Tulsa Law Review Volume 28 Issue 1 Fall 1992 Dancing Around the First Amendment: Symbolic Speech after Barnes v. Glen Theatre, Inc. Eric Morrow Follow this and additional works at: https://digitalcommons.law.utulsa.edu/tlr Part of the Law Commons Recommended Citation Eric Morrow, Dancing Around the First Amendment: Symbolic Speech after Barnes v. Glen Theatre, Inc., 28 Tulsa L. J. 113 (2013). Available at: https://digitalcommons.law.utulsa.edu/tlr/vol28/iss1/4 This Casenote/Comment is brought to you for free and open access by TU Law Digital Commons. It has been accepted for inclusion in Tulsa Law Review by an authorized editor of TU Law Digital Commons. For more information, please contact
[email protected]. Morrow: Dancing Around the First Amendment: Symbolic Speech after Barnes NOTES AND COMMENTS DANCING AROUND THE FIRST AMENDMENT: SYMBOLIC SPEECH AFTER BARNES v. GLEN THEATRE, INC. I. INTRODUCTION After years of controversy over the constitutionality of nude danc- ing, the Supreme Court, in Barnes v. Glen Theatre, Inc.,' explicitly stated that nude dancing is symbolic speech protected by the First Amendment. Despite this holding, and with suggestive irony, the Court nevertheless upheld an Indiana statute prohibiting nude dancing. The Court's reason- ing, stripped to its essence, indicated that less protection will be given to symbolic speech and more protection to statutes imposing popular morality. In analyzing whether the Indiana statute prohibiting nudity, and thereby prohibiting nude dancing, violated the First Amendment by in- fringing on protected symbolic speech, all of the Justices but one used the four-prong "incidental restriction test" articulated in United States v.