Art & Architecture 2010

Art & Architecture 2010 press.princeton.edu Contents American 1 Museum Studies 4 Architecture 5 Visual Culture 6 Modern 9 Photography 10 Renaissance & Baroque 12 Medieval 13 Ancient & Islamic 14 British 16 French 18 Asian 19 National Gallery of Art, Systematic Catalogues 20 The A. W. Mellon Lectures in the Fine Arts 22 Department of Art & Archaeology, Princeton University 23 The Robert Lehman Collection at the Metropolitan Museum of Art 24 Index/Order Form 25 Cover Image: “The Masses” cover, September 1917, by Carlo Leonetti; Special Collections, Michigan State University Libraries NEW NEW PAPErback The Paris Letters of Thomas Eakins With a new preface by Edited by William Innes Homer the author American Moderns “Long awaited, this valuable collection of letters presents Bohemian New York and the Thomas Eakins in his own words at a formative stage of Creation of a New Century his career, offering a fascinating record of triumphs and Christine Stansell struggles as well as a lively display of the skills, interests, confident opinions, and complex personality of a great “Stansell frames her book around American artist.” three activities: talking, writing and —Kathleen A. Foster, author of Thomas Eakins Rediscovered loving. She compels readers to ap- preciate what was shockingly new The most revealing and interesting writings of American in each activity—no small feat, since artist Thomas Eakins are the letters he sent to family and we now take (nearly) for granted the friends while he was a student in Paris between 1866 and unfettered speech, print and sex that 1870. This book presents all these letters in their entirety these early radicals found so daring.” for the first time; in fact, this is the first edition of Eakins’s —Patricia Cline Cohen, New York Times correspondence from the period. Edited and annotated by Eakins authority William Innes Homer, this book “[Stansell’s] history of Greenwich provides a treasure trove of new information, revealing Village between 1890 and 1920 never previously hidden facets of Eakins’s personality, providing forgets that people who defy political a richer picture of his artistic development, and casting convention and people who defy artis- fresh light on his much-debated psychosexual makeup. tic convention gravitate toward each The book is illustrated with the small, gemlike drawings other whatever their differences.” Eakins included in his correspondence, as well as photo- —Village Voice graphs and paintings. “[American Moderns] is about the cre- This long-overdue volume provides an indispensable ation of a new life in early-twentieth- portrait of a great American artist as a young man. century New York. Stansell’s book is a triumph.” William Innes Homer is H. Rodney Sharp Professor Emeri- —Eunice Lipton, The Nation tus of Art History at the University of Delaware. Christine Stansell is the Stein-Freiler 2009. 384 pages. 33 halftones. 35 line illus. 6 x 9. Cl: 978-0-691-13808-4 $35.00 £24.95 Distinguished Service Professor in United States History at the University of Chicago. 2009. 440 pages. 37 halftones. 6 x 9. Pa: 978-0-691-14283-8 $24.95 £16.95 PUP.PRIN CETON.EDU AMERIcaN 1 Winner of the 2009 Book Prize, Modernist Studies Association Rackstraw Downes, 2009 MacArthur Fellow Winner of the 2009 Peter C. Rollins Award, Northeast Popular Culture/ American Culture Association Rackstraw Downes New York Nocturne Sanford Schwartz, Robert Storr & The City After Dark in Literature, Painting, and Rackstraw Downes Photography, 1850–1950 “Rackstraw Downes, the veteran paint- William Chapman Sharpe er of landscapes and urban places, is a “My favorite book of the year. New York Nocturne is a realist esteemed by people, including chronicle in words, photographs and paintings of New me, who normally have scant use for York City at night.” realism in art. [His work] is powerful in —Norman Maine, Soho Journal quiet, stubborn ways . luminous, yet taciturn: just the facts. There is an 2008. 448 pages. 24 color plates. 117 halftones. 7 x 10. existentialist, not to say quixotic, flavor Cl: 978-0-691-13324-9 $35.00 £24.95 to Downes’s insistence on realizing the real by hand. He likes jam-ups of Honorable Mention, 2006 Museum Publications Design Competition, Books Category, American Association of Museums culture and nature, where practical With a foreword by Lynn Gumpert human uses overlap with indifferent The Downtown Book geology and shaggy flora—he is the The New York Art Scene 1974–1984 bard of weeds.” Edited by Marvin J. Taylor —Peter Schjeldahl, New Yorker Essays by Bernard Gendron, RoseLee Goldberg, Carlo McCormick, Robert Siegle, Marvin J. Taylor, 2005. 200 pages. 100 color plates. 50 halftones. 11 x 10. Cl: 978-0-691-12047-8 $61.00 £41.95 Brian Wallis & Matthew Yokobosky “The Downtown Book: The New York Art Scene 1974–1984 Chuck Close Prints celebrates the era’s creative commotion, much of it scat- Process and Collaboration tershot and under the mainstream radar.” Terrie Sultan —New York Times Style Magazine With an essay by Richard Shiff Published in association with the Grey Art Gallery and the Fales Library of English and “Chuck Close, the great postmodern American Literature, New York University pointillist printmaker, is a methodical 2006. 208 pages. 58 color plates. 98 halftones. 8 x 8. Cl: 978-0-691-12286-1 $35.00 £24.95 perfectionist. Fittingly, Terrie Sultan goes much deeper than the usual art- Noble Dreams, Wicked Pleasures ist appreciation in Chuck Close Prints.” Orientalism in America, 1870–1930 —Ted Loos, New York Times Book Review Edited by Holly Edwards Published in association with Blaffer Gallery, the Art “An exotic, art-historical jewel.” Museum of the University of Houston —Library Journal 2003. 160 pages. 110 color plates. 38 halftones. Double gatefold. 9 x 12. Published in association with the Sterling and Francine Clark Art Institute, Williamstown Pa: 978-0-691-11577-1 $35.00 £24.95 Cl: 978-0-691-11576-4 $55.00 £37.95 2000. 242 pages. 123 color plates. 62 halftones. 9 x 12. Pa: 978-0-691-05004-1 $53.00 £36.95 2 AMERIcaN One of Choice’s Outstanding Academic Titles for 2005 Sargent and Italy Finalist, 2005 Nonfiction Kiriyama Prize, Pacific Rim Voices The Life of Isamu Noguchi Edited by Bruce Robertson Essays by Jane Dini, Ilene Susan Fort, Journey without Borders Stephanie L. Herdrich, R.W.B. Lewis & Masayo Duus Richard Ormond Translated by Peter Duus “Beautiful and informative. [A] sig- “[D]uus’s vivid biography of Japanese American artist nificant addition to books on Sargent.” Isamu Noguchi is as sleek and sophisticated as her sub- —Library Journal ject’s marble sculptures.” —Publishers Weekly Published in association with the Los Angeles County Museum of Art 2006. 440 pages. 36 halftones. 6 x 9. 2008. 208 pages. 85 color plates. 50 halftones. 9 x 12. Pa: 978-0-691-12782-8 $27.95 £19.95 Pa: 978-0-691-13944-9 $35.00 £24.95 Winner of the 2005 Book Award, Fine Art Category, Independent Publisher Winner of the 2002 Umhoefer Prize for Achievement in Georgia O’Keeffe and New Mexico Humanities, Arts and Humanities Foundation A Sense of Place John Singer Sargent Barbara Buhler Lynes, Lesley Poling-Kempes & Edited by Elaine Kilmurray & Frederick Turner Richard Ormond “This book will significantly contribute to our understand- “Admirers of Sargent will welcome ing of this phase of O’Keeffe’s life and accomplishments.” John Singer Sargent and read it with —Kathleen Pyne, University of Notre Dame the same relish and thoroughness that went into its writing. It is an intellectual Copublished with the Georgia O’Keeffe Museum, Santa Fe and visual feast.” 2004. 144 pages. 66 color plates. 10 halftones. 10 ½ x 9. Cl: 978-0-691-11659-4 $45.00 £30.95 —Gary Michael, Bloomsbury Review Published in association with the Tate, London Joseph Cornell and Astronomy 1998. 288 pages. 160 color plates. 80 halftones. 9 x 12. Cl: 978-0-691-00434-1 $70.00 A Case for the Stars For sale only in the U.S., Canada, and the Philippines Kirsten Hoving “Mesmerizing. Hoving does something ambitious and difficult: she identifies one important thread of his creative process and uses it to help us understand Cornell’s art. With its high-quality production and beautiful and wide- ranging illustrations, this book is extremely absorbing.” —Pedro Ferreira, Nature 2008. 336 pages. 60 color illus. 81 halftones. 8 x 10. Cl: 978-0-691-13498-7 $49.50 £34.95 PUP.PRIN CETON.EDU AMERIcaN 3 NEW Whose Muse? Whose Culture? Art Museums and the Public Trust The Promise of Museums and the Debate Edited by James Cuno over Antiquities With essays by James Cuno, Philippe de Montebello, Edited by James Cuno Glenn D. Lowry, Neil MacGregor, John Walsh & James N. Wood “In stressing the multiple meanings—aesthetic, textual, political, ritual—that an object may have, these contribu- “An eloquent and powerful statement tors oppose the claim that art divorced from its archaeo- of what one might call the traditional, logical setting is a cosa morta (‘dead thing’).” or alternatively the true, objectives of —Hugh Eakin, New York Review of Books the museum of art. Essential reading.” —Giles Waterfield, Art Newspaper The international controversy over who “owns” antiquities has pitted museums against archaeologists and source Published in association with Harvard University countries where ancient artifacts are found. In Whose Art Museums Culture?, Cuno assembles preeminent museum directors, 2006. 208 pages. 31 halftones. 6 x 9. Pa: 978-0-691-12781-1 $19.95 £13.95 curators, and scholars to explain for themselves what’s at stake in this struggle—and why the museums’ critics couldn’t be more wrong. Collecting the New Museums and Contemporary Art James Cuno is president and director of the Art Institute Edited by Bruce Altshuler of Chicago and former director of the Courtauld Institute of Art and the Harvard University Art Museums.

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