Bitch by Beverly Gross
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The Radical Feminist Manifesto As Generic Appropriation: Gender, Genre, and Second Wave Resistance
Southern Journal of Communication ISSN: 1041-794X (Print) 1930-3203 (Online) Journal homepage: http://www.tandfonline.com/loi/rsjc20 The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance Kimber Charles Pearce To cite this article: Kimber Charles Pearce (1999) The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance, Southern Journal of Communication, 64:4, 307-315, DOI: 10.1080/10417949909373145 To link to this article: https://doi.org/10.1080/10417949909373145 Published online: 01 Apr 2009. Submit your article to this journal Article views: 578 View related articles Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsjc20 The Radical Feminist Manifesto as Generic Appropriation: Gender, Genre, And Second Wave Resistance Kimber Charles Pearce n June of 1968, self-styled feminist revolutionary Valerie Solanis discovered herself at the heart of a media spectacle after she shot pop artist Andy Warhol, whom she I accused of plagiarizing her ideas. While incarcerated for the attack, she penned the "S.C.U.M. Manifesto"—"The Society for Cutting Up Men." By doing so, Solanis appropriated the traditionally masculine manifesto genre, which had evolved from sov- ereign proclamations of the 1600s into a form of radical protest of the 1960s. Feminist appropriation of the manifesto genre can be traced as far back as the 1848 Seneca Falls Woman's Rights Convention, at which suffragists Elizabeth Cady Stanton, Lucretia Coffin Mott, Martha Coffin, and Mary Ann McClintock parodied the Declara- tion of Independence with their "Declaration of Sentiments" (Campbell, 1989). -
WBFSH Eventing Breeder 2020 (Final).Xlsx
LONGINES WBFSH WORLD RANKING LIST - BREEDERS OF EVENTING HORSES (includes validated FEI results from 01/10/2019 to 30/09/2020 WBFSH member studbook validated horses) RANK BREEDER POINTS HORSE (CURRENT NAME / BIRTH NAME) FEI ID BIRTH GENDER STUDBOOK SIRE DAM SIRE 1 J.M SCHURINK, WIJHE (NED) 172 SCUDERIA 1918 DON QUIDAM / DON QUIDAM 105EI33 2008 GELDING KWPN QUIDAM AMETHIST 2 W.H. VAN HOOF, NETERSEL (NED) 142 HERBY / HERBY 106LI67 2012 GELDING KWPN VDL ZIROCCO BLUE OLYMPIC FERRO 3 BUTT FRIEDRICH 134 FRH BUTTS AVEDON / FRH BUTTS AVEDON GER45658 2003 GELDING HANN HERALDIK XX KRONENKRANICH XX 4 PATRICK J KEARNS 131 HORSEWARE WOODCOURT GARRISON / WOODCOURT GARRISON104TB94 2009 MALE ISH GARRISON ROYAL FURISTO 5 ZG MEYER-KULENKAMPFF 129 FISCHERCHIPMUNK FRH / CHIPMUNK FRH 104LS84 2008 GELDING HANN CONTENDRO I HERALDIK XX 6 CAROLYN LANIGAN O'KEEFE 128 IMPERIAL SKY / IMPERIAL SKY 103SD39 2006 MALE ISH PUISSANCE HOROS 7 MME SOPHIE PELISSIER COUTUREAU, GONNEVILLE SUR127 MER TRITON(FRA) FONTAINE / TRITON FONTAINE 104LX44 2007 GELDING SF GENTLEMAN IV NIGHTKO 8 DR.V NATACHA GIMENEZ,M. SEBASTIEN MONTEIL, CRETEIL124 (FRA)TZINGA D'AUZAY / TZINGA D'AUZAY 104CS60 2007 MARE SF NOUMA D'AUZAY MASQUERADER 9 S.C.E.A. DE BELIARD 92410 VILLE D AVRAY (FRA) 122 BIRMANE / BIRMANE 105TP50 2011 MARE SF VARGAS DE STE HERMELLE DIAMANT DE SEMILLY 10 BEZOUW VAN A M.C.M. 116 Z / ALBANO Z 104FF03 2008 GELDING ZANG ASCA BABOUCHE VH GEHUCHT Z 11 A. RIJPMA, LIEVEREN (NED) 112 HAPPY BOY / HAPPY BOY 106CI15 2012 GELDING KWPN INDOCTRO ODERMUS R 12 KERSTIN DREVET 111 TOLEDO DE KERSER -
(2001) 96- 126 Gangsta Misogyny: a Content Analysis of the Portrayals of Violence Against Women in Rap Music, 1987-1993*
Copyright © 2001 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN 1070-8286 Journal of Criminal Justice and Popular Culture, 8(2) (2001) 96- 126 GANGSTA MISOGYNY: A CONTENT ANALYSIS OF THE PORTRAYALS OF VIOLENCE AGAINST WOMEN IN RAP MUSIC, 1987-1993* by Edward G. Armstrong Murray State University ABSTRACT Gangsta rap music is often identified with violent and misogynist lyric portrayals. This article presents the results of a content analysis of gangsta rap music's violent and misogynist lyrics. The gangsta rap music domain is specified and the work of thirteen artists as presented in 490 songs is examined. A main finding is that 22% of gangsta rap music songs contain violent and misogynist lyrics. A deconstructive interpretation suggests that gangsta rap music is necessarily understood within a context of patriarchal hegemony. INTRODUCTION Theresa Martinez (1997) argues that rap music is a form of oppositional culture that offers a message of resistance, empowerment, and social critique. But this cogent and lyrical exposition intentionally avoids analysis of explicitly misogynist and sexist lyrics. The present study begins where Martinez leaves off: a content analysis of gangsta rap's lyrics and a classification of its violent and misogynist messages. First, the gangsta rap music domain is specified. Next, the prevalence and seriousness of overt episodes of violent and misogynist lyrics are documented. This involves the identification of attributes and the construction of meaning through the use of crime categories. Finally, a deconstructive interpretation is offered in which gangsta rap music's violent and misogynist lyrics are explicated in terms of the symbolic encoding of gender relationships. -
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R. -
You Can Call Me a "Bitch" Just Don't Use the "N-Word": Some Thoughts on Galloway V
DePaul Law Review Volume 46 Issue 3 Spring 1997 Article 3 You Can Call Me a "Bitch" Just Don't Use the "N-Word": Some Thoughts on Galloway v. General Motors Service Parts Operations and Rodgers v. Western-Southern Life Insurance Co. Robert J. Gregory Follow this and additional works at: https://via.library.depaul.edu/law-review Recommended Citation Robert J. Gregory, You Can Call Me a "Bitch" Just Don't Use the "N-Word": Some Thoughts on Galloway v. General Motors Service Parts Operations and Rodgers v. Western-Southern Life Insurance Co. , 46 DePaul L. Rev. 741 (1997) Available at: https://via.library.depaul.edu/law-review/vol46/iss3/3 This Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Law Review by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. YOU CAN CALL ME A "BITCH" JUST DON'T USE THE "N-WORD": SOME THOUGHTS ON GALLOWAY V. GENERAL MOTORS SERVICE PARTS OPERATIONS AND RODGERS V. WESTERN-SOUTHERN LIFE INSURANCE CO. Robert J. Gregory* INTRODUCTION Title VII of the Civil Rights Act of 1964 prohibits an employer from discriminating against an individual with respect to his or her "com- pensation, terms, conditions, or privileges of employment, because of such individual's race, color, religion, sex, or national origin."' It has been clear, since at least 1986, that the phrase "terms, conditions or privileges of employment" in Title VII "'is an expansive concept which sweeps within its protective ambit the practice of creating a [hostile or abusive] working environment.' ''2 It has also been clear, since that time, that Title VII extends equally to claims of sexual and racial discrimination based on a hostile working environment. -
Book Stylebook on LGBTQ Terminology
nlgja: the association of lgbtq journalists stylestylebook onLGBTQterminology book NLGJA: The Association of LGBTQ Journalists is a journalist-led association working within the news media to advance fair and accurate coverage of LGBTQ communities and issues. We promote diverse and inclusive workplaces by holding the industry accountable and providing education, professional development and mentoring. Since its founding in 1990, the organization has grown to include more than 800 members and 25 chapter organizations, including 10 student chapters, in the United States. The NLGJA Stylebook on LGBTQ Terminology is intended to complement the prose stylebooks of individual publications, as well as The Associated Press Stylebook, the leading stylebook in U.S. newsrooms. It reflects the association’s mission of inclusive coverage of LGBTQ people, includes entries on words and phrases that have become common and features greater detail for earlier entries. The Stylebook will be continually updated and the latest version will always be available at www.nlgja.org/stylebook. 2120 L Street NW | Suite 850 | Washington, DC 20037 www.nlgja.org | [email protected] nlgja: the association of lgbtq journalists stylebook on LGBTQ terminology updated December 2020 stylebook Editors: Jeff McMillan and Sarah Blazucki Introduction This stylebook seeks to be a guide on language and terminology to help journalists cover LGBTQ subjects and issues with sensitivity and fairness, without bias or judgment. Because language is always changing, this guide is not definitive or fully inclusive. When covering the LGBTQ community, we encourage you to use the language and terminology your subjects use. They are the best source for how they would like to be identified. -
Slut Life , Exalted DLC/TCM
Slut Life , Exalted DLC/TCM "SFW" text-only edition You are an average mortal human, simply trying to carve yourself a place in Creation, same as everybody else. Well, you might not be all that average. Could you be a scavenger lord, sifting through the ruins of the First Age for magical Artifacts? Perhaps you’re an adventurer, experiencing as much of the beauty and danger of Creation as you can? Maybe you’re a simple Child of Earth after all, scratching a living from the soil, such as it is, and aspiring to nothing more than a good, simple, life. However exciting, or otherwise, you may be, you find yourself in Interesting times, indeed: Essence courses through your form, tearing apart your body, your mind, your very soul, and remaking you into something… else. You do not have the knowledge to describe what’s happening to you, even scavenger lords seldom know many secrets of the mystical wonders they unearth, but you can feel what the magic is turning you into: A sexual plaything, a living toy. There’s a glimmer of hope for you, though. The magic is powerful, true, but barely controlled. With a surge of willpower you somehow grasp the whipcord tendrils of uncontrolled energy, entering into a contest of wills over control over the spell. You might be able to mitigate the worst of the damage. Alternatively, you could try to claim the loosed magics and make them your own; at the cost of letting it work its way with you mind and body. Below are a series of options, some awarding influence, while others come at a cost. -
Child Sex Rings: a Behavioral Analysis for Criminal Justice Professionals Handling Cases of Child Sexual ~ Exploitation
If you have issues viewing or accessing this file contact us at NCJRS.gov. NATIONAL CENTER FOR MISt.f9IN(. 1~"I"j('lrl'l~I) -----1.---' CHI L D R E N Child Sex Rings: A Behavioral Analysis For Criminal Justice Professionals Handling Cases of Child Sexual ~ Exploitation In cooperation with the Federal Bureau of Investigation ------------------ 149214 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the National Institute of Justice. Permission to reproduce this copyrighted material has been grantedNaElona1 by • center f'or Mlsslng . & Exploited Chi1dren/DOJ/FBI to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner. Child Sex Rings: A Behavioral Analysis For Criminal Justice Professionals Handling Cases of Child Sexual Exploitation April 1992 Second Edition Kenneth V. Lanning Supervisory Special Agent Behavioral Science Unit Federal Bureau of Investigation FBI Academy Quantico, Virginia © National Center for Missing & Exploited Children Dedication This book is dedicated to the victims of child sex rings and to the memory of two FBI agents who devoted their professional lives to helping sexually exploited children. Leo E. Brunnick FBI Boston, Massachusetts Alan V. MacDonald FBI Boston, Massachusetts Contents Author's Preface v 1. Historical Overview 1 "Stranger Danger" 1 Intrafamilial Child Sexual Abuse 2 Return to "Stranger Danger" 2 The Acquaintance Molester 3 Satanism: A "New" Form of "Stranger Danger" 3 2. -
Today's Breeder
® Today’s Breeder A Nestlé Purina Publication Dedicated to the Needs of Canine Enthusiasts Issue 74 BREEDER PROFILE Eternal Moon Rottweilers Odyssey German Shorthairs Retriever Trial Seminar Pug Dog Encephalitis Breeders Turned Show Judges old puppy. In April 2010, he went Best of Opposite Sex to Best of Variety (Smooth) at the Tri-County Collie Breeders Show. Vince will soon sire his first litter and continue his Specials career. I owe all his wins and success to Pro Plan and our regimen - Pro Club member Patti Simmons of Reed Creek Labs in Hartwell, Ga., shares this photo of her tal exercise program, which helps recent litter of 10 yellow Labrador Retriever puppies. keep him in great shape. I want to share this amazing Pro Club . All my puppies are raised on Jennifer Zappone photo of my recent litter sired by Pro Plan Chicken & Rice, and I feed Bluwave Collies Torrington, CT Temora Australian Terrier breeder Julie Seaton HRCH UH CH Kerrybrooks Vince, MH Pro Plan Chicken & Rice Shredded is shown with her Best of Opposite Sex winner (“Vince”) out of Ransom’s Alegría Blend to adult dogs. My dogs all I have been an exhibitor/breeder of at the 2010 National Specialty. @ ReedCreek, MH (“Alli”). What a have wonderful, shiny coats, and they Australian Terriers since 1995 and have wonderful litter. These 10 beautiful, eat well, which can be challenging always fed my dogs Purina Pro Plan At our 2010 National Specialty healthy puppies were started on Pro for the “picky” Collie. Performance and my puppies Pro Plan Show under judge Michelle Billings, Plan Selects puppy food, and I sent The first litter I bred produced a Puppy Chicken & Rice. -
Bitch the Politics of Angry Women
Bitch The Politics of Angry Women Kylie Murphy Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2002. DECLARATION I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. Kylie Murphy ii ABSTRACT ‘Bitch: the Politics of Angry Women’ investigates the scholarly challenges and strengths in retheorising popular culture and feminism. It traces the connections and schisms between academic feminism and the feminism that punctuates popular culture. By tracing a series of specific bitch trajectories, this thesis accesses an archaeology of women’s battle to gain power. Feminism is a large and brawling paradigm that struggles to incorporate a diversity of feminist voices. This thesis joins the fight. It argues that feminism is partly constituted through popular cultural representations. The separation between the academy and popular culture is damaging theoretically and politically. Academic feminism needs to work with the popular, as opposed to undermining or dismissing its relevancy. Cultural studies provides the tools necessary to interpret popular modes of feminism. It allows a consideration of the discourses of race, gender, age and class that plait their way through any construction of feminism. I do not present an easy identity politics. These bitches refuse simple narratives. The chapters clash and interrogate one another, allowing difference its own space. I mine a series of sites for feminist meanings and potential, ranging across television, popular music, governmental politics, feminist books and journals, magazines and the popular press. -
In Re IMPEACHMENT of PRESIDENT DONALD J. TRUMP
IN THE SENATE OF THE UNITED STATES Sitting as a Court of Impeachment In re IMPEACHMENT OF PRESIDENT DONALD J. TRUMP TRIAL MEMORANDUM OF THE UNITED STATES HOUSE OF REPRESENTATIVES IN THE IMPEACHMENT TRIAL OF PRESIDENT DONALD J. TRUMP United States House of Representatives Jamie Raskin Diana DeGette David Cicilline Joaquin Castro Eric Swalwell Ted Lieu Stacey Plaskett Madeleine Dean Joe Neguse U.S. House of Representatives Managers TABLE OF CONTENTS INTRODUCTION ............................................................................................................................................ 1 STATEMENT OF FACTS ............................................................................................................................... 5 A. President Trump Refuses to Accept the Results of the 2020 Election ................................ 5 B. President Trump Encourages His Followers to Come to Washington on January 6, 2021 and “Fight” to Overturn the Election Results ............................................................. 12 C. Vice President Pence Refuses to Overturn the Election Results ....................................... 18 D. President Trump Incites Insurrectionists to Attack the Capitol ........................................ 20 E. Insurrectionists Incited by President Trump Attack the Capitol ....................................... 22 F. President Trump’s Dereliction of Duty During the Attack ................................................ 29 G. The House Approves An Article of Impeachment with Bipartisan Support -
Hip Slang Vs. Obscenity: Is a B- Word Always Bad?
Living | Hip slang vs. obscenity: Is a b-word always bad? | Seattle Times Newspaper Page 1 of 4 Thursday, November 15, 2007 - Page updated at 12:00 AM Permission to reprint or copy this article or photo, other than personal use, must be obtained from The Seattle Times. Call 206-464-3113 or e-mail [email protected] with your request. Hip slang vs. obscenity: Is a b- word always bad? By Megan K. Scott The Associated Press Call a woman the b-word, and most likely she's offended. Or does it depend who's using that little word that rhymes with witch? • "Today" show anchor Meredith Vieira recently greeted her former co-hosts on "The View" with, "So how are you crazy bitches?" • Comedian Mo'Nique told the "bitches" she loves them when she did a stand-up show at a prison. • Republican presidential hopeful John McCain says he respects Hillary Rodham Clinton but was asked by a woman at a South Carolina event: "How do we beat the bitch?" • During his sexual harassment trial, New York Knicks coach Isiah Thomas was videotaped saying MARY ALTAFFER / AP that a white man calling a black woman the name Actor/comedian Mo'Nique would be more offensive than a black man calling her that name. (He later clarified that he found the term unacceptable in any case; he also denied calling the plaintiff the word at all.) History of the b-word A bitch is a female dog. But the term has been used to insult women since the 1400s and, since the 1500s, sometimes men, too, said John Baugh, a linguist at Washington University in St.