Introduction a Power Greater Than Government?
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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
MGEITF Prog Cover V2
Contents Welcome 02 Sponsors 04 Festival Information 09 Festival Extras 10 Free Clinics 11 Social Events 12 Channel of the Year Awards 13 Orientation Guide 14 Festival Venues 15 Friday Sessions 16 Schedule at a Glance 24 Saturday Sessions 26 Sunday Sessions 36 Fast Track and The Network 42 Executive Committee 44 Advisory Committee 45 Festival Team 46 Welcome to Edinburgh 2009 Tim Hincks is Executive Chair of the MediaGuardian Elaine Bedell is Advisory Chair of the 2009 Our opening session will be a celebration – Edinburgh International Television Festival and MediaGuardian Edinburgh International Television or perhaps, more simply, a hoot. Ant & Dec will Chief Executive of Endemol UK. He heads the Festival and Director of Entertainment and host a special edition of TV’s Got Talent, as those Festival’s Executive Committee that meets five Comedy at ITV. She, along with the Advisory who work mostly behind the scenes in television times a year and is responsible for appointing the Committee, is directly responsible for this year’s demonstrate whether they actually have got Advisory Chair of each Festival and for overall line-up of more than 50 sessions. any talent. governance of the event. When I was asked to take on the Advisory Chair One of the most contentious debates is likely Three ingredients make up a great Edinburgh role last year, the world looked a different place – to follow on Friday, about pay in television. Senior TV Festival: a stellar MacTaggart Lecture, high the sun was shining, the banks were intact, and no executives will defend their pay packages and ‘James Murdoch’s profile and influential speakers, and thought- one had really heard of Robert Peston. -
GEITF Programme 2010.Pdf
MediaGuardian Edinburgh International Television Festival 27–29 August 2010 Programme of Events ON TV Contents Welcome to Edinburgh 02 Schedule at a Glance 28 Social Events 06 Friday Sessions 20 Friday Night Opening Reception / Saturday Meet Highlights include: TV’s Got to Dance / This is England and Greet / Saturday Night Party / Channel of the ‘86 plus Q&A / The Richard Dunn Memorial Lecture: Year Awards Jimmy Mulville / The James MacTaggart Memorial Lecture: Mark Thompson Sponsors 08 Saturday Sessions 30 Information 13 Extras 14 Workshops 16 EICC Orientation Guide 18 Highlights include: 50 Years of Coronation Street: A Masterclass / The Alternative MacTaggart: Paul Abbott / Venues 19 The Futureview: Sandy Climan / EastEnders at 25: A Masterclass The Network 44 Sunday Sessions 40 Fast Track 46 Executive Committee 54 Advisory Committee 55 Festival Team 56 Highlights include: Doctor Who: A Masterclass / Katie Price: Shrink Rap / The Last Laugh Keynote Speaker Biographies 52 Mark Thompson / Paul Abbott / Jimmy Mulville / Sandy Climan Welcome to Edinburgh man they call “Hollywood’s Mr 3D” Sandy Climan bacon sarnies. The whole extravaganza will be for this year's Futureview keynote to answer the hosted by Mark Austin who will welcome guests DEFINING question Will it Go Beyond Football, Films and onto his own Sunday morning sofa. Michael Grade F****ng?. In a new tie-up between the TV Festival will give us his perspective on life in his first public and the Edinburgh Interactive Festival we’ve appearance since leaving ITV. Steven Moffat will THE YEAR’S brought together the brightest brains from the be in conversation in a Doctor Who Masterclass. -
Contents & Festival Strands
CONTENTS & FESTIVAL STRANDS SPONSORS 1 Drama 39-55 UK TOUR 2 LOVE TRILOGY 40-41 WELCOME MESSAGE: 3 TV DRAMA 43 Michael Etherton ISRAELI DRAMA 44-49 WELCOME MESSAGE: 5 Jonathan Lewis Comedy 56-61 UK JEWISH FILM FESTIVAL 6-9 AWARDS A CRYSTAL BALL 60-61 A GUIDE TO THE PROGRAMME: 11 Shorts Programmes 63-71 Nir Cohen PEARS SHORT FILM FUND AT Galas 12-16 UK JEWISH FILM 64-65 Documentary 17-33 SPECIAL EVENTS 72-76 The Alan Howard 18-22 GUESTS 77-80 International Documentary Strand PEOPLE AND THANKS 81 EDUCATION 23 VENUES AND BOOKING 83 INFORMATION JEWISH WAYS OF SEEING 24-25 LONDON TIMETABLE 84-85 BEHIND THE MUSIC 26-27 Through The Maelstrom: 34-38 INDEX 86 Women And The Holocaust FESTIVAL PROGRAMME SPONSORS Alan Toni Schiff Howard Memorial Fund Media Partner Hotel Partner Festival Partner Festival Partner Shoresh The Sybil The John Charitable Shine Memorial S Cohen The Kobler Hirschel Trust Trust Foundation Trust Foundation PRESIDENT’S CIRCLE PATRONS David and Judy Dangoor Louise and Hilton Nathanson Carolyn and Harry Black The Diana and Allan Wendy Fisher Bianca and Stuart Roden Muriel and Gus Coren Morgenthau Charitable Alan Howard Isabelle and Ivor Seddon Charitable Foundation Trust David and Annie Lass Dr Edward and Mrs AWARD SPONSORS Andrew Stone Nadine Wojakovski Sponsored by: Sponsored by: DORFMAN BEST AUDIENCE BEST FILM The Diana and DOCUMENTARY Kirsh AWARD AWARD Allan Morgenthau AWARD Foundation Charitable Trust FUNDING CONTRIBUTORS FILM SPONSORS Anonymous Sharon and Jonathan Goldstein Anne Joseph and The Gerald and Gail Ronson Edward -
Foreign Series Take Root in U.S. Soil for Reel • Indie Programming Selection
aaaMay_2008 5/7/08 6:30 PM Page 2 THE BUSINESS JOURNAL OF FILM, BROADCASTING, BROADBAND, PRODUCTION, DISTRIBUTION MAY 2008 VOL. 28 NO. 3 $9.75 L.A. Screenings Guide ® www.videoage.org Challenges As Opportunities: Foreign Series Take Writers Strike Benefited Indies Root in U.S. Soil BY ERIN SOMERS BY LEAH HOCHBAUM ROSNER While many have speculated that fewer n the industry all are well aware of the Hollywood writers strike’s effects on his year, the pilot process is pilots might become the norm during upcoming TV seasons worldwide and the changes to the U.S. television industry. somewhat different. It had to future pilot seasons, others believe that It remains to be seen if these changes are going to be permanent, as predicted, be, what with the time next year, things will go back to the way or just temporary, as hoped. constraints imposed by the they were in a pre-strike world. The big lengthy Writers Guild of However, little has been said about (Continued on Page 54) the effects –– one way or another –– America strike in of the strike on the U.S. the U.S. Iindependents and foreign television TLast year, the U.S. TV China’s Foreign TV Content production and distribution companies. networks commissioned At first sight, many independents seemed their typical number of Viewed With Contempt to have come out of the strike unscathed, pilots (ABC had 29; CBS, BY LEVI SHAPIRO and a lucky few even saw some benefits. 21; CW, 12; Fox, 24; and VideoAge spoke to a cross-section of NBC, 20). -
13 October 2017 Page 1 of 8
Radio 4 Extra Listings for 7 – 13 October 2017 Page 1 of 8 SATURDAY 07 OCTOBER 2017 struggling to cope after the death of Sarah©s GP husband - who of John Gross, and marked the beginning of what would be an never quite manage to see eye to eye. illustrious and fascinating literary career. It ended with his death SAT 00:00 John Wyndham - Trouble with Lichen (b007k3r3) Starring Prunella Scales as Sarah, Joan Sanderson as Eleanor, on 10 January 2011, a great sorrow for the many people who Episode 4Biochemist Diana Brackley©s attempts to conceal the Benjamin Whitrow as Russell, Gerry Cowper as Clare and Mark loved and admired John. true source of the antigerone are finally overcome. Read by Kingston as Chris. No doubt I read at the time, but had forgotten until coming across Joanna Tope. Four radio series were made, but instead of then moving to BBC it again, since I quite lack his total recall, something he wrote here SAT 00:30 Soul Music (b05s2x2k) TV - Thames Television produced ©After Henry© for the ITV in 1983, an entertaining review of a biography of Sir George Series 20, First Cut Is the DeepestLong before it was a worldwide network. Lewis, the famous and immensely influential Victorian solicitor hit for Rod Stewart, the Cat Stevens song ©First Cut is the Producer: Pete Atkin whose clients included the Prince of Wales. In an aside, Gross Deepest© made a name for the former Ike and Tina Turner backing First broadcast on BBC Radio 4 in May 1985. gently wondered why the biographer hadn©t mentioned that Lewis singer, PP Arnold. -
Download the Adobe
Downloaded from simongarfield.com © Simon Garfield 2005 Ant Always Stands on the Left Ant and Dec are always together on television. And in real life too. The Observer, May 2002 The most striking thing about Ant and Dec is not that you can't tell them apart, but that you can: apart from the light entertainment and children's shows that went before them, and apart from other people who made it famous and rich when they were young. Ant and Dec, both aged 26 (Ant is always on the left in photos), represent a new generation of TV hosts - not comedians (though occasionally they can be funny), not singers (though they used to do that all the time) and not really celebrities (slender tabloid interest, very polite when you meet them, only one uncharacteristic incident at a lap-dancing establishment) - but they can stand in front of a camera and talk to it as if it was a friend they used to know from school. To do this without artifice is a very valuable thing in television. You can twist yourself in knots trying to explain their achievement, but all you need to understand is that they used to climb trees and weren't the sort of people who liked to watch children's television with an educational flavour. Their appeal is embedded in a little-remembered programme, their first, that went out at teatime in 1996. The Ant and Dec Show on Children's BBC featured a novel item called Beat The Barber, a quiz in which young people could win fantastic prizes such as computer consoles. -
LA Screenings Granada International
FC June 2008.qxd 5/16/08 2:17 PM Page 1 THE BUSINESS JOURNAL OF FILM, BROADCASTING, BROADBAND, PRODUCTION, DISTRIBUTION JUNE/JULY 2008 VOL. 28 NO. 4 $9.75 In This Issue: Promax Licensing Show Q&A with Lionsgate L.A. Screenings Guide ® www.videoage.org L.A. Screenings: Present Is There a Future for Uncertain, Future Unsure Program Syndication? BY BOB JENKINS is: Why am I selling my content to a rival? his year, the U.S. TV network upfronts –– the New York events that s there a future for international Or, why do I need a middleman, when I precede the U.S. studios’ Screenings in Los Angeles –– began on Monday, program syndication in view of can reach viewers directly? VoD and other digital marvels? May 12 in the midst of a rainstorm. Whether it’s a sign of things to come And if content producers find they That might seem like a peculiar remains to be seen. have a smaller appetite for selling, there is question, but it is not as outlandish The fact is, though, as it might first appear. (Continued on Page 24) that this year’s Increasingly, major Tupfronts and L.A. Screenings content producers are are vastly different from I What Stops Formats From vertically integrating by previous years in that they’re owning their own channels Being Made: Money, Tech leaner and more sober than and video-on-demand sites. usual. Most of the networks in In a few years the world will ormats, it seems are everywhere. But are there New York and all of the studios have gone completely some that cannot be done? And have there been in Los Angeles eliminated their digital, and this will, to a any great ideas that were too difficult or just too traditional parties. -
Royal Television Society |
ROYAL TELEVISION SOCIETY ANNUAL REPORT 2013 AGM 20 May 2014, 6:00pm at The Hospital Club, 24 Endell St, London WC2H 9HQ ROYAL TELEVISION SOCIETY REPORT 2013 CONTENTS Foreword by RTS Chairman and CEO 3 Board of Trustees’ report to members 4 I Achievements and performance 4 National events 4 Centres events 24 II Governance and finance 32 1 Structure, governance and management 32 2 Objectives and activities 33 3 Financial review 33 4 Plans for future periods 34 5 Administrative details 34 Independent auditors’ report 36 Financial statements 37 Notes to the financial statements 40 Notice of AGM 2014 47 Agenda for AGM 2014 48 Form of Proxy 49 Minutes of AGM 2013 50 Picture credits 53 Who’s who at the RTS 54 PATRONS PRINCIPAL PATRONS Deloitte Ikegami Electronics UK BBC Enders Analysis ITV Anglia BSkyB FremantleMedia ITV Granada Channel 4 Television IMG Studios ITV London ITV ITN ITV Meridian Jonathan Shalit/ROAR Global ITV Tyne Tees INTERNATIONAL PATRONS KPMG ITV Wales Discovery Corporate Services Ltd McKinsey and Co ITV West Liberty Global S4C ITV Yorkshire RTL Group STV Group Lumina Search Turner Broadcasting System Inc UKTV PricewaterhouseCoopers Viacom International Media Networks YouView Quantel Walt Disney Company Raidio Teilifis Éireann RTS PATRONS University College, Falmouth MAJOR PATRONS Autocue UTV Television Accenture Channel Television Vinten Broadcast Channel 5 Digital Television Group 2 FOREWORD he Society staged an journalism. HRH The Prince of Wales ambitious programme to deliver new exceptional programme announced the bursaries at the Society’s functionality across a range of areas. of activities in 2013, both inaugural Craft Skills Masterclass Day. -
The Show Goes on Contents Come Back to Something the SHOW GOES on New This Summer
Columbia College Spring 2014 TODAY The Show Goes On Contents Come back to something THE SHOW GOES ON new this summer. 18 Varsity Show Endears and Endures More than 50 In a world of planned obsolescence and the latest Internet meme, some things do last. BY THOMAS VINCIGUERRA ’85, ’86J, ’90 GSAS areas of study 20 Another Opening, Another Varsity Show to explore Since 1894, the theatrical tradition has satirized Columbia in song and dance. and endless BY NATHALIE ALONSO ’08 24 The Varsity Show Through the Years opportunities A look back at 120 years in pictures, programs and posters. to rediscover. 30 The Marriage of True Minds The Broadway team of Tom Kitt ’96 and Brian Yorkey ’93 delve into the reasons behind their successful collaboration. BY JAMIE KATZ ’72, ’80 BUSINESS 35 Orestes Brings Lit Hum to Life 36 Theater District Columbia’s many theater groups give students a chance to watch, and perform, everything from Shakespeare to opera to student-written plays. ce.columbia.edu/summercc BY SHIRA BOSS ’93, ’97J, ’98 SIPA COVER: POSTERS COURTESY COLUMBIA UNIVERSITY ARCHIVES; BACK COVER: EILEEN BARROSO ABOVE: CAST MEMBERS PERFORM DURING 1980’S FLY WITH ME. PHOTO: PETER KRUPENYE PHOTOGRAPHY/COURTESY COLUMBIA UNIVERSITY ARCHIVES MESSAGE FROM DEAN JAMES J. VALENTINI Building the Best Undergraduate Experience 15 48 80 e recently marked the end of The Columbia n this issue, you’ll read about some of the remarkable Colum- Campaign, a University-wide fundraising and bians who have achieved success in the performing arts, and Coach Brett Boretti (left) Susanna Daniel ’97 Jenji Kohan ’91 (right) alumni relations effort that raised more than Isome of the unique Columbia traditions that have influenced $6.1 billion, including $980 million for under- them on their path to greatness — in particular the Varsity Show, graduate education. -
Full Members of the British Academy of Film and Television Arts (Updated 28 August 2012)
Full Members of the British Academy of Film and Television Arts (updated 28 August 2012) Roberta Aarons Yavar Abbas Allison Abbate Jeff Abberley Peter Abbey Paul Abbott Steve Abbott Bassem Abdallah Brian Abel Andrew Ableson David Abraham Eric Abraham Georgina Abrahams Bruce Abrahams Joe Abrams Jenny Abramsky Farah Abushwesha Huda Abuzeid Juliet Ace Roy Ackerman Steve Ackhurst Joss Ackland Barry Ackroyd Norma Acland Julie Adair Catherine Adair Ken Adam Richard Adams Mark Adams Gordon Adams Benetta Adamson Sharon Adcock Chris Addison Madeline Addy Henry Adeane Adam Adler David Adler Melanie Adorian Tony Ageh Phil Agland Joss Agnew Steen Agro Jenny Agutter Sanjiv Ahuja Pippa Ailion Anthony Ainsworth Lucy Ainsworth-Taylor Christopher Aird Dawn Airey Tony Aitken Rory Aitken Eleanor Aitken Mike Aiton Abby Ajayi Jovan Ajder Niyi Akeju Zara Akester Colin Akester Nassreen Akhtar Jimmy Akingbola Adewale Akinnuoye-Agbaje Andy Akinwolere John Akomfrah Basi Akpabio Timothy Alban Francesco Alberico Philip Alberstat Sydell Albert Justin Albert Simon Albury Julian Alcantara Susan Alcott Jane Aldous Nuala Alen-Buckley John Alexander Eva Alexander Darrell Alexander Jon Alexander Matthew Alexander Arnna Alexander Adam Alexander Rob Alexander Tomas Alfredson Michael Algar Barber Ali Rosie Alison Suzanne Alizart Luke Alkin Foz Allan Graham Allan Britt Allcroft Shane Allen Joe Allen Ged Allen Tony Allen Kenton Allen James Allen Katherine Allen Ioan Allen James Allen Belinda Allen Angela Allen Robbie Allen Peter Allen Richard Allen-Turner Lynn Alleway Rebecca -
Celador Productions V Melville Chd 21 Oct 2004
Case No: HC 03C00312, HC 03C03608, HC 03C04202 Neutral Citation No: [2004] EWHC 2362 (CH) IN THE HIGH COURT OF JUSTICE CHANCERY DIVISION Royal Courts of Justice Strand, London, WC2A 2LL Date: Thursday, 21st October 2004 Before : THE VICE-CHANCELLOR - - - - - - - - - - - - - - - - - - - - - Between : CELADOR PRODUCTIONS LIMITED Claimant/ Applicant - and - MELVILLE Defendant/ Respondent BOONE Claimant/ Respondent - and - ITV NETWORK AND ANOTHER Defendants/ Applicants BACCINI Claimant/ Respondent - and - CELADOR PRODUCTIONS LIMITED AND OTHERS Defandants/ Applicants - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - Mr. Richard Arnold QC and Mr. Brian Nicholson (instructed by Messrs Goodwin Derrick) for Celador Productions Ltd and its co-Defendants Mr. Richard Spearman QC and Mr. Andrew Norris (instructed by Messrs Orchard) for Mr Melville Mr. John Baccini In Person Mr. Timothy Boone In Person Hearing dates : 6th, 7th, 12th and 13th October 2004 - - - - - - - - - - - - - - - - - - - - - Approved Judgment I direct that pursuant to CPR PD 39A para 6.1 no official shorthand note shall be taken of this Judgment and that copies of this version as handed down may be treated as authentic. ............................. The Vice-Chancellor The Vice-Chancellor Celador Productions Ltd v Melville Approved Judgment The Vice-Chancellor : Introduction 1. The well-known TV quiz programme “Who wants to be a Millionaire?” (“WWM”) was first shown by ITV on 4th September 1998. Many episodes have been shown since. The programmes