Art & Architecture 2010

press.princeton.edu Contents American 1 Museum Studies 4 Architecture 5 Visual Culture 6 Modern 9 Photography 10 Renaissance & Baroque 12 Medieval 13 Ancient & Islamic 14 British 16 French 18 Asian 19 , Systematic Catalogues 20 The A. W. Mellon Lectures in the Fine Arts 22 Department of Art & Archaeology, Princeton University 23 The Robert Lehman Collection at the Metropolitan Museum of Art 24 Index/Order Form 25

Cover Image: “The Masses” cover, September 1917, by Carlo Leonetti; Special Collections, Michigan State University Libraries New New Paperback The Paris Letters of Thomas Eakins With a new preface by Edited by William Innes Homer the author American Moderns “Long awaited, this valuable collection of letters presents Bohemian New York and the Thomas Eakins in his own words at a formative stage of Creation of a New Century his career, offering a fascinating record of triumphs and Christine Stansell struggles as well as a lively display of the skills, interests, confident opinions, and complex personality of a great “Stansell frames her book around American artist.” three activities: talking, writing and —Kathleen A. Foster, author of Thomas Eakins Rediscovered loving. She compels readers to ap- preciate what was shockingly new The most revealing and interesting writings of American in each activity—no small feat, since artist Thomas Eakins are the letters he sent to family and we now take (nearly) for granted the friends while he was a student in Paris between 1866 and unfettered speech, print and sex that 1870. This book presents all these letters in their entirety these early radicals found so daring.” for the first time; in fact, this is the first edition of Eakins’s —Patricia Cline Cohen, New York Times correspondence from the period. Edited and annotated by Eakins authority William Innes Homer, this book “[Stansell’s] history of Greenwich provides a treasure trove of new information, revealing Village between 1890 and 1920 never previously hidden facets of Eakins’s personality, providing forgets that people who defy political a richer picture of his artistic development, and casting convention and people who defy artis- fresh light on his much-debated psychosexual makeup. tic convention gravitate toward each The book is illustrated with the small, gemlike drawings other whatever their differences.” Eakins included in his correspondence, as well as photo- —Village Voice graphs and paintings. “[American Moderns] is about the cre- This long-overdue volume provides an indispensable ation of a new life in early-twentieth- portrait of a great American artist as a young man. century New York. . . . Stansell’s book is a triumph.” William Innes Homer is H. Rodney Sharp Professor Emeri- —Eunice Lipton, The Nation tus of Art History at the University of Delaware. Christine Stansell is the Stein-Freiler 2009. 384 pages. 33 halftones. 35 line illus. 6 x 9. Cl: 978-0-691-13808-4 $35.00 £24.95 Distinguished Service Professor in United States History at the University of Chicago. 2009. 440 pages. 37 halftones. 6 x 9. Pa: 978-0-691-14283-8 $24.95 £16.95

pup.prin ceton.edu American 1 Winner of the 2009 Book Prize, Modernist Studies Association Rackstraw Downes, 2009 MacArthur Fellow Winner of the 2009 Peter C. Rollins Award, Northeast Popular Culture/ American Culture Association Rackstraw Downes New York Nocturne Sanford Schwartz, Robert Storr & The City After Dark in Literature, Painting, and Rackstraw Downes Photography, 1850–1950 “Rackstraw Downes, the veteran paint- William Chapman Sharpe er of landscapes and urban places, is a “My favorite book of the year. New York Nocturne is a realist esteemed by people, including chronicle in words, photographs and paintings of New me, who normally have scant use for York City at night.” realism in art. [His work] is powerful in —Norman Maine, Soho Journal quiet, stubborn ways . . . luminous, yet taciturn: just the facts. . . . There is an 2008. 448 pages. 24 color plates. 117 halftones. 7 x 10. existentialist, not to say quixotic, flavor Cl: 978-0-691-13324-9 $35.00 £24.95 to Downes’s insistence on realizing the real by hand. He likes jam-ups of Honorable Mention, 2006 Museum Publications Design Competition, Books Category, American Association of Museums culture and nature, where practical With a foreword by Lynn Gumpert human uses overlap with indifferent The Downtown Book geology and shaggy flora—he is the The New York Art Scene 1974–1984 bard of weeds.” Edited by Marvin J. Taylor —Peter Schjeldahl, New Yorker Essays by Bernard Gendron, RoseLee Goldberg, Carlo McCormick, Robert Siegle, Marvin J. Taylor, 2005. 200 pages. 100 color plates. 50 halftones. 11 x 10. Cl: 978-0-691-12047-8 $61.00 £41.95 Brian Wallis & Matthew Yokobosky

“The Downtown Book: The New York Art Scene 1974–1984 Chuck Close Prints celebrates the era’s creative commotion, much of it scat- Process and Collaboration tershot and under the mainstream radar.” Terrie Sultan —New York Times Style Magazine With an essay by Richard Shiff

Published in association with the Grey Art Gallery and the Fales Library of English and “Chuck Close, the great postmodern American Literature, New York University pointillist printmaker, is a methodical 2006. 208 pages. 58 color plates. 98 halftones. 8 x 8. Cl: 978-0-691-12286-1 $35.00 £24.95 perfectionist. Fittingly, Terrie Sultan goes much deeper than the usual art- Noble Dreams, Wicked Pleasures ist appreciation in Chuck Close Prints.” Orientalism in America, 1870–1930 —Ted Loos, New York Times Book Review Edited by Holly Edwards Published in association with Blaffer Gallery, the Art “An exotic, art-historical jewel.” Museum of the University of Houston —Library Journal 2003. 160 pages. 110 color plates. 38 halftones. Double gatefold. 9 x 12. Published in association with the Sterling and Francine Clark Art Institute, Williamstown Pa: 978-0-691-11577-1 $35.00 £24.95 Cl: 978-0-691-11576-4 $55.00 £37.95 2000. 242 pages. 123 color plates. 62 halftones. 9 x 12. Pa: 978-0-691-05004-1 $53.00 £36.95 2 American One of Choice’s Outstanding Academic Titles for 2005 Sargent and Italy Finalist, 2005 Nonfiction Kiriyama Prize, Pacific Rim Voices The Life of Isamu Noguchi Edited by Bruce Robertson Essays by Jane Dini, Ilene Susan Fort, Journey without Borders Stephanie L. Herdrich, R.W.B. Lewis & Masayo Duus Richard Ormond Translated by Peter Duus “Beautiful and informative. . . . [A] sig- “[D]uus’s vivid biography of Japanese American artist nificant addition to books on Sargent.” Isamu Noguchi is as sleek and sophisticated as her sub- —Library Journal ject’s marble sculptures.” —Publishers Weekly Published in association with the Los Angeles County Museum of Art

2006. 440 pages. 36 halftones. 6 x 9. 2008. 208 pages. 85 color plates. 50 halftones. 9 x 12. Pa: 978-0-691-12782-8 $27.95 £19.95 Pa: 978-0-691-13944-9 $35.00 £24.95

Winner of the 2005 Book Award, Fine Art Category, Independent Publisher Winner of the 2002 Umhoefer Prize for Achievement in Georgia O’Keeffe and New Mexico Humanities, Arts and Humanities Foundation A Sense of Place John Singer Sargent Barbara Buhler Lynes, Lesley Poling-Kempes & Edited by Elaine Kilmurray & Frederick Turner Richard Ormond

“This book will significantly contribute to our understand- “Admirers of Sargent will welcome ing of this phase of O’Keeffe’s life and accomplishments.” John Singer Sargent and read it with —Kathleen Pyne, University of Notre Dame the same relish and thoroughness that went into its writing. It is an intellectual Copublished with the Georgia O’Keeffe Museum, Santa Fe and visual feast.” 2004. 144 pages. 66 color plates. 10 halftones. 10 ½ x 9. Cl: 978-0-691-11659-4 $45.00 £30.95 —Gary Michael, Bloomsbury Review

Published in association with the Tate, Joseph Cornell and Astronomy 1998. 288 pages. 160 color plates. 80 halftones. 9 x 12. Cl: 978-0-691-00434-1 $70.00 A Case for the Stars For sale only in the U.S., Canada, and the Philippines Kirsten Hoving

“Mesmerizing. . . . Hoving does something ambitious and difficult: she identifies one important thread of his creative process and uses it to help us understand Cornell’s art. . . . With its high-quality production and beautiful and wide- ranging illustrations, this book is extremely absorbing.” —Pedro Ferreira, Nature

2008. 336 pages. 60 color illus. 81 halftones. 8 x 10. Cl: 978-0-691-13498-7 $49.50 £34.95

pup.prin ceton.edu american 3 New Whose Muse? Whose Culture? Art Museums and the Public Trust The Promise of Museums and the Debate Edited by James Cuno over Antiquities With essays by James Cuno, Philippe de Montebello, Edited by James Cuno Glenn D. Lowry, Neil MacGregor, John Walsh & James N. Wood “In stressing the multiple meanings—aesthetic, textual, political, ritual—that an object may have, these contribu- “An eloquent and powerful statement tors oppose the claim that art divorced from its archaeo- of what one might call the traditional, logical setting is a cosa morta (‘dead thing’).” or alternatively the true, objectives of —Hugh Eakin, New York Review of Books the museum of art. Essential reading.” —Giles Waterfield, Art Newspaper The international controversy over who “owns” antiquities has pitted museums against archaeologists and source Published in association with Harvard University countries where ancient artifacts are found. In Whose Art Museums Culture?, Cuno assembles preeminent museum directors, 2006. 208 pages. 31 halftones. 6 x 9. Pa: 978-0-691-12781-1 $19.95 £13.95 curators, and scholars to explain for themselves what’s at stake in this struggle—and why the museums’ critics couldn’t be more wrong. Collecting the New Museums and Contemporary Art James Cuno is president and director of the Art Institute Edited by Bruce Altshuler of Chicago and former director of the Courtauld Institute of Art and the Harvard University Art Museums. “In this volume of thoughtful essays, curators, conservators, scholars, and 2009. 232 pages. 44 halftones. 6 x 9. others in the museum world address Cl: 978-0-691-13333-1 $24.95 £16.95 how institutions should collect, exhibit, and care for the new art.” Who Owns Antiquity? —Ann Landi, ArtNews Museums and the Battle over Our Ancient Heritage 2007. 208 pages. 38 halftones. 6 x 9. James Cuno Pa: 978-0-691-13373-7 $19.95 £13.95 Cl: 978-0-691-11940-3 $55.00 £37.95 “The title Who Owns Antiquity? is disingenuous, as the book’s answer is clearly nobody, or everybody. In a polar- ized debate that has pitted archaeologists against collec- tors, [Cuno] takes the increasingly unpopular pro-trade side but seeks to give it an ethical framework.” —Jori Finkel, New York Times

2008. 272 pages. 6 halftones. 6 x 9. Cl: 978-0-691-13712-4 $24.95 £16.95

4 museum studies Forthcoming Paperback New Paperback The Essential Frank Lloyd Wright Architecture Critical Writings on Architecture Elements, Materials, Form Frank Lloyd Wright Francesca Prina Edited by Bruce Brooks Pfeiffer “This elegant book stimulates the “The Essential Frank Lloyd Wright is a splendid anthology imagination. It is about experiencing of the architect’s essays and lectures. . . . It provides a wide architecture—space and procession, array of material for anyone who wants to understand light and shadow, inside and outside. Wright in his own words.” It is about making architecture—by —Barrymore Laurence Scherer, Antiques designing, by crafting, by building. It is also about history, the evolution of Bruce Brooks Pfeiffer is director of the Frank Lloyd Wright our lives and environments.” Archives at the Frank Lloyd Wright Foundation. —Robert Geddes, Princeton University

April 2010. 464 pages. 103 halftones. 8 x 10. Pa: 978-0-691-14632-4 $24.95 £16.95 Francesca Prina is an independent art Cl: 978-0-691-13318-8 $49.95 £34.95 historian who specializes in the history of architecture.

With a new introduction by Neil Levine Princeton Field Guides to Art

Modern Architecture 2009. 384 pages. 5 ½ x 8. Being the Kahn Lectures for 1930 Pa: 978-0-691-14150-3 $29.95 £20.95 Frank Lloyd Wright

Praise for the original edition: A History of Building Types b Nikolaus Pevsner “[Modern Architecture] is . . . the very best book on modern architecture.” “The book is a monument of lively —Catherine Bauer, New Republic scholarship, and also a most revealing

2008. 208 pages. 7 halftones. 8 x 10 ½. anthology. . . . Gloriously informative. It Cl: 978-0-691-12937-2 $29.95 £20.95 brims with curious details.” —Raymond Mortimer, Sunday Times

Winner of the 1996 Award for Best Professional/Scholarly Book in Architecture and The A. W. Mellon Lectures in the Fine Arts, 1970 Urban Planning, Association of American Publishers Bollingen Series XXXV: 19 One of Choice’s Outstanding Academic Titles for 1996 1979. 352 pages. 748 halftones. 9 x 11. The Architecture of Frank Lloyd Wright Pa: 978-0-691-01829-4 $45.00 Neil Levine Not for sale in the Commonwealth (except Canada)

“A major publication, a benchmark study not only of Wright’s career but of architectural history as well.” The Tao of Architecture —Choice Amos Ih Tiao Chang 1981. 88 pages. 6 x 9. 1998. 544 pages. 24 color plates. 392 halftones. 9 x 11. Pa: 978-0-691-00330-6 $14.95 £10.95 Pa: 978-0-691-02745-6 $49.95 £34.95 pup.prin ceton.edu architecture 5 New New Shell Shock Cinema The History of Weimar Culture and the Wounds of War Italian Cinema Anton Kaes A Guide to Italian Film from Its Origins to the Twenty- “With his deep knowledge of German cultural history, First Century Kaes traces how the ghosts of the dead of World War I— Gian Piero Brunetta the defining trauma of modernity—haunt all major Wei- Translated by Jeremy Parzen mar films. Shell Shock Cinema is a brilliant book about the threshold between the visible and the invisible in “If you are a serious film buff, then this post-traumatic narratives, with war memory displaced book is a godsend, covering all you into stories of madmen, vampires, mythic heroes, and need to know in great detail. It packs science fiction. In an entirely new key, Weimar cinema in such a great amount of informa- reemerges as a paradigm for our post-traumatic times.” tion that it’s pretty much a one-stop —Andreas Huyssen, author of Present Pasts: Urban shop for getting to grips with Italy’s Palimpsests and the Politics of Memory cinematic past, present and future.” —Italia A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film The History of Italian Cinema is the gave expression to the loss and acute grief that lay most comprehensive guide to Italian behind Weimar’s sleek façade. film ever published. Written by the foremost scholar of Italian cinema Anton Kaes is the Class of 1939 Professor of German and and presented here for the first time Film Studies at the University of , Berkeley. in English, this landmark book traces 2009. 328 pages. 48 halftones. 6 x 9. the complete history of filmmaking in Cl: 978-0-691-03136-1 $29.95 £20.95 Italy, from its origins in the silent era through its golden age in the 1940s, Northern Arts 1950s, and 1960s, and its subsequent The Breakthrough of Scandinavian Literature and decline to its resurgence today. Art, from Ibsen to Bergman Arnold Weinstein A delight for film lovers everywhere, The History of Italian Cinema reveals “The most ambitious American effort in memory to view the full artistry of Italian film. Scandinavian culture whole. . . . Weinstein celebrates his subject for projecting a globally influential ethos that Gian Piero Brunetta is professor of the transcends any role as merely an occasional producer of history and criticism of cinema at the world-class artists.” University of Padua in Italy.

—Carlin Romano, Chronicle of Higher Education 2009. 400 pages. 6 x 9. Cl: 978-0-691-11988-5 $35.00 £24.95 2008. 544 pages. 75 halftones. 6 x 9. Cl: 978-0-691-12544-2 $35.00 £24.95

6 visual culture New New Lucky Hans and Other Merz Fairy Tales The Posthuman Kurt Schwitters Dada Guide Translated and introduced by Jack Zipes tzara and lenin play chess Illustrated by Irvine Peacock Andrei Codrescu

Kurt Schwitters revolutionized the art world in the 1920s “A dictionary, a history of art move- with his Dadaist Merz collages, theater performances, ments, a manifesto, and a joke book; and poetry. But at the same time he was also writing [The Posthuman Dada Guide] traverses extraordinary fairy tales that were turning the genre high and low, seeking answers to our upside down and inside out. Lucky Hans and Other Merz most persistent confusions about art, Fairy Tales is the first collection of these subversive, culture, and identity.” little-known stories in any language and the first time all —D. Scot Miller, San Francisco Bay but a few of them have appeared in English. Translated Guardian and introduced by Jack Zipes, one of the world’s leading authorities on fairy tales, this book gathers thirty-two The Posthuman Dada Guide is an im- stories written between1925 and Schwitters’s death in practical handbook for practical living 1948—including a complete English-language recreation in our posthuman world—all by way of The Scarecrow, a children’s book illustrated with avant- of examining the imagined 1916 chess garde typography that Schwitters created with Kate game between Tristan Tzara, the daddy Steinitz and De Stijl founder Theo van Doesburg. Lucky of Dada, and V. I. Lenin, the daddy of Hans and Other Merz Fairy Tales also includes brilliant new communism. Taking the match as met- illustrations that evoke the 1920s, 1930s, and 1940s. aphor for two poles of twentieth- and twenty-first-century thought, politics, Jack Zipes is professor emeritus of German and compara- and life, Andrei Codrescu has created tive literature at the University of Minnesota. his own brilliantly Dadaesque guide

Oddly Modern Fairy Tales to Dada—and to what it can teach us

2009. 256 pages. 31 halftones. 26 line illus. 5 ½ x 8. about surviving our ultraconnected Cl: 978-0-691-13967-8 $22.95 £15.95 present and future.

Andrei Codrescu is the MacCurdy Now Available in Paperback Art of the Modern Age Distinguished Professor of English at Louisiana State University. Philosophy of Art from Kant to Heidegger Jean-Marie Schaeffer The Public Square 2009. 376 pages. 2 tables. 6 line illus. 6 x 9. 2009. 248 pages. 4 x 8. Pa: 978-0-691-14436-8 $29.95 £20.95 Pa: 978-0-691-13778-0 $16.95 £11.95

pup.prin ceton.edu visual culture 7 Winner of the 2009 Bronze Medal in Fine Art, Independent Publisher Patronizing the Arts Black Marjorie Garber The History of a Color Michel Pastoureau “Patronizing the Arts is a brilliantly nu- anced assessment of why universities “Who would have thought the history of a single color could must become art patrons.” be so fascinating? Black: The History of a Color . . . proceeds —Peggy Phelan, author of Unmarked: chronologically from cave painting to modern fashion and The Politics of Performance focuses on mythology, heraldry, religion, science and paint- ing along the way. The author, a historian at the Sorbonne, 2008. 272 pages. 1 halftone. 6 x 9. Cl: 978-0-691-12480-3 $24.95 £16.95 narrates developments in the material, aesthetic and sociological dimensions of the color black with infectious, wide-ranging curiosity and easy-going erudition.” With a new preface by the author —Ken Johnson, New York Times The Warhol Economy How Fashion, Art, and Music Drive Black—favorite color of priests and penitents, artists New York City and ascetics, fashion designers and fascists—has always Elizabeth Currid stood for powerfully opposed ideas: authority and humil- “Currid gives readers an eagle-eyed ity, sin and holiness, rebellion and conformity, wealth look at the networking mechanics of and poverty, good and bad. In this beautiful and richly the art-as-business crowd. Colorful illustrated book, the acclaimed author of Blue now tells description abounds, as do colorful the fascinating social history of the color black in Europe. characters.” 2008. 216 pages. 106 color plates. 9 x 9. —Publishers Weekly Cl: 978-0-691-13930-2 $35.00 £24.95 2008. 280 pages. 26 halftones. 22 line illus. 5 tables. 7 x 9. Blue Pa: 978-0-691-13874-9 $18.95 £12.95 The History of a Color Cl: 978-0-691-12837-5 $27.95 £19.95 Michel Pastoureau Winner of the 2007 Award for Best Professional/Scholarly “A generous, gorgeous book full of nearly 100 historical Book in Philosophy, Association of American Publishers and artistic plates, all illustrating the meaning and role of Only a Promise of Happiness The Place of Beauty in a World of Art the color blue in Western history. . . . Pastoureau has created Alexander Nehamas something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read.” “Nehamas’s argument about beauty —Brian Bouldrey, Chicago Tribune in art is beautiful, in the very sense

2001. 216 pages. 99 color plates. 9 x 9. intended by the argument itself.” Cl: 978-0-691-09050-4 $39.95 £27.95 —Carolyn Wilde, Modernism/Modernity

2007. 208 pages. 13 color plates. 79 halftones. 8 x 10. Cl: 978-0-691-09521-9 $29.95 £20.95

8 visual culture Winner of the 1999 Robert W. Hamilton Author Award, University of Texas Cooperative Society Clement Greenberg Duchamp in Context A Critic’s Collection Science and Technology in the Large Glass Karen Wilkin & Bruce Guenther and Related Works “An important publication, an im- Linda Dalrymple Henderson portant collector, and an important collection.” “[A] remarkable new study. . . . I greatly recommend Hen- —Choice derson’s book as an exciting exploration of the borders between art and science, as they were traced at the dawn Published in Association with the Portland Art Museum, of Modernism by an elliptical genius.” Portland, Oregon —Arthur C. Danto, The Nation 2001. 180 pages. 220 color plates. 1 halftone. 10 x 12. Cl: 978-0-691-09049-8 $60.00 £41.95

2005. 500 pages. 5 color plates. 190 halftones. 8 ½ x 11. Pa: 978-0-691-12386-8 $45.00 £30.95 Surrealism Desire Unbound Inventing Futurism Edited by Jennifer Mundy The Art and Politics of Artificial Optimism Consultant Editor, Dawn Ades Christine Poggi Special Adviser, Vincent Gille

“Inventing Futurism cuts a sharp cross-disciplinary swath “[A] gripping album of surrealist works through the founding avant-garde of the twentieth in all media.” century. With meticulous scholarship, interpretive depth, —Kenneth Baker, San Francisco and attention to nuance, it brilliantly upends the once- Chronicle standard clichés regarding a Futurism reducible to the Published in association with the Tate Modern, London acritical worship of modernity.” 2005. 352 pages. 300 color illus. 9 x 11. —Jeffrey T. Schnapp, Stanford University Pa: 978-0-691-12336-3 $45.00 Cl: 978-0-691-09064-1 $87.00 2009. 416 pages. 24 color illus. 131 halftones. 7 x 10. For sale only in the U.S., Canada, and the Philippines Cl: 978-0-691-13370-6 $45.00 £30.95

Winner of the 2008 Charles C. Eldredge Prize, Smithsonian American Art Museum Why a Painting Is Like Pre-Modernism a Pizza Art-World Change and American Culture from the A Guide to Understanding and Civil War to the Armory Show Enjoying Modern Art J. M. Mancini Nancy G. Heller

“[Mancini’s] study of art-world personages and institutions “Nancy G. Heller is a godsend for the serves to fill a crucial gap in the art historical literature on average Joe who wants to understand the origins of twentieth-century modernism.” modern art.” —Dan Adler, Bookforum —Gino Vivinetto, St. Petersburg Times

2005. 256 pages. 75 halftones. 8 x 10. 2002. 192 pages. 49 color plates. 40 halftones. 6 x 9. Cl: 978-0-691-11813-0 $61.00 £41.95 Pa: 978-0-691-09052-8 $19.95 £13.95 pup.prin ceton.edu modern 9 New—Tenth Anniversary Edition Winner of the 2008 Alfred H. Barr, Jr. Award, College Art Association Galapagos Winner of the 2008 Bronze Medal in Photography, Independent Publisher Islands Born of Fire Shortlisted for the 2008 Kraszna-Krausz Book Award for Best Photography Book, Kraszna-Krausz Tui De Roy Foundation

“[E]ngaging and inspirational. . . . The author makes one The Art of the American appreciate the fragile beauty of the fiery isles.” Snapshot, 1888–1978 —The Press Sarah Greenough & Diane Waggoner With Sarah Kennel & Matthew S. This richly illustrated book captures the ethereal, haunt- Witkovsky ing quality of the Galapagos and of the birds and animals “This offbeat history is beautifully that make these islands their home. Acclaimed wildlife illustrated with snapshot-sized re- photographer and writer Tui De Roy has spent her life productions, smartly edited by Sarah exploring the Galapagos and recording their secrets. Greenough and fellow curators.” Here, in spectacular full-color images and in her own —American Photo words, she shares her intimate knowledge of the islands and her deep love and respect for the natural wonders Published in association with the National Gallery of Art, Washington they conceal. 2007. 288 pages. 200 halftones. 50 color illus. 8 ½ x 11 ½. Cl: 978-0-691-13368-3 $55.00 £37.95 Tui De Roy is a world-renowned wildlife photographer, writer, and conservationist. Winner of the 2004 British Art Book Prize, Historians 2010. 168 pages. 245 color illus. 1 map. 12 x 9. of British Art Cl: 978-0-691-14637-9 $29.95 Francis Frith in Egypt and For sale only in the U.S. and Canada Palestine A Victorian Photographer Abroad Walker Evans Douglas R. Nickel Maria Morris Hambourg, Jeff L. Rosenheim, Douglas Eklund & Mia Fineman “Exemplary documentation.” —Library Journal “A masterly catalog. . . . The rich reproductions show the 2004. 240 pages. 85 halftones. 10 x 11. range of Evans’s work, while the essays provide context Cl: 978-0-691-11515-3 $72.00 £49.95 for his achievements.” —Rosemary Ranck, New York Times Book Review Jacques Henri Lartigue Published in association with The Metropolitan Museum of Art, New York The Invention of an Artist 2004. 336 pages. 141 duotones. 53 color plates. 171 halftones. 10 x 11 ½. Kevin Moore Pa: 978-0-691-11965-6 $35.00 £24.95 “An enthralling construction and deconstruction of an artist’s life.” —Choice

2004. 272 pages. 70 duotones. 40 halftones. 9 x 9. Cl: 978-0-691-12002-7 $55.00 £37.95 10 photography New A Shoemaker’s Story Notes on Sontag Being Chiefly about French Phillip Lopate Canadian Immigrants, Enterprising Photographers, Rascal Yankees, and Notes on Sontag is a frank, witty, and entertaining reflec- Chinese Cobblers in a Nineteenth- Century Factory Town tion on the work, influence, and personality of one of the Anthony W. Lee “foremost interpreters of . . . our recent contemporary moment.” Adopting Sontag’s favorite form, a set of brief “A Shoemaker’s Story brings 1870s essays or notes that circle around a topic from different America to vivid life.” perspectives, renowned essayist Phillip Lopate considers —Spartacus Educational the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a con- 2008. 312 pages. 1 color illus. 136 halftones. 7 x 9. Cl: 978-0-691-13325-6 $45.00 £30.95 versation between two writers.

Phillip Lopate teaches writing at Columbia University, One of Choice’s Outstanding Academic Titles for 2000 and lives in Brooklyn, New York. Edward Steichen The Early Years Writers on Writers Joel Smith 2009. 256 pages. 4 ½ x 7. Cl: 978-0-691-13570-0 $19.95 £13.95 “A beautifully written addition to the literature on Edward Steichen.” The Dawn of the Color Photograph —Lucy Bowditch, Afterimage

Albert Kahn’s Archives of the Planet Published in association with The Metropolitan Museum David Okuefuna of Art, New York 1999. 168 pages. 58 color plates. 31 duotones. 10 x 12. “Albert Kahn’s collection of early color photographs is Cl: 978-0-691-04873-4 $65.00 £44.95 recognized as one of the world’s most important.” —Art New England New Edition

2008. 336 pages. 370 color illus. 9 x 9. Picture Perfect Cl: 978-0-691-13907-4 $49.50 Life in the Age of the Photo Op For sale only in the U.S. and Canada Kiku Adatto

Victor Regnault and the Advance “[A] lively exploration of our picture- of Photography dominated media.” The Art of Avoiding Errors —Sally Feldman, Times Higher Laurie Dahlberg Education

2008. 304 pages. 6 x 9. “A fascinating book.” Pa: 978-0-691-12440-7 $22.95 £15.95 —Maggie McDonald, New Scientist Cl: 978-0-691-12439-1 $66.00 £45.95

2005. 208 pages. 80 duotones. 20 halftones. 11 x 10. Cl: 978-0-691-11879-6 $75.00 £52.00 pup.prin ceton.edu photography 11 New Paperback Marketing Maximilian Art of the Everyday The Visual Ideology of a Holy Dutch Painting and the Realist Novel Roman Emperor Ruth Bernard Yeazell Larry Silver “Marketing Maximilian is an excellent “A charming, even masterful footnote in the history of study of the first ruler to exploit print taste. . . . Thoroughly researched, highly readable, and for verbal and visual propaganda.” lavishly illustrated.” —Kevin Sharpe, Times Literary —James Gardner, New York Sun Supplement

Ruth Bernard Yeazell is the Chace Family Professor of 2008. 320 pages. 100 halftones. 8 x 10. English and director of the Lewis Walpole Library at Yale Cl: 978-0-691-13019-4 $55.00 £37.95 University.

2009. 296 pages. 17 color plates. 55 halftones. 6 x 9. With a foreword by Michael Spence Pa: 978-0-691-14323-1 $24.95 £16.95 The Patron’s Payoff Cl: 978-0-691-12726-2 $49.95 £34.95 Conspicuous Commissions in Italian Renaissance Art With a new introduction by Jeffrey Chipps Smith Jonathan K. Nelson & The Life and Art of Albrecht Dürer Richard J. Zeckhauser Erwin Panofsky “The Patron’s Payoff offers an innova- “Meticulously researched and documented. . . . [A] tive and potent tool for probing how beautifully produced addition to the Dürer literature.” works of art functioned in Renaissance —New York Times Book Review social life.” Princeton Classic Editions —Michelle O’Malley, Renaissance 2005. 520 pages. 326 halftones. 8 line illus. 7 x 10. Quarterly Pa: 978-0-691-12276-2 $35.00 £24.95 2008. 256 pages. 51 halftones. 7 x 10. Cl: 978-0-691-12541-1 $39.50 £27.95 Winner of the 2003 Art Newspaper/AXA Exhibition Catalogue Award Albrecht Dürer and His Legacy The Graphic Work of a Renaissance Artist Leonardo da Vinci Experience, Experiment, and Design Giulia Bartrum With contributions by Günter Grass, Martin Kemp Joseph L. Koerner & Ute Kuhlemann “A landmark in Leonardo scholarship.” Published in association with The British Museum Press —Sebastian Smee, Australian 2003. 320 pages. 85 color illus. 267 halftones. 8 ½ x 11. Cl: 978-0-691-11493-4 $65.00 2006. 224 pages. 190 color plates. 9 ½ x 13. For sale only in the U.S., Canada, and the Philippines Cl: 978-0-691-12905-1 $60.00 For sale only in the U.S. and Canada

12 renaissance & baroque New Saracens, Demons, and Jews Pontius Pilate, Anti-Semitism, and the Making Monsters in Medieval Art Passion in Medieval Art Debra Higgs Strickland Colum Hourihane “Strickland has mapped out a territory crucial for a responsible accounting of “This textual and visual barometer of Pontius Pilate the ideological power of medieval art. reveals a highly complex picture of a mysterious figure. Her work stands as both a reference The chronological span of the book is breathtaking.” work and a starting point for future —Dorothy Verkerk, University of North Carolina, Chapel Hill investigation.” Pontius Pilate is one of the Bible’s best-known villains— —Gerald B. Guest, CAA Reviews but up until the tenth century, artistic imagery appears 2003. 336 pages. 16 color plates. 146 halftones. 8 x 10. to have consistently portrayed him as a benevolent Cl: 978-0-691-05719-4 $79.00 £55.00 Christian and holy symbol of baptism. For the first time, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Revised and expanded edition Art provides a complete look at the shifting visual and The Clash of Gods textual representations of Pilate throughout early A Reinterpretation of Early Christian and medieval art. Colum Hourihane examines Christian Art neglected and sometimes sympathetic portrayals, and Thomas F. Mathews shows how negative characterizations of Pilate, which were developed for political and religious purposes, “This is a sumptuously illustrated reveal the anti-Semitism of the medieval period. book, in which the pictures are well married to the text. It makes an illumi- Combining a wealth of previously unpublished sources nating way into patristic theology and with explorations of art historical developments, Pontius the religions of the first six centuries.” Pilate, Anti-Semitism, and the Passion in Medieval Art —Leslie Holden, Theology puts forth for the first time an encyclopedic portrait of a 1999. 256 pages. 16 color plates. 129 halftones. 7 x 10. complex legend. Pa: 978-0-691-00939-1 $35.00 £24.95

Colum Hourihane is director of the Index of Christian Art in the Department of Art and Archaeology at Princeton University.

2009. 488 pages. 8 color illus. 187 halftones. 8 x 10. Cl: 978-0-691-13956-2 $55.00 £37.95

pup.prin ceton.edu Medieval 13 New New Objects of Translation The Zodiac of Paris Material Culture and Medieval How an Improbable Controversy “Hindu-Muslim” Encounter over an Ancient Egyptian Artifact Finbarr B. Flood Provoked a Modern Debate over Religion and Science “This brilliant book does many things well, but two stand Jed Z. Buchwald & out. It is an overview of the art, especially architecture Diane Greco Josefowicz and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the The Zodiac of Paris brings Napoleonic thirteenth centuries—from the arrival of Islam to the eve and Restoration France vividly to life, of the Mongol conquests. It is also a trenchant essay of in- revealing the lengths to which scien- terpretation, substituting a richly textured consideration tists, intellectuals, theologians, and of cultural dynamics and cultural change on a theoretical conservatives went to use the ancient level for the traditional dichotomy of Hindu versus past for modern purposes. Muslim. . . . Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging Jed Z. Buchwald is the Doris and work, which is full of compelling discussions of important Henry Dreyfuss Professor of History at monuments. It deserves a wide readership.” the California Institute of Technology. —L. Nees, Choice Diane Greco Josefowicz teaches in the writing program at Boston University. Finbarr B. Flood is associate professor in the Department June 2010. 408 pages. 8 page color section. of Art History and the Institute of Fine Arts at New York 73 halftones. 6 x 9. University. Cl: 978-0-691-14576-1 $35.00 £24.95

2009. 384 pages. 178 halftones. 8 x 10. Cl: 978-0-691-12594-7 $45.00 £30.95 Mostly Miniatures An Introduction to Persian Painting The Princeton Dictionary of Ancient Egypt Oleg Grabar Ian Shaw & Paul Nicholson “The serious study of Persian art is barely 100 years old, and Oleg Grabar’s ”This moderately priced work is an excellent starting authoritative overview stresses how point for anyone attracted to ancient Egypt.” little we know about these brilliantly —C. C. Smith, Choice colored and wittily composed minia- Published in association with the British Museum tures and manuscripts.” 2008. 368 pages. 375 color illus. 125 halftones. 70 line illus. 5 maps. 8 ½ x 11. —New York Times Book Review Cl: 978-0-691-13762-9 $49.50 For sale only in North America and the Philippines 2002. 184 pages. 79 color plates. 10 halftones. 8 ½ x 11. Pa: 978-0-691-04999-1 $33.95 £23.95 Cl: 978-0-691-04941-0 $87.00 £60.00

14 ancient & islamic New New Paperback A New York Times Notable Book of 2007 The Lost World of Old Europe Winner of the 2009 James R. Wiseman Book Award, The Danube Valley, 5000–3500 BC Archaeological Institute of America Winner of the 2007 Award for Best Professional/ Edited by David W. Anthony Scholarly Book in Classics and Ancient History, With Jennifer Y. Chi Association of American Publishers Portrait of a Priestess The Lost World of Old Europe is the accompanying catalog Women and Ritual in for an exhibition at New York University’s Institute for the Ancient Greece Study of the Ancient World. This superb volume features Joan Breton Connelly essays by leading archaeologists as well as breathtaking color photographs cataloguing the objects, some illus- “Portrait of a Priestess is a remarkable trated here for the first time. triumph[,] . . . a sharp, variegated, sympathetic, and wonderfully read- David W. Anthony is professor of anthropology at able study.” Hartwick College. Jennifer Y. Chi is associate director for —Peter Green, New York Review of Books exhibitions and public programs at the Institute for the Study of the Ancient World at New York University. Joan Breton Connelly is professor of classics and art history at New York A copublication with the Institute for the Study of the Ancient World at New York University University.

2009. 256 pages. 208 color illus. 34 halftones. 14 line illus. 9 x 11. 2009. 464 pages. 27 color illus. 109 halftones. 8 x 10. Cl: 978-0-691-14388-0 $49.95 £34.95 Pa: 978-0-691-14384-2 $35.00 £24.95 Cl: 978-0-691-12746-0 $45.00 £30.95 Forthcoming Honorable Mention, 2006 Award for Best Professional/ Mystery Cults of the Ancient World Scholarly Book in Arts and Art History, Association of Hugh Bowden American Publishers Other Icons “This book debunks some longstanding misconceptions Art and Power in Byzantine about mystery cults and provides an accessible introduc- Secular Culture tion to a fascinating topic.” Eunice Dauterman Maguire & —Radcliffe Edmonds, Bryn Mawr College Henry Maguire

This is the first book to describe and explain all of the “Other Icons is exciting and pro- ancient world’s major mystery cults—one of the most vocative, both for the innovative and intriguing but least understood aspects of Greek and persuasive interpretations it offers Roman religion. on secular art in Byzantium and for the intriguing issues it illuminates for Hugh Bowden is senior lecturer in ancient history at further study.” King’s College London. —Alicia Walker, Art Bulletin

April 2010. 256 pages. 28 color illus. 149 halftones. 12 line illus. 7 x 10. 2006. 232 pages. 150 halftones. 8 color illus. 8 ½ x 9. Cl: 978-0-691-14638-6 $39.95 Cl: 978-0-691-12564-0 $58.00 £39.95 For sale only in the U.S., Canada, and Mexico pup.prin ceton.edu Ancient & Islamic 15 The Art of Bloomsbury Roger Fry, Vanessa Bell, and Duncan Grant Richard Shone With essays by James Beechey & Richard Morphet

“A magnificent new book. . . . [A] powerful combination of words and images.” —John Murray, Bloomsbury Review

Published in association with the Tate, London

2002. 288 pages. 200 color plates. 70 halftones. 9 x 12. Pa: 978-0-691-09514-1 $39.95 £27.95

The Art of the Pre-Raphaelites Elizabeth Prettejohn

“Prettejohn has not only brought together so many of this time period’s masterpieces, but has also provided the history and means with which to realize the full impact of these paintings.” —Felice Ballester, Bloomsbury Review

Published in association with the Tate, London

2000. 304 pages. 220 color plates. 20 halftones. 9 x 12. Cl: 978-0-691-07057-5 $64.00 For sale only in the U.S., Canada, and the Philippines

Winner of the 2002 Historians of British Art Book Award for Best Single Authored Work, College Art Association George Romney, 1734–1802 Alex Kidson

“George Romney once belonged, as Alex Kidson reminds us . . . to the foremost ranks of blue-chip artists. . . . Romney was a complex man. . . . Alex Kidson set out to show Romney whole, and [his efforts] seem to me exemplary in this attempt.” —James Fenton, New York Review of Books

Published in association with the National Portrait Gallery, London

2002. 256 pages. 162 color plates. 65 halftones. 9 x 11. Cl: 978-0-691-09559-2 $82.50 For sale only in the U.S. and Canada

Shortlisted for the 2006 Historians of British Art Book Prize, Multi-Authored/Edited Volume, College Art Association One of Choice’s Outstanding Academic Titles for 2004 William Blake The Painter at Work Edited by Joyce H. Townsend

“First-rate color and black-and-white illustrations including scientific details add to this valuable, first rate study and important contribution.” —Choice

Published in association with the Tate, London

2004. 192 pages. 118 color plates. 28 halftones. 8 ½ x 11. Cl: 978-0-691-11910-6 $61.00 For sale only in the U.S., Canada, and the Philippines

16 british The Illuminated Books of William Blake David Bindman, General Editor

In 1949 the William Blake Trust was founded to bring Blake’s rare Illuminated Books to a wider gen- eral audience through the publication of superbly produced facsimiles. Recent advances in printing and reproduction technology now enable the Trust to fulfill their mandate. The originals have been newly and meticulously photographed and the best modern technology has been applied to ensure that the plates are reproduced as faithfully as possible.

Volume 1 Volume 3 Volume 6 Jerusalem: The Early The Urizen Books The Emanation of Illuminated Books Edited by David Worrall the Giant Albion Edited with introduction 1998. 232 pages. 48 color plates. 11 b&w Edited by Morton D. Paley and commentaries by illus. 9 x 12. Morris Eaves, Robert N. Cl: 978-0-691-04416-3 $125.00 £85.00 1997. 302 pages. 107 color plates. 8 x 12. Not for sale in Japan Pa: 978-0-691-02907-8 $49.95 £34.95 Essick & Joseph Viscomi 1998. 286 pages. 99 color plates. 14 halftones. 9 x 12. Volume 2 Pa: 978-0-691-00147-0 $50.00 £34.95 Songs of Innocence and of Experience Volume 5 Edited with introduction and commentaries by Milton, A Poem Andrew Lincoln Edited by Robert N. Essick & Joseph Viscomi 1994. 212 pages. 54 color plates. 8 x 11. Pa: 978-0-691-03790-5 $39.95 £27.95 1998. 286 pages. 56 color plates. 15 b&w illus. 9 x 12. Pa: 978-0-691-00148-7 $50.00 £34.95 pup.prin ceton.edu British 17 The Most Arrogant Man in France Gustave Courbet and the Nineteenth-Century Media Culture Petra ten-Doesschate Chu

“[W]ell-researched, perceptive, and beautifully illustrated text. . . . Chu’s book is an important new contribution to the field of nineteenth-century art. It will undoubtedly become a key text for scholars grappling with the mysteries and ambiguities at the heart of Courbet’s work.” —Gretchen Sinnett, CAA Reviews

2007. 248 pages. 65 color plates. 60 halftones. 8 x 11. Cl: 978-0-691-12679-1 $45.00 £30.95

Winner of the 1998 Charles Rufus Morey Award, College Art Association Winner of the 1997 Mitchell Prize, Burlington Magazine Nicolas Poussin Friendship and the Love of Painting Elizabeth Cropper & Charles Dempsey

“Excellent . . . finely and amply produced. . . . Exploring the facets of Poussin’s art in context, the authors reveal how genius translated complex circumstance into unequalled opportunity.” —British Journal of Aesthetics

2000. 412 pages. 12 color plates. 165 halftones. 7 x 10. Pa: 978-0-691-05067-6 $39.95 £27.95

Revised Edition With a new preface by the author The Painting of Modern Life Paris in the Art of Manet and His Followers T. J. Clark

“Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written.” —Eugen Weber, Times Literary Supplement

1999. 396 pages. 32 color plates. 118 halftones. 6 ½ x 9. Pa: 978-0-691-00903-2 $29.95 Not for sale in the Commonwealth

Twelve Views of Manet’s Bar Edited by Bradford R. Collins

“[Twelve Views of Manet’s Bar] is a fascinating glimpse into the almost infinite richness of one centrally situated work of visual art, and the evolving methodologies developed by art and cultural historians to account for its complexities of meaning.” —Art History

Princeton Series in Nineteenth-Century Art, Culture, and Society

1996. 384 pages. 1 color plate. 41 halftones. 6 x 9. Pa: 978-0-691-03691-5 $33.95 £23.95

18 French One of Choice’s Outstanding Academic Titles for 2001 Honorable Mention, 2002 George Wittenborn Memorial Book Award, Art Libraries of North America Ancient Sichuan Treasures from a Lost Civilization Edited by Robert Bagley

“This well-made . . . book . . . documents the principal excava- tions and offers full-color photographs of some of the most spectacular finds. . . . Students and collectors of Asian art will enjoy browsing through this richly illustrated catalog.” —Gregory McNamee, Bloomsbury Review

Published in association with the Seattle Art Museum

2001. 360 pages. 248 color photos. 23 halftones. 237 line illus. 10 x 12. Cl: 978-0-691-08851-8 $75.00 £52.00

Painters as Envoys Korean Inspiration in Eighteenth-Century Japanese Nanga Burglind Jungmann

“Painters as Envoys . . . is a significant contribution to the field.” —Insoo Cho, CAA Reviews

2004. 272 pages. 121 halftones. 8 x 10. Cl: 978-0-691-11463-7 $77.00 £53.00

Body in Question Image and Illusion in Two Chinese Films by Director Jiang Wen Jerome Silbergeld

In the Heat of the Sun and Devils on the Doorstep are two of the finest and most honored Chinese films ever made.Body in Question is the first book to thoroughly examine these groundbreaking works and one of the first books in English to study individual Chinese films in depth.

Publications of the Department of Art and Archaeology, Princeton University

2008. 176 pages. 51 color illus. 35 halftones. 7 x 10. Pa: 978-0-691-13946-3 $29.95 £20.95

Shanghai Edition The Mustard Seed Garden Manual of Painting b A Facsimile of the 1887–1888 Translated from the Chinese and edited by Mai-mai Sze

“The Mustard Seed Garden will always be one of the greatest manu- als of the most marvellous painting the world has ever known.” —Journal of the Royal Central Asian Society

Bollingen Series XLIX: XLIX

1978. 648 pages. 8 ½ x 8 ½. Pa: 978-0-691-01819-5 $45.00 £30.95 pup.prin ceton.edu Asian 19 announcing a new series National Gallery of art

National Gallery of Art experts and scholars from around the world con- tribute to the thirty-volume System- atic Catalogue, which ultimately will document more than five thousand paintings, sculptures, and decorative arts in the National Gallery of Art col- lections. Comprehensive essays about each work are presented, along with full-color or duotone reproductions. Several volumes feature a range of comparative figures and technical illustrations to aid understanding of the latest conservation research. Where appropriate, concordances of old and new titles, attributions, and accession numbers are included; in addition, each catalogue contains extensive notes, references, a full bibliography, and an index. New Seventeen volumes of the Systematic French Paintings of the Fifteenth Catalogue have been published. Back- through the Eighteenth Century list and future titles in this series are now being distributed by Princeton Philip Conisbee University Press. For a complete list of Richard Rand, contributing editor, with titles in the series, visit our Web site: Joseph Baillio, Gail Feigenbaum, Frances Gage, press.princeton.edu. John Oliver Hand, Benedict Leca & Pauline Maguire Robison American Naive Paintings Georges de La Tour’s haunting depiction of a repentant Deborah Chotner Mary Magdalen gazing into a mirror by candlelight; With contributions by Julie Aronson, Jean Siméon Chardin’s perfectly balanced image of Sarah D. Cash & Laurie Weitzenkorn a young boy making a house of cards; Jean Honoré 1992. 668 pages. 150 color illus. 171 b&w illus. ¼ Fragonard’s monumental suite of landscapes showing 9 ⅝ x 11 . Cl: 978-0-521-44301-2 $85.00 £59.00 aristocrats at play in picturesque gardens—these are among the familiar and beloved masterpieces in the National Gallery of Art, which houses one of the most American Paintings of the important collections of French old master paintings Eighteenth Century outside France. This lavishly illustrated book, written Ellen G. Miles With contributions by by leading scholars and the result of years of research Patricia Burda, Cynthia J. Mills and technical analysis, catalogues nearly one hundred & Leslie Kaye Reinhardt paintings, from works by François Clouet in the six- ¼ 1995. 426 pages. 63 color illus. 223 b&w illus. 9 ⅝ x 11 . teenth century to paintings by Élisabeth Louise Vigée Cl: 978-0-894-68210-0 $75.00 £52.00 Le Brun in the eighteenth.

Philip Conisbee (1946–2008) was senior curator of American Paintings of the European paintings at the National Gallery of Art. Nineteenth Century, Part I Franklin Kelly ¼ March 2010. 552 pages. 118 color illus. 214 b&w illus. 9 ⅝ x 11 . With Nicolai Cikovsky, Jr., Cl: 978-0-691-14535-8 $99.00 £68.00 Deborah Chotner & John Davis ¼ Distributed for the National Gallery of Art, Washington 1996. 468 pages. 89 color illus. 128 b&w illus. 9 ⅝ x 11 . Cl: 978-0-894-68215-5 $75.00 £52.00

20 National Gallery of art, Systematic Catalogues American Paintings of the Flemish Paintings of the Nineteenth Century, Part II Seventeenth Century Robert W. Torchia Arthur K. Wheelock, Jr. With Deborah Chotner & ¼ 2005. 290 pages. 56 color illus. 176 b&w illus. 9 ⅝ x 11 . Ellen G. Miles Cl: 978-0-894-68348-0 $74.00 £51.00 ¼ 1998. 364 pages. 72 color illus. 135 b&w illus. 9 ⅝ x 11 . Cl: 978-0-894-68254-4 $95.00 £65.00 French Paintings of the Nineteenth Century, Part I British Paintings of the Before Impressionism Sixteenth through Lorenz Eitner ¼ Nineteenth Centuries 2000. 416 pages. 67 color illus. 175 b&w illus. 9 ⅝ x 11 . John Hayes Cl: 978-0-894-68227-8 $110.00 £75.00 ¼ 1992. 408 pages. 29 color illus. 224 b&w illus. 9 ⅝ x 11 . Cl: 978-0-521-41066-3 $75.00 £52.00 German Paintings of the Fifteenth through Western Decorative Arts, Seventeenth Centuries Part I John Oliver Hand Medieval, Renaissance, and With the assistance of Sally E. Mansfield Historicizing Styles Including ¼ 1993. 216 pages. 32 color illus. 80 b&w illus. 9 ⅝ x 11 . Metalwork, Enamels, and Ceramics Cl: 978-0-894-68188-2 $35.00 £24.95 Rudolf Distelberger, Alison Luchs, Philippe Verdier & Timothy H. Wilson Italian Paintings of the With contributions by Daphne S. Seventeenth and Barbour, Shelley G. Sturman & Pamela B. Vandiver Eighteenth Centuries ¼ Diane De Grazia & Eric Garberson 1993. 334 pages. 64 color illus. 249 b&w illus. 9 ⅝ x 11 . Cl: 978-0-521-47068-1 $70.00 £48.95 With Edgar Peters Bowron, Peter M. Lukehart & Mitchell Merling ¼ 1996. 392 pages. 54 color illus. 79 b&w illus. 9 ⅝ x 11 . Decorative Arts, Part II Cl: 978-0-894-68216-2 $65.00 £44.95 Far Eastern Ceramics and Paintings; Persian and Indian Rugs and Carpets Virginia Bower, Josephine Hadley Renaissance Medals Knapp, Stephen Little & Volume One: Italy Robert W. Torchia Volume Two: France, Germany, With contributions by Judy Ozone & The Netherlands, and England William Sargent John Graham Pollard ¼ With the assistance of 1998. 344 pages. 250 color illus. 100 b&w illus. 9 ⅝ x 11 . Cl: 978-0-894-68252-0 $75.00 £52.00 Eleonora Luciano & Maria Pollard 2007. 2 vols. 1120 pages. 66 color illus. 1745 duotones. ¼ Early Netherlandish Painting 9 ⅝ x 11 . Volume One John Oliver Hand & Martha Wolff Cl: 978-0-894-68266-7 $99.00 £68.00 ¼ 1986. 272 pages.16 color illus. 153 b&w illus. 9 ⅝ x 11 . Volume Two Cl: 978-0-521-34016-8 $25.00 £16.95 Cl: 978-0-894-68337-4 $99.00 £68.00

European Sculpture of the Spanish Paintings of the Nineteenth Century Fifteenth through Ruth Butler & Suzanne Glover Lindsay Nineteenth Centuries With Alison Luchs, Douglas Lewis, Jonathan Brown & Richard G. Mann Cynthia J. Mills & Jeffrey Weidman 1990. 168 pages. 26 color illus. 45 b&w illus. 9 x 11¼. ¼ ⅝ 2000. 526 pages. 150 color illus. 195 b&w illus. 9 ⅝ x 11 . Cl: 978-0-521-40107-4 $25.00 £16.95 Cl: 978-0-894-68253-7 $95.00 £65.00

Distributed for the National Gallery of Art, Washington

National Gallery of art, Systematic Catalogues 21 the a. W. Mellon lectures in the fine arts Winner of the 2006 Award for Best Professional/ Scholarly Book in Arts and Art History, Association of American Publishers With a preface by Adam Gopnik and a foreword by Earl A. Powell III Pictures of Nothing b Abstract Art since Pollock Kirk Varnedoe

“Erudite in all the best ways, this book is also deeply human, born of love for the experience of art.” —Choice

The A. W. Mellon Lectures in the Fine Arts, 2003 Forthcoming Bollingen Series XXXV: 48 Last Looks, Last Books b National Gallery of Art, Washington 2006. 320 pages. 132 color plates. 129 halftones. Stevens, Plath, Lowell, Bishop, Merrill 9 x 9 ½. Helen Vendler Cl: 978-0-691-12678-4 $45.00 £30.95

“Helen Vendler is one of the most lucid and incisive critics From Drawing to Painting b with which the art of poetry has been blessed, and this is one Poussin, Watteau, Fragonard, David, of her finest books—brilliant, moving, and a pleasure to read.” and Ingres —James Longenbach, University of Rochester Pierre Rosenberg

In Last Looks, Last Books, the eminent critic Helen Vendler “A book for everyone.” examines the ways in which five great modern American —Choice poets, writing their final books, try to find a style that does The A. W. Mellon Lectures in the Fine Arts, 1996 justice to life and death alike. With traditional religious Bollingen Series XXXV: 47

consolations no longer available to them, these poets 2000. 280 pages. 260 halftones. 8 ½ x 11. must invent new ways to express the crisis of death, as well Cl: 978-0-691-00918-6 $87.00 £60.00 as the paradoxical coexistence of a declining body and an undiminished consciousness. Winner of the 2002 Mitchell Prize, Burlington Magazine The Nude b Helen Vendler is the A. Kingsley Porter University Professor A Study in Ideal Form at Harvard University. Kenneth Clark

The A. W. Mellon Lectures in the Fine Arts Bollingen Series XXXV: 56 “This is an important book and a fascinating one.” Published in association with the National Gallery of Art, Washington —New Yorker April 2010. 176 pages. 5 ½ x 8 ½. Cl: 978-0-691-14534-1 $19.95 £13.95 The A. W. Mellon Lectures in the Fine Arts, 1953 Bollingen Series XXXV: 2 b 1972. 480 pages. 298 illus. 7 x 10. Paths to the Absolute Pa: 978-0-691-01788-4 $35.00 Mondrian, Malevich, Kandinsky, Not for sale in the Commonwealth (except Canada) Pollock, Newman, Rothko, and Still John Golding Millennium Edition

The A. W. Mellon Lectures in the Fine Arts, 1997 Art and Illusion b Bollingen Series XXXV: 48 A Study in the Psychology of 2000. 240 pages. 64 color plates. 108 halftones. 7 x 10. Pictorial Representation Cl: 978-0-691-04896-3 $72.00 £49.95 E. H. Gombrich Not for sale in the Commonwealth (except Canada) and Western Europe The A. W. Mellon Lectures in the Fine Arts, 1956 Bollingen Series XXXV: 5 Forthcoming Fall 2010 2001. 512 pages. 18 color plates. 301 halftones. 6 x 9. The Moment of Caravaggio b Pa: 978-0-691-07000-1 $37.95 Michael Fried Not for sale in the Commonwealth (except Canada)

22 the a. W. Mellon lectures in the fine arts pup.princeton.edu New Greek Manuscripts at Princeton, Sixth to Nineteenth Century Index of Christian Art Resources A Descriptive Catalogue Edited by Colum Hourihane Sofia Kotzabassi & Nancy Patterson Ševčenko, with the collaboration of Don C. Skemer King David in the Index of This is the first comprehensive scholarly publication of Christian Art the rich holdings of Greek manuscripts and miniatures Index of Christian Art Resources 2 in Princeton, New Jersey, housed in the Firestone Library 2002. 408 pages. 100 halftones. 6 ½ x 10. and the art museum of Princeton University, in the Pa: 978-0-691-09547-9 $53.00 £36.95 Cl: 978-0-691-09546-2 $105.00 £72.00 Scheide Library, and in Princeton Theological Seminary.

This collection offers insight into many aspects of the ar- Virtue and Vice tistic and intellectual life—theological, monastic, scholarly, The Personifications in the Index of Christian Art ecclesiastical—of the Byzantine and post-Byzantine world. Index of Christian Art Resources 1

Sofia Kotzabassi is professor in the Department of Medi- 2000. 464 pages. 64 halftones. 6 ½ x 10. eval and Modern Greek Studies at Aristotle University of Pa: 978-0-691-05037-9 $58.00 £39.95 Cl: 978-0-691-05036-2 $115.00 £80.00 Thessaloniki. Nancy Patterson Ševčenko is an indepen- dent scholar. Don C. Skemer is curator of manuscripts in the Department of Rare Books and Special Collections at Princeton University Library. Index of Christian Art Books 2010. 544 pages. 250 color illus. 29 halftones. 9 x 12. Cl: 978-0-691-14387-3 $195.00 £135.00 Edited by Colum Hourihane

Magnificent Buildings, Splendid Gardens Insights and Interpretations Studies in Celebration of the David R. Coffin Eighty-fifth Anniversary of the Edited by Vanessa Bezemer Sellers Index of Christian Art

“Each essay, almost every paragraph, had the effect of Index of Christian Art Occasional Papers 5 inspiring the reader.” 2002. 256 pages. 8 ½ x 11. —Gillian Mawrey, Historic Gardens Review Pa: 978-0-691-09991-0 $45.00 £30.95 Cl: 978-0-691-09990-3 $82.50 £57.50 2008. 320 pages. 182 halftones. 9 x 11. Pa: 978-0-691-13677-6 $39.50 £27.95 Cl: 978-0-691-13664-6 $80.00 £55.00 From Ireland Coming Irish Art from the Early Christian Persistence/Transformation to the Late Gothic Period and Its Text as Image in the Art of Xu Bing European Context Edited by Jerome Silbergeld & Dora C. Y. Ching Index of Christian Art Occasional Papers 4 “This is a fascinating—and exquisitely produced—volume.” 2001. 392 pages. 182 halftones. 31 line illus. 8 ½ x 11. Cl: 978-0-691-08824-2 $110.00 £75.00 —Eric Ormsby, New York Sun 2006. 104 pages. 60 halftones. 6 ½ x 10. Pa: 978-0-691-12532-9 $29.95 £20.95 Image and Belief Cl: 978-0-691-12568-8 $58.00 £39.95 Studies in Celebration of the Eightieth Anniversary of the Body in Question Index of Christian Art Image and Illusion in Two Chinese Films by Director Jiang Wen Index of Christian Art Occasional Papers 3 1999. 342 pages. 4 color plates. 175 halftones. Jerome Silbergeld 8 ½ x 11. Pa: 978-0-691-01003-8 $46.00 £31.95 See page 19 for details. Cl: 978-0-691-01002-1 $105.00 £72.00

department of Art & Archaeology, Princeton University 23 Volume II: Fifteenth- to Eighteenth-Century European Paintings France, Central Europe, The Netherlands, Spain, and Great Britain Charles Sterling, Maryan W. Ainsworth, Charles Talbot, Martha Wolff,E gbert Haverkamp-Begemann, Jonathan Brown & John Hayes 1999. 256 pages. 60 color plates. 97 duotones. 8 ½ x 11. Cl: 978-0-691-00698-7 $125.00 £85.00

Volume IV: Illuminations Sandra Hindman, Mirella Levi D’Ancona, Pia Palladino & Maria Francesca Saffiotti 1998. 256 pages. 33 color plates. 217 duotones. 8 ½ x 11. Cl: 978-0-691-05971-6 $140.00 £97.00

New Volume VII: Fifteenth- Volume III to Eighteenth-Century Nineteenth- and Twentieth-Century Paintings European Drawings Richard R. Brettell, Paul Hayes Tucker & Central Europe, The Netherlands, Natalie H. Lee France, England Egbert Haverkamp-Begemann, Robert Lehman, one of the foremost art collectors of Mary Tavener Holmes, Fritz Koreny, Donald Posner & Duncan Robinson his generation, embraced both traditional and mod- 1999. 488 pages. 76 color plates. 312 duotones. 8 ½ x 11. ern masters. This volume catalogues 130 nineteenth- Cl: 978-0-691-04872-7 $145.00 £100.00 and twentieth-century paintings that are now part of the Robert Lehman Collection at the Metropolitan Volume IX: Nineteenth- Museum. The majority of the works are by artists and Twentieth-Century based in France, but there are also examples from European Drawings the United States, Latin America, and India, reflecting Richard R. Brettell, Françoise Lehman’s global interests. Forster-Hahn, Duncan Robinson & Janis A. Tomlinson The catalogue opens with outstanding paintings by 2003. 480 pages. 122 color plates. 324 halftones. 8 ½ x 11. Ingres, Theodore Rousseau, and Corot among other Cl: 978-0-691-11415-6 $125.00 £85.00 early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Volume XI: Glass Post-Impressionist canvases by Degas, Renoir, Sisley, Dwight P. Lanmon & Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gau- David B. Whitehouse guin. Twentieth-century masters include Bonnard, 1994. 358 pages. 97 color plates. 388 duotones. 8 ½ x 11. Cl: 978-0-691-03405-8 $190.00 £130.00 Matisse, Rouault, Dalí, and Balthus. Newly researched modern works are represented by Vicente do Rego Volume XIII: Frames Monteiro, Kees van Dongen, Dietz Edzard, and D. G. Timothy Newbery Kulkarni (DIZI). 2007. 480 pages. 125 color plates. 350 duotones. 435 line illus. 8 ½ x 11. Richard R. Brettell is the Margaret McDermott Distin- Cl: 978-0-691-13483-3 $125.00 £85.00 guished Chair, Arts and Humanities at the University of Texas at Dallas. Paul Hayes Tucker is the Paul Hayes Volume XIV: European Textiles Tucker Distinguished Professor of Art at the University Christa C. Mayer Thurman of Massachusetts, Boston. Natalie H. Lee is an inde- 2001. 320 pages. 149 color plates. 222 duotones. 8 ½ x 11. pendent art historian in Dallas, Texas. Cl: 978-0-691-09032-0 $140.00 £97.00 Published in association with The Metropolitan Museum of Art 2010. 496 pages. 130 color illus. 300 halftones. 8 ½ x 11. Egbert Haverkamp-Begemann, Coordinator Cl: 978-0-691-14536-5 $125.00 £85.00

24 The robert Lehman collection at the metropolitan Museum of art uK uK Qty. iSBN Author: Title Page Price price Qty. iSBN Author: Title Page Price price ___ Pa: 12440-7 Adatto: Picture Perfect 11 $22.95 £15.95 ___ Pa: 05037-9 Hourihane: Virtue and Vice 23 $58.00 £39.95 ___ Cl: 12439-1 66.00 45.95 ___ Cl: 05036-2 115.00 80.00 ___ Pa: 13373-7 Altshuler: Collecting the New 4 19.95 13.95 ___ Cl: 13498-7 Hoving: Joseph Cornell 3 49.50 34.95 ___ Cl: 11940-3 55.00 37.95 ___ Cl: 11463-7 Jungmann: Painters as Envoys 19 77.00 53.00 ___ Cl: 14388-0 Anthony: Lost World of Old 15 49.95 34.95 ___ Cl: 03136-1 Kaes: Shell Shock Cinema 6 29.95 20.95 ___ Cl: 08851-8 Bagley: Ancient Sichuan 19 75.00 52.00 ___ Cl: 978-0-894-68215-5 Kelly: American 20 75.00 52.00 ___ Cl: 11493-4 Bartrum: Albrecht Dürer 12 65.00 ___ Cl: 12905-1 Kemp: Leonardo da Vinci 12 60.00 ___ Pa: 02907-8 Blake: Illuminated Books, v. 1 17 49.95 34.95 ___ Cl: 09559-2 Kidson: George Romney 16 82.50 ___ Pa: 03790-5 Blake: Illuminated Books, v. 2 17 39.95 27.95 ___ Cl: 00434-1 Kilmurray/Ormond: Sargent 3 70.00 ___ Pa: 00147-0 Blake: Illuminated Books, v. 3 17 50.00 34.95 ___ Cl: 14387-3 Kotzabassi, et al.: Greek 23 195.00 135.00 ___ Pa: 00148-7 Blake: Illuminated Books, v. 5 17 50.00 34.95 ___ Cl: 03405-8 Lanmon/Whitehouse 24 190.00 130.00 ___ Cl: 04416-3 Blake: Illuminated Books, v. 6 17 125.00 85.00 ___ Cl: 13325-6 Lee: Shoemaker’s Story 11 45.00 30.95 ___ Cl: 14638-6 Bowden: Mystery Cults 15 39.95 ___ Pa: 02745-6 Levine: Architecture 5 49.95 34.95 ___ Cl: 978-0-894-68252-0 Bower, et al.: Decorative 21 75.00 52.00 ___ Cl: 13570-0 Lopate: Notes on Sontag 11 19.95 13.95 ___ Cl: 14536-5 Brettell, et al.: Lehman, v. 3 24 125.00 85.00 ___ Cl: 11659-4 Lynes, et al.: Georgia O’Keeffe 3 45.00 30.95 ___ Cl: 11415-6 Brettell, et al.: Lehman, v. 9 24 125.00 85.00 ___ Cl: 12564-0 Maguire/Maguire: Other Icons 15 58.00 39.95 ___ Cl: 978-0-521-40107-4 Brown/Mann: Spanish 21 25.00 16.95 ___ Cl: 11813-0 Mancini: Pre-Modernism 9 61.00 41.95 ___ Cl: 11988-5 Brunetta: History of Italian Cinema 6 35.00 24.95 ___ Pa: 00939-1 Mathews: Clash of Gods 13 35.00 24.95 ___ Cl: 14576-1 Buchwald/Josefowicz: Zodiac 14 35.00 24.95 ___ Cl: 978-0-894-68210-0 Miles: American 20 75.00 52.00 ___ Cl: 978-0-894-68253-7 Butler/Lindsay: European 21 95.00 65.00 ___ Cl: 12002-7 Moore: Jacques Henri Lartigue 10 55.00 37.95 ___ Pa: 00330-6 Chang: Tao of Architecture 5 14.95 10.95 ___ Pa: 12336-3 Mundy: Surrealism 9 45.00 ___ Cl: 978-0-521-44301-2 Chotner: American 20 85.00 59.00 ___ Cl: 09064-1 87.00 ___ Cl: 12679-1 Chu: Most Arrogant Man in France 18 45.00 30.95 ___ Cl: 09521-9 Nehamas: Only a Promise 8 29.95 20.95 ___ Pa: 01788-4 Clark, K.: Nude 22 35.00 ___ Cl: 12541-1 Nelson/Zeckhauser: Patron’s 12 39.50 27.95 ___ Pa: 00903-2 Clark, T. 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