CPY Document
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
The Reel Latina/O Soldier in American War Cinema
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-26-2012 12:00 AM The Reel Latina/o Soldier in American War Cinema Felipe Q. Quintanilla The University of Western Ontario Supervisor Dr. Rafael Montano The University of Western Ontario Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Felipe Q. Quintanilla 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Quintanilla, Felipe Q., "The Reel Latina/o Soldier in American War Cinema" (2012). Electronic Thesis and Dissertation Repository. 928. https://ir.lib.uwo.ca/etd/928 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. THE REEL LATINA/O SOLDIER IN AMERICAN WAR CINEMA (Thesis format: Monograph) by Felipe Quetzalcoatl Quintanilla Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the requirements for the degree of PhD in Hispanic Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Felipe Quetzalcoatl Quintanilla 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
World War Ii and Us Cinema
ABSTRACT Title of Document: WORLD WAR II AND U.S. CINEMA: RACE, NATION, AND REMEMBRANCE IN POSTWAR FILM, 1945-1978 Robert Keith Chester, Ph.D., 2011 Co-Directed By: Dr. Gary Gerstle, Professor of History, Vanderbilt University Dr. Nancy Struna, Professor of American Studies, University of Maryland, College Park This dissertation interrogates the meanings retrospectively imposed upon World War II in U.S. motion pictures released between 1945 and the mid-1970s. Focusing on combat films and images of veterans in postwar settings, I trace representations of World War II between war‘s end and the War in Vietnam, charting two distinct yet overlapping trajectories pivotal to the construction of U.S. identity in postwar cinema. The first is the connotations attached to U.S. ethnoracial relations – the presence and absence of a multiethnic, sometimes multiracial soldiery set against the hegemony of U.S. whiteness – in depictions of the war and its aftermath. The second is Hollywood‘s representation (and erasure) of the contributions of the wartime Allies and the ways in which such images engaged with and negotiated postwar international relations. Contrary to notions of a ―good war‖ untainted by ambiguity or dissent, I argue that World War II gave rise to a conflicted cluster of postwar meanings. At times, notably in the early postwar period, the war served as a progressive summons to racial reform. At other times, the war was inscribed as a historical moment in which U.S. racism was either nonexistent or was laid permanently to rest. In regard to the Allies, I locate a Hollywood dialectic between internationalist and unilateralist remembrances. -
PSS Faulted on Guy Gabaldon Wants·
UNIVERSlr( OF HAWAII LIBRAff arianas ~riety;~ Micronesia's Leading Newspaper Since 1972 '&1 ews Guy Gabaldon wants· PSS faulted on Tinian gaming post By Jojo Dass Variety News Staff BUT will he take him ? . Sgymmess Guy Gabaldon, the World War II hero now running an anti-drug abuse youth camp in By Mar-Vic C. Munar gym project and was negligent in contract altogether for default. Variety News Staff enforcing applicable contract pro The stop-work order was is Goat Island, wants to head the PUBLIC funds have been wasted visions and procurement regula sued by Torres on May 8, 1996 Tinian Gaming Control Com because of the Public School tions," the report said. pending architectural and engi mission. System's mismanagement of the It mentioned for example PSS' neering review of the project. "If you now appoint a politi cal pal or a relative, you will go Marianas High School gym · decision to start the project de PSS subsequently planned to Guy Gabaldon project, according to a draft audit spite insufficient funding. resume construction activities deeper into the mire. There is report from the Office of the Pub The project was funded by a$ I "with an expected completion date only one manner in which you Gabaldon in a letter to Tinian lic Auditor. million donation from Niizeki of June 1997. can appease the feds, and that Mayor Herman Manglona. OPA has faulted PSS for allow International, a private real estate As of audit date, the MHS gym is by apppointing someone who "I fit that." ing the contractor, B&R Construc developer, and $210,000 from the nasium is "far from completion" has no political ties and w~o Manglona, who is empow can not be bribed," said Continued on page 24 tion Co. -
1 U.S. Latino Patriots: from the American Revolution to Afghanistan
U.S. Latino Patriots: From the American Revolution to Afghanistan, An Overview By Refugio I. Rochin and Lionel Fernandez Background The mission of the Smithsonian Center for Latino Initiatives is to disseminate and advance understanding and knowledge of the contributions of Latinas and Latinos to the culture, society, history, arts, and sciences of the United States (U.S.). Since its inaugural opening on August 10, 1998, the Center has taken an active role in developing knowledge of the accomplishments of Latinas/os, “Latino Patriots” and their role in U.S. military history. Under the direction of Refugio I. Rochin, research has been conducted, data collected, and text prepared at the Smithsonian Institution by Lionel Fernandez, a volunteer at the Center for Latino Initiatives. Jose Alonzo Oliveros, a former fellow at the Center under the auspices of the Congressional Hispanic Caucus Institute (FY 2000), initially prepared the groundwork for this project. This research has explored the feasibility of developing an exhibition at the Smithsonian to document the contributions of Hispanic Americans in military conflicts since the American Revolution where the U.S. has played an active role. This history dates back to the colonial era with the onset of the American Revolution and spans more than 200 years to include contemporary military conflicts. The Smithsonian’s collections include more than 140 million objects and archival materials. These include military memorabilia of U.S. war periods. The Smithsonian’s National Museum of American History is the primary repository of materials that involve the participation of Latinas/os in U.S. military engagements. -
Multiple Cameras Cul Shooting Time Of
.. David Janssen, Joan O'Brien, Miiko Taka, Richard Eyer, John Larch. B'll Williams, Richard Gardner and Nicky Blair. To direct the photography, Levin chose Burnett Guffey, ASC, who won an Academy Award in 1954 for the photography of the similarly-titled "From Here To Eternity." The first scenes photographed on the Okinawa location were made at the Army's Ishikawa Recreation Beach, re dressed to serve as a camp in Hawaii. But after two days of near perfect weather, the company moved to Kin waki beach to film the massive amphib ious invasions scenes. One afternoon at Kin-waki I watched Director of Photography Guffey pre paring to photograph Marines storming engaging ON RUGGED ISLAND loca!ion, o single camera is used to film Japanese ashore from landing craft and surrender scene . Behind Mitchell camera is operator Andy McIntyre the Japanese defenders in fie rce fight and assistant Jock Deerso n. ing. It was a difficult and complicated scene to make. Great care had to be taken to make certain that the explo sive charges, flame throwers and me chanical devices used to produce the simulated artillery fire were set off on proper cue. Guffey had carefully lined up three Mitchell NC cameras at stra tegic points to catch the action from several different angles. One camera scene for Alli ed Artists' "Hell To Eternity" on location in Okinawa. CINEMATOGRAPHER Burnett Guffey cash appra1s1ng eye toward sun on the beach and two others before giving the "okay" signal lo his camera crew waiting to shoot Here, constantly varying light was a problem. -
Hawaii Marine
HAWAII MARINE gal, 13, No. 36 Flash: rWomen outstanding contributions to be highlighted by DoD If you know of any women - military, civilian members of DoD or rives of servicemembers - have made significant ibutions to DoD or the local iunity, the Joint Public Ts Office is looking for Return to paradh them. (CODE IIDS-5) A 747 jet soares before the t The Department of Defense is backdrop prior to landing at preparing a booklet to help Station Aug. 31 (above). Approxi- accurately portray the mately 1,400 Marines return here contributions women have made after 2I/2 weeks in the desert heat of to DoD. To help put this booklet Twentynine Palms, Calif. The together, all branches of the Marines, from 2/3; 1/12; HO Co, 3d Marines; Det., Co. A, 3dAAVBn; Armed Forces are being asked for BSSG; Co. A, 3d ReconBn; their nominations. CommSptCo; and MAG-2 4, participated in a Combined Arms Nominations should be Exercise working with nearly 3,600 submitted to unit/agency's other Marines in combat readiness administrative offices who will, in tests. They returned to Hawaii in turn, submit them to 4-PAO' for military and civilian aircraft. (Photos consolidation and forwarding to by Cpl T.J. Clark) HQMC. The deadline for submissions to JPAO is Monday r. by 4:30 p.m. Armed Forces Voters Week declared Sefretary of Defense Caspar this year. and supervisors should empha- military unit voting office or U.S. For more information at MCAS Weinberger has designated the Absentee ballot request figures size the importance of participat- Embassy or consulate worldwide. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Scoop Mar Good Food, Good Fun and a Few Good
Preserving and Promoting the Time Honored Traditions Of Our Beloved Marine Corps Now and Forever! Semper Fidelis mar Good Food, Good Fun and a Few Good Men 2017 Iwo Jima Beefsteak is a Huge Success!! Barker Marines, family and friends joined together on the eve of the 72nd anniversary of the Battle of Iwo Jima to celebrate the warriors of the Corps’ most epic event. On 18 February at the American Legion in Rochelle Park we packed in over 100 people to enjoy our most successful event yet. The evening kicked off with the Pledge of Allegiance followed by a toast by Jamie Cuevas and a benediction by Chaplain Vince Montagna. Michael Apricena read our annual message honoring the Warriors of Iwo. Then came ,“THE CHOW!”. Salad, pasta, and curly fries were served in abundance. Then the main event of the evening: the beefsteak was delivered 2017 in endless waves. The beef was consumed and it’s bread garnish was built up on each table into towers, forts and even a wall. Laughter and camaraderie were the orders of the day and those directions were carried out with great Warriors pleasure. contributing to Around 2130 the time came for the tickets to be drawn and the table of great Scoopthis issue prizes distributed to our guests. Baskets of car care supplies, baking items, MOH autographs, jewelry and spirits of all kinds were won by the happy Tim Daudelin attendees. Our own Lou Fava captured the grand prize of the TV and sound Carlos Poole system. Albert Paul The evening closed with our Commandant giving a stirring and heartfelt Ed Ebel Vince Montagna speech about the Marine brotherhood and our ethos of never leaving one of Many Thanks for our own behind. -
The Guy Mckone Collection at the TIFF Film Reference Library
CATALOGUING A MAN’S LOVE OF MID TO LATE 20th CENTURY POSTERS The Guy McKone Collection at the TIFF Film Reference Library By Sasha Danielle Blais, Honours BA Near Eastern and Classical Archaeology, Wilfrid Laurier University, 2014 A Thesis presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Film and Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2016 © Sasha Danielle Blais 2016 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. ii Cataloguing a Man’s Love of Mid to Late 20th Century Posters: The Guy McKone Collection at the TIFF Film Reference Library Sasha Danielle Blais Master of Arts, Film & Photographic Preservation and Collections Management, Fall 2016 Ryerson University, Toronto, Ontario, Canada Abstract Despite the renewed interest in ephemera, there is limited research available on film ephemera. A survey of current literature shows there is a clear lack of work being done to study and preserve this material in public institutions. This thesis looked at the management and care of ephemera collections, specifically poster collections. -
Les Blouses Blanches (Analyse) Francine Desbiens
Document generated on 10/02/2021 4:10 a.m. Séquences La revue de cinéma Les Blouses blanches (analyse) Francine Desbiens Number 29, April 1962 URI: https://id.erudit.org/iderudit/52001ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Desbiens, F. (1962). Review of [Les Blouses blanches (analyse)]. Séquences, (29), 17–18. Tous droits réservés © La revue Séquences Inc., 1962 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ IIS BLOUSES BLANCHES (the young doctors) Jl. »ocume n tatito n (1953). À la grande époque du film noir hollywoodien, il signa quelques thrillers vigoureux dont la violence con finait parfois au sadisme, dont les meilleurs exemples sont : Secret Four (1952) et 99, River Street (1953). Parmi ses 1. Générique films policiers plus ambitieux, Scandal Sheet (1953) pré sentait une critique virulente de certains milieux journalis Film américain 1961 — Rial : Phil Karlson — Sein, i Jo- tiques. » sept Hayes, d'après le roman d'Arthur Hailey The Final Dia Notons parmi ses autres films : Five Against the gnosis — Phot. : Arthur J. Orniz — Mus. : Elmer Bernstein — House, tourné en 1955; Gunman's Walk, un western fait Int. -
UNDAUNTED COURAGE MEXICAN AMERICAN PATRIOTS of WW II Part 3 (G-L)
UNDAUNTED COURAGE MEXICAN AMERICAN PATRIOTS OF WW II Part 3 (G-L) Copyright, 2005, All rights reserved Latino Advocates for Education, Inc. PFC GUY GABALDON • BORN IN LOS ANGELES, CA IN 1926 • U.S. MARINE CORPS • 2nd MARINE DIVISION • BATTLE OF SAIPAN • NAVY CROSS, PURPLE HEART • SINGLE-HANDEDLY CAPTURED OVER 1,000 JAPANESE SOLDIERS • “HELL TO ETERNITY” MOVIE ON HIS EXPLOITS • CAREER: INTERNATIONAL BUSINESSMAN PFC GUY GABALDON PFC GUY GABALDON IN SAIPAN, 1944 PFC GUY GABALDON, RECUPERATING FROM HIS WOUNDS MOVIE BASED ON PFC GUY GABALDON’S LIFE S/SGT AMADO GALLARDO • BORN IN SANTA ANA, CA ON AUGUST 3, 1923 • U.S. ARMY AIRFORCE • 8TH ARMY AIRFORCE, AIRCRAFT ARMORERS (BOMBARDMENT) GUNNER, CREW 113-14 • AIR OFFENSIVE EUROPE, NO. FRANCE, NORMANDY, RHINELAND • DIST. FLYING CROSS, AIR MEDAL W/3 CLUSTERS, 4 BR. SILVER STARS FOR AIR OFFENSIVE EUROPE • CAREER: PLASTERER & SANTA ANA POLICE COMMISSIONER SSMC 3e MANUEL M. GALLARDO • BORN IN LOS ANGELES, CALIFORNIA ON MAY 16, 1926 • U.S. NAVY • 5/25/1944 – 7/6/1946 • BATTLE OF OKINAWA – 4/1/1945 • ASIATIC-PACIFIC CAMPAIGN MEDAL, WW II VICTORY MEDAL S/SGT ERNEST E. GALLEGO • BORN IN LOS ANGELES, CA ON NOVEMBER 14, 1925 • U.S.ARMY AIR FORCES • B-17 TURRET GUNNER - 31 MISSIONS • 97TH BOMB GROUP, 340TH BOMB SQDB 15TH AIR FORCE • PO VALLEY, NO. APPENINES, CENTRAL EUROPE, RHINELAND, AIR COMMAND BALKANS • PRESIDENTIAL UNIT CITATION W/1 CLUSTER, AIR MEDAL W/2 OAK LEAF • CAREER: ATTORNEY • 2 BROTHERS IN WW II: FRANK & OSCAR GALLEGO PVT JESUS GALLEGOS • FROM PASADENA, CA • U.S. ARMY • 398TH INFANTRY DIVISION • KILLED IN ACTION IN FRANCE ON 1/8/45 • PURPLE HEART, EUROPEAN- AFRICAN-MIDDLE EASTERN CAMPAIGN MEDAL, WW II VICTORY MEDAL SGT.