YEAR 8 ENGLISH COMPREHENSION TEXT Living

Total Page：16

File Type：pdf, Size：1020Kb

YEAR 8 ENGLISH COMPREHENSION TEXT Living

DEPARTMENT FOR CURRICULUM, LEVEL LIFELONG LEARNING AND EMPLOYABILITY Directorate for Learning and Assessment Programmes 5 - 6 - 7 Educational Assessment Unit Annual Examinations for Middle Schools 2019 YEAR 8 ENGLISH COMPREHENSION TEXT Text 1 Living Statues – the Art of not falling over 1 The first living statue goes back to the ancient Greeks where members of the public would pose for famous sculptors. However, in reality, the living statue first 5 appeared in the 19th century as a circus performance. In the early 20th century, living statues became more famous thanks to ‘tableaux vivants’. These consisted of a group of 10 actors who would pose and be lit in a particular way so as to appear like paintings. Since that time, living statues have appeared in films. “The Phantom of the 15 Opera” and “Hot Fuzz” are two films that have shown living statues on screen. Moving from the inside to the outside, street performances have increased in the following years too. Various living statues 20 appeared in places all over Europe such as Covent Garden in London, La Rambla in Barcelona and lately also in Republic Street in Valletta. As it turns out, being a living statue is not that easy. A living statue will do “solitude” sessions of 30 minutes to an hour followed by a quick five- 25 minute break and then repeat. This can go on for several hours. It is tiring on the body and a wibble or a wobble can ruin their performance. Some living statues can go for an hour without blinking and they also make sure that people do not see them breathe. The living statue world is a highly competitive one. As they make money 30 mainly from tourists, multiple statues will end up gathering in the same area. If no money is thrown in front of the living statue, the performer doesn’t get paid that day. However, those who do their job well can earn up to €250 a day. For the living statue élite, it is possible to abandon the streets and be hired for important events. English – Comprehension Text – Year 8 – L5 to L7 – 2019 Page 1 of 2 If you are a living statue or fascinated by the idea of becoming one, there 35 is only one place for you – Arnhem, Netherlands. Every year, towards the end of summer, it holds the World Living Statue Festival complete with the World Championship of Living Statues. Hundreds of statues and thousands more visitors meet there each year. Afterwards, all the living statues take part in a massive parade through the city. No wonder that it is the perfect place to get noticed! (Adapted from http://allthatsinteresting.com/living-statues) Text 2 Hire a living human statue for the price of €350 Have the luxury of a person performing for three 30-minute sessions Choose from Gold, Silver or Bronze statues Perfect for providing entertainment and adding an artistic touch to your event For more information send us an email on: [email protected] (Adapted from https://www.alivenetwork.com/bandpage.asp?bandname=Living%20Human%20Statues) Page 2 of 2 English – Comprehension Text – Year 8 – L5 to L7 – 2019 .

Copy Link

Recommended publications

Living Knowledge – No 6, July 2005
ISSN 1613-2270 LivingLiving No. 6 - July 2005 KnowledgeKnowledge International Journal of Community Based Research Science and Citizen Participation The Science Communication Escalator Fruitful Interplay: Science and Theatre Universities and Civic Participation Living Knowledge The International Science Shop Network Contents | Editorial Around the World Contents Editorial he fl ow of expert knowledge is undergoing Focus: Science and Ciitizen Participation Trapid change. As information highways are constructed around the globe, new questions about ethics, goals and economics must be an- swered. Science communication addresses theo- The Science Communication retical and pragmatic questions central to many Escalator of today‘s debates. But also the involvement of civil society Every type of knowledge needs its and citizens in policy deliberation and decision-making proc- specifi c way of communication. At the esses relating to scientifi c and technical issues has undergone moment there is no blueprint for the communication be- signifi cant and also highly heterogeneous changes in European tween scientists and society. Ann Van der Auweraert from countries. Ways of involving civil society and empowering the Antwerp describes a model of a ‘science communication community have been very diverse, ranging from social mobi- escalator’, based on the ‘risk communication escalator’ by lisations, the development of associations, Science Shops and Ortwin Renn. » 5 NGOs, to the introduction of formal participatory procedures in decision-making settings. The fact that Science Shops respond to civil society’s needs for expertise and knowledge is a key element that distinguishes them from other knowledge transfer mechanisms. However, many Fruitful Interplay: Science and initiatives are similar to Science Shops and do the same type of Theatre work.
[Show full text]
Galatea's Daughters: Dolls, Female Identity and the Material Imagination
Galatea‘s Daughters: Dolls, Female Identity and the Material Imagination in Victorian Literature and Culture Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Maria Eugenia Gonzalez-Posse, M.A. Graduate Program in English The Ohio State University 2012 Dissertation Committee: David G. Riede, Advisor Jill Galvan Clare A. Simmons Copyright by Maria Eugenia Gonzalez-Posse 2012 Abstract The doll, as we conceive of it today, is the product of a Victorian cultural phenomenon. It was not until the middle of the nineteenth century that a dedicated doll industry was developed and that dolls began to find their way into children‘s literature, the rhetoric of femininity, periodical publications and canonical texts. Surprisingly, the Victorian fascination with the doll has largely gone unexamined and critics and readers have tended to dismiss dolls as mere agents of female acculturation. Guided by the recent material turn in Victorian studies and drawing extensively from texts only recently made available through digitization projects and periodical databases, my dissertation seeks to provide a richer account of the way this most fraught and symbolic of objects figured in the lives and imaginations of the Victorians. By studying the treatment of dolls in canonical literature alongside hitherto neglected texts and genres and framing these readings in their larger cultural contexts, the doll emerges not as a symbol of female passivity but as an object celebrated for its remarkable imaginative potential. The doll, I argue, is therefore best understood as a descendant of Galatea – as a woman turned object, but also as an object that Victorians constantly and variously brought to life through the imagination.
[Show full text]
Registering Protest: Voice, Precarity, and Return in Crisis Portugal
Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications 2-2016 Registering Protest: Voice, Precarity, and Return in Crisis Portugal Lila Ellen Gray Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the Musicology Commons Recommended Citation Gray, Lila Ellen. "Registering Protest: Voice, Precarity, and Return in Crisis Portugal." History and Anthropology 27, no. 1 (2016): 60-73. This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. History and Anthropology, 2016 Vol. 27, No. 1, 60–73, http://dx.doi.org/10.1080/02757206.2015.1113409 Registering Protest: Voice, Precarity, and Return in Crisis Portugal Lila Ellen Gray This article examines the circulation and reception of a song that catalyzed a youth move- ment and widespread protest in 2011 Portugal. Through a theorization of “register”,it argues for the importance of attending to micro-shifts in aesthetic form, engagement, and response, to understanding macro-shifts in public and political feeling. Keywords: Portugal; Protest Song; Crisis; Europe In November 2012, Spain and Portugal organize synchronized labour strikes; workers in Italy and Greece protest in solidarity.1 In February 2013, anti-austerity protesters occupy the parliament in Lisbon singing an iconic protest song from the 1974 Portu- guese revolution. The following evening different protesters sing the same song in Madrid.2 Grafﬁti in an abandoned industrial zone in Cacilhas (across the river Tagus from Lisbon), in July 2013, states, Somos Todos Gregos (“We are all Greeks”) (Figure 1).
[Show full text]
Deadly Simulacra
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Institutional Research Information System University of Turin Vol. 1 No. 3 Language and Semiotic Studies Autumn 2015 Deadly Simulacra Massimo Leone University of Turin, Italy Abstract Taking the lead from a tale by French writer Prosper Mérimée, narrating the terrifying story of a statue of Venus that suddenly—and tragically—becomes alive, the paper will dwell on the several versions of this narrative topos (William of Malmesbury in the 12th Century, Gautier de Coincy in the 13th, Hermann Kroner in the 15th, up to Richard Burton in the 17th, Joseph von Eichendorff in the 19th, Gabriele D’Annunzio in the 20th) in order to semiotically reflect on two streams of the human imaginary: on the one hand, the statue that becomes alive; on the other hand, the human being that becomes a statue. Following such historical, anthropological, and semiotic excursus, the paper will conclude with an in-depth analysis of a very common present-day urban performance: living statues. Also with reference to contemporary British novel Observatory Mansions, by Edward Carey, the paper will seek to answer the following questions: why is the spectacle of the human body that becomes like stone so fascinating? Why are spectators attracted by immobility and yet offer their coins in order to see it turn into movement and life again? Keywords: simulacra, living statues, immobility, death, cultural semiotics Quid (h)ebetes morimur? Qui profuit lucem uidisse? Si nihil inquiras, hoc est beluarum adesse. (Commodiano, Carmen apologeticum, 33-34) Simulacra that perfectly imitate the human body are often perceived as bearing a connotation of deadly power.
[Show full text]
Collectif Masque CSC Des Fossés-Jean France Thales Teater Teater Halland Teater Sagohuset Suède Bricklayers St
COLLECTIF MASQUE CSC DES FOSSÉS-JEAN FRANCE THALES TEATER TEATER HALLAND TEATER SAGOHUSET SUÈDE BRICKLAYERS ST. OLAF COLLEGE CARLTON COLLEGE USA PRESENTS WOMEN, GENDER AND MASK, 1 INTERNATIONAL PROJECT « This adventure begins in Paris in March 2006, when two men, Stefan Ridell, *THE RESEARCH theater director at Teater Halland in Sweden and Etienne Champion, sculptor of mask and co-director of the Collectif Masque, France proposed me a project: The objective of «Trans Mission» is to question and position ourselves on the The mask and women - a workshop and a production. subject of women and gender, through creating plays related to the theme, The mask - I have worked for 20 years with Mario Gonzalez and Christophe laboratories, cultural activities, conferences, awareness campaigns. This topic Patty, both teachers at the National Conservatory of Paris. generates a particular interest in our societies. Women - I realize that I do not know much about this other half, my half, of WOMEN, humanity and in fact I’m not the only one. As soon as we open a dictionary or a During our research we will try to answer to several questions about women, history book, the absence of women is striking. To find more information about gender, mask and theater. GENDER AND women we have to go and have a look «specialized» literature as if women were MASKS, some strange beings. The points will be: At Teater Halland, in Sweden in June 2006, I started a Laboratory with international actresses and masks. This experience gave answers to my questions, because 1. The feminine character: PROJECT the mask allows the actors to express themselves freely, to reveal and unfold.
[Show full text]
Alberto Savinio: a Bridge Between Metaphysical Painting and Mexican Modern Art
ITALIAN MODERN ART | ISSUE 2: ISSN 2640-8511 A Bridge Between Metaphysical Painting and Mexican Modern Art ALBERTO SAVINIO: A BRIDGE BETWEEN METAPHYSICAL PAINTING AND MEXICAN MODERN ART italianmodernart.org/journal/articles/alberto-savinio-a-bridge-between-metaphysical-painting-and- mexican-modern-art 0 Carlos Segoviano Alberto Savinio, Issue 2, July 2019 -------------https://www.italianmodernart.org/journal/issues/alberto-savinio/ Abstract In 1993, alongside the first exhibition in Mexico of works by Giorgio de Chirico, a parallel exhibition entitled “Metaphysics Iconography in Mexico” explored the connections between Metaphysical Painting and Mexican modern art. Omitted from this survey was the significant relationship between Alberto Savinio and the Mexican artist Marius de Zaya: both of these artists were not only considered part of Apollinaire’s creative circle but also collaborated together on projects for international magazines such as 291. This presentation investigates the reception of Alberto Savinio’s painting and art criticism in Mexico, as well as, more specifically, his connection with the artists de Zayas, Siqueiros and Antonio Ruiz “El Corcito.” It may seem strange to write an essay that relates Andrea de Chirico, better known as Alberto Savinio, to Mexican art, given that the Greek-born Italian artist never visited “the land of the Aztecs.” There is likewise an absence of information concerning any friendships he may have maintained with promiment Mexican painters who were his contemporaries. I have identified only five translated
[Show full text]
Living Statues
Kari Jormakka Living statues Bewegung liegt allem Wercl'en zugrunde. ... Auch im Weltall ist Bewegung das Gegebene. Paul Klee' On March 15, 1912, Umberto Boccioni wrote a letter from London to his friend Vico Baer, announcing: »I am obsessed these days by sculpture! I think I can per ceive a complete renewal of this mummified art.,,2 At this time avant-garde painting had definitely outsped the other arts, with sculpture and architeoture lagging furth est behind. In Boccioni's mind, it defied explanation »how generations of sculptors can continue to construct dummies without asking themselves why all the exhibi tion halls of sculpture have become reservoirs of boredom and nausea, or why in augurations of public monuments, a rendezvous of uncontrollable hilarity.«3 The general aim of the futurist movement was to synchronise the arts with the development of modern society and technology. Hence, in the first futurist manife sto, published in the Parisian Le Figaro on February 20, 1909, Filippo Tommaso Marinetti renounced any fixation on the past, despite hirnself being burdened with history because of his Italian education and his birthplace of Alexandria in Egypt. He declared: »In truth I tell you that the daily round of museums, Iibraries, and academies (cemeteries of vain efforts, calvaries of crucified dreams, registries of aborted beginnings!) is as damaging for artists as the prolonged guardianship of pa rents is for certain young people drunk with their talent and ambitious desire.... We want no part in it, we are young and strong Futurists!" Instead of following the outdated model of c1assical art, Marinetti declared that a roaring race car is more beautiful than the Nike of Samothrace.
[Show full text]
YEAR 8 ENGLISH COMPREHENSION TEXT Living
DEPARTMENT FOR CURRICULUM, LEVEL LIFELONG LEARNING AND EMPLOYABILITY 7 - 8 Directorate for Learning and Assessment Programmes Educational Assessment Unit Annual Examinations for Middle Schools 2019 YEAR 8 ENGLISH COMPREHENSION TEXT Text 1 Living Statues – the Art of not falling over 1 Although the first living statue can be traced back to the ancient Greeks where members of the public would pose for famous sculptors looking to mould their 5 marble, realistically, the living statue as we know it, first appeared in the 19th century as a circus performance. PT Barnum displayed living statues as part of his circus tours, a peculiar curiosity to the spectators’ 10 minds. In the late 19th century and early 20th century, living statues became more widely known thanks to the emergence of the art form known as ‘tableaux vivants’; a group 15 of actors would pose and be lit in a particular way so as to appear like paintings. The resulting performance was often shot on camera or performed on stage to the amazement of spectators. 20 Since that time, living statues have featured prominently in both art and film – “The Phantom of the Opera” and “Hot Fuzz” are two films that have shown living statues on screen. Moving from the inside to the outside, even street performances have flourished in the intervening years as various living statues appeared near famous landmarks all over Europe 25 such as Covent Garden in London, La Rambla in Barcelona and lately also in Republic Street in Valletta. Living statues are a magnet for tourists, only moving when money is placed in front of their plinth.
[Show full text]
Shooting in Spain 2021', Where Foreign Competing in International Investors Will Find Information About Markets
2021 2021 The audiovisual industry is To follow these strategic objectives A publication that highlights the strategic for the Spanish and with a view to develop the importance of consolidating the government due to its global aforementioned Audiovisual Hub, the international markets in which the nature, its capacity to generate Ministry of Industry, Trade and Tourism Spanish audiovisual industry is employment and its potential will continue working to strengthen already present and the new markets for modernisation thanks to the Spanish audiovisual industry where opportunities may open up. digitalization. That is why we and improve Spain's conditions as a launched the 'Spain, Audiovisual destination for international filming. These words in presenting the guide Hub of Europe' plan last March, A task in which the companies in the serve to express the commitment of with more than EUR 1.6 billion industry have always provided their the Ministry of Industry, Trade and in public investment until cooperation, along with the Spain Film Tourism to the Spanish audiovisual 2025, with the aim of turning Commission. These are key partners to industry, as one of the priority vectors Spain into a leading country consolidate the audiovisual industry's of the government's actions, and in audiovisual production in activity inside and outside Spain. in view of the economic recovery María Reyes Maroto Illera the digital era, a magnet for and development of the audiovisual international investment and As a result of this collaboration, we industry. Minister for Industry, Trade and Tourism talent, and with a reinforced put together the guide 'Who is Who.
[Show full text]
Izabela Walkowiak T
Izabela Walkowiak performer clown living statue PERSONAL SUMMARY KEY SKILLS Very experienced stage and street theatre performer. Work contains over THEATRE & CIRCUS ten years of creative activity. Participant of international art festivals , street theatres and alternative theatres. Worked with several directors of theatre , Living statue clown theatre, and performances art projects as a actress, clown, singer, Clowning performer and rope walker. Also director of solo performances, artistic projects, Fool living statues and creative workshops for adults, teenagers and children . Stage improvisation Stage acting Able to work as a performer with professional theatre and circus groups, performance art and alternative art. Always looking for clowning projects and Butoh dance shows. Happy to participate in alternative performance art. Singing Pantomime Rope walking – slackrope Rope walking - slackline THEATRICAL PERFORMANCES Diobolo Swallowing fire Current Projects Fire dancing Poi dancing • Short Sharp Shock as a clown , performances with Isadora Vibes – Great Britain Bubble art Basic juggling Living statues (2004-present) • Parrot Queen ( 2013 – present) Living statue, solo performance – Great Britain • Baker, Shopkeeper and Seller ( 2013 – present) Living statues, solo performance – Great Britain • Steampunk Lady (2012 – present) Living statue, solo performance - Poland, Great Britain, Netherlands, Romania, Ireland, China, Israel • Marilyn Monroe (2012 – present) Living statue, solo performance - Poland, Great Britain. • The Bell (2010 – present) Living statue, solo performance - Poland, Great CONTACT Britain. M: +44 7708 356 141 E: [email protected] 1 WWW.LUTREK.CO.UK Living statues (2004-present) cont. WORKSHOPS AND CLASSES • Silver Lady (2009 – present) Living statue, solo performance - France, Poland, - AS A PARTICIPANT Germany, Great Britain, Belgium, Netherlands, China. • Medusa (2007) Living statue, solo performance - Germany: Berlin, Cologne.
[Show full text]
Myths of Modern Individualim
Canto is an imprint offering a range of tides, classic and more recent, across a broad spectrum of subject areas and interests. History, literature, biography, archaeology, politics, religion, psychology, philosophy and science are all represented in Canto's specially selected list of tides, which now offers some of the best and most accessible of Cambridge publishing to a wider readership. In their original versions, the ultimate fates of Faust, Don Quixote, and Don Juan reflect the anti-individualism of their time: Faust and Don Juan are punished in hellfire, and Don Quixote is mocked. The three represent the positive drive of individualism, which brings down on itself repression by social disapproval. A century later Defoe's Robinson Crusoe embodies a more favorable consideration of the individual, but only if one refuses to take seriously Defoe's state- ment that Crusoe's isolation is punishment for disobeying his father. In this volume Ian Watt examines these four myths of the mod- ern world, all created in the sixteenth to eighteenth centuries, as distinctive products of a historically new society. He shows how the original versions of Faust (1587), Don Quixote (1605), and Don Juan (ca. 1620) presented unflattering portrayals of the three, whereas the Romantic period two centuries later re-created them as admirable and even heroic. Robinson Crusoe (1719) is seen as repre- sentative of the new religious, economic, and social attitudes. All four myths have been transformed, often by major writers (Rousseau, Goethe, Byron, Dostoevsky), and given a more universal application with a favorable view of individualism. The punitive tales were turned into popular secular myths.
[Show full text]
The Brick Row Book Shop 49 Geary Street, #230, San Francisco, California 94108 Phone: (415) 398-0414 Email: [email protected] Web: Brickrow.Com
The Brick Row Book Shop 49 Geary Street, #230, San Francisco, California 94108 Phone: (415) 398-0414 Email: [email protected] Web: brickrow.com Miscellany Sixty-Eight : : Seventy-Seven Recent Acquisitions Sabin One 1. A., G. The Young Travellers in South America. By G. A. London: John Macrone, 1835. 12mo, original purple cloth and printed paper label. First edition. Sabin 1. ¶ A history of Latin America from the conquistadors to the Mexican Revolution, written for young adults and conveyed via a fictional conversation between Mr. Berkley from Liverpool and his family as they travel through the Caribbean, Mexico, Central and South America. The author, whose full name has eluded Halkett & Laing, NUC, OCLC, and others, dedicated the work to Queen Isabella II of Spain, and in the dedication implores her not to repeat the errors of previous Spanish monarchs in their treatment of South Americans. Cloth and label somewhat stained and worn; text is fine. $300.00 Rev. William Emerson’s Copy 2. ADAMS, HANNAH. An Abridgement of the History of New-England, For the Use of Young Persons. Boston: Printed for the Author, and for Sale by B. & J. Homans and John West, 1805. 12mo, contemporary sheep, red leather label, gilt lettering. The first abridged edition with revisions and a new preface; the second edition overall. American Bibliography 7830; Sabin 207. Library of Congress has two other works (see below). ¶ Adams’ abridgment of her Summary History of New- A rare example of sheet music by the African-American England, published in 1795. It was the subject of some composer L.N.D.
[Show full text]