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The Antiphonary of Bangor and Its Musical Implications
The Antiphonary of Bangor and its Musical Implications by Helen Patterson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Helen Patterson 2013 The Antiphonary of Bangor and its Musical Implications Helen Patterson Doctor of Philosophy Graduate Department of Music University of Toronto 2013 Abstract This dissertation examines the hymns of the Antiphonary of Bangor (AB) (Antiphonarium Benchorense, Milan, Biblioteca Ambrosiana C. 5 inf.) and considers its musical implications in medieval Ireland. Neither an antiphonary in the true sense, with chants and verses for the Office, nor a book with the complete texts for the liturgy, the AB is a unique Irish manuscript. Dated from the late seventh-century, the AB is a collection of Latin hymns, prayers and texts attributed to the monastic community of Bangor in Northern Ireland. Given the scarcity of information pertaining to music in early Ireland, the AB is invaluable for its literary insights. Studied by liturgical, medieval, and Celtic scholars, and acknowledged as one of the few surviving sources of the Irish church, the manuscript reflects the influence of the wider Christian world. The hymns in particular show that this form of poetical expression was significant in early Christian Ireland and have made a contribution to the corpus of Latin literature. Prompted by an earlier hypothesis that the AB was a type of choirbook, the chapters move from these texts to consider the monastery of Bangor and the cultural context from which the manuscript emerges. As the Irish peregrini are known to have had an impact on the continent, and the AB was recovered in ii Bobbio, Italy, it is important to recognize the hymns not only in terms of monastic development, but what they reveal about music. -
A Way out Trilogy, and a Way Back
A w a y o u t t r i l o g y , a w a y o u t o f o u r r e l i g i o u s , p o l i t i c a l A n d p e r s o n a l p r e d i c a m e n t s , a n d a w a y b a c k , t a k i n g b a c k o u r r e l i g i o - n a t i o n a l h e r i t a g e – a l s o – o u r p e r s o n a l s p a c e H. D. K a I l I n Part I – t h e n a z a r e n e w a y o u t (Volume I) Beyond reach of Jerusalem, Rome, Geneva, stood the Orientalist (Volume II) Beyond the canonical gospels exists a Nazarene narrative gospel part I I – a m e r I c a ‘ s w a y o u t Three men with power: Washington, Jefferson, and Franklin Three women of valor: Tubman, Winnemuca, and Liliuokalani part I I I – m y o w n w a y o u t Gullible’s Travels: 50 years a Zionist, now seeking to make amends W e h a v e a s u r e , p r o p h e t I c W o r d B y I n s p I r a t I o n o f t h e L o r d ; A n d t h o ' a s s a I l e d o n e v ' r y h a n d , J e h o v a h ’ s W o r d s h a l l e v e r s t a n d . -
1 the SUN BEHIND the SUN Frank Shirbroun, St. Augustine's In
1 THE SUN BEHIND THE SUN Frank Shirbroun, St. Augustine’s in-the-Woods, April 30, 2017 INTRODUCTION: Teresa and I are highly honored to have a part in the series of Celtic Christian Eucharists that begins today. Last fall, at the invitation of Father Eric Stelle, we did a similar series at St. John’s, Gig Harbor. Many there found the series especially nourishing to their own spiritual pilgrimages and we did, too. So, when St. Augustine’s Adult Formation Committee asked us to do something similar here, we were happy to say, “Yes!” What Teresa and I will do each Sunday in this series is to lift up several Celtic Christians who are identified with the distinctive themes of Celtic Christian spirituality. Our hope is this: if we learn something about these Celtic Christians and their faith, we may gain enlightenment and encouragement for our own Christian pilgrimage. I don’t know how much you know about “Celtic Christian Spirituality”, so, perhaps I should begin by saying something about the meaning of this term as we shall use it during this series. We are talking about a unique way of being Christian found in lands around the Irish Sea, especially Scotland, Northern Britain, Wales, Cornwall, and Ireland. It is a very early form of Christianity that flourished there mainly from the fifth to the ninth centuries A.D., up to the Viking raids in the 800s, which sacked and destroyed many Celtic Christian communities. Now, I am being careful to use the term “Celtic Christian Spirituality” because we are not talking about a Celtic church in the sense of an institution with a central organization, or a hierarchy, or a uniform set of practices like our Episcopal church. -
The Search for San Ffraid
The Search for San Ffraid ‘A thesis submitted to the University of Wales Trinity Saint David in the fulfillment of the requirements for the degree of Master of Arts’ 2012 Jeanne Mehan 1 Abstract The Welsh traditions related to San Ffraid, called in Ireland and Scotland St Brigid (also called Bride, Ffraid, Bhríde, Bridget, and Birgitta) have not previously been documented. This Irish saint is said to have traveled to Wales, but the Welsh evidence comprises a single fifteenth-century Welsh poem by Iorwerth Fynglwyd; numerous geographical dedications, including nearly two dozen churches; and references in the arts, literature, and histories. This dissertation for the first time gathers together in one place the Welsh traditions related to San Ffraid, integrating the separate pieces to reveal a more focused image of a saint of obvious importance in Wales. As part of this discussion, the dissertation addresses questions about the relationship, if any, of San Ffraid, St Brigid of Kildare, and St Birgitta of Sweden; the likelihood of one San Ffraid in the south and another in the north; and the inclusion of the goddess Brigid in the portrait of San Ffraid. 2 Contents ABSTRACT ........................................................................................................................ 2 CONTENTS........................................................................................................................ 3 FIGURES ........................................................................................................................... -
The Synod of Whitby
Obsculta Volume 1 Issue 1 Article 20 5-1-2008 The Synod of Whitby Nick Ratkay College of Saint Benedict/Saint John's University Follow this and additional works at: https://digitalcommons.csbsju.edu/obsculta Part of the Religion Commons ISSN: 2472-2596 (print) ISSN: 2472-260X (online) Recommended Citation Ratkay, Nick. 2008. The Synod of Whitby. Obsculta 1, (1) : 39-43. https://digitalcommons.csbsju.edu/ obsculta/vol1/iss1/20. This Article is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in Obsculta by an authorized administrator of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. The Synod of Whitby Nick Ratkay The Venerable Bede is arguably one of the yet prospering throughout his/her life, without most important figures of early medieval Christian- the eventuality of divine punishment. This is ity. Born in the late seventh century, Bede became not to imply that all the information in the His- the premier scholar of the monastic communities tory should be viewed as false. However, Bede at Wearmouth and Jarrow and was well-known for constructed his material to emphasize certain his scriptural commentaries and other works. His viewpoints. various writings have offered historians insights into The theological and spiritual viewpoints of the the popular customs, beliefs, and spirituality of his Ecclesiastical History did not end with Bede providing era, while simultaneously expressing medieval writ- examples for imitation. Bede also wished to stress ing styles and trends. Bede’s most famous work is that unity in the church, under the Roman tradition, entitled The Ecclesiastical History of the English Nation, was of the utmost spiritual importance.4 This was and as the title suggests, it was written to document especially true when concerning the celebration of the history of the English people in relation to the Easter and other festivals. -
Thesis Or Dissertation
SANCTI ET LINGUAE: THE CLASSICAL WORLD IN THE EYES OF HIBERNIA _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by MARIA MAHONEY Dr. Charles Saylor, Thesis Supervisor MAY 2008 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled SANCTI ET LINGUAE: THE CLASSICAL WORLD IN THE EYES OF HIBERNIA presented by Maria Mahoney, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Charles Saylor Professor Raymond Marks Professor A. Mark Smith ________________________________________________________ Iacobo Bogowith magistro sapienti ac benevolo hunc laborem dedico. ACKNOWLEDGEMENTS I thank all the members of the Classics Department who put up with me for two years while I traveled back and forth from Arkansas to the University of Missouri and who adjusted their schedules to accommodate mine so that I could continue to teach my Arkansan homeschoolers. They and I are profoundly grateful. Dr. Schenker helped me to catch up in Greek during my first semester and Silvia Sarais spent hours of her own study time and struggled through our language barrier to give me a thorough grounding in Greek grammar and style. I owe to them my competence in Greek Dr. Smith patiently endured my arguments and tardiness time and again and gave me wonderful, thought-provoking insights both in his medieval philosophy class and during the thesis process. Dr. Marks taught me Greek prose composition during my second year and gave me helpful suggestions for further research. -
The Writings of Patrick, the Apostle of Ireland
CHRISTIAN CLASSICS SERIES VI ********** THE WRITINGS OF PATRICK of 3|celan&, CHRISTIAN CLASSICS SERIES. Each volume cloth uncut , boards, gilt top, edges. I. Cur Deus Homo ? by ANSELM, Archbishop of Can- terbury. Translated, with Introduction, Analysis, and Notes, by E. S. PROUT, M.A. 25. II. The Enchiridion of Augustine. 25. III. De Incarnatione Verbi Dei, by ATHANASIUS, Arch- bishop of Alexandria. Translated, with an Intro- duction, Analysis, and Notes, by T. HERBERT BINDLEY, M.A. 25. Basil IV. the Great on the Holy Spirit. Translated, with an Analysis and Notes, by the Rev. GEORGE LEWIS, M.A. 2s. V. The Obedience of a Christian Man, by WILLIAM TYNDALE, Translator and Martyr. Edited, with Introduction, Analysis, and Notes, by R. LOVETT, M.A. 25. 6d. CLASSICS SERIES VI THE WRITINGS OF PATRICK of A REVISED TRANSLATION WITH NOTES CRITICAL AND HISTORICAL BY THE Rev. CHARLES H. H. WRIGHT, D.D. Of Trinity College, Dublin, M.A. of Exeter College, Oxford, Ph.D. of the University ofLeipzig, Banip- ton Lecturer for- 1878 in the University of Ox- ford, Donncllcin Lecturer (i 880-81) in the University ofDublin, Examiner in He- brew, N. T. Greek, and Scrip. Hist., University ofLondon. RELIGIOUS TRACT SOCIETY 56, PATERNOSTER Row, AND 164, PICCADILLY. EDITORIAL NOTE. THE Committee of the Religious Tract Society have undertaken the issue of the famous theological treatises included in this Series in the hope that they will be widely read and studied, not only by professed students, but also by the thoughtful general readers of the present day. Each treatise is complete in itself, and, as far as possible, gives the full text exactly as it came from the pen of the author, even when adherence to this principle involves variation in bulk and price, and the occasional retention of a few passages not fully in accord with the general teaching of the Society. -
16.10 Celtic Music, Cornwall.Cdr
Who is the Workshop for? If you have ever wondered, n d World of th — what is it that makes Celtic Music so distinctive, spellbinding and enchanting? Sou e C — e what the aural equivalent is of the Book of Kells, with its extraordinary spiralic Celtic Knots? he Explore lt — what the early Celtic sacred music of St.Columba sounded like? T s then COME and SING YOUR HEART OUT on this weekend of UNFORGETTABLE MUSIC. the Uni que Sou ndscapes This workshop is appropriate for people with ALL levels of musical/vocal experience. Michael brings the message that everyone has a singer and a musician inside them and o f IRELAND, SCOTLAND & THE HEBRIDES looks forward to sharing his passion for singing Celtic Music with you. A BOOKSHOP OF RESOURCES will be for sale at the workshop, including Michael’s book of folk song arrangements,‘The Magic & Mysteries of Celtic Folk Songs’. Workshop Leader Michael Deason-Barrow Director of Tonalis Music Centre - runs inspirational courses all over the world connected to Choir Leading. He performed for a number of years in a folk/early music group called, ‘The Chanters of Taliesin’, regularly leads folk music in community choirs and specialises in creating distinctive arrangements of folk songs for choirs. This workshop is the culmination of 30 years research into Celtic Music, from: the mysteries of Irish folk singing (Sean Nós), to improvisatory Gaelic Psalm singing and the music of Scottish Travellers. Fees Early Bird Fees £75 (for booking by Aug. 1st) £80 (by Sept. 1st) £85 (thereafter) Couples, OAPs & Group Bookings (3+): £70/ £75/ £80 (see date deadlines above) from Saturday only fee: £45 (for booking by Aug. -
Exclusively Made Barn 14 Hip No. 1
Consigned by Tres Potrillos, Agent Barn Hip No. 14 Exclusively Made 1 Gone West Elusive Quality.................. Touch of Greatness Exclusive Quality .............. Glitterman Exclusively Made First Glimmer.................... Bay Filly; First Stand March 8, 2011 Danzig Furiously........................... Whirl Series Mad About Julie ............... (1999) Restless Restless Restless Julie.................... Witches Alibhai By EXCLUSIVE QUALITY (2003). Black-type winner of $92,600, Spectacular Bid S. [L] (GP, $45,000). Sire of 3 crops of racing age, 166 foals, 94 start- ers, 59 winners of 116 races and earning $2,727,453, including Sr. Quisqueyano ($319,950, Calder Derby (CRC, $150,350), etc.), Exclusive- ly Maria ($100,208, Cassidy S. (CRC, $60,000), etc.), Boy of Summer ($89,010, Journeyman Stud Sophomore Turf S.-R (TAM, $45,000)), black- type-placed Quality Lass ($158,055), Backstage Magic ($128,540). 1st dam MAD ABOUT JULIE, by Furiously. Winner at 3 and 4, $33,137. Dam of 4 other registered foals, 4 of racing age, 2 to race, 2 winners, including-- Jeongsang Party (f. by Exclusive Quality). Winner at 2, placed at 3, 2013 in Republic of Korea. 2nd dam Restless Julie, by Restless Restless. 2 wins at 2, $30,074, 2nd American Beauty S., etc. Dam of 11 other foals, 10 to race, all winners, including-- RESTING MOTEL (c. by Bates Motel). 8 wins at 2 and 3 in Mexico, cham- pion sprinter, Clasico Beduino, Handicap Cristobal Colon, Clasico Velo- cidad; winner at 4, $46,873, in N.A./U.S. PRESUMED INNOCENT (f. by Shuailaan). 7 wins, 3 to 6, $315,190, Jersey Lilly S. (HOU, $30,000), 2nd A.P. -
The Independence of the Celtic Church 121
THE INDEPENDENCE OF THE CELTIC CHURCH 121 THE INDEPENDENCE Oli" THE CELTIC CHURCH. BY THE REV. F. R. MONTGOMERY HITCHCOCK, D.D. THE CHURCH OF IRELAND: ITS CONNECTION WITH THE EAST; ITS DIFFERENCES FROM THE CHURCH OF ROME; ITS INDEPENDENCE. HE Church of Ireland until the twelfth century, generally T speaking, for six centuries, was a free and a nationa.J. Church. It had many points of contact with the Eastern Church which suggest an Eastern origin, and as many points of difference from the Roman Church which make a Roman origin impossible. In the first place, we shall briefly summarize the points of contact with the East. With regard to the monastic habitations, they resemble in plan, i.e. a group of small huts surrounded by a cashel, the communities of the East, like that of Mount Tabor, after which they were modelled. 1 The ascetic practices of the Irish hermit, such as suspending oneself by the armpits from hooks, a were imitations of the devices in self-torture discovered by the anchorites of the Syrian desert, probably in imitation of the Indian fakir's methods of self-torture. The smallness of the ·churches reminded travellers of those of Mount Athos and Asia Minor ; and the group of seven churches, e.g. at Glendalough and Clonmacnois suggests the " Seven Churches of Asia." The shape of the doors of the hermitages of SS. Flannan and Molua at Killaloe, broader at the threshold than at the head, resembles Egyptian style of architecture. The circle of the Irish cross is probably the loop of the crux ansata of the Egyptians, their circle of life being an emblem of immortality. -
Christian Art, Architecture and Music
Christian Art, Architecture and Music LEARNING STRAND: HUMAN EXPERIENCE RELIGIOUS EDUCATION PROGRAMME FOR CATHOLIC SECONDARY SCHOOLS IN AOTEAROA NEW ZEALAND 12G TEACHER GUIDE THE LOGO The logo is an attempt to express Faith as an inward and outward journey. This faith journey takes us into our own hearts, into the heart of the world and into the heart of Christ who is God’s love revealed. In Christ, God transforms our lives. We can respond to his love for us by reaching out and loving one another. The circle represents our world. White, the colour of light, represents God. Red is for the suffering of Christ. Red also represents the Holy Spirit. Yellow represents the risen Christ. The direction of the lines is inwards except for the cross, which stretches outwards. Our lives are embedded in and dependent upon our environment (green and blue) and our cultures (patterns and textures). Mary, the Mother of Jesus Christ, is represented by the blue and white pattern. The blue also represents the Pacific… Annette Hanrahan RSCJ Cover photograph: Cathedral of the Blessed Sacrament, Christchurch / Diocese of Christchurch UNDERSTANDING FAITH YEAR 12 This book is the Teacher Guide to the following topic in the UNDERSTANDING FAITH series 12G CHRISTIAN ART, ARCHITECTURE AND MUSIC TEACHER GUIDE © Copyright 2007 by National Centre for Religious Studies No part of this document may be reproduced in any way, stored in a retrieval system, or transmitted by any means, without prior permission of the publishers. Imprimatur: † Colin D Campbell DD Bishop of Dunedin Conference Deputy for Religious Studies October 2007 Authorised by the New Zealand Catholic Bishops’ Conference Published by: National Centre for Religious Studies Catholic Centre P O Box 1937 Wellington New Zealand Printed by: Printlink 33-43 Jackson Street, Petone Private Bag, 39996 Wellington Mail Centre Lower Hutt 5045 Māori terms are italicised in the text. -
Pilgrimage to Bangor This Is the 1400Th
Pilgrimage to Bangor This is the 1400th anniversary of the death of St. Columban. During this year Columban Sisters have travelled on several pilgrimages in the footsteps of St. Columban. It has been a wonderful experience as we journeyed and prayed together along the way. We visited Bangor where Columban received his education and formation under the Abbot Comgall and where he set out on his missionary journey to Gaul. St. Comgall’s Parish The Bangor monastery was a school of learning for monks and lay people famous throughout Ireland and Europe. On arrival in Bangor we visited the parish church of St. Comgall and were met by the Pastor Fr. Joe Gunne. He gave us a brief history of Bangor. The Church was recently decorated and on a side altar a reliquary of multicoloured stain glass held the relics of St. Columban. There is communication between Bangor and all European Columban sites especially this year. The Antiphonary of Bangor consisting of prayers and canticles copied by an Irish monk in the seventh century is now in the Ambrosian library in Milan. Next we visited Bangor abbey. The site of the original monastery and is now a Presbyterian parish. We were greeted by the minister who briefed us on the history of the abbey. They also have contact with Columban monastic sites and have good ecumenical relationships to day. From the 9th century the Abbey was repeatedly attacked by invading Danes but still continued to be an important ecclesiastical site until the dissolution of the monasteries by Henry the eighth in 1542.