Epiphan Pearl User Guide Live
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FAQ Installation and First Steps
back FAQ Installation and First steps Getting Started How to install ViMP? (… How to perform an up… How to install module… How to install the ViM… Installing the Webserv… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to compile ffmpe… How to compile ffmpe… Compile MPlayer/Men… An example of a "vho… confixx specifics Info about the Source… Installing the SourceG… Installing the SourceG… Installing the SourceG… Installing the SourceG… Installing the SourceG… Installing the SourceG… How to install the tran… Installing the pseudo… How to perform an up… How to upgrade from… ViMP Enterprise Ultim… Setting the transcodin… Changing the passwor… How to install the transcoding tools on Ubuntu 14.04 Editions: Community, Professional, Enterprise, Enterprise Ultimate, Corporate Versions: all This HowTo describes how to install the transcoding tools under Ubuntu 14.04 For Open Source Transcoding you have to install the transcoding tools (MPlayer, mencoder, ffmpeg, flvtool2, faststart). As the Ubuntu packages do not support all required formats, we have to compile the required tools. In most cases please just copy & paste the code into your shell and execute the commands as root. First we do some maintenance and remove some packages (if existing): cd /usr/src apt-get update apt-get upgrade apt-get remove x264 ffmpeg mplayer mencoder We install -
Open SVC Decoder: a Flexible SVC Library Médéric Blestel, Mickaël Raulet
Open SVC decoder: a flexible SVC library Médéric Blestel, Mickaël Raulet To cite this version: Médéric Blestel, Mickaël Raulet. Open SVC decoder: a flexible SVC library. Proceedings of the inter- national conference on Multimedia, 2010, Firenze, Italy. pp.1463–1466, 10.1145/1873951.1874247. hal-00560027 HAL Id: hal-00560027 https://hal.archives-ouvertes.fr/hal-00560027 Submitted on 27 Jan 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Open SVC Decoder: a Flexible SVC Library Médéric Blestel Mickaël Raulet IETR/Image group Lab IETR/Image group Lab UMR CNRS 6164/INSA UMR CNRS 6164/INSA France France [email protected] [email protected] ABSTRACT ent platforms like x86 platform, Personal Data Assistant, This paper describes the Open SVC Decoder project, an PlayStation 3 and Digital Signal Processor. open source library which implements the Scalable Video In this paper, a brief description of the SVC standard is Coding (SVC) standard, the latest standardized by the Joint done, followed by a presentation of the Open SVC Decoder Video Team (JVT). This library has been integrated into (OSD) and its installation procedure. open source players The Core Pocket Media Player (TCPMP) and mplayer, in order to be deployed over different platforms 2. -
What Can Apple TV™ Teach Us About Digital Signage?
What can Apple TV™ teach us about Digital Signage? Mark Hemphill | @ScreenScape July 2016 Executive Summary As a savvy communicator, you could be increasing revenue by building dynamic media channels into every one of your business locations via digital signage, yet something is holding you back. The cost and complexity associated with such technology is still too high for the average business owner to tackle. Or is it? Some of the traditional vendors in the digital signage industry make the task of connecting and controlling a few screens out to be a momentous challenge, a task for high paid experts. On the other hand, a new class of technologies has arrived in the home entertainment world that strips the exercise down to basics. And it’s surging in popularity. Apple TV™, and other similar streaming Internet devices, have managed to successfully eliminate the need for complicated hardware and complex installation processes to allow average non-technical homeowners to bring the Internet to their television screens. This trend in consumer entertainment offers insights we can adapt to the commercial world, lessons for digital signage vendors and their customers, which lead towards to simpler, more cost-effective, more user-friendly, and more scalable solutions. This article explores some of the following lessons in detail: • Simple appliances outperform PCs and Macs as digital media players • Sourcing and mounting a TV is not the critical challenge • In order to scale, digital signage networks must be designed for average non-technical users to operate • Creating an epic viewing experience isn’t as important as enabling a large and diverse network • Simplicity and cost-effectiveness go hand in hand By making it easier to connect and control screens, tomorrow’s digital signage solutions will help more businesses to reap the benefits of place-based media. -
Mixbus V4 1 — Last Update: 2017/12/19 Harrison Consoles
Mixbus v4 1 — Last update: 2017/12/19 Harrison Consoles Harrison Consoles Copyright Information 2017 No part of this publication may be copied, reproduced, transmitted, stored on a retrieval system, or translated into any language, in any form or by any means without the prior written consent of an authorized officer of Harrison Consoles, 1024 Firestone Parkway, La Vergne, TN 37086. Table of Contents Introduction ................................................................................................................................................ 5 About This Manual (online version and PDF download)........................................................................... 7 Features & Specifications.......................................................................................................................... 9 What’s Different About Mixbus? ............................................................................................................ 11 Operational Differences from Other DAWs ............................................................................................ 13 Installation ................................................................................................................................................ 16 Installation – Windows ......................................................................................................................... 17 Installation – OS X ............................................................................................................................... -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
ABBREVIATIONS EBU Technical Review
ABBREVIATIONS EBU Technical Review AbbreviationsLast updated: January 2012 720i 720 lines, interlaced scan ACATS Advisory Committee on Advanced Television 720p/50 High-definition progressively-scanned TV format Systems (USA) of 1280 x 720 pixels at 50 frames per second ACELP (MPEG-4) A Code-Excited Linear Prediction 1080i/25 High-definition interlaced TV format of ACK ACKnowledgement 1920 x 1080 pixels at 25 frames per second, i.e. ACLR Adjacent Channel Leakage Ratio 50 fields (half frames) every second ACM Adaptive Coding and Modulation 1080p/25 High-definition progressively-scanned TV format ACS Adjacent Channel Selectivity of 1920 x 1080 pixels at 25 frames per second ACT Association of Commercial Television in 1080p/50 High-definition progressively-scanned TV format Europe of 1920 x 1080 pixels at 50 frames per second http://www.acte.be 1080p/60 High-definition progressively-scanned TV format ACTS Advanced Communications Technologies and of 1920 x 1080 pixels at 60 frames per second Services AD Analogue-to-Digital AD Anno Domini (after the birth of Jesus of Nazareth) 21CN BT’s 21st Century Network AD Approved Document 2k COFDM transmission mode with around 2000 AD Audio Description carriers ADC Analogue-to-Digital Converter 3DTV 3-Dimension Television ADIP ADress In Pre-groove 3G 3rd Generation mobile communications ADM (ATM) Add/Drop Multiplexer 4G 4th Generation mobile communications ADPCM Adaptive Differential Pulse Code Modulation 3GPP 3rd Generation Partnership Project ADR Automatic Dialogue Replacement 3GPP2 3rd Generation Partnership -
MPLAYER-10 Mplayer-1.0Pre7-Copyright
MPLAYER-10 MPlayer-1.0pre7-Copyright MPlayer was originally written by Árpád Gereöffy and has been extended and worked on by many more since then, see the AUTHORS file for an (incomplete) list. You are free to use it under the terms of the GNU General Public License, as described in the LICENSE file. MPlayer as a whole is copyrighted by the MPlayer team. Individual copyright notices can be found in the file headers. Furthermore, MPlayer includes code from several external sources: Name: FFmpeg Version: CVS snapshot Homepage: http://www.ffmpeg.org Directory: libavcodec, libavformat License: GNU Lesser General Public License, some parts GNU General Public License, GNU General Public License when combined Name: FAAD2 Version: 2.1 beta (20040712 CVS snapshot) + portability patches Homepage: http://www.audiocoding.com Directory: libfaad2 License: GNU General Public License Name: GSM 06.10 library Version: patchlevel 10 Homepage: http://kbs.cs.tu-berlin.de/~jutta/toast.html Directory: libmpcodecs/native/ License: permissive, see libmpcodecs/native/xa_gsm.c Name: liba52 Version: 0.7.1b + patches Homepage: http://liba52.sourceforge.net/ Directory: liba52 License: GNU General Public License Name: libdvdcss Version: 1.2.8 + patches Homepage: http://developers.videolan.org/libdvdcss/ Directory: libmpdvdkit2 License: GNU General Public License Name: libdvdread Version: 0.9.3 + patches Homepage: http://www.dtek.chalmers.se/groups/dvd/development.shtml Directory: libmpdvdkit2 License: GNU General Public License Name: libmpeg2 Version: 0.4.0b + patches -
Technology Ties: Getting Real After Microsoft
i c a r u s Winter/Spring 2005 Technology Ties: Getting Real after Microsoft The D.C. Circuit’s 2001 decision in United States v. Microsoft opened the door for high-tech monopolists to tie products Scott Sher together if they can demonstrate that the procompetitive Wilson Sonsini Goodrich & Rosati justification for their practice outweighs the competitive harm. Reston, VA Although not yet endorsed by the Supreme Court, the [email protected] Microsoft decision poses a significant threat to stand-alone application providers selling products in dominant operating environments where the operating systems (“OS”) provider also sells competitive stand-alone applications. In the recently-filed private lawsuit—Real Networks v. Microsoft1— Real Networks included in its complaint tying allegations against Microsoft, a dominant OS provider, claiming that the defendant tied the sale of its OS to the purchase of (allegedly less desirable) applications for its operating system. The fate of lawsuits such as Real is almost assuredly contingent upon whether courts follow the Microsoft holding and resulting legal standard or adhere to a more traditional tying analysis, which requires per se condemnation of such practices. These cases and the development of the law of technology ties are likely to have a profound effect on the development of future operating systems and the long-term viability of many independent application providers who offer products that function in such OS’s. With dominant OS providers like Microsoft reaching further into the application world— through the development and/or acquisition of applications that function on their dominant OS environments—OS providers increasingly are becoming competitors to independent application providers, while at the same time providing the industry-standard OS on which these applications run. -
Review: a Digital Video Player to Support Music Practice and Learning Emond, Bruno; Vinson, Norman; Singer, Janice; Barfurth, M
NRC Publications Archive Archives des publications du CNRC ReView: a digital video player to support music practice and learning Emond, Bruno; Vinson, Norman; Singer, Janice; Barfurth, M. A.; Brooks, Martin This publication could be one of several versions: author’s original, accepted manuscript or the publisher’s version. / La version de cette publication peut être l’une des suivantes : la version prépublication de l’auteur, la version acceptée du manuscrit ou la version de l’éditeur. Publisher’s version / Version de l'éditeur: Journal of Technology in Music Learning, 4, 1, 2007 NRC Publications Record / Notice d'Archives des publications de CNRC: https://nrc-publications.canada.ca/eng/view/object/?id=2573dfda-4fa0-4a7f-b8e0-4014b537e486 https://publications-cnrc.canada.ca/fra/voir/objet/?id=2573dfda-4fa0-4a7f-b8e0-4014b537e486 Access and use of this website and the material on it are subject to the Terms and Conditions set forth at https://nrc-publications.canada.ca/eng/copyright READ THESE TERMS AND CONDITIONS CAREFULLY BEFORE USING THIS WEBSITE. L’accès à ce site Web et l’utilisation de son contenu sont assujettis aux conditions présentées dans le site https://publications-cnrc.canada.ca/fra/droits LISEZ CES CONDITIONS ATTENTIVEMENT AVANT D’UTILISER CE SITE WEB. Questions? Contact the NRC Publications Archive team at [email protected]. If you wish to email the authors directly, please see the first page of the publication for their contact information. Vous avez des questions? Nous pouvons vous aider. Pour communiquer directement avec un auteur, consultez la première page de la revue dans laquelle son article a été publié afin de trouver ses coordonnées. -
Free As in Freedom
Daily Diet Free as in freedom ... • The freedom to run the program, for any purpose (freedom 0). Application Seen elsewhere Free Software Choices • The freedom to study how the program works, and adapt it to Text editor Wordpad Kate / Gedit/Vi/ Emacs your needs (freedom 1). Access to the source code is a precondition for this. Office Suite Microsoft Office KOffice / Open Office • The freedom to redistribute copies so you can help your Word Processor Microsoft Word Kword / Writer Presentation PowerPoint KPresenter / Impress neighbor (freedom 2). Spreadsheet Excel Kexl / Calc • The freedom to improve the program, and release your Mail & Info Manager Outlook Thunderbird / Evolution improvements to the public, so that the whole community benefits (freedom 3). Access to the source code is a Browser Safari, IE Konqueror / Firefox precondition for this. Chat client MSN, Yahoo, Gtalk, Kopete / Gaim IRC mIRC Xchat Non-Kernel parts = GNU (GNU is Not Unix) [gnu.org] Netmeeting Ekiga Kernel = Linux [kernel.org] PDF reader Acrobat Reader Kpdf / Xpdf/ Evince GNU Operating Syetem = GNU/Linux or GNU+Linux CD - burning Nero K3b / Gnome Toaster Distro – A flavor [distribution] of GNU/Linux os Music, video Winamp, Media XMMS, mplayer, xine, player rythmbox, totem Binaries ± Executable Terminal>shell>command line – interface to type in command Partition tool Partition Magic Gparted root – the superuser, administrator Graphics and Design Photoshop, GIMP, Image Magick & Corel Draw Karbon14,Skencil,MultiGIF The File system Animation Flash Splash Flash, f4l, Blender Complete list- linuxrsp.ru/win-lin-soft/table-eng.html, linuxeq.com/ Set up Broadband Ubuntu – set up- in terminal sudo pppoeconf. -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Cutting the Cable Cord
3/11/2021 The views, opinions, and information expressed during this • March 11, 6:30-7:30 PM webinar are those of the presenter and are not the views or opinions of the Newton Public Library. The Newton Public Library • FREE! NO REGISTRATION REQUIRED makes no representation or warranty with respect to the webinar or any information or materials presented therein. Users of webinar materials should not rely upon or construe the Thinking of cutting the cord? What are your options? ChromeCast information or resource materials contained in this webinar as Why and why not do it, Apple TV, Roku alternatives and more sources of entertainment. Sling, Hulu, Netflix legal or other professional advice and should not act or fail to act To log in live from home go to: based on the information in these materials without seeking the services of a competent legal or other specifically specialized https://kslib.zoom.us/j/561178181 professional. Watch the recorded presentation anytime after the 15th or Recorded https://kslib.info/1180/Digital-Literacy---Tech-Talks Presenter: Nathan, IT Supervisor, at the Newton Public Library 1. Protect your computer • A computer should always have the most recent updates installed for spam filters, anti-virus and anti-spyware software and http://www.districtdispatch.org/wp-content/uploads/2012/03/triple_play_web.png a secure firewall. http://cdn.greenprophet.com/wp-content/uploads/2012/04/frying-pan-kolbotek-neoflam-560x475.jpg What is “Cutting the Cord” Cable TV Cord Cutting (verb): The act of canceling your cable or Cable is the immediate answer satellite subscription in favor of a more affordable and obvious choice with the most television viewing option.