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Demae-Can / 2484
Demae-can / 2484 COVERAGE INITIATED ON: 2017.12.25 LAST UPDATE: 2021.06.25 Shared Research Inc. has produced this report by request from the company discussed herein. The aim is to provide an “owner’s manual” to investors. We at Shared Research Inc. make every effort to provide an accurate, objective, neutral analysis. To highlight any biases, we clearly attribute our data and findings. We always present opinions from company management as such. The views are ours where stated. We do not try to convince or influence, only inform. We appreciate your suggestions and feedback. Write to us at [email protected] or find us on Bloomberg. Research Coverage Report by Shared Research Inc. Demae-can / 2484 RCoverage LAST UPDATE: 2021.06.25 Research Coverage Report by Shared Research Inc. | https://sharedresearch.jp INDEX How to read a Shared Research report: This report begins with the Trends and outlook section, which discusses the company’s most recent earnings. First-time readers should start at the later Business section. Executive summary ----------------------------------------------------------------------------------------------------------------------------------- 3 Key financial data ------------------------------------------------------------------------------------------------------------------------------------- 5 Recent updates ---------------------------------------------------------------------------------------------------------------------------------------- 6 Highlights ------------------------------------------------------------------------------------------------------------------------------------------------------------ -
Izakaya Sushi Noodle Cafe Karaoke Otaku Play Spot Bakery Ramen
japanese sweets 01 天ぷらきよし Tenpura Kiyoshi ★ 01 31Ice cream Baskin Robbins Tenpura restaurant *run by family ice cream 370yen~ 10:30-22:00 Tenpura set menu 850yen~ for lunch fast food ★ izakaya 02/06 不二家 fujiya 12:00-14:30, 17:00-21:00(tue-sun) 01 Freshness Burger Japanese style drinking place. Normally, cake take out 300yen~10:00-21:00 ★ there is a table charge for small dish. 02 /11 松屋 Matsuya Japanese Burger shop, Burgers 350yen~ 03 梅家 Umeya Traditional sweets Gyudon(Beef bowl) many kind dishes Vegie burger,Hot dogs 8:00-23:00 At first, order drink & otsumami from many kind of dishes and enjoy drinking! Many typeJapanese sweets 400yen~ Beef bowl 280yen(M), 24hrs open Season Lunch set 800yen 9:30-20:00 03 Subway Sandwich300yen~ 8:00-21:00 01 ビール工房 Beer Koubou ★ 03 かもん&あっこ kamon&Akko Craft Beer, Food, All 500yen 04 コージーコーナー cozy corner 04/12 モスバーガー Mos Burger cake take out 330yen~ 10:00-22:00 Okonomiyaki/Monjayaki 840yen~ Japaese Burger shop has Rice burgers 18:00-23:00, 15:00-21:00(weekend) 17:00-23:00(mon-sat)16:00-22:00(sun) Mos burger 320yen 9:00-23:00 05 おやき処 れふ亭 Refutei 03 秋吉 Akiyoshi Cheap Yakitori Japanese pancake 120yen~9:00-21:00 04 名代 宇奈とと Unatoto 05/10 McDonalds 24hrs open Negima(Chicken&Green onion) Cheap Unagi(Eel) restaurant ★ 400yen/5sticks 17:00-23:00 07 いさわ Isawa japanese sweets 500yen~ for Unadon 11:00-23:00 06 コロッケ西郷亭 Korokke Saigou Tei Dango110yen take out 11:00-20:30 Croquette 120yen~ Bento boxes 04 馬肉食堂さくら Horsemeat Sakura 05 かつや Katsuya 10:00-21:00,-20:00(sat,sun) Raw horse450yen Grilled horse150yen S ★ Beer 400yen 18:00-23:00 closed sun supermarket Cheap pork cutlet restaurant 07 健康食卓 わしや Washiya Enjoy Japanese supermarket! They have Katsudon 490yen~ 7:00-25:30 Try many Japanese dishes selling by 05 加賀屋 Kagaya old-fashioned Place discount daily food before their closing. -
Hotel Restaurant Institutional Japan
THIS REPORT CONTAINS ASSESSMENTS OF COMMODITY AND TRADE ISSUES MADE BY USDA STAFF AND NOT NECESSARILY STATEMENTS OF OFFICIAL U.S. GOVERNMENT POLICY Required Report - public distribution Date: 12/26/2013 GAIN Report Number: JA 3526 Japan Food Service - Hotel Restaurant Institutional Japan HRI Food Service Sector Report 2014 Approved By: Steve Shnitzler, Director, ATO Japan Prepared By: Masayuki (Alex) Otsuka, Marketing Specialist, ATO Tokyo Report Highlights: The $361 billion food service industry has finally recovered from the negative impacts affected by the Great Earthquake in 2011. Per capita spending (including company spending) for HRI spending has made a significant contribution to the food service industry’s step by step growth. In addition, increased tourism has also contributed to the re-invigoration of the industry as HRI outlets are offering more international cuisines throughout the market place. Competition remains intense and the sophisticated Japanese consumer continues to demand high quality food products. U.S. suppliers are well positioned to compete in many products categories provided they are willing to adjust to changing market demand. - Table of Contents - I. MARKET SUMMARY A. Market Volume and Trends B. Sectors C. Value of Total Imported Food vs. Domestic Products D. Advantages and Challenges II. ROAD MAP FOR MARKET ENTRY A. Entry Strategy 1. Market Access 2. Competitive Analysis 3. Comparative Advantage of the Products 4. Receptivity of the Distribution Trade 5. Ability of Willingness to Meet Market Requirements B. Market Structure 1. Distribution 2. Segmentation i. Large Increase of Foreign Travelers to Japan ii. Spending More Time at Roadside Rest Areas and Airport Terminals iii. -
ADB, Myanmar Sign $3M Relief Grant for Disaster-Hit Areas
Volume II, Number 135 4th Waning Day of Wagaung 1377 ME Thursday, 3 September, 2015 PERSPECTIVES I will do my utmost to carry out the peace Presidential Making the case for delegation in inflation-adjusted process, just as I have been during presidency Beijing salaries PAGE 2 PAGE 3 PAGE 8 ADB, MYANMAR SIGN $3M RELIEF GRANT FOR DISASTER-HIT AREAS By Ye Myint YANGON — The Asian Devel- opment Bank and the Govern- ment of Myanmar on Wednes- day inked a US$3 million grant agreement to help communities affected by the recent flooding and landslides in the country’s 12 of 14 regions and states. The signing ceremony of the grant agreement for Myanmar’s flood emergency response project took place in Nay Pyi Taw. U Maung Maung Win, Per- manent Secretary of the Ministry of Finance, and Mr. Winfried Wicklein, ADB’s Myanmar Country Director, signed the grant agreement in the presence of Deputy Ministers for Finance Dr Lin Aung and Dr Maung Maung Thein. “The ADB funds are very timely as the government and its partners are still addressing the immediate needs of the crisis, while preparing a smooth tran- sition to the recovery phase. In addition, the risk of further mon- soon rains and associated damage remains,” U Maung Maung Win said. The ADB approved the A family uses a boat to pass through Yay Tar Gyi village in Kyaunggon Township in Ayeyarwady Region on 25 August.—PHOTO: OCHA/C.HYSLOP emergency grant to finance flood relief efforts in Myanmar in late munities, ADB said. national and state and regional flooding, landslides and wind claimed more than K1.6 bil- August. -
ABU TV Song Festival Available for Broadcast
ABU TV Song Festival available for broadcast The Asia-Pacific Broadcasting Union has announced the conditions under which broadcasters around the world will be able to screen the region’s newest international TV song festival. The inaugural ABU Television Song Festival gala concert showcasing up to 11 of the best acts in the Asia-Pacific will take place in Seoul, Korea, on 14 October during the Union’s 49th General Assembly. Korean host broadcaster KBS will record the two-hour concert in KBS Hall and make it available to broadcasters around the world. Ms Hanizah Hamzah, Senior Executive (TV) at the ABU says participating ABU members can screen the show for free. “Non-participating ABU member organisations or non-member organisations throughout the world may broadcast the show after the participating ABU member organisation in the same country or territory completes its initial broadcast,” she says. A fee and agreement negotiated with the ABU will cover all kinds of television broadcasting, including terrestrial, cable, and satellite, for non-downloadable live streaming on the Internet transmitted simultaneously with television broadcast, and also for the non-downloadable, live streaming, non-profit catch-up services online. Participating organisations and their performers in the TV Song Festival are: 1. CCTV, China - Caofujia 2. KBS, South Korea - Girls Generation 3. MEDIACORP, Singapore - Taufik Batisah 4. MTV, Sri Lanka - Arjuna & Shanika 5. NHK, Japan - Perfume 6. RTA, Afghanistan - Hamid Shakizada 7. RTM, Malaysia - Hafiz 8. SBS, Australia - Havana Brown 9. TVB, Hong Kong - Alfred Hui 10. TVRI, Indonesia - Maria Calista 11. VTV, Vietnam - Le Viet Anh For further information, contact Ms Hanizah Hamzah, Senior Executive (TV) at [email protected] . -
Nine Inch Nails Pretty Hate Machine Free
FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well. -
Song Hoi See FAB2019 Presentation R4 24062019
Walking the walk on innovation in airport dining By Song Hoi See FOUNDER & CEO Plaza Premium Group "World's Best Independent Airport Lounge" Design elements with local touches: Freshly brewed homemade Masala Chai from India Plaza Premium Lounge Brazil Laksa from Singapore Global Culinary Team Plaza Premium Lounge Siem Reap Serving Global Travellers: Going Glocal Authentic flavours that give a sense of place and signature international comfort food available around the world Made to order stone oven pizza from Rome Innovation: Curating Food & Beverage Offerings Creating an element of surprise through innovative experiences Food theatre experience: Chefs interact with guests through stimulating all 5 senses: smell, taste, touch, hear and see Local festivals: Eid Ramadan fasting, tailgate parties Services personalised to children: Specialty drinks, kid’s menu, play area Growth of wellness tourism US$ Year 919 2020 billion Mindful Eating & Sustainable Travel: US$ Self & Planet Health Year 639 2017 billion US$ Year 539 2015 billion Beyond Meat Burger at Sustainably sourced ingredients and seafood Plaza Premium First Hong Kong Fresh Cold Pressed Juices at Root98 Use of paper packaging to Food wastage monitor and Be a responsible traveller reduce plastics reduction scheme Joining Hands: Together, We Make Travel Better Valuable partnerships reinforces our level of service and brand commitment Indulgent handcrafted coffees Pre-fight whisky tasting experience Range of unique teas and specialty tea Serving revolutionary plant-based and coffee cocktails -
Documento De Apoyo
DOCUMENTO DE APOYO CON MOTIVO DEL PROCESO DE RATIFICACIÓN DEL H. SENADO DE LA REPÚBLICA, AL NOMBRAMIENTO DE LA C. MELBA MARÍA PRÍA OLAVARRIETA COMO EMBAJADORA EXTRAORDINARIA Y PLENIPOTENCIARIA DE MÉXICO EN JAPÓN Abril de 2019 Japón Abril de 2019 1 Japón Abril de 2019 Contenido I. Introducción ......................................................................................................... 3 II. Características de la adscripción ..................................................................4 a. Datos básicos......................................................................................................................... 4 b. Panorama político y social ........................................................................................... 4 c. Panorama económico.................................................................................................... 13 III. Relación bilateral ...............................................................................................16 a. Relación con México en la actualidad.................................................................16 b. Comercio.................................................................................................................................27 c. Inversiones.............................................................................................................................30 d. Oportunidades de negocios ...................................................................................... 31 e. Cooperación ........................................................................................................................ -
Nin Ghosts I Remixed
The story of... ‘‘ What a beautiful day ! ’’ NiN Ghosts I remixed In cauda venenum by-nc-sa/3.0/us/ What a beautiful day ! - NiN Ghosts I remixed Sunday, March 2, Year two thousand and eight : What a beautiful day ! Trent Reznor, the demiurge behind Nine Inch Nails has just boldly freed himself from traditional restraints to free dissemination. Ghosts I-IV, last NIN album to date, has been released without the help of any record company and the first 9 tracks are available in free download on the band's website. NIN releases the whole album and its graphics and covers under a Creative Commons by-nc-sa licence. This means any person who adquired the album, either by purchasing or downloading is by now free to share it, sample or remix it, under the following conditions : attribute the work in the manner specified by the author, and not use it for commercial purpose. This initiative obviously runs counter to digital locking systems set up by the recording industry, and counter to its hollow fight against "piracy". By choosing the free licences, Reznor prooves that the music may be shared freely, and that "free" music is not necessarily "cheap" music, which would be of lesser quality than "commercial" music. Doing this, Reznor prooves also that free dissemination is by no way uncompatible with some kind of trade, as the Ghosts I-IV album was actually sold, in lossless digital format as well as in limited edition cds. Nine Inch Nails affords the luxury to conciliate profitability and sharing. Let's hope the idea makes many followers. -
Roster of Winners in Single-Seat Constituencies No
Tuesday, October 24, 2017 | The Japan Times | 3 lower house ele ion ⑳ NAGANO ㉘ OSAKA 38KOCHI No. 1 Takashi Shinohara (I) No. 1 Hiroyuki Onishi (L) No. 1 Gen Nakatani (L) Roster of winners in single-seat constituencies No. 2 Mitsu Shimojo (KI) No. 2 Akira Sato (L) No. 2 Hajime Hirota (I) No. 3 Yosei Ide (KI) No. 3 Shigeki Sato (K) No. 4 Shigeyuki Goto (L) No. 4 Yasuhide Nakayama (L) 39EHIME No. 4 Masaaki Taira (L) ⑮ NIIGATA No. 5 Ichiro Miyashita (L) No. 5 Toru Kunishige (K) No. 1 Yasuhisa Shiozaki (L) ( L ) Liberal Democratic Party; ( KI ) Kibo no To; ( K ) Komeito; No. 5 Kenji Wakamiya (L) No. 6 Shinichi Isa (K) No. 1 Chinami Nishimura (CD) No. 2 Seiichiro Murakami (L) ( JC ) Japanese Communist Party; ( CD ) Constitutional Democratic Party; No. 6 Takayuki Ochiai (CD) No. 7 Naomi Tokashiki (L) No. 2 Eiichiro Washio (I) ㉑ GIFU No. 3 Yoichi Shiraishi (KI) ( NI ) Nippon Ishin no Kai; ( SD ) Social Democratic Party; ( I ) Independent No. 7 Akira Nagatsuma (CD) No. 8 Takashi Otsuka (L) No. 3 Takahiro Kuroiwa (I) No. 1 Seiko Noda (L) No. 4 Koichi Yamamoto (L) No. 8 Nobuteru Ishihara (L) No. 9 Kenji Harada (L) No. 4 Makiko Kikuta (I) No. 2 Yasufumi Tanahashi (L) No. 9 Isshu Sugawara (L) No. 10 Kiyomi Tsujimoto (CD) No. 4 Hiroshi Kajiyama (L) No. 3 Yoji Muto (L) 40FUKUOKA ① HOKKAIDO No. 10 Hayato Suzuki (L) No. 11 Hirofumi Hirano (I) No. 5 Akimasa Ishikawa (L) No. 4 Shunpei Kaneko (L) No. 1 Daiki Michishita (CD) No. 11 Hakubun Shimomura (L) No. -
Hmong Music in Northern Vietnam: Identity, Tradition and Modernity Qualification: Phd
Access to Electronic Thesis Author: Lonán Ó Briain Thesis title: Hmong Music in Northern Vietnam: Identity, Tradition and Modernity Qualification: PhD This electronic thesis is protected by the Copyright, Designs and Patents Act 1988. No reproduction is permitted without consent of the author. It is also protected by the Creative Commons Licence allowing Attributions-Non-commercial-No derivatives. If this electronic thesis has been edited by the author it will be indicated as such on the title page and in the text. Hmong Music in Northern Vietnam: Identity, Tradition and Modernity Lonán Ó Briain May 2012 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music University of Sheffield © 2012 Lonán Ó Briain All Rights Reserved Abstract Hmong Music in Northern Vietnam: Identity, Tradition and Modernity Lonán Ó Briain While previous studies of Hmong music in Vietnam have focused solely on traditional music, this thesis aims to counteract those limited representations through an examination of multiple forms of music used by the Vietnamese-Hmong. My research shows that in contemporary Vietnam, the lives and musical activities of the Hmong are constantly changing, and their musical traditions are thoroughly integrated with and impacted by modernity. Presentational performances and high fidelity recordings are becoming more prominent in this cultural sphere, increasing numbers are turning to predominantly foreign- produced Hmong popular music, and elements of Hmong traditional music have been appropriated and reinvented as part of Vietnam’s national musical heritage and tourism industry. Depending on the context, these musics can be used to either support the political ideologies of the Party or enable individuals to resist them. -
THE GLOBALIZATION of K-POP by Gyu Tag
DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program.