly online acc: accordion and annually in print by as: alto sax Cadence Media LLC, bari s : baritone sax P.O. Box 282, Richland, OR 97870 b cl: bass clarinet bs: bass sax PH 315-289-1444 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Copy Editor: Jeffrey D. Todd flt: flute Transcriptions: Colin Haney, Paul Rogers, Rogers Word Fr hn: French horn Services g: guitar Art Director: Alex Haney hca: harmonica Crosswords: Ava Haney Martin kybd: keyboards Promotion and Publicity: Tiffany Rozee ldr: leader Advisory Committee: ob: oboe Jeanette Stewart org: organ Colin Haney perc: percussion Robert D. Rusch p: piano Abe Goldstein pic: piccolo rds: reeds ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and ss: soprano sax Discover accepted. sop: sopranino sax POSTMASTER: Send address change to Cadence Magazine, P.O. synth: synthesizer Box 282, Richland, OR 97870 ts: tenor sax © Copyright 2012 Cadence Magazine tbn: trombone Published by Cadence Media, LLC. tpt: trumpet All rights reserved. tba: tuba v tbn: valve trombone Reproduction or use of contents prohibited without written vib: vibraphone permission from publisher (except use of short quotes, please credit vla: viola Cadence Magazine). -
MUNI 2017-2 01 Trumpet (1) 1. Just Gone (Joe „King“ Oliver-Bill
MUNI 2017-2 01 trumpet (1) 1. Just Gone (Joe „King“ Oliver-Bill Johnson) 2:45 King Oliver's Creole Jazz Band: King Oliver, Louis Armstrong-co; Honore Dutrey-tb; Johnny Dodds-cl; Lil Hardin-p; Arthur „Bud“ Scott or Bill Johnson-bjo, voc break; Baby Dodds-dr Richmond, IN, April 5, 1923 78 Gennett 5133, matrix number 11383-B / CD Masters of Jazz MJCD 1 (1991) (debut recording) 2. Dipper Mouth Blues (Joe „King“ Oliver-Louis Armstrong) 2:30 Same, prob. Bill Johnson-voc break Richmond, IN, April 6, 1923 78 Gennett 5132, matr. 11389-B / CD Masters of Jazz MJCD 1 (1991) 3. Chinaman Blues (Gene Burdette) 3:09 Erskine Tate’s Vendome Orchestra: Erskine Tate-bjo; Freddy Keppard, James Tate-co; Fayette Williams-tb; Angelo Fernandez-cl; Buster Bailey-cl, as; Norval Morton-ts; Adrian Robinson-p; Jimmy Bertrand-dr Chicago, June 23, 1923 78 OKeh 4907, matr. 8400-A b) Stock Yards Strut (Jasper Taylor) 5:39 Freddie Keppard’s Jazz Cardinals: Freddie Keppard-co; Eddie Vincent-tb; Johnny Dodds-cl; Arthur Campbell-p; Jasper Taylor-woodblocks Chicago, September 1926 Paramount 12399, matr. 2651-1 4. Livery Stable Blues (Alcide Nunez-Ray Lopez vs. Dominick LaRocca) 3:10 Original Dixieland Jazz Band: Nick LaRocca-co; Eddie Edwards-tb; Larry Shields-cl; Henry Ragas-p; Tony Sbarbaro (Spargo)-dr New York, February 26, 1917 78 Victor 18255, matr. 19331-1 / CD RCA Victor ND90650 (1992) 5. Tiger Rag (Dominick LaRocca) 3:08 Same personnel New York, March 25, 1918 78 Victor 18472, matr. 21701-3 / CD RCA Victor ND90650 (1992) 6. -
The Bulletin of Wellesley College Catalog for 1980-81 •%^
Wellesley College Wellesley College Digital Scholarship and Archive The eW llesley College Catalogs Archives 1-1-1980 The ulB letin of Wellesley College Catalog for 1980-81 [1980-1981] Wellesley College Follow this and additional works at: http://repository.wellesley.edu/catalogs Recommended Citation Wellesley College, "The ulB letin of Wellesley College Catalog for 1980-81 [1980-1981]" (1980). The Wellesley College Catalogs. Book 88. http://repository.wellesley.edu/catalogs/88 This Book is brought to you for free and open access by the Archives at Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in The eW llesley College Catalogs by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. The Bulletin of Wellesley College Catalog for 1980-81 •%^ f lllltflf I f v.^ y ?. •^ '.iT' 'il^ :^ .-t*;^ >: . -> Catalog for 1980-81 The Bulletin of Wellesley College Academic Calendar, 1980-81 2 Payment Plans 27 Inquiries and Visits to the College 3 Financial Aid 29 The College 5 Graduate Fellowships 30 The Campus 9 The Academic Program 33 Acadennic Facilities 9 The Curriculum 33 Cocurricular Facilities 10 Academic Policies and Procedures 35 Other Campus Resources 11 Special Academic Programs 38 Student Life 13 Academic Distinctions 41 Student Residence and Resources 13 Courses of Instruction 43 Student Government 15 The Board of Trustees 187 Career Services 17 Presidents 189 Admission 19 The Faculty 191 Criteria for Admission 19 The Administration 209 Admission Plans 21 The Alumnae Organization 215 Foreign and Transfer Students 22 The National Development Fund Committee 217 Costs & Financial Aid 25 Travel Instructions 219 Fees and Expenses 25 Index 220 Volume 70, Number 1 The information contained in this Bulletin is accurate as of August 1980. -
267 X. George Russell Although Gunther Schuller Was Also One of George Russell's Greatest Fans and Boosters, and in Fact Was I
X. George Russell Although Gunther Schuller was also one of George Russell’s greatest fans and boosters, and in fact was instrumental in finally getting him a job teaching the Lydian Chromatic Concept, he and millions of other writers and critics have somehow missed the fact that Russell was one of America’s greatest composers and, in fact, one of the most important in the fusion of jazz and classical music. Perhaps this is because he, like so many artists who worked in jazz, was largely self-taught, although in the early 1950s he studied briefly with Stefan Wolpe at the recommenda- tion of Miles Davis. Perhaps it is because he was something of a loner, considered by some a “difficult” personality; or perhaps it is because, as we shall see in this chapter, Russell had by far the widest range of compositional styles and not all of them appealed to listeners who wanted jazz to be fun or enjoyable. I will say at the outset that I myself am not convinced by everything he wrote. I don’t respond particularly well to his most abstract works, nor to most of those using funk or rock as their basis (like the Electronic Sonata for Souls Loved by Nature), but even within the range of those works I do like—and there are many—I also admit that Russell’s mu- sic, like that of Schoenberg, Webern and Wolpe, sometimes tended to be cerebral and not always appealing from an emotional standpoint. That being said, as a composer and as a musical theorist I believe he deserves to be recognized not just nationally but internationally as one of the most important musical thinkers of all time, regardless of genre. -
Jazz Inside NY
www.jazzINSIDEMaGazINE.coM fEbruary 2011 Indie Artist Issue Roger Davidson Joe Magnarelli Jovino Santos Neto Bill O’Connell Davidson Matt Savage Sara Serpa Plenty of CD Reviews Ira Gitler’s Apple Chorus Randy Comprehensive Directory of NY Club, Concert & Event Listings Weston The Jazz Music Dashboard — Smart Listening Experiences www.SavageRecords.com www.JoeMagnarelli.com www.SoundBrush.com www.motema.com Like Us facebook.com/JazzInsideMedia Follow Us twitter.com/JazzInsideMag Watch Us youtube.com/JazzInsideMedia Jazz Inside™ Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) CONTENTS February 2011 –Volume 2, Number 7 Credit: Joe Patitucci CLUBS, COnCERtS, EvENTS Cover Design by Shelly Rhodes Cover photo of Randy Weston by Joe Patitucci 15 Calendar of Events 24 Announcements — Upcoming Events; Publisher: Eric Nemeyer Regular Engagements; Additional Club and Editor: Gary Heimbauer Advertising Sales & Marketing: Eric Nemeyer Venue Schedules Circulation: Robin Friedman, Susan Brodsky 28 Directory of Clubs, Venues, Music and Photo Editor: Joe Patitucci Record Stores, Schools & Universities, Layout and Design: Karry Thomas and more Contributing Artists: Shelly Rhodes Contributing Photographers: Eric Nemeyer, Joe Patitucci, Ken Weiss. 44 Around Town Contributing Writers: John Alexander, Chuck Anderson, Al Bunshaft; Curtis 50 Noteworthy Performances Davenport; Bill Donaldson; Shannon Effinger; Dimitry Ekshtut; Robert Gish; Ira Gitler; Eric Harabadian; Gary Heimbauer; Rick Helzer; Jan Klincewicz; Joe Cover: Randy Weston COLUMnS Lang; Ronald Lyles; Matthew Marshall; Joe Patitucci; Ken Weiss. Feature begins on page 6 4 Apple Chorus by Ira Gitler ADvertising Sales 212-887-8880 Editorial Policies INTERvIEWS & SKEtChES Eric Nemeyer – [email protected] Jazz Inside does not accept unsolicited manuscripts. Persons wishing to 6 Randy Weston submit a manuscript or transcription are asked to request specific permission Jazz Inside™ Magazine from Jazz Inside prior to submission. -
Aly Keita Benny Goodman Charlie Haden John Mclaughlin Nels Cline Steve Swell Szilard Mezei
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC BARB BFFFFFFFF ANA Aly Keita Benny Goodman Charlie Haden John McLaughlin Nels Cline Steve Swell Szilard Mezei The Road to Carnegie Hall Thoughts on South Africa International Jazz News CD Reviews Book Reviews Volume 43 Number 2 April May June 2017 Haden ad for Cadence.qxp_Layout 1 3/2/17 3:43 PM Page 1 New book about Charlie Haden “Charlie Haden’s story is a classic American saga, and Josef Woodard allows him to tell it elo- quently and in moving detail,” —Francis Davis “Woodard’s treas- ure trove of inter- views with Charlie Haden gives us such an intimate feeling of the jazz giant that we feel like we re sitting in the room with an old friend.... Haden opens up about his iconic musical associ- ates over the years, allowing us rare access into the insular world of jazz itself.” —Michelle Mercer Conversations with Charlie Haden compiles 20 years of award-winning jazz critic and author Josef Woodard’s interviews with Haden, who can- didly talks about his life, politics, music, aesthetics, and the great musi- cians with whom he worked, including Ornette Coleman, Don Cherry, Paul Bley, Carla Bley, Keith Jarrett, Billy Higgins, Paul Motion, Dewey Redman, Pat Metheny, Geri Allen, Brad Mehldau, Gonzalo Rubalcaba, and many others. Published by Silman-James Press (www.silmanjamespress.com). Available now from all good bookstores, as well as Amazon.com. In 1955, Oscar Pettiford introduced us to Bohemia After Dark. Sixty-two years later, Roberto Magris offers his twist on the city with PRAGUE AFTER DARK.