AND OTHER TALES PDF, EPUB, EBOOK

Joseph Conrad,Prof. Cedric Watts | 304 pages | 15 Jan 2009 | Oxford University Press | 9780199539031 | English | Oxford, United Kingdom Typhoon and Other Tales by

Synopsis Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title--offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords. Many chronicles have been written about life at sea, but few, if any, can compare with Joseph Conrad's masterpiece. It is the story of one unremarkable steamship captain, pitted against a storm of incredible fury. Captain Macwhirr has a reputation as a solid, steadfast man, who "having just enough imagination to carry him through each successive day, and no more" cannot fully believe any storm would be a match for his powerful ship. So, when the barometer and other clues begin to hint at trouble ahead, he is only moderately concerned and unwilling to change course and lose precious time-a decision that may prove more costly than he could ever have imagined. Read preview Overview. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts. Editions Showing of Typhoon and Other Tales Paperback. Published January 16th by Oxford University Press. Author s :. Joseph Conrad ,. Cedric Watts Editor. Want to Read saving…. Want to Read Currently Reading Read. Error rating book. Refresh and try again. Typhoon and Other Stories Paperback. Paul Kirschner Editor. Stape Introduction. Typhoon and Other Stories Everyman's Library, 4. Hinrichs ,. Martin Seymour-Smith Adapted by. Published January 15th by Oxford University Press. Barry Unsworth Introduction. Typhoon And Other Stories Hardcover. Editions of Typhoon and Other Tales by Joseph Conrad

Joseph Conrad pp Cite as. It is significant that it was to W. Conrad was tapping a strong vein of national sentiment in England in this story as well as in others of the same kind and he sensed it. Being the inhabitants of a small island, the sea has acquired a special hold over the English. The sea is also bound up with national identity. The sea has been associated with spectacular national triumphs since the age of Elizabeth I and the success of the Royal Navy has achieved the status of myth. Unable to display preview. Download preview PDF. Skip to main content. Many chronicles have been written about life at sea, but few, if any, can compare with Joseph Conrad's masterpiece. It is the story of one unremarkable steamship captain, pitted against a storm of incredible fury. Captain Macwhirr has a reputation as a solid, steadfast man, who "having just enough imagination to carry him through each successive day, and no more" cannot fully believe any storm would be a match for his powerful ship. So, when the barometer and other clues begin to hint at trouble ahead, he is only moderately concerned and unwilling to change course and lose precious time-a decision that may prove more costly than he could ever have imagined. Read preview Overview. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts. Penguin 85th by Dapo Adeola. Penguin 85th by Jackie Morris. Penguin 85th by Vashti Harrison. Book Bundles. Stocking Fillers. Events Podcasts Penguin Newsletter Video. Typhoon and Other Stories Joseph Conrad. Paperback Ebook. View more editions. Buy from. Read more. Share at. More from this Author. Joseph Conrad. Joseph Conrad. Typhoon Joseph Conrad. Joseph Conrad. To-morrow Joseph Conrad. Joseph Conrad. Joseph Conrad. Typhoon and Other Tales by Conrad, Joseph

It is the story of one unremarkable steamship captain, pitted against a storm of incredible fury. Captain Macwhirr has a reputation as a solid, steadfast man, who "having just enough imagination to carry him through each successive day, and no more" cannot fully believe any storm would be a match for his powerful ship. So, when the barometer and other clues begin to hint at trouble ahead, he is only moderately concerned and unwilling to change course and lose precious time-a decision that may prove more costly than he could ever have imagined. Read preview Overview. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts. Read Overview. Nabokov once said in his Lectures on Literature that it would take an entire lifetime just to know one novel properly — but these short stories by Conrad give one the opportunity of getting familiar with his particular craft of writing in a much shorter amount of time. It is much easier to get a sense of structure of the whole from a short story than it is from a full-length novel. There is more to characters than might initially meet the eye and a seemingly inept captain proves a hero. It reminded me a great deal of Lord Jim. Falk was not a particular favourite of mine, even though I acknowledge that its theme of appetite and hunger was very well carried through. He later guessed he must have been speaking Polish. I need to read as much as I can about him. is an amazing artwork in its own right. The title page includes the publisher's windmill device and the verso does not state 'Reserved for the Colonies only'. Patch of abrasion to the bottom half of the front board. Leading edges of both boards slightly warped. A little rubbing to the spine and the spine ends and corner tips are pushed with some light wear. Edges, endpapers and first and last sections lightly foxed. Contents otherwise clean with no inscriptions or ownership marks and the binding remains firm. Very good. The first British edition of Typhoon, which is slightly revised from the American edition of the previous year , one of Conrad's most celebrated works of fiction and the first appearance in book form of Amy Foster, Falk: A Reminiscence, and To-morrow. Nan-Shan in the title story. Published by William Heinemann. About this Item: William Heinemann. First state. Publishers cloth. Ex lending library copy; the only evidence of this being the contemporaneous bookplate to front pastedown. Endpapers toned. Name neatly penned to front pastedown in contemporaneous hand. Slightly foxed. Uncut pages. Size: 12mo. Published by Heinemann, London, United Kingdom Condition: Very Good-. About this Item: London: William Heinemann, Original dark grey cloth with front-cover life preserver in gilt. First Edition, first i. In addition to the title tale, the "other stories" are "Amy Foster," "Falk" and "To-morrow" "Falk" is the tale that centers upon Conrad's often-recurring theme of cannibalism. This is a "pure" domestic copy, with the domestic half-title and title leaves; demand from British booksellers was so great that the binder subsequently had to create "hybrid" copies, transferring colonial copies to the domestic market and back again. It is in Cagle's binding "a" -- with mm between "Conrad" and "Heinemann" on the spine, and with the pages trimmed at the top edge only. This copy does include the page ad catalogue that is present in some but not all copies. Its condition is very good-plus, perhaps near-fine: it is bright and has scarcely any wear, but there is some bubbling of the cloth, a flaw that frequently afflicts this Heinemann title. Cagle A8b 1. Published by Heinemann, London About this Item: Heinemann, London, Publisher's windmill device on title page, without "Reserved for the Colonies only" on verso of title page, and with publisher's monogram on rear cover. One of only copies. The first publication in book form of all the stories except the title novella "Typhoon," which was previously published in the U. This UK edition adds three stories not in the U. There is no comparable U. Cagle's binding "B" there are only 2 or 3 known copies of binding "A," which is a presumed trial binding with only the top edge trimmed and with mm between "Conrad" and "Heinemann" on spine [Cagle A8b 1 ]. Original, slate-gray cloth with title, author, publisher, and life-preserver stamped in gilt; 32 pages of ads at end as in some copies, but not all. Light foxing on endpapers only, minor wear on corners and spine ends, bubbling to cloth at spine and along rear cover edges, otherwise very good with gilt quite bright. First impression of the true first edition with all the correct issue points [as mentioned below] as called for. Limited to 1, copies with the publisher's windmill device on the title page, and without "Reserved for Colonies" on the verso of the title page which would indicate a later issue. The verso of title-page correctly reads: 'This edition enjoys Copyright in all Countries signatory to the Berne Treaty, and is not to be imported into the United States of America. Therefore this first impression of the first UK edition is also a first edition thus, incorporating Conrad's final revisions to Typhoon. This copy has the fore-edge and the bottom edge of the text-block rough-cut, with the top edge of the text-block trimmed as called for. Also it has the correct spacing of 10 mm as measured between "Conrad" and "Heinemann" on the spine of the boards as mentioned in Cagle A8b 1 ]. Nan- Shan to front board. Fore-edge and bottom edge of text-block rough-cut as called for. Edges of boards slightly rubbed. Bottom corner of rear board slightly bumped. Head and tail of spine slightly rubbed and creased. Offsetting to front and rear free endpapers. No foxing to pages. Pages clean. Slight spine lean. Spine tight. The fore-edge of three of the catalogue pages to the rear are uncut can be carefully cut open. Typhoon is the story of a ship captain who struggles against nature. Joseph Conrad, who was an exile from Poland writes about the themes of migration and isolation, particularly in "Amy Foster" and "To-Morrow. His dark secret stops him from courting the woman with whom he is in love. Published by London: Heinemann, From: Peter L. Newton, MA, U. About this Item: London: Heinemann, , First English Edition; first issue. Hinges weak; a very good copy. All books described as first editions are first printings unless otherwise noted. Published by G. Putnam's Sons, New York and London About this Item: G. Putnam's Sons, New York and London, Illustrated by Maurice Greiffenhagen. The U. Cagle A8a Original green cloth stamped in gray and orange. Fine copy Illustrated by Maurice Greiffenhagen. A very good copy indeed in the original slate-grey cloth gilt, all edges trimmed smooth, light wear to extremities, W. Smith's label inside front board. Aherne d, Binding C mm between base Conrad and top heinemann on spine. An attractive copy of this book.

Heart of Darkness and Other Tales - Ebok - Joseph Conrad, Cedric Watts () | Bokus

However, Falk has an appalling secret from his past that he insists on sharing. During a previous ill-fated voyage, the crew were trapped without provisions, and he resorted to cannibalism. This revelation horrifies Hermann, but ultimately he stifles his disgust and the match between Falk and the niece is successfully agreed. The story is an extraordinary one because it takes a dark idea and fails to present it with any of the horror that we might expect from the writer of Heart of Darkness. Conrad often deals with the fallibility of humans under severe strain, but this is only partly true of Falk. To some extent, you could see the cannibalism as part of his nature. He hungers after the niece. He adopts ruthless methods to undermine his apparent rival. He is willing to exploit his position as owner of a tug to charge extortionate amounts. His personality is driven by basic hungers and urges. Falk also has no self-condemnation for his actions. He feels horror and guilt, but insists that it was bad luck. You could see his motives as unconsciously Darwinian. When he kills the carpenter on the ship and eats him, it is seen as a case of the strong man winning out. It unfolds beautifully in its development up to the shock revelation. Only this time even the solution is broadly comical. This is one of the most heartbreaking stories that Conrad ever wrote. It concerns a central European called Yanko who is washed up in England after a shipwreck. Landing in a strange country and not speaking the language, his arrival is at first greeted with fear and confusion by the locals. Yanko is menaced by the townfolk until finally he is trapped in a wood-lodge. It is left to a rather insipid young lady called Amy Foster to take pity on him and provide him with food. A local neighbour agrees to employ Yanko. As Yanko learns his new job and begins to learn English, he becomes more and more useful. This acceptance is tested when he and Amy Foster decide to marry, but he gets his way. Sadly although they have a child together, the marriage proves unhappy. Amy is finally repelled by his strangeness. The final crisis occurs when Yanko falls dangerously ill. He begs for water but in his delirium he speaks in his native language, and Amy flees from the house in fright, leaving him to die. He too was married to an often uncomprehending English wife, and the tale is almost a nightmarish projection of what might happen to him. The local community is portrayed in a negative light here. Yanko is appalled that they treated him far worse on his arrival than the people in his homeland would have treated beggars. He remarks at one point that if he had not seen a cross on one of the women, he would not have realised that this was a Christian country. However, she has none of the qualities of a supportive wife. We get a glimpse of this in an earlier incident where we hear that she looked after a parrot, but when a cat got in and threatened the parrot she ran away and left it to its fate because its cries were so human. This anticipates the way she treats Yanko. It is not an allegory of course, but it is a tale that can appeal to any outsider who fears ultimate rejection by their loved ones. It is one of those tales that seems to tease us with an extra meaning that we cannot quite pin down. The narrator is once more a young man on his first voyage as Captain of a ship. While alone on the deck, he is startled by young man climbing aboard. The man is an officer from a neighbouring ship who murdered one of his crew members, and is now a fugitive. The fugitive Leggatt feels that he was justified, because the victim was a bully who refused to obey an order at a time when the ship was in peril from a storm. The narrator conceasl Leggatt in his cabin because he feels a strange affinity with the murderer. The two men look alike and they both went to Conway, a training ship. Eventually the Captain agrees to take his ship close to an island at great risk to the safety of his ship and crew so that Leggatt can safely swim ashore. The two men look similar, suggesting a dual identity. The title too hints at this. Leggatt is a sharer of more than just the secret of his concealment in the cabinet. He shares a resemblance to the Captain. There are certainly some characteristic Conrad ideas about the weakness and fallibility of humans. We should also avoid seeing the story as a Jekyll and Hyde variation, as both men are morally ambiguous. In fact, this gets more to the heart of the narrative. In so far as it is about psychological issues, it is more about the moral choices made by Leggatt and the Captain. On the surface, it might seem that Leggatt is the darker character, but this position is far more blurred. Leggatt kills a man to saves his ship from disaster. The Captain endangers his ship to save a known murderer. Right and wrong are uncertain. Was the Captain in the right to risk all to protect Leggatt, and was Leggatt justified in his murder? These are never explained to the reader, but seem to lie in the strange resemblance between the two men. The Captain is almost protecting himself, or an alternative version of what he might have been. This lends itself to other interpretations. Some see a form of elitism in the actions of the Captain. He and Leggatt were trained in the same place, and both men are intelligent and well-educated. They are more compatible with one another than they are with their stupid crew members. This creates a freemasonry between the two men. Another reading of the story is to see a homosexual connection between the two men, and some of the language the Captain uses might suggest an attraction between them. The four stories here are very different, but there are a few shared characteristics. Women are reduced to a supporting role in the action, and almost treated with some kind of resentment by Conrad. Only the niece stands out as a woman of some strength, yet she is barely individualised at all — more of a warrior-like ideal for Falk to aspire to. Amy Foster proves unworthy of her gentle husband and deserts him during his sickness. Much emphasis is given to her dullness and insipidity. All four stories present the characters with a problem that comes from outside their comfort and experience, and which will test their resolve and strength. Two of the stories involve newly-appointed Captains who feel responsible for their crew. Two of the stories involve experienced seafarers who have had an easy time at sea, and who are not prepared for revelations of a shocking nature. The successful resolution of the stories depends on how well the characters adjust to the change. MacWhirr proves capable in the crisis. There is a point in the middle of the typhoon when he notices that the readings suggest the weather will get far worse, and his mind is now expanded enough to take this seriously, even though it lies outside his experience. He has the courage, flexibility and good moral sense to get his crew through the danger. Falk finds another solution to problems at sea. It is a brutal one, but one that keeps him alive, and has been forced on him by harsh necessity. The narrating Captain has a different problem how to get persuade Falk to tow his ship out to sea , and he solves this problem with diplomacy and persuasion. Hermann has to make a choice about whether to allow a one-time cannibal to marry into his family, and he gives in to pragmatism and expediency. The other stories present less clear- cut solutions to the problem at hand. Yanko tries hard to adjust to living in a strange land, but he is let down and left to die. The town fails to adjust to the problem of having a stranger in their midst, never allowing him to be accepted as one of their own. He responds by concealing Leggatt until he can drop Leggatt off at an island for safety, but he creates more problems for himself by nearly causing his ship to wreck. It is unclear whether his solution was the morally right one or not. Similarly Leggatt solved a problem for his own shipmates and protected his ship in a storm, but he also murdered a man in the process. I loved it. I do not typically read shorter fiction, but these stories were incredibly satisfying in their sense of completeness and wholenesss as works of art. Nabokov once said in his Lectures on Literature that it would take an entire lifetime just to know one novel properly — but these short stories by Conrad give one the opportunity of getting familiar with his particular craft of writing in a much shorter amount of time. It is much easier to get a sense of structure of the whole from a short story than it is from a full-length novel. There is more to characters than might initially meet the eye and a seemingly inept captain proves a hero. It reminded me a great deal of Lord Jim. Falk was not a particular favourite of mine, even though I acknowledge that its theme of appetite and hunger was very well carried through. He later guessed he must have been speaking Polish. The Secret Sharer is an amazing artwork in its own right. But I confess that even as I can easily imagine critics writing pages and pages about doppelgangers and potentially homosexuality, I was fascinated by the very strange treatment of justice and injustice in this tale. Almost any serious admirer of Conrad points out that his writing puts tge reader in an oppressed mood. Three of these stories deal with courtship, not a theme one iften associatrs with this teller if sea tales. He cannot be called feminist, nor can he be called dismissive of women. There is not one woman in Conrad who the reader cannot pity. That Conrad thinks the condition of women is unchangeable is obvious. That he sees tragedy in there lived is unmistakable, though. He is well worth reading. Four not so short, short stories in one book. Conrad is not as easy to read as some, but his stories are like no other. Some helpful advice -you should take some dramamine before reading Typhoon. My head is still spinning. If you can flow with the archaic references and style, Conrad is so worth a read Conrad and I just don't get along. And it's been nearly four years since I read him last Lord Jim and I still don't quite get along with him. Sep 13, Lillian rated it liked it. Conrad writes beautifully; can't say I enjoyed the story though. Sep 26, Lena rated it liked it. I thought that this was kind of boring. Not really my type of reading. Read it for my Literature of the Sea class. Great book, great classic! View 1 comment. Joseph Conrad always surprises me, and whatever I've read most recently always seems like the best of the lot. This book offers a number of short trips to that status. Albert Guerard, the editor, rightly calls the third chapter of The Nigger of the Narcissus , which recounts the storm around the Cape of Good Hope "one of the summits of English prose," though I was more struck by the first and last chapters, which capture the eerie transition of the ship and its crew from their land to their sea Joseph Conrad always surprises me, and whatever I've read most recently always seems like the best of the lot. Albert Guerard, the editor, rightly calls the third chapter of The Nigger of the Narcissus , which recounts the storm around the Cape of Good Hope "one of the summits of English prose," though I was more struck by the first and last chapters, which capture the eerie transition of the ship and its crew from their land to their sea state and back again. As the Narcissus enters the English channel: "The dark land lay alone in the midst of waters, like a mighty ship bestarred with vigilant lights -- a ship carrying the burden of millions of lives -- a ship freighted with dross and with jewels, with gold and with steel. She towered up immense and strong, guarding priceless traditions and untold suffering, sheltering glorious memories and base forgetfulness, ignoble virtues and splendid transgressions. This is from "Youth: a Narrative" told by Marlowe: "That crew of Liverpool hard cases had in them the right stuff. It's my experience they always have. It is the sea that gives it -- the vastness, the loneliness surrounding their dark stolid souls. The last of the four stories to-morrow is quite weak, but the first three make up more than that. What wonderful language! The first tale, Typhoon, is a quite funny and very gripping tale of captain McWhirr. A man born unruffled, is being overtaken by a tyfoon. Reminiscent of Slauerhoff's Schuim en As, but with a more satisfying end. The second tale Falk is a matrusca of men having dinner, hearing a story about a stoic romantic captain of a tugboat and his ruthless machinations to get the gi The last of the four stories to-morrow is quite weak, but the first three make up more than that. The second tale Falk is a matrusca of men having dinner, hearing a story about a stoic romantic captain of a tugboat and his ruthless machinations to get the girl he wants, in the process relating how he ate a man yes, you read this correctly. The third tale Amy Foster is about a romantic Eastern European, shipwrecked on sea and landed on England's cold shores, and then being shipwrecked on land, when his hardly won wife turns out to be more part of England, than part of him. From Falk: "He glanced at her, and his mighty trunk overshadowed the table, bringing nearer to us the breadth of his shoulders, the thickness of his neck, and that incongruous, anchorite head, burnt in the desert, hollowed and lean as if by excesses of vigils and fasting. His beard flowed imposingly downwards, out of sight, between the two brown hands gripping the edge of the table, and his persistent glance made sombre by the wide dilations of the pupils, fascinated. As in all short-story collections, some are better than others, however the quality was generally quite high: "Typhoon:" The story of a ship going through a typhoon. As in most Conrad this is a story of thinking and doing, rather than talking. Conrad's own ship experience is evident, and he has a cast with very different personalities and opinions. However, even this story has some interesting elements, and, with a Polish man being considered an "other" and outcast in England, it feels like it may have been quite personal to Conrad. This story felt like a prototype or condensed version of other Conrad works. I think a lot of people can relate to the idea that things will get better "tomorrow. After reading Heart of Darkness and The Secret Agent a few months ago, I decided to go back for some more Joseph Conrad, this time with a collection of three short stories, each involving [mis]adventures at sea. It was a good story, but the following two "Typhoon" and "The Shadow-Line" were a notch or two above. The way Conrad writes it, you get a really g After reading Heart of Darkness and The Secret Agent a few months ago, I decided to go back for some more Joseph Conrad, this time with a collection of three short stories, each involving [mis]adventures at sea. The way Conrad writes it, you get a really good idea of what it is to be caught in the middle of such a storm, both physically and mentally. This book, Conrad in general, is interesting for the very different perspective that it presents. Most people aren't familiar with the sea - I'm certainly not. But he shows us life on ships. Most of us are very uncomfortable with racial prejudice - I certainly am. But he shows it to us clearly and unapologetically. Conrad shows us a different world, only a century old, but seemingly so far. On the other hand, the sea hasn't changed. It's tremendous power might not be "on the surface" all the tim This book, Conrad in general, is interesting for the very different perspective that it presents. It's tremendous power might not be "on the surface" all the time, but it is there. And the racial animus, the difficulty we have in relating one group to another, hasn't changed as much as we'd like to think either. It is powerful, and if it isn't on the surface, it probably isn't far distant. The world is full of powerful forces and we moderns aren't the masters of them. Typhoon reminded me forcefully of what a great writer Conrad is and how much I wish to know everything he wrote. Humor, action and memorable characters; vivid word pictures which put you on board the endangered ship suffering the storm's fury and an elegant satiric wrapping up left me glad to have read this small masterpiece. May 08, Dean rated it really liked it Shelves: hilr. I bought this book to read the short story, "The Secret Sharer," one of Conrad's most famous seagoing works. It's first of all a story about identity, about who each of us is. At the same time, it's a story about compassion, and the way we spiritually connect to the parts of ourselves we see in others. Definitely worth a read, and much more accessible than Conrad's big novels. Oct 23, John Guild rated it really liked it. Not my favorite of Conrad's novellas, but still pretty fantastic. The descriptions of the storm are unforgettable. And the characterization of MacWhirr, the stolid, unimaginative captain, is sly and funny which isn't as rare for Conrad as you might think. Oct 08, Katie Marquette marked it as to-read. Chris will yell at me if I put this on the 'read' list, so I'll keep it on 'to read. May 17, Anna rated it really liked it. Joseph Conrad is as good in short stories as the novels. I liked those marine stuff. It's connected with that part of Conrad's life, when he was working at ships. Dec 08, Dave rated it it was amazing. Typhoon - totally awesome sea story. Mental pictures invoked when I read it are still recallable. You'll never forget it if you have any experience at sea. There are no discussion topics on this book yet. Readers also enjoyed. Short Stories. Literary Fiction. About Joseph Conrad. Joseph Conrad. Conrad left his native Poland in his middle teens to avoid conscription into the Russian Army. He joined the French Merchant Marine and briefly employed himself as a wartime gunrunner. He then began to work aboard British ships, learning English from his shipmates. He was made a Master Mariner, and served more than sixteen years before an event inspired him to try his hand at writing. He was hired to take a steamship into Africa, and according to Conrad, the experience of seeing firsthand the horrors of colonial rule left him a changed man. Joseph Conrad settled in England in , the year before he published his first novel. This is a preview of subscription content, log in to check access. John A. Google Scholar. Quoted from M. James F. Letter to John Galsworthy, , in G. CrossRef Google Scholar. Goonetilleke 1 1. University of Kelaniya Sri Lanka. Personalised recommendations. Cite chapter How to cite? ENW EndNote. Buy options.

https://files8.webydo.com/9589616/UploadedFiles/7E0E6895-A957-97F8-9233-3055C45A4EB4.pdf https://static.s123-cdn-static.com/uploads/4644712/normal_6020b8337cccd.pdf https://files8.webydo.com/9587887/UploadedFiles/0DEF75AC-4F33-1F0B-CFF3-F9462EA238A1.pdf https://files8.webydo.com/9586049/UploadedFiles/7F288279-C9F5-88BF-5335-4DC740DE107E.pdf https://uploads.strikinglycdn.com/files/fc30d882-4a53-441b-ac02-b219b34bc879/arisierung-und-wiedergutmachung-in-deutschen-stadten- 960.pdf https://uploads.strikinglycdn.com/files/691451c4-2a6e-4363-8c37-08c54daa7c39/kleine-geschichten-von-den-grossen-dingen-die-man-nicht- sehen-kann-750.pdf https://files8.webydo.com/9585842/UploadedFiles/86E70C38-1432-2815-14CB-22704DD2D1BC.pdf