Autumn 2004 Bulletin 79
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London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order. -
BBC AR Front Part 2 Pp 8-19
Executive Committee Greg Dyke Director-General since Jana Bennett OBE Director of Mark Byford Director of World customer services and audience January 2000, having joined the BBC Television since April 2002. Service & Global News since research activities. Previously as D-G Designate in November Responsible for the BBC’s output October 2001. Responsible for all European Director for Unilever’s 1999. Previously Chairman and Chief on BBC One, BBC Two, BBC Three the BBC’s international news and Food and Beverages division. Former Executive of Pearson Television from and BBC Four and for overseeing information services across all media positions include UK Marketing 1995 to 1999. Former posts include content on the UKTV joint venture including BBC World Service radio, Director then European Marketing Editor in Chief of TV-am (1983); channels and the international BBC World television and the Director with Unilever’s UK Food Director of Programmes for TVS channels BBC America and BBC international-facing online news and Beverages division and (1984), and Director of Programmes Prime. Previously General Manager sites. Previously Director of Regional Chairman of the Tea Council. (1987), Managing Director (1990) and Executive Vice President at Broadcasting. Former positions and Group Chief Executive (1991) at Discovery Communications Inc. include Head of Centre, Leeds and Carolyn Fairbairn Director of London Weekend Television. He has in the US. Former positions include Home Editor Television News. Strategy & Distribution since April also been Chairman of Channel 5; Director of Production at BBC; Head 2001. Responsible for strategic Chairman of the ITA; a director of BBC Science; Editor of Horizon, Stephen Dando Director of planning and the distribution of BBC of ITN, Channel 4 and BSkyB, and and Senior Producer on Newsnight Human Resources & Internal services. -
Select Committee of Tynwald on the Television Licence Fee Report 2010/11
PP108/11 SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE REPORT 2010/11 REPORT OF THE SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE At the sitting of Tynwald Court on 18th November 2009 it was resolved - "That Tynwald appoints a Committee of three Members with powers to take written and oral evidence pursuant to sections 3 and 4 of the Tynwald Proceedings Act 1876, as amended, to investigate the feasibility and impact of withdrawal from or amendment of the agreement under which residents of the Isle of Man pay a television licence fee; and to report." The powers, privileges and immunities relating to the work of a committee of Tynwald are those conferred by sections 3 and 4 of the Tynwald Proceedings Act 1876, sections 1 to 4 of the Privileges of Tynwald (Publications) Act 1973 and sections 2 to 4 of the Tynwald Proceedings Act 1984. Mr G D Cregeen MHK (Malew & Santon) (Chairman) Mr D A Callister MLC Hon P A Gawne MHK (Rushen) Copies of this Report may be obtained from the Tynwald Library, Legislative Buildings, Finch Road, Douglas IM7 3PW (Tel 07624 685520, Fax 01624 685522) or may be consulted at www, ,tynwald.orgim All correspondence with regard to this Report should be addressed to the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas IMI 3PW TABLE OF CONTENTS 1. Introduction 1 2. The broadcasting landscape in the Isle of Man 4 Historical background 4 Legal framework 5 The requirement to pay the licence fee 5 Whether the licence fee is a UK tax 6 Licence fee collection and enforcement 7 Infrastructure for terrestrial broadcasting 10 Television 10 Radio: limitations of analogue transmission capability and extent of DAB coverage 13 3. -
Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK
BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter -
Now for a Lampshade Solo: How the Radiophonic Workshop Built the Future of Sound
https://www.theguardian.com/tv-and-radio/2018/jul/18/lampshade-solo-radiophonic-workshop-built- future-of-sound-festivals Now for a lampshade solo: how the Radiophonic Workshop built the future of sound Pascal Wyse Wed 18 Jul 2018 They chased bees, raided junkyards and banged household objects. Now, half a century on, the Radiophonic Workshop are festival material. Meet the sound effect visionaries whose jobs came with a health warning. On a mission … a recording session in 1962. Photograph: BBC Photo Library In 1957, just before the broadcast of a radio show called Private Dreams and Public Nightmares, a warning was sent to BBC engineers. “Don’t attempt to alter anything that sounds strange,” it said. “It’s meant to sound that way.” The BBC was also worried about the public. Donald McWhinnie, the programme’s maker, made an explanatory statement, ending with the cheerful signoff: “One thought does occur – would it not be more illuminating to play the whole thing backwards?” Radiophonic sound was now in the public domain. A year later, to the bewilderment of many, the BBC dedicated a whole workshop to this avant-garde stuff, even giving it a home in an old ice rink: Maida Vale Studios. Years later, the Queen, shaking hands with the Workshop’s creator, Desmond Briscoe, would confirm its universal success with the words: “Ah yes, Doctor Who.” But what is radiophonic sound – and why did it need a workshop? Radiophonics owes everything to the invention of the tape recorder. Once you could capture sound, using a workable material, you could play with it: slow it down until it thundered, feed it back on itself until it shrieked and echoed, or simply slice bits out. -
The Life and Times of a Czech-Born Broadcaster Who Became An
BRIDSH I CZECH AND SLOVAK REUIE/J The life and times of a Czech-born broadcaster who became an English knight by Angela Spindler-Brown John Tusa, Making a Noise, Getting it Right, Getting it Wrong in Life, Broadcasting and the Arts 'TUSA Weidenfeld & Nicolson, London 2018 ISBN 978 1 47 460708 7 or many in London John Tusa, and partly financed by the Foreign Office. Newsnight presenter and manag He insists that any service, especially the ing director BBC World Service BBC can only be changed if one loves between 1980-1993, has been a what it does and wants to strengthen it and FCzech with perfect,faultless English, both improve it. spoken and written, and impeccable man And the World Service did go from ners. But his autobiography Making a strength to strength under his manage Noise says very little about his Czech her ment. He says that he "was the first man itage for there isn't much to tell. aging director who could say that he knew He came to London as a three-year-old what was being broadcast in Britain's boy, escaping with his mother from the name in languages other than English." Nazis as Czechoslovakia was being occu He demanded that the foreign language pied in 1939. His father, director of Bata broadcasts say exactly the same as the shoe enterprises, set up their English original news in English. home in a detached house in east Essex However unexpected issues were and Czechoslovakia was left behind. encountered when precise translations English became the language to be from English were to be made in the 37 used: "Officially we didn't speak Czech at languages the BBC broadcast to the C,n,n� It Right, Gettin); It Wrong home. -
Executive Board
Executive Board 12 May 2008 1100 – 1530 Rm 3028, Broadcasting House Attendees ....................................................................................................................................... 2 Agenda........................................................................................................................................... 3 1 Minutes of BBC Executive Board held on 7 April 2008. ..................................................... 4 2 Director reports................................................................................................................... 4 3 Reports............................................................................................................................... 5 4 Ofcom PSB Review – Draft BBC Submission .................................................................... 5 5 Approach to Public Service Archive ................................................................................... 6 6 BBC World Service Three Year Financial Plan .................................................................. 6 7 Local Video PVT Application .............................................................................................. 6 8 Impartiality and Independence – Full Year Report ............................................................. 6 9 Management Reponses to Trust Reviews.......................................................................... 6 10 Any other business............................................................................................................ -
Translation in Journalism: the Practices of Multilingual Foreign Correspondents
TRANSLATION IN JOURNALISM: THE PRACTICES OF MULTILINGUAL FOREIGN CORRESPONDENTS Alexa Ahern Dr. Jeanne Abbott, Chair ANALYSIS Introduction Language translation in journalism demands trust. When readers in the U.S. sit down to read a New York Times story about refugees in Idomeni camp on the border of Macedonia, they are reading words that have been passed through many gatekeepers. One gatekeeper is often invisible — the translator. They aren’t seeing the exact words spoken by a Syrian refugee or a Macedonian border patrol agent or a Greek volunteer. The words have been translated by a journalist or interpreter, and the reader trusts that one or both have translated the words correctly. They trust that they are essentially reading exactly what the quoted source said. But translation isn’t that simple. It’s more complicated than knowing the Arabic word for “ocean” or the Greek word for “refugee.” Translators and journalists must interpret nuance in language — idioms, expressions, implications, sarcasm and slang, not to mention gestures and emotions. In his 1992 essay Traduttore, Traditore, which roughly means “the translator is a traitor” in Italian because a translator can easily obscure truth in translation without readers knowing, John Tusa, former director of the BBC World Service, wrote, “Translators then are not simply traitors. They are more complex than that — they are jugglers, conjurers, mind readers, psychologists, games players, poets, social scientists. At the end they are cultural porters, offering the use of one language an imaginative equivalence of the meaning expressed in another. The question is not whether they get it wrong. -
Implications of the BBC World Service Cuts
House of Commons Foreign Affairs Committee Implications of the BBC World Service Cuts Written evidence Only those submissions written specifically for the Committee and accepted by the Committee as evidence for the inquiry into the Implications of the BBC World Service Cuts are included. 1 List of written evidence 1 Gilberto Ferraz Page 4 2 Corinne Podger 6 3 Rosie Kaynak 7 4 Keith Perron 8 5 Jonathan Stoneman 11 6 Keith Somerville 13 7 Sir John Tusa 19 8 John Rowlett 23 9 Jacqueline Stainburn 24 10 Richard Hamilton 25 11 Elzbieta Rembowska 26 12 Ian Mitchell 27 13 Marc Starr 28 14 Andrew Bolton 29 15 Patrick Xavier 30 16 Ailsa Auchnie 31 17 Catherine Westcott 32 18 Caroline Driscoll 35 19 BECTU 37 20 Rajesh Joshi, Rajesh Priyadarshi 40 and Marianne Landzettel 21 Clem Osei 44 22 Sam Miller 45 23 The Kenya National Kiswahili Association (CHAKITA) 47 24 Mike Fox 50 25 Kofi Annan 51 26 Geraldine Timlin 52 27 Nigel Margerison 53 28 Dennis Sewell 54 29 Voice of the Listener & Viewer 56 30 Kiyo Akasaka 60 31 Neville Harms 61 32 M Plaut 64 33 Graham Mytton 65 34 National Union of Journalists 67 35 National Union of Journalists Parliamentary Group 76 36 Trish Flanagan 78 37 Ben Hartshorn 80 38 Naleen Kumar 81 39 Jorge da Paz Rodrigues 83 40 BBC World Service 84 41 BBC World Service 89 2 42 Marc Glinert 100 43 Andrew Tyrie MP 101 44 BBC World Service 103 3 Written evidence from Gilberto Ferraz (Retired member of the World Service, in which served for 30 years) PROPOSED CLOSING DOWN OF THE BBC PORTUGUESE LANGUAGE SERVICE The announcement of the closure of the Portuguese Language Service to Africa is lamentable and wrong for the following reasons: 1. -
An Analysis of Social Media Marketing in the Classical Music Industry
#CLASSICAL: AN ANALYSIS OF SOCIAL MEDIA MARKETING IN THE CLASSICAL MUSIC INDUSTRY Ms Annabelle Angela Lan Lee Royal Holloway, University of London (2017) A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (Music) Page 1 of 299 Page intentionally left blank. Page 2 of 299 Declaration of Authorship I Annabelle Angela Lan Lee hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 28 April 2017 Page 3 of 299 Page intentionally left blank. Page 4 of 299 Abstract With the re-emergence of social media in the 2000s and the increased worldwide usage of mobile devices, the impact of social media still cannot be ignored. From corporate businesses to popular culture, social media are now used in many sectors of society. Not least among these is the classical music industry. Artists and organisations have keenly capitalised on social media in the face of increasing budgetary reductions in the arts and long-held elitist perceptions of classical music. In addition, the classical music business has used social media to profit from economic growth, audiences, and public profiles, and to market accessibility, relevance, and value to a wider audience, notably, younger demographics and non-attenders. As a result, the classical music scene tries to engender technological determinism and digital optimism, ideologies reflecting discourses around Web 2.0/social media. Simultaneously, a so-called ‘digital divide’ is at risk. Various factors, for example, socioeconomic strata, greatly influence how classical music is marketed and branded on social media networks, however, they are barriers to access and enjoyment of the art, online and offline. -
The Middle East and Countries of The
THE MIDDLE EAST and countries of the FSU A GUIDE to LISTENING IN ENGLISH GMT +2 TO GMT +4⁄ NOVEMBER 2010 – marcH 2011 including Egypt, Eastern Mediterranean (GMT +2), Sudan, Gulf States, Iraq (GMT +3), Iran (GMT +3∕), UAE (GMT +4) and South Afghanistan (GMT +4∕) Where you see this sign v you will hear a short News Update at 30 minutes past the hour GMT SaturdaY SundaY MondaY TuesdaY WednesdaY ThursdaY FridaY GMT 0:00 News News World Briefing v World Briefing v World Briefing v World Briefing v World Briefing v 0:00 0:06 Global Business v Heart & Soul (P) 0:06 0:32 The Interview One Planet (P) 0:32 0:41 Sports Roundup Sports Roundup Sports Roundup Sports Roundup Sports Roundup 0:41 0:50 Witness Witness Witness Witness Witness 0:50 1:00 News World Briefing News News News News News 1:00 1:06 Friday Documentary v The Forum v Monday Documentary v Global Business v Wednesday Documentary v Assignment v 1:06 1:20 Sports Roundup v 1:20 1:32 Science in Action FOOC Health Check Digital Planet Discovery One Planet 1:32 2:00 News News World Briefing News News News News 2:00 2:06 Outlook v Assignment v Outlook v Outlook v Outlook v Outlook v 2:06 2:20 World Business News v 2:20 2:32 The Strand World of Music Letter From..... The Strand The Strand The Strand The Strand 2:32 2:41 Over to You 2:41 3:00 The World Today v The World Today v The World Today v The World Today v The World Today v The World Today v The World Today v 3:00 3:32 Politics UK Something Understood Digital Planet Americana HARDtalk/Bottom Line Heart & Soul Crossing Continents/FOOC 3:32 -
Blue Plaques Erected Since the Publication of This Book
Leeds Civic Trust Blue Plaques No Title Location Unveiler Date Sponsor 1 Burley Bar Stone Inside main entrance of Leeds Lord Marshall of Leeds, President of Leeds Civic 27 Nov ‘87 Leeds & Holbeck Building Society Building Society, The Headrow Trust, former Leader of Leeds City Council Leeds 1 2 Louis Le Prince British Waterways, Leeds Mr. William Le Prince Huettle, great-grandson 13 Oct ‘88 British Waterways Board Bridge, Lower Briggate, Leeds of Louis Le Prince (1st Plaque) 1 3 Louis Le Prince BBC Studios, Woodhouse Sir Richard Attenborough, Actor, Broadcaster 14 Oct ‘88 British Broadcasting Corporation Lane, Leeds 2 and Film Director (2nd Plaque) 4 Temple Mill Marshall Street, Leeds 11 Mr Bruce Taylor, Managing Director of Kay’s 14 Feb ‘89 Kay & Company Ltd 5 18 Park Place 18 Park Place, Leeds 1 Sir Christopher Benson, Chairman, MEPC plc 24 Feb ‘89 MEPC plc 6 The Victoria Hotel Great George Street, Leeds 1 Mr John Power MBE, Deputy Lord Lieutenant of 25 Apr ‘89 Joshua Tetley & Sons Ltd West Yorkshire 7 The Assembly Rooms Crown Street, Leeds 2 Mr Bettison (Senior) 27 Apr ‘89 Mr Bruce Bettison, then Owner of Waterloo Antiques 8 Kemplay’s Academy Nash’s Tudor Fish Restaurant, Mr. Lawrence Bellhouse, Proprietor, Nash’s May ‘89 Lawrence Bellhouse, Proprietor, Nash’s off New Briggate, Leeds 1 Tudor Fish Restaurant Tudor Fish Restaurant 9 Brodrick’s Buildings Cookridge Street, Leeds 2 Mr John M. Quinlan, Director, Trinity Services 20 Jul ‘89 Trinity Services (Developers) 10 The West Bar Bond Street Centre, Boar Councillor J.L. Carter, Lord Mayor of Leeds 19 Sept ‘89 Bond Street Shopping Centre Merchants’ Lane, Leeds 1 Association Page 1 of 14 No Title Location Unveiler Date Sponsor 11 Park Square 45 Park Square, Leeds 1 Mr.