DOCSLIB.ORG

13 October 2017 Page 1 of 8

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
13 October 2017 Page 1 of 8 Radio 4 Extra Listings for 7 – 13 October 2017 Page 1 of 8 SATURDAY 07 OCTOBER 2017 struggling to cope after the death of Sarah©s GP husband - who of John Gross, and marked the beginning of what would be an never quite manage to see eye to eye. illustrious and fascinating literary career. It ended with his death SAT 00:00 John Wyndham - Trouble with Lichen (b007k3r3) Starring Prunella Scales as Sarah, Joan Sanderson as Eleanor, on 10 January 2011, a great sorrow for the many people who Episode 4Biochemist Diana Brackley©s attempts to conceal the Benjamin Whitrow as Russell, Gerry Cowper as Clare and Mark loved and admired John. true source of the antigerone are finally overcome. Read by Kingston as Chris. No doubt I read at the time, but had forgotten until coming across Joanna Tope. Four radio series were made, but instead of then moving to BBC it again, since I quite lack his total recall, something he wrote here SAT 00:30 Soul Music (b05s2x2k) TV - Thames Television produced ©After Henry© for the ITV in 1983, an entertaining review of a biography of Sir George Series 20, First Cut Is the DeepestLong before it was a worldwide network. Lewis, the famous and immensely influential Victorian solicitor hit for Rod Stewart, the Cat Stevens song ©First Cut is the Producer: Pete Atkin whose clients included the Prince of Wales. In an aside, Gross Deepest© made a name for the former Ike and Tina Turner backing First broadcast on BBC Radio 4 in May 1985. gently wondered why the biographer hadn©t mentioned that Lewis singer, PP Arnold. In an interview for Soul Music she describes SAT 05:00 Hazelbeach (b00853kb) ©appears by name in Conan Doyle©s "The Illustrious Client" - a the emotional connection she felt to the lyrics, having emerged Series 1, Horse-RacingRonnie organises a trip to the races and pretty broad clue to the client©s identity©. Yes, he had read from an abusive marriage shortly before recording it. Nick makes a startling discovery about the true nature of everything, high and low. Also contributing to the programme is the song©s original friendship. Since his death, I©ve thought often about John, and reread him. producer, Mike Hurst. He describes how he achieved the huge Caroline and David Stafford©s comedy stars Jamie Forman as The breadth of his reading and his memory made him the perfect ©wall of sound© production using double drums, a huge string Ronnie, Paul Bazely as Nick, Tracy Wiles as Chloe, John Dougall anthologist, and he edited half a dozen Oxford Books of ..., from section, and a harp instead of a guitar to play the signature riff at as James, Simon Treves as Harry. Aphorisms to Parodies. He also wrote three books of his own, and the the start of the track. Producer: Marc Beeby I wish he had written more. Shylock is a learned and highly There are many personal stories associated with the track: Carsten First broadcast on BBC Radio 4 in October 2007. original study of that singularly problematic character and his Knauff recalls a childhood sweetheart - his first true love - and SAT 05:30 The Casebook of Max and Ivan (b096gspx) play, while A Double Thread is a beautiful short memoir of explains why the Cat Stevens© version brings back bitter-sweet Series 2, Case #96 - Community DisserviceA second series Gross©s London childhood, ©double© because both English and memories for him. featuring acclaimed double-act Max and Ivan as incompetent Jewish. But I now see that the defining point came with his Rosemarie Purdy saw PP Arnold give an extraordinary live private detectives for hire. Joanna Lumley guest stars. brilliant first book. rendition at a club in Portsmouth in 1967. Never before had she The detectives investigate a series of mysterious thefts which Although he and Kingsley Amis were disparate personalities, to seen such a heartfelt, emotionally charged performance. It©s threaten the very future of Nunhead Community Centre. Assisted say the least, Gross would have shared Amis©s contempt for something she©s never forgotten. by the permanently tired caretaker Gerry, they track the chief anything which ©makes a statement©, and his disdain for the idea of The Sheryl Crow version reminds Rachel Batson of a very suspect, washed-up former B-Movie actress Lavinia Moncrief ©importance©. But I believe that The Rise and Fall is a truly difficult phase in her life; it©s a song she says reflects her own and eventually have to go undercover to infiltrate her bizarre important book. It wasn©t just an item on Gross©s list of faith journey. acting classes. Also featuring bell ringers, hypnotism and a publications, it was part of his own story, and it made a statement And former Radio Caroline DJ, Keith Hampshire, describes the mutant komodo dragon. of its own: a repudiation of the attempted monopoly of literary circumstances that led to him having a No.1 hit with the song in Written by and Max Olesker and Ivan Gonzalez criticism by ©the university© and the larger academic appropriation Canada. It was the first time ©First Cut© reached No.1 anywhere in Developed by John Stanley Productions of our common culture. the world. Produced by Ben Walker Producer: Tom Alban. Producer: Karen Gregor. A Retort production for BBC Radio 4. SAT 12:00 Counterpoint (b00775l1) SAT 01:00 Robert Barr - Detective (b01s5l3b) SAT 06:00 Anthony Berkeley - The Poisoned Chocolate Case Series 21, 2007 - Heat 14 Extra Debut. Edward Seckerson asks Series 3, Murder of a Shy GirlReclusive Joan is found dead, but (b097lnkn) music questions of Chris Gibson of Blackpool, Carolyn Pritchett Brook and Tully wonder how solitary her life really was. A woman has died from eating poisoned chocolates intended for of Nottingham and Sheffield©s Chris Wade. Starring Ray Brooks as Detective Sergeant Brook, Stephen somebody else... SAT 12:30 Bristow (b007tdnn) Garlick as Detective Constable Tully and Stephen Yardley as Can the amateur brains of Roger Sheringham©s Crime Circle solve Series 3, Of Moles and MenThe office rebel returns with some Chief Inspector Roach. this intriguing crime that©s stumped Scotland Yard over the past inside information which must surely lead to promotion. More tough stories of crime and detection in London written by year? Michael Williams stars as Bristow, the buying clerk from Frank Robert Barr. Stars Neil Stacy as Roger Sheringham, Hilda Schroder as Mrs Dickens© famous newspaper cartoon strip. Syndicated Robert Barr also wrote TV scripts for the BBC©s Z Cars and Fielder-Flamming, Conrad Phillips as Sir Charles Wildman, internationally, it ran for 41 years in London©s Evening Standard. Softly Softly. He was also a prize-winning TV producer. Victor Winding as Moresby, Michael Bilton as Chitterwick, With Rodney Bewes as Jones, Dora Bryan as Mrs Purdy, Owen Producer: Martin Fisher Geoffrey Collins as Bradley, Jane Wenham as Alicia, William Brenman as Hewitt, Liz Frazer as Gert, Joan Sims as Daisy, Katy First broadcast weekly on BBC Radio 2 in July 1984. Eedle as Lockwood, Mark Straker as Bendix, Clive Panto as Sir Odey as Miss Sunman, Jon Glover as Fudge, David Battley as SAT 01:30 Train Tracks (b00m69ws) Eustace, Eileen Tully as Mrs Bendix and Deborah Cranston Fred Stokes, Carol Starks as Miss Glockling and Jane Booker as Pianist and broadcaster Simon Townley samples the many Marguerite. Teacher. different ways in which trains and railways have inspired Director: Brian Miller Music: John Whitehall composers and songwriters and what it is about this particular First broadcast on BBC Radio 4 in 1984. Producer: Neil Cargill form of travel that makes it so influential. SAT 07:30 Britain in a Box (b01k9lc2) First broadcast on BBC Radio 4 in July 2000. They may be a shadow of their former infrastructural selves, but Series 5, Pop IdolPaul Jackson returns with a new series of the SAT 13:00 Lucy Catherine - Gudrun: Omnibus (b097lr1s) railways still hold a curiously affectionate place in our national show that not only celebrates classic television programmes, but A young woman in 11th century Iceland wants to rebuild her life. Nowhere is this more true than in the world of music, where also uses them as a window on a particular period in our cultural family and win back the trust of her husband. Stars Kate Philips. chuffing, whistling, steaming and clackety-clacking have been the and social history. SAT 14:10 Inheritance Tracks (b097ltm2) inspiration for hundreds of songs. Simon has never described Over the next three days he©ll be exploring the innovation of Don LettsDJ and film-maker Don Letts chooses Augustus Pablo©s himself as a railway enthusiast, but he has always had an ear for ©Vision On© and assessing the legacy of ©Grandstand©, but he kicks ©King Tubby Meets Rockers Uptown© and ©Do You Realise© by the the things that inspire composers and songwriters. off with a programme that re-wrote the rules for talent shows, Flaming Lips. He explores the rhythms, themes and metaphorical uses of the saved a network and conquered the world. SAT 14:15 Pam Ayres© Open Road (b007kfr4) train in music, from Honneger©s Pacific 231 to American blues 1. Pop Idol - began life as an idea captured on a scrap of paper... Series 2, The Fire Service CollegePam visits the ©university for tracks such as Love in Vain and Freight Train Blues. went on to make global superstars of some of its participants... firefighters© in Moreton-in-Marsh, delivering fire and rescue Country and western star Laura Cantrell, music professor Alan and now generates over one and a half billion dollars a season in training internationally.
Load more

Recommended publications
  • Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
    Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel
    [Show full text]
  • 'Nats Go Home': Modernism, Television and Three BBC
    ‘Nats go home’: modernism, television and three BBC productions of Ibsen (1971-1974) Article Accepted Version Smart, B. (2016) ‘Nats go home’: modernism, television and three BBC productions of Ibsen (1971-1974). Ibsen Studies, 16 (1). pp. 37-70. ISSN 1502-1866 doi: https://doi.org/10.1080/15021866.2016.1180869 Available at http://centaur.reading.ac.uk/71899/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://dx.doi.org/10.1080/15021866.2016.1180869 To link to this article DOI: http://dx.doi.org/10.1080/15021866.2016.1180869 Publisher: Routledge All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online ‘Nats go home’: Modernism, television and three BBC productions of Ibsen (1971-1974) In 1964 theatre journal Encore published ‘Nats go home’, a polemical article by television screenwriter Troy Kennedy Martin. The manifesto for dramatic techniques innovated at BBC Television in the 1960s subsequently proved highly influential and is frequently cited in histories of British television drama (Caughie 2000, Cooke 2003, Hill 2007). The article called for the rejection of naturalism in television drama, and for new modernist forms to be created in its place. Kennedy Martin identified ‘nat’ television drama as deriving from nineteenth century theatrical traditions, complaining that it looked “to Ibsen and Shaw for guidance” (23).
    [Show full text]
  • Raquel Cassidy
    www.hamiltonhodell.co.uk Raquel Cassidy Talent Representation Telephone Christopher Farrar +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company THE GOOD KARMA HOSPITAL Frankie Phil John/Nimmer Rashed Tiger Aspect/ITV STRANGERS Rachel Paul Andrew Williams Two Brothers Pictures/ITV W1A Tamsin Gould John Morton BBC SILENT WITNESS Dr Eva Vazquez Dudi Appleton BBC THE HELLENES Bouboulina Van Ling Phaedra Films THE WORST WITCH 1-4 Hecate Hardbroom Various CBBC DOWNTON ABBEY Series 4, 5 & 6 Winner of the Outstanding Performance by an Ensemble in a Drama Series Award, Screen Actors Guild (SAG) Awards, 2016 Baxter Various Carnival/ITV Winner of the Outstanding Performance by an Ensemble in a Drama Series Award, Screen Actors Guild (SAG) Awards, 2015 HALF TIME (Pilot) Lucy Nick Walker Top Dog Productions MID MORNING MATTERS WITH ALAN PARTRIDGE Series 2 Hayley Rob Gibbons/Neil Gibbons Baby Cow/Fosters UNCLE Series 2 & 3 Teresa Oliver Refson Baby Cow/BBC VERA Series 5 Gloria Edwards Will Sinclair ITV JONATHAN CREEK Sharon David Renwick BBC LAW AND ORDER: UK Series 7 Lydia Smythson Joss Agnew Kudos/ITV LE GRAND Pauline Langlois Charlotte Sieling Atlantique Productions HEADING OUT Sabine Natalie Bailey BBC2 A TOUCH OF CLOTH Clare Hawkchurch Jim O'Hanlan Zeppotron Ltd MIDSOMER MURDERS Series 15: THE DARK RIDER Diana DeQuetteville Alex Pillai Bentley Productions HUSTLE Series 8 Dana Deville Roger Goldby Kudos DCI BANKS Dr. Waring Bill Anderson Left Bank Pictures teamWorx Television & Film THE OTHER CHILD D.I.
    [Show full text]
  • H.M.S. Giang Bee
    H.M.S. GIANG BEE - Sunk by Japanese destroyer on 13th February 1942 Researched passenger list [Version 1. 2. 0; March 2010] The “HMS Giang Bee”, a Chinese-owned coastal steamer requisitioned and used as a patrol vessel, left Singapore Harbour – according to a statement made by a number of those who were on board – at 10p.m. on Thursday 12th February 1942. Although Captain Lancaster, in command of the ship, initially refused to take civilian passengers because he saw the dangers attached to a ship designated as a warship, she was loaded with up to 300 refugees ( one survivor, Gordon Reis believed there to be 350 people on board) who were mostly women, children and the elderly. All her Malay crew had been ordered ashore in Singapore before she left, so that the crew consisted of a handful of RNVR personnel and some passengers who volunteered to be stokers etc. She was bombed and suffered damage during the day of 13th February, and in the evening, after a long stand- off with a Japanese destroyer, she was shelled and sunk in the Banka Strait. There had never been enough lifeboats for those on board, and two of them had been seriously damaged by the day’s bombing. Due to this and the speed with which the ship sank, a large number of lives were lost. Whilst there appears to have initially been an attempt by the Japanese to handle the surrender of the ship in a somewhat civilised manner, in the final event the Japanese warships showed no humanity or decency when they were in full knowledge that the ship contained civilians and a huge number of women and children.
    [Show full text]
  • June 17 – Jan 18 How to Book the Plays
    June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation.
    [Show full text]
  • Samson Agonistes Performed by Iain Glen and Cast 1 Introduction - on a Festival Day 8:55 2 Chorus 1: This, This Is He
    POETRY UNABRIDGED John Milton Samson Agonistes Performed by Iain Glen and cast 1 Introduction - On a Festival Day 8:55 2 Chorus 1: This, this is he... 3:19 3 Samson: I hear the sound of words... 2:16 4 Chorus 1: Tax not divine disposal, wisest Men... 1:45 5 Samson: That fault I take not on me... 2:03 6 Chorus 1: Thy words to my remembrance bring... 2:33 7 Manoa: Brethren and men of Dan, for such ye seem... 3:11 8 Samson: Appoint not heavenly disposition, Father... 2:56 9 Manoa: I cannot praise thy Marriage choices, Son... 3:36 10 Manoa: With cause this hope relieves thee... 4:22 11 Chorus 1: Desire of wine and all delicious drink... 4:05 12 Samson: O that torment should not be confin’d... 2:45 13 Chorus 3: Many are the sayings of the wise... 3:07 14 Chorus 3: But who is this, what thing of Sea or Land? 1:14 15 Dalila: With doubtful feet and wavering resolution... 2:05 16 Dalila: Yet hear me Samson; not that I endeavour... 6:47 17 Samson: I thought where all thy circling wiles would end... 7:32 2 18 Chorus 1: She’s gone, a manifest Serpent by her sting... 3:24 19 Samson: Fair days have oft contracted wind and rain. 0:48 20 Harapha: I come not Samson, to condole thy chance... 7:15 21 Samson: Among the Daughters of the Philistines... 3:15 22 Chorus 1: His Giantship is gone somewhat crestfall’n..
    [Show full text]
  • Playing Shakespeare with Deutsche Bank Production of Twelfth Night
    2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh.
    [Show full text]
  • Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8
    Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8 SATURDAY 19 AUGUST 2017 Read by Robert Glenister monarchy and giving a glimpse into the essential ingredients of a Written by Sarah Dunant successful sovereign. SAT 00:00 Bruce Bedford - The Gibson (b007js93) Abridged by Eileen Horne In this programme, Will uses five objects to investigate a pivotal Episode 5Saul and Elise make a grim discovery in the nursing Produced by Clive Brill aspect of the art of monarchy - the projection of magnificence. An home. Time-hopping thriller with Robert Glenister and Freddie A Pacificus production for BBC Radio 4. idea as old as monarchy itself, magnificence is the expression of Jones. SAT 02:15 Me, My Selfie and I: Aimee Fuller©s Generation power through the display of wealth and status. Will©s first object SAT 00:30 Soul Music (b04nrw25) Game (b06172qq) unites our current Queen with George III; the Gold State Coach, Series 19, A Shropshire Lad"Into my heart an air that kills Episode 5In the final part of her exploration of the selfie which has been used for coronations since 1821. Built for George From yon far country blows: phenomenon, snowboarder Aimee Fuller describes how she will III in 1762, it reflects Britain©s new found glory in its richly gilded What are those blue remembered hills, be using social media as she sets out to compete for a place at the carvings and painted panels...but the glory was to be short lived. What spires, what farms are those? next Winter Olympics.
    [Show full text]
  • Broadcast Bulletin Issue Number 229 07/05/13
    Ofcom Broadcast Bulletin Issue number 229 7 May 2013 1 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Contents Introduction 3 Standards cases In Breach Phones 4U’s sponsorship of network films on Channel 4 Channel 4, 26 December 2012, 23:32 6 Kobots Federation: Kobots Dual Action Game sponsorship credits Cartoon Network, Cartoon Network Too, Boomerang, 18 February 2013 to 17 March 2013, various times 9 The Daily Show Comedy Central Extra, 5 March 2013, 20:00 13 Cross promotion for Sky Sports Sky News, 13 February 2013, 23:47 15 Resolved Viewer competitions Channel 5 and 5*, September to November 2012, various times 17 Viewer competitions ITV1 and ITV2 channels, September to November 2012, various times 19 Advertising Scheduling cases In Breach Advertising scheduling Bloomberg Television, various dates and times 21 Breach findings table Code on the Scheduling of Television Advertising compliance reports 25 Fairness and Privacy cases Upheld Complaint by Mr C Panorama: Gambling Nation, BBC 1, 5 November 2012 26 2 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Other Programmes Not in Breach 31 Complaints Assessed, Not Investigated 32 Investigations List 40 3 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2.
    [Show full text]
  • Brian Tufano BSC Resume
    BRIAN TUFANO BSC - Director of Photography FEATURE FILM CREDITS Special Jury Prize for Outstanding Contribution To British Film and Television - British Independent Film Awards 2002 Award for Outstanding Contribution To Film and Television - BAFTA 2001 EVERYWHERE AND NOWHERE Director: Menhaj Huda. Starring Art Malik, Amber Rose Revah, Adam Deacon, Producers: Menhaj Huda, Sam Tromans and Stella Nwimo. Stealth Films. ADULTHOOD Director: Noel Clarke Starring Noel Clarke, Adam Deacon, Red Mandrell, Producers: George Isaac, Damian Jones And Scarlett Johnson Limelight MY ZINC BED Director: Anthony Page Starring Uma Thurman, Jonathan Pryce, and Producer: Tracy Scofield Paddy Considine Rainmark Films/HBO I COULD NEVER BE YOUR WOMAN Director: Amy Heckerling Starring Michelle Pfeiffer and Paul Rudd Producer: Philippa Martinez, Scott Rudin Paramount Pictures KIDULTHOOD Director: Menhaj Huda Starring Aml Ameen, Adam Deacon Producer: Tim Cole Red Mandrell and Jamie Winstone Stealth Films/Cipher Films ONCE UPON A TIME IN Director: Shane Meadows THE MIDLANDS Producer: Andrea Calderwood Starring Robert Carlyle, Rhys Ifans, Kathy Burke. Ricky Tomlinson and Shirley Henderson Slate Films / Film Four LAST ORDERS Director: Fred Schepisi Starring: Michael Caine, Bob Hoskins, Producers: Rachel Wood, Elizabeth Robinson Tom Courtenay, Helen Mirren, Ray Winstone Scala Productions LATE NIGHT SHOPPING Director: Saul Metzstein Luke De Woolfson, James Lance, Kate Ashfield, Producer: Angus Lamont. Enzo Cilenti andShauna MacDonald Film Four Intl / Ideal World Films BILLY ELLIOT Director: Steven Daldry Julie Walters, Gary Lewis, Jamie Draven and Jamie Bell Producers: Jon Finn and Gregg Brenman. Working Title Films/Tiger Aspect Pictures BBC/Arts Council Film. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] BRIAN TUFANO BSC - Director of Photography WOMEN TALKING DIRTY Director: Coky Giedroyc Helena Bonham-Carter, Gina McKee Producers: David Furnish and Polly Steele James Purefoy, Jimmy Nesbitt, Richard Wilson Petunia Productions.
    [Show full text]
  • Nov/Dec 2017 Volume 21, Issue 5
    Bimonthly Publication of the Central Florida Jazz Society BLUE NOV/DEC 2017 VOLUME 21, ISSUE 5 NOTES Joey Alexander, Grammy-nominated fourteen- year-old piano prodigy, released his latest album in homage to his lifelong hero Thelonious Monk. “Sometimes, when I’m just practicing, playing something else, new melodic and rhythmic ideas come to me and I realize I’m actually starting to compose a song. I think writing strong tunes comes from listening to so much music from composers and artists I like. I would say that Monk has had the greatest influence on me. Hearing his pieces so many times had a great impact on me and inspired me to write my own pieces. I actually find it harder to interpret other people’s songs than write my own, because I have to figure out and feel what the song is about and find a way to make it my own. Monk taught me to groove, bounce, understand space, be patient, be simple, sometimes be mysterious but, most of all, to be joyful. In my arrangements, I try to stay true to the essence of his music — to treat it with the highest level of respect. Monk’s music is the essence of beauty.” https://www.villagevoice.com/2017/10/10/18-jazz- pianists-pay-tribute-to-thelonious-monk-on-his-100th- birthday/ CFJS 3208 W. Lake Mary Blvd., Suite 1720 President’s Lake Mary, FL 32746-3467 [email protected] Improv http://centralfloridajazzsociety.com By Carla Page Executive Committee The very first thing I want to do is apologize for our last Blue Carla Page Notes.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]