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Mark Barnett, News and Events, Alumni & Friends, University of Otago, New Zealand
10/23/2020 News in brief - Mark Barnett, News and events, Alumni & Friends, University of Otago, New Zealand Making your dreams a reality Home News and events Friday 18 September 2020 Otago alumnus Mark Barnett (BSc Chemistry, 2000), has followed his motor racing dreams and spent more than 13 years working for some of the world’s leading motorsports companies. He is currently the Director of Research and Innovation at McLaren Racing in the United Kingdom. Originally from Southland, Mark grew up on a farm near Nightcaps and completed high school in Invercargill, before heading to Otago to study. “I think Otago is a nice size and a lovely location to be a student. The centralised nature, particularly the shops and businesses, mean that the students all generally live together and provides for a great atmosphere to study in. “I lived in Oxford for a long time after moving to the UK and many say that they are similar centres and I have to admit after spending considerable time in both I have to agree.” Mark attended Studholme College in his first year at the University, then spent two years flatting before moving to Christchurch to study Mechanical Engineering. “I always needed to believe in the application of what I was studying, and I decided early on that I wanted to do engineering as a way of working in motorsport. So, I added some Maths papers while at Otago to skip the first year of the Mechanical Engineering degree.” https://www.otago.ac.nz/alumni/news/O24newsinbrief2.html 1/3 10/23/2020 News in brief - Mark Barnett, News and events, Alumni & Friends, University of Otago, New Zealand While at university Mark worked each summer in the local motorsport series as the season fitted in well with the major study break. -
Scoreboard Wednesday
20—MANCHESTER HERALD, T\icsday, August 21, 1990 SCOREBOARD WEDNESDAY Red Sox 2, Orioies 1 LOCAL NEWS INSIDE Baseball BALTIMORE BOSTON M a n r h p s t p r ab r h bl ab r h bl Football BAndesn If 4 0 1 0 JoReed 2b 3 0 0 0 m Orsulak rf 4 0 0 0 Quintan 1b 2 1 1 0 ■ Manchester readies for school openings. American League standings CRIpkn ss 3 0 1 0 Boggs 3b 4 0 1 1 ii - • * NFL preseason glance Horn dh 3 0 0 0 Burks cf 2 0 0 1 East O lvltion Tetlleton c 4 0 0 0 Greenwl If 4 0 1 0 AMERICAN CONFERENCE W L PCL GB Deverex cf 1 1 0 0 MarshI dh 4 0 1 0 East ■ New day care center In Manchester. Boston 65 55 .542 _ Wthgtn 3b 3 0 0 0 Bmnsky rf 3 0 0 0 W L T Pet. PF m Toronto 65 57 .533 1 Segui 1b 3 0 0 1 Penac 0 10 0 N Y. Jets 2 0 0 1.000 37 6 What’s Baltimora 57 63 .475 8 Holies ph 1 0 0 0 Rivera ss 10 0 0 Buffalo 0 2 0 .000 19 44 Cleveland 56 65 .463 9'^! BFtipkn 2b 3 0 1 0 frxtlanapolls 0 2 0 .000 17 29 ■ Town children fingerprinted for safety. Detroit 56 67 .455 lO'/S Kittle ph 1 0 1 0 Miami 0 2 0 .000 20 33 Milvvaukae 54 66 .450 11 SFInley pr 0 0 0 0 New England 0 2 0 .000 24 74 News New Ybrk 50 70 .417 15 Totals 30 1 4 1 Totals 23 2 4 2 Central ■ Andover OKs radio equipment purchase. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order. -
WWE® Reports 2010 Third Quarter Results
FOR IMMEDIATE RELEASE Contacts: Investors: Michael Weitz 203-352-8642 Media: Robert Zimmerman 203-359-5131 WWE® Reports 2010 Third Quarter Results STAMFORD, Conn., November 4, 2010 - World Wrestling Entertainment, Inc. (NYSE:WWE) today announced financial results for its third quarter ended September 30, 2010. Revenues totaled $109.6 million as compared to $111.3 million in the prior year quarter. Operating income was $20.3 million as compared to $14.5 million in the prior year quarter. Net income was $14.3 million, or $0.19 per share, as compared to $8.9 million, or $0.12 per share, in the prior year quarter. Impacting comparability to the prior year quarter are production tax credits recorded in both current and prior year quarters. Excluding the impact of these credits, Adjusted Operating income was $14.2 million as compared to $12.0 million in the prior year quarter. Adjusted Net income was $10.3 million, or $0.14 per share, as compared to $7.4 million, or $0.10 per share. “In the third quarter, our results reflected the Company’s continued focus on optimizing business results in a difficult environment,” stated Vince McMahon, Chairman and Chief Executive Officer. “We generated earnings growth despite a decline in revenue across many of our businesses. We believe our ongoing talent transition and the sluggish economy were important factors in these declines. Based on our history of developing talent and creating content with broad appeal, we are confident we can address these creative challenges. Further, by taking advantage of our strategic opportunities, we can achieve meaningful growth.” Comparability of Results Excluding the impact of production tax credits, Q3 2010 Adjusted Operating income increased 18% to $14.2 million and Adjusted EBITDA increased 12% to $17.4 million. -
Borgwarner Presents 2020 Indianapolis 500 Winner Takuma Sato with Borg-Warner Trophy®
News Release BorgWarner Presents 2020 Indianapolis 500 Winner Takuma Sato with Borg-Warner Trophy® Takuma Sato will be the 107th face to be sculpted and fastened onto the iconic trophy Since 2012, BorgWarner has been the official supplier of turbochargers for the NTT IndyCar Series© racecars This will be Sato’s second likeness to be added to the Borg-Warner Trophy®, coming after his first Indianapolis 500 victory in 2017 Indianapolis, Indiana, August 23, 2020 – For the first time in the history of the Indianapolis 500, which dates back to 1911, the race did not take place in the month of May but the delay was worth the wait for Takuma Sato who took the checkered flag, winning the 104th running of the race. With the COVID-19 pandemic delaying the event to August, Sato, driving for Rahal Letterman Lanigan Racing, led 27 of 200 laps and averaged 157.824 mph topping Scott Dixon of New Zealand. Sato, of Tokyo, Japan, celebrated as Michelle Collins, Director of Marketing and Public Relations for BorgWarner, presented him with the iconic Borg-Warner Trophy® in Victory Circle. Sato’s teammate, Graham Rahal finished the race in third place. The Borg-Warner Trophy is one of the most well-known and elaborate symbols in the history of professional sports. Created in 1936, the sterling silver trophy now stands at 5 feet, 4- 3/4 inches and weighs 110 lbs. Sato’s likeness will be the 107th face to adorn the trophy in honor of his second Indianapolis 500 win. “It is always a privilege for BorgWarner to be involved in the Victory Circle celebration, and in light of the challenges all of us have faced in 2020, being able to carry forward this tradition brings even greater meaning,” said Collins. -
British Bulldogs, Behind SIGNATURE MOVE: F5 Rolled Into One Mass of Humanity
MEMBERS: David Heath (formerly known as Gangrel) BRODUS THE BROOD Edge & Christian, Matt & Jeff Hardy B BRITISH CLAY In 1998, a mystical force appeared in World Wrestling B HT: 6’7” WT: 375 lbs. Entertainment. Led by the David Heath, known in FROM: Planet Funk WWE as Gangrel, Edge & Christian BULLDOGS SIGNATURE MOVE: What the Funk? often entered into WWE events rising from underground surrounded by a circle of ames. They 1960 MEMBERS: Davey Boy Smith, Dynamite Kid As the only living, breathing, rompin’, crept to the ring as their leader sipped blood from his - COMBINED WT: 471 lbs. FROM: England stompin’, Funkasaurus in captivity, chalice and spit it out at the crowd. They often Brodus Clay brings a dangerous participated in bizarre rituals, intimidating and combination of domination and funk -69 frightening the weak. 2010 TITLE HISTORY with him each time he enters the ring. WORLD TAG TEAM Defeated Brutus Beefcake & Greg With the beautiful Naomi and Cameron Opponents were viewed as enemies from another CHAMPIONS Valentine on April 7, 1986 dancing at the big man’s side, it’s nearly world and often victims to their bloodbaths, which impossible not to smile when Clay occurred when the lights in the arena went out and a ▲ ▲ Behind the perfect combination of speed and power, the British makes his way to the ring. red light appeared. When the light came back the Bulldogs became one of the most popular tag teams of their time. victim was laying in the ring covered in blood. In early Clay’s opponents, however, have very Originally competing in promotions throughout Canada and Japan, 1999, they joined Undertaker’s Ministry of Darkness. -
NEW MEXICO HISTORIC SITES in Honor of J
NEWS Local news and entertainment since 1969 Home Improvement Home is where Guide the heart is Inside 2020 New city manager HOME IMPROVEMENT inks contract FRIDAY, AUGUST 21, 2020 FRIDAY, AUGUST 21, 2020 I Volume 52, Number 34 I lascrucesbulletin.com page 3 NEWS 100 years of inspiration Tree-planting PHOTO COURTESY OF LESLIE time is near BERGLOFF, NEW MEXICO HISTORIC SITES In honor of J. Paul Taylor’s 100th birthday on Aug. 23, page 14 the New Mexico Department of Cultural Affairs (DCA), in partnership with Friends of the Taylor Family Monument and New Mexico Historic Sites, will present a virtual celebration beginning at 3:30 p.m. Sunday, Aug. 23, on A&E the DCA and Historic Sites Facebook pages or online at www.jpt100th.com. See the story on page 12. Local potter gives back to community page 21 SENIORS Las Cruces author publishes new book page 27 2 | FRIDAY, AUGUST 21, 2020 NEWS LAS CRUCES BULLETIN LAS CRUCES BULLETIN NEWS FRIDAY, AUGUST 21, 2020 | 3 New city manager to start Sept. 8 By MIKE COOK city administrator in 2012 the Eagles’ 2004 National While serving as Eagle manager, Stuart Ed (who Las Cruces Bulletin and resigned that position Football Conference Mountain city adminis- resigned April 22, 2019), to accept the job in Las champion team, which trator, Pili also served as earned, the mayor said. Ifo Pili is expected to Cruces. lost Superbowl XXXIX to district administrator for The increase is necessary, begin his duties as the Eagle Mountain is the Patriots, 24-21. the Unified Fire Service Miyagishima said, “to get new Las Cruces city man- located about 800 miles Pili has earned both Area and was an adjunct what we feel is a highly ager on Tuesday, Sept. -
Customs Bulletin Weekly, Vol. 50, December 21, 2016, No. 51
U.S. Customs and Border Protection ◆ DEPARTMENT OF THE TREASURY 19 CFR Part 12 CBP Dec. 16–23 RIN 1515–AE19 IMPORT RESTRICTIONS IMPOSED ON CERTAIN ARCHAEOLOGICAL MATERIAL FROM EGYPT AGENCY: U.S. Customs and Border Protection, Department of Homeland Security; Department of the Treasury. ACTION: Final rule. SUMMARY: This final rule amends the U.S. Customs and Border Protection (CBP) regulations to reflect the imposition of import re- strictions on certain archaeological material from the Arab Republic of Egypt (Egypt). These restrictions are being imposed pursuant to an agreement between the United States and Egypt that has been en- tered into under the authority of the Convention on Cultural Property Implementation Act in accordance with the 1970 United Nations Educational, Scientific and Cultural Organization (UNESCO) Con- vention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. The final rule amends CBP regulations by adding Egypt to the list of countries for which a bilateral agreement has been entered into for imposing cul- tural property import restrictions. The final rule also contains the designated list that describes the types of archaeological material to which the restrictions apply. DATES: Effective December 5, 2016. FOR FURTHER INFORMATION CONTACT: For legal aspects, Lisa L. Burley, Chief, Cargo Security, Carriers and Restricted Merchandise Branch, Regulations and Rulings, Office of Trade, (202) 325–0030. For operational aspects, William Scopa, Branch Chief, Partner Government Agency Branch, Trade Policy and 1 2 CUSTOMS BULLETIN AND DECISIONS, VOL. 50, NO. 51, DECEMBER 21, 2016 Programs, Office of Trade, (202) 863–6554, William.R.Scopa@ cbp.dhs.gov. -
Pit Stop Summary NTT Indycar Series Session: Race August 23, 2020
Event: 104th Indianapolis 500 Round 7 Track: Indianapolis Motor Speedway 2.5 mile(s) Report: Pit Stop Summary NTT IndyCar Series Session: Race August 23, 2020 Rank Car Driver C/E/T Total Pit Stop Data 1 30 Sato, Takuma D/H/F 5 Pit Stops Stop Lap Race Lap Time of Race 1 27 27 00:26:40.2316 2 63 63 00:55:24.8201 3 87 87 01:15:11.0438 4 124 124 01:55:40.3821 5 168 168 02:42:03.9020 2 9 Dixon, Scott D/H/F 5 Pit Stops Stop Lap Race Lap Time of Race 1 27 27 00:26:38.7762 2 63 63 00:55:16.8264 3 87 87 01:15:05.7438 4 124 124 01:55:39.7260 5 169 169 02:42:44.3759 3 15 Rahal, Graham D/H/F 5 Pit Stops Stop Lap Race Lap Time of Race 1 27 27 00:26:44.0733 2 62 62 00:54:51.2164 3 87 87 01:15:15.4814 4 124 124 01:55:42.2384 5 169 169 02:42:46.3190 4 18 Ferrucci, Santino D/H/F 5 Pit Stops Stop Lap Race Lap Time of Race 1 27 27 00:27:00.3180 2 62 62 00:54:58.9937 3 87 87 01:15:24.9885 4 124 124 01:55:54.3018 5 170 170 02:43:39.9731 5 1 Newgarden, Josef D/C/F 5 Pit Stops Stop Lap Race Lap Time of Race 1 27 27 00:26:54.2872 2 64 64 00:56:23.6931 3 87 87 01:15:24.8437 4 124 124 01:55:53.8935 5 168 168 02:42:15.1541 6 5 O'Ward, Pato (R) D/C/F 5 Pit Stops Stop Lap Race Lap Time of Race 1 27 27 00:26:53.8211 2 63 63 00:55:41.2848 3 87 87 01:15:24.5503 4 124 124 01:55:51.0067 5 168 168 02:42:18.3862 (C)hassis: D=Dallara | (E)ngine: C=Chevy, H=Honda | (T)ire: F=Firestone Information provided by Indy Racing Information System - Copyright INDYCAR 2020 Page 1 of 6 Event: 104th Indianapolis 500 Round 7 Track: Indianapolis Motor Speedway 2.5 mile(s) Report: Pit Stop -
PROFILE S PANIER Photos by IAN by Photos
PROFILE PANIER s Photos by IAN by Photos WWE icon Batista steps out of the ring and into the weight room to talk about his workout, the road to becoming The animal and how he used to weigh as much as a lion BY JoN FINKEL animal mUSclE&FiTNESS September 2008 iNSTiNcmrolympia.comT 108 109 Batista pauses to think about the next rep — or the next beatdown “Can you pretend to struggle with the weight?” player seems almost impossible. This is what it must be like when Michael our photographer asks Batista as he takes position in front of the World Jordan tells you in person that he got cut from his sophomore hoops team. Wrestling Entertainment superstar. The three-time World Heavy- “It’s true,” Batista explains. “But weight Champion quickly obliges and contorts his face as if he’s about remember, I was only about 180–200 pounds back then.” to bench a Brink’s truck. The reason for the charade is that Batista That’s about 100 pounds lighter than presses four plates as easily as most people press an elevator button — he is now — and almost 200 pounds lighter than the days when he tried to and nobody on set feels like going to get more weight. ❡ When we get be a professional bodybuilder. “I used the photo we want, he leans back and relaxes. His breathing remains to look up to guys like Lee Haney, Dorian Yates and Shawn Ray,” he says. steady, as if he has been sitting there watching Braveheart (one of his “I got myself close to 370 at my peak.” favorite movies) instead of lifting what amounts to an average-size >> Looking at the 290-pound version man with each arm almost a dozen times. -
BASE BASE CARDS 1 Asuka 2 Bobby Roode 3 Ember Moon 4 Eric
BASE BASE CARDS 1 Asuka 2 Bobby Roode 3 Ember Moon 4 Eric Young 5 Hideo Itami 6 Johnny Gargano 7 Liv Morgan 8 Tommaso Ciampa 9 The Rock 10 Alicia Fox 11 Austin Aries 12 Bayley 13 Big Cass 14 Big E 15 Bob Backlund 16 The Brian Kendrick 17 Brock Lesnar 18 Cesaro 19 Charlotte Flair 20 Chris Jericho 21 Enzo Amore 22 Finn Bálor 23 Goldberg 24 Karl Anderson 25 Kevin Owens 26 Kofi Kingston 27 Lana 28 Luke Gallows 29 Mick Foley 30 Roman Reigns 31 Rusev 32 Sami Zayn 33 Samoa Joe 34 Sasha Banks 35 Seth Rollins 36 Sheamus 37 Triple H 38 Xavier Woods 39 AJ Styles 40 Alexa Bliss 41 Baron Corbin 42 Becky Lynch 43 Bray Wyatt 44 Carmella 45 Chad Gable 46 Daniel Bryan 47 Dean Ambrose 48 Dolph Ziggler 49 Heath Slater 50 Jason Jordan 51 Jey Uso 52 Jimmy Uso 53 John Cena 54 Kalisto 55 Kane 56 Luke Harper 57 Maryse 58 The Miz 59 Mojo Rawley 60 Naomi 61 Natalya 62 Nikki Bella 63 Randy Orton 64 Rhyno 65 Shinsuke Nakamura 66 Undertaker 67 Zack Ryder 68 Alundra Blayze 69 Andre the Giant 70 Batista 71 Bret "Hit Man" Hart 72 British Bulldog 73 Brutus "The Barber" Beefcake 74 Diamond Dallas Page 75 Dusty Rhodes 76 Edge 77 Fit Finlay 78 Jake "The Snake" Roberts 79 Jim "The Anvil" Neidhart 80 Ken Shamrock 81 Kevin Nash 82 Lex Luger 83 Terri Runnels 84 "Macho Man" Randy Savage 85 "Million Dollar Man" Ted DiBiase 86 Mr. Perfect 87 "Ravishing" Rick Rude 88 Ric Flair 89 Rob Van Dam 90 Ron Simmons 91 Rowdy Roddy Piper 92 Scott Hall 93 Sgt. -
The Full 100+ Page Pdf!
2014 was a unique year for pro-wrestling, one that will undoubtedly be viewed as historically significant in years to follow. Whether it is to be reflected upon positively or negatively is not only highly subjective, but also context-specific with major occurrences transpiring across the pro-wrestling world over the last 12 months, each with its own strong, and at times far reaching, consequences. The WWE launched its much awaited Network, New Japan continued to expand, CMLL booked lucha's biggest match in well over a decade, culminating in the country's first million dollar gate, TNA teetered more precariously on the brink of death than perhaps ever before, Daniel Bryan won the WWE's top prize, Dragon Gate and DDT saw continued success before their loyal niche audiences, Alberto Del Rio and CM Punk departed the WWE with one ending up in the most unexpected of places, a developing and divergent style produced some of the best indie matches of the year, the European scene flourished, the Shield disbanded, Batista returned, Daniel Bryan relinquished his championship, and the Undertaker's streak came to an unexpected and dramatic end. These are but some of the happenings, which made 2014 the year that it was, and it is in this year-book that we look to not only recap all of these events and more, but also contemplate their relevance to the greater pro-wrestling landscape, both for 2015 and beyond. It should be stated that this year-book was inspired by the DKP Annuals that were released in 2011 and 2012, in fact, it was the absence of a 2013 annual that inspired us to produce a year-book for 2014.