DOCSLIB.ORG

Airpost Journal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Airpost Journal 2& AIRPOST JOURNAL . ' ~R;Nll~ .S~~:IN~ ' . D'AVIATION . D' HEUOPOLIS . ~ - ..~, < ~: ·' .~ ~ · ,. ... - ' , · LE CAIR.£. •. · . ':_··- .-.·· "... '"- .- J ····•··•·············• ....... The rare special vignette issued for the pioneer Heliopolis, Egypt Air Meet held in February, 1910. Only three or four copies are known. trlaAcA f 940 EST. 1896 EST.-1896 A. P J-11 L L I PS AIR MAIL SPECIALIST NEWPORT MON ENGLAND TRANS-ATLANTICS 1939 To Complete Orders We Urgently Require Above and We Will Pay HighKt Prices or Allow Generous Exchange for Other Items From Our Stock. AIR MAI L M A GAZ I NE FULL OF INFORMATION .AND ILLUSTRATIONS Sc MONTHLY 60c YEARLY, POST FREE Mint Stamps Accepted SPECIMEN COPIES POST FREE ON REQUEST COL L EC TI ONS Ap. 1 Twenty Superb Foreign First Air Mails, Normal Price at . Least $8 ....... , ...........: .....: ....: ................ _......... .~ ... .............................$2 .00 Ap. 2 100 Superb First Ap. 8 48 Polish First Air Air Mails, normal price Mails, impossible to re- at least $60 ...................... $ 20 peat .......... :......................... $ 20 Ap. 3 Ditto, including Ap. 9 Ditto, but 84 firsts $160 rarities .............................. $400 Ap. 10 70 British Em- Ap. 4 1870-1939 Histor- pire Firsts, fascinating ical Album, 70 superb album .-...........•................... $ 20 First Air Mails ........•.......$ 20 Ap. · 5 Ditto, including Ap. 11 Ditto, including rarities ..............................$200 . rarities •................: ............ $200 Ap. 6 World-Wide Collec­ Ap. 12 52 British Inland tion, 70 superb First Air Firsts. An investment Mails ..................................-$ 20 Album ................................ $ 20 Ap. 7 Ditto, including Ap. 13 Ditto, but 76 rarities .....................: ........ $400 Firsts ..................................$40 0 Ap. 14 Various Means of Transport, Balloon, Dirigible, Catapult, Rocket, etc. 56 Firsts ................................................ $20.00 Ap. 2 to Ap. 14 are described and mounted in our Famous Rex Loose-Leaf Albums. ORDER BY INDEX NUMBER. WE GUARANTEE SATISFACTION OR REFUND OF P AYMENT. USA & CANADIAN COLLECTORS NOW BUY AT $4 TO THE £1 Instead of the Pre-War Rate of $5 to the £1 A SUBSTANTIAL REDUCTION DOLLAR BILLS ACCEPTED IHI 1E IL I 0 JP> <O> IL IS VIG~JETTJE • enlightenment on the early Air Meet Egypt's Age-Old Sphinx Greeted and the re-publication of the exis­ New-Born Aviation In tence of the Heliopolis vignette for February, 1910 the initial general information of contemporary aero-philatelists. The late Brigadier-General R. Ridgway, • president of the Aero Philatelic Club by WALTER J. CONRATH of London, England and honorary member of the American Air Mail • Society, presented the following ac­ DDACK IN AVIATION'S pioneer count of his findings on the event in DD days when bamboo struts and the February, 1937 AIRPOST JOUR­ pusher type mountings fitted out the NAL. contraptions known as "those crazy "A vignette first attracted my in­ flying machines," air meets were terest in the Egyptian pioneer pic­ few and usually attracted an inter­ tured in the October, 1936 AIRPOST national representation of enthusiasts JOURNAL. This occurred in 1925. who participated in the activities, then considered by most people as " The vignette was a colored one, little more than a new fangled sport. but at this date I cannot remember In February, 1910, a full year be­ the colors. It consisted of the design fore the first mail was officially of an eagle on a steering wheel with fiown by airplane at. Allahabad, a crescent and star behind the eagle India, other subjects of the British and wheel, the inscription "GRANDE Empire organized an Air Meet at SEMAINE D'AVIATION D'HELIO­ Heliopolis Aerodrome (Cairo), Egypt, POLIS" (at the top) and "LE CAIRE under the sponsorship of the Aero FEVRIER 1910" (at the bottom). Club of Egypt. Up until 1936, so far Later I obtained a "piece" with the as aero-philately is concerned, the postmark as shown in Mr. Kessler's pioneer event was practically unre­ article. I then wrote the editor of corded. Then,· F. W. Kessler, New L'Aero Philatelie, who published the York airpost specialist and dealer, following in the February, 1927 is­ writing in the AIRPOST JOURNAL sue of his publication: announced the discovery of an Egyp­ tian picture postal card (illustrated "The Heliopolis meeting was held herewith) showing the Sphinx and under the auspices of the Aero Club the Great Pyramid and having af­ of Egypt, and took place between · fixed a 2 milliemes green stamp tied the 6th and 13th of February, 1910. on with the special cancellation: Purses were offered for the follow­ "Heliopolis Aerodrome, 13, II, '10." ing events: What appears to be a Bleriot mono­ (1). Daily prize for distance. plane was shown in flight over the left of the stone Sphinx. There was (2). Daily prize for height. no indication that mail had been car­ (3). Daily prize for speed. ried, but here at least, seemed to be (4). Prize for best total distance. proof of a special cancellation direct­ (5). Boghes-Pacha-Nubor prize. ly connected with an aerial event. The JOURNAL sought further infor­ (6). Heliopolis prize. mation on this interesting old card, (7). Baron Empain prize. already classed as No. 1 Egyptian "The entrants were: Latham on an pioneer airpost item. Antionette; Rougier on a Voisin· Additional details were shortly Balsan on a Bleriot; Le Blan on ~ forthcoming, together with further Bleriot; Gobron on a Voisin; Duray OFFICIAL PUBLICATION OF TH.J: Tl-IE AIRPOST JOURNAL AMERICAN AIR MAIL SOCIETY March, 1940 Vol. XI, No. 6 Issue 119 20c Per Copy 112 THE AIRPOST JOURNAL • This picture postal card showing Egypt's famed Sphinx and G.rea:t Pyramid was used lo send greetings from :the Heliopolis Aerdrome during the Air Meet, February 13, 1910. Nole lhe plane, which ap- pears :to be a Bleriol. on a Farman; Hans Grade on a Grade; ed to Francis J. Field for the cor­ Hauvette Michelin on an Antionette; ner copy, showing marginal paper on Metrot on a Voisin; Riemsdyck on a two sides, which is now in the writ­ Curtiss; Mlle. de la Roche on a Voisin. er's collection. According to Mr. Field Another entrant, Montimer Singer, only three or four of these stamps on a Farman, was prevented from in good condition, are known t~ entering by an accident. exist. The bird, shown in black, and "The Aero Club lent its grounds described by Brigadier-General Ridg­ for the meeting, the winners being way as an eagle, might possibly be Rougier, Metrot, Le Blon and Balsan. a falcon, which it seems to better re­ semble. The crescent and star shown "Special vignettes were put on in the white background, is the na­ covers sent by those present and, in tional Egyptian symbol. addition, letters were marked with a special postmark. There is no rec­ The Heliopolis Aerodrome cancel­ ord of the number of letters sent.'' led postal card, which was a part of Thus, the existence of the Helio­ the well-known Dr. Cole airpost col­ polis vignette was pointed out to lection, was sold at auction by Mr. American collectors who have seen Kessler last December, bringing a the card and special cancellation. It price of approximately fifty dollars. seems evident, however, that Briga­ It is now in the collection of Mr. Haig dier-General Ridgway did not have Ouzounian of New York. one of the vignettes in his collection Although the stamp is not official, at the time he wrote his account for it represents an interesting cycle of the JOURNAL. research in aero-philately, and is un­ The special Heliopolis Air Meet doubtedly one of the first associa­ vignette (illustrated on the front tions of the issuance of a stamp in cover in full natural colors) was pre­ connection with aviation, which evi­ pared in red, yellow and black, per­ dently was used on mail at the time forated and gummed. We are indebt- of the pioneer Air Meet in Egypt. How Goes Aero-Philately In Europe? • In proof of the healthy state of aero-philately in Britain may be by FRANCIS J. FIELD cited the recent publications of Sutton Coldfield, England specialised handbooks on a pioneer Chile-Argentine air mail and on the whole gamut of· British Inland ser­ • vices since 1933; both are privately N COMMON with general philate­ printed works by well-known am­ I ly, air post collecting is experienc­ ateur specialists. There have been ing a mild boom that promises to be discoveries, too, in unrecorded air maintained in spite of unforeseen . mail events and mint air stamps. In war developments, and if the war the former category may be included . continues to be one of attrition only that of the world's first parcel post then airpost prices will rise even - inBritain, 1911 preceding by more steeply than in the past three nearly two years the aerial parcel months. I refer, of course, to market post well known in Britain although prices in Britain and Europe. the stamp is not catalogued by Sana­ bria. In . connection with this dis­ There is a keen demand for all covery, there was some publicity good class, legitimate issues and that is quite unprecedented in the though important stocks are held, annals of aero-philately: the 1911 they are already becoming depleted. souvenirs were advertised for (and But perhaps the demand for semi­ "The Aero Field'' magazine mention­ officials and worth-while flown cov­ ed) in the leading British daily news­ ers is even more pronounced, while papers each of which has a circula­ foreign first flight covers from lines tion ranging from one-and-a-half to inaugurated since August last year two-and-a-half millions. are so scarce that only the luckiest collectors will be able to display a British aero-philately suffered ir­ really representative range. This is reparable losses in the early months due to the fact that philatelic mail­ of the war through the death of Fred ings, if any, have been very small as J.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Copyright Law Revision
    COPYRIGHT LAW REVISION REPORT OF THE REGISTER OF COPYRIGHTS ON THE GENERAL REVISION OF THE U.S. COPYRIGHT LAW JULY 1961 Printed for the use of the House-- Committee on the Judiciary U.S. GOVERNMENT PRINTING OFFICE 676682 WASHINGTON : 1961 For sale by the Superlntendent of Documents, U.S. Qo7cmment Prlntlug O5ce Wn~bington25, D.O. - Prlco 45 cent8 LETTER OF TRANSMITTAL THE LIBRAR~AWOF CORORESB, Washington, l).C. July 7, 1961. Hon. SAMRAYE~N, Igpealcw of the House of Representatices, Washington. D.C. SIB: As authorized by Congress, the Copyright Office of the =brary of Con- gress has in the past few years made a number of studies preparatory to a general revision of the copyright law, title 17 of the United States Code. That program bas now been completed. Thirty-four studies and a subject index have been published in a series of 12 committee prints issued by the Subcommittee on Patents, Trademarks, and Copyrights of the Senate Committee on the Judiciary. The studies have been widely circulated and interested persons were inrited to submit their comments and views. On the basis of the studies and the comments and views received. the Copy- right Ofece has prepared a report on the important issues to be considered and tentative recommendations for their solution in a general revision of the law. I am pleased to submit the report of the Register of Copyrights on general re vision of the copyright law to you find to the Vice President for consideration by the Congress. Very truly yours, L. QUINCYMUMFOBD, Librarian of Congress.
    [Show full text]
  • Uncommon Work: Utopia, Labor, and Environment in Late Twentieth- Century American Fiction
    UNCOMMON WORK: UTOPIA, LABOR, AND ENVIRONMENT IN LATE TWENTIETH- CENTURY AMERICAN FICTION BY BRANDON JONES DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Melissa Littlefield, Chair Professor Stacy Alaimo Professor Stephanie Foote Professor Robert Markley ii ABSTRACT Since the fall of the Berlin Wall, critical theorists have lamented in elegiac fashion the disappearance of any political economic system, real or imaginary, that could feasibly offer an alternative to liberal capitalism. Utopia, understood as the aesthetic expression of the desire for alternative social realities, has been declared impossible for political imagining since the late twentieth century. This obsolescence of utopia has been felt particularly acutely among the environmental movement. After its optimistic emergence in the 1960s and 1970s as a corollary of the New Left, the environmental movement became increasingly characterized by a heightened sensibility of ecological precarity and everyday crisis, which emerged in response to the frequency of natural disasters and environmental injustices appearing both in headlines and citizens’ backyards. As a result, utopian narratives of sustainable and pastoral alternatives to capitalist growth registered as irresponsibly out of touch. Instead, apocalyptic stories of nature’s anthropogenic decline became the predominant form of environmental rhetoric circulating in fictional and political discourse. Unfortunately, apocalyptic environmental narratives largely registered as redundant among American publics, their mimetic approach to environmental crisis provoking nihilism and despair more than preventative action. A way out of this imaginative impasse lies, my project claims, in a select archive of late twentieth-century American fiction writers that sustained the relevance of utopia for environmental activism and political economy.
    [Show full text]
  • Section 110(5) and the Fairness in Music Licensing Act: Will the WTO Decide the UNITED STATES Must Pay to Play?
    Copyright (c) 2000 PTC Research Foundation of Franklin Pierce Law Center IDEA: The Journal of Law and Technology 2000 40 IDEA 1 Section 110(5) and The Fairness in Music Licensing Act: Will the WTO Decide the UNITED STATES Must Pay to Play? LAURA A. McCLUGGAGE * * Laura A. McCluggage received her B.A. from the University of Colorado, Boulder; M.B.A. from Pepperdine University; J.D. from Pepperdine University School of Law; and LL.M. in International and Comparative Law from Georgetown University Law Center. She is an active member of the State Bar of California. I. Introduction While dining in your favorite restaurant, have you ever thought about the music playing in the background? You likely chose the restaurant for the food and the service, but perhaps atmosphere was a factor in your selection. That ambiance includes the tablecloth, the china, the flowers, and yes, the music. But is the restaurant paying for the radio playing softly while you dine? Should it? On April 21, 1997, the European Commission ("EC") received a complaint from the Irish Music Rights Organization ("IMRO"). In its complaint, the IMRO asked for an inquiry regarding § 110(5) of the U.S. Copyright Act, n1 claiming that several provisions were inconsistent with U.S. obligations n2 under the Agreement Establishing the World Trade Organization ("WTO"). n3 The IMRO is a collecting society that administers, licenses and enforces the rights of its members, whose ranks include composers, arrangers, lyricists and publishers. n4 The IMRO complaint is supported by GESAC, n5 which has a membership of nearly 480,000 rightholders.
    [Show full text]
  • The World of Life
    THE WORLD OF LIFE The senses are the ministers of love, The senses are the oracles of truth, The senses the interpreters of law, The senses the discoverers of fact; They hold their court in beauty and in joy On earth and in the spheres where Angels dwell, And through the senses God reveals Himself And through the senses earth is taught from heaven. Born from the darkest age Of superstition is that ancient creed That matter is the enemy of good, Accursed and hateful to the Infinite; For every atom is a living thought, Dropped from the meditations of a God, Its every essence an immortal love Of the incarnate Deity; and all The inmost pulses of material things Are mediums for the pulses of His will. THE WORLD OF LIFE A MANIFESTATION OF CREATIVE POWER, DIRECTIVE MIND AND ULTIMATE PURPOSE BY ALFRED RUSSEL WALLACE O.M., D.C.L., F.R.S., ETC. AUTHOR OF "MY LIFE: A RECORD OF EVENTS AND OPINIONS," " MAN'S PLACE IN THE UNIVERSE," "THE MALAV ARCHIPELAGO," "DARWINISM," "GEOGRAPHICAL DISTRIBUTION OF ANIMALS," " NATURAL SELECTION AND TROPICAL NATURE," ETC. " Every plant, whether beech, lily, or seaweed, has its origin in a cell, which does not contain the ulterior product, but which is endowed with, or accompanied by a force, which provokes and directs the formation of all later developments. Here is the fact, or rather the mystery, as to the production of the several species with their special organs." ALPHONSE DE CANDOLLE. LONDON CHAP MAN AND HALL, LIMITED All nature is but art unknown to thee; All chance, direction which thou canst not see; All discord, harmony not understood ; All partial evil, universal good.
    [Show full text]
  • THE DOCTOR in LITERATURE Volume 3
    THE DOCTOR IN LITERATURE Volume 3. Career Choices Picture (Doctor and the Doll, Rockwell) SOLOMON POSEN i Contents Introduction 1 1. Why Medicine? 8 Family pressures 8 Money 13 Status and power 15 The mysterious element 18 Dreams of innocence 19 True altruism 23 Role models. Books 23 Late starters 25 The interview for admission 31 Unachieved medical ambitions 33 Summary 35 References – Chapter 1 36 2. What kind of medicine? 48 Fact and Fiction 48 City and country 49 Hospital versus office practice 49 Gender considerations 50 Consistency and capriciousness 51 Financial and Life-Style Considerations 52 General practice versus specialization 53 Unspoken considerations 54 Summary 55 References – Chapter 2 55 3. Surgery and the Surgeon 60 Historical 60 “Aristocrats of the profession” 61 Hero worship 61 Physical appearance, military bearing, stamina 63 Undesirable traits: Attitude to “casualties” 64 Bullying; sexual harassment 66 Insensitive behavior 68 Surgeons as miserable teachers 72 High tech cave men 73 Surgeons and other doctors 76 Academic surgeons 81 Rituals of the operating room 82 Sadistic surgeons 83 Atypical surgeons; dropouts 85 Aggression as an asset 93 ii Summary 94 References - Chapter 3 94 4. Psychiatry and the psychiatrist 107 The one track mind 107 A meaningless hocus pocus 108 The “mad” psychiatrist 110 The “alien” psychiatrist 110 “Psychiatrists aren’t proper doctors” 111 “Psychiatrists have no morals” 115 Summary 117 References - Chapter 4 117 5. Specialists; general practitioners; fringe practitioners 123 Internists 123 Internal medicine – subspecialties 132 Neurology and neurologists 132 Oncology 134 Dermatology 136 Obstetrics/gynecology 138 Ophthalmology 141 Otolaryngology 143 Orthopedics 143 Pediatrics 145 General practice 148 “Ancillary” doctors 153 Pathology and pathologists 153 Anesthetics and anesthetists 157 Radiology 161 Marginalized doctors 162 Summary 164 References – Chapter 5 165 6.
    [Show full text]
  • The Idea of a Realistic Utopia
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 The Idea Of A Realistic Utopia Collin Anthony University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Philosophy Commons Recommended Citation Anthony, Collin, "The Idea Of A Realistic Utopia" (2017). Publicly Accessible Penn Dissertations. 2168. https://repository.upenn.edu/edissertations/2168 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2168 For more information, please contact [email protected]. The Idea Of A Realistic Utopia Abstract The purpose of this dissertation is to articulate the proper aims and limits of political philosophy by expanding upon John Rawls’s idea of a realistic utopia and applying it to various debates in contemporary political philosophy. First, I defend the importance of ideal theory in constructing a theory of justice and respond to various critics, such as Amartya Sen and others, who argue that ideal theory is neither necessary nor sufficient for our worko t advance justice in society. Second, I argue that empirical facts must be included in our reasoning about fundamental principles of justice, contrary to theorists such as G.A. Cohen who argues that political theorizing should proceed independently of such facts. Finally, I conclude with some reflecting thoughts on the importance of articulating a conception of justice that avoids hopelessly utopian ideals. In doing so, I defend the vision of a realistically utopian society as one that both answers our most fundamental interests and also provides us with the best chance of realizing justice in the world.
    [Show full text]
  • C:\Users\Gmagg\Google Drive\Courses\Secured Transactions and Commercial Paper\Admin\2017 Fall\Stcp Syllabus 2017 Fall.Wpd
    The George Washington Fall Semester 2017 University Law School Syllabus For SECURED TRANSACTIONS & COMMERCIAL PAPER (Course No. 6281-10; 4 credits) Professor Gregory E. Maggs Content of the Course : This course covers articles 3, 4, 5, and 9 of the Uniform Commercial Code, which address negotiable instruments, check collection, letters of credit, and secured transactions. Negotiable instruments are written promises or orders to pay money, such as promissory notes and checks, that meet certain formal requirements and that are subject to special rules that differ from the rules of ordinary contract law. Letters of credit are undertakings by banks to pay money upon the presentation of specified documents. Secured transactions are arrangements in which a creditor may have recourse to collateral or something else of value if a debtor does not repay a debt. The course focuses on the commercial law principles most commonly addressed on bar examinations. But these topics are not important because they are tested on bar examinations; rather, they are tested on bar examinations because they are important. They arise frequently in all manner of commercial transactions, and most lawyers need to know something about them. The course has no prerequisites and does not presume knowledge of any special business practices. This course combines what is taught separately in Secured Transactions (No. 6280) and Commercial Paper--Payment Systems (No. 6282). Accordingly, students cannot take both this course and either of those courses. Students may take this course and any other commercial law courses, including International Business Transactions (No. 6522) and Creditors' Rights and Debtors' Protection (No.
    [Show full text]
  • Party Warehouse Karaoke & Jukebox Song List
    Party Warehouse Karaoke & Jukebox Song List Please note that this is a sample song list from one Karaoke & Jukebox Machine which may vary from the one you hire You can view a sample song list for digital jukebox (which comes with the karaoke machine) below. Song# ARTIST TRACK NAME 1 10CC IM NOT IN LOVE Karaoke 2 10CC DREADLOCK HOLIDAY Karaoke 3 2 PAC CALIFORNIA LOVE Karaoke 4 4 NON BLONDES WHATS UP Karaoke 5 50 CENT IN DA CLUB Karaoke 6 A HA TAKE ON ME Karaoke 7 A HA THE SUN ALWAYS SHINES ON TV Karaoke 8 A1 CAUGHT IN THE MIDDLE Karaoke 9 AALIYAH I DONT WANNA Karaoke 10 ABBA DANCING QUEEN Karaoke 11 ABBA WATERLOO Karaoke 12 ABBA THANK YOU FOR THE MUSIC Karaoke 13 ABBA SUPER TROUPER Karaoke 14 ABBA SOS Karaoke 15 ABBA ROCK ME Karaoke 16 ABBA MONEY MONEY MONEY Karaoke 17 ABBA MAMMA MIA Karaoke 18 ABBA KNOWING ME KNOWING YOU Karaoke 19 ABBA FERNANDO Karaoke 20 ABBA CHIQUITITA Karaoke 21 ABBA I DO I DO I DO I DO I DO Karaoke 22 ABC POISON ARROW Karaoke 23 ABC THE LOOK OF LOVE Karaoke 24 ACDC STIFF UPPER LIP Karaoke 25 ACE OF BASE ALL THAT SHE WANTS Karaoke 26 ACE OF BASE DONT TURN AROUND Karaoke 27 ACE OF BASE THE SIGN Karaoke 28 ADAM ANT ANT MUSIC Karaoke 29 AEROSMITH CRAZY Karaoke 30 AEROSMITH I DONT WANT TO MISS A THING Karaoke 31 AEROSMITH LOVE IN AN ELEVATOR Karaoke 32 AFROMAN BECAUSE I GOT HIGH Karaoke 33 AIR SUPPLY ALL OUT OF LOVE Karaoke 34 ALANIS MORISSETTE YOU OUGHTA KNOW Karaoke 35 ALANIS MORISSETTE THANK U Karaoke 36 ALANIS MORISSETTE ALL I REALLY WANT Karaoke 37 ALANIS MORISSETTE IRONIC Karaoke 38 ALANNAH MYLES BLACK VELVET Karaoke
    [Show full text]
  • Management of Dead Bodies in Disaster Situations
    Management of Dead Bodies in Disaster Situations Disaster Manuals and Guidelines Series, Nº 5 World Health Organization Area on Emergency Preparedness Department for and Disaster Relief Health Action in Crisis Washington, D.C., 2004 Also published in Spanish (2004 with the title: Manejo de cadáveres en situaciones de desastre (ISBN 92 75 32529 4) PAHO Cataloguing in Publication Pan American Health Organization Management of Dead Bodies in Disaster Situations Washington, D.C: PAHO, © 2004. 190p, -- (Disaster Manuals and Guidelines on Disasters Series, Nº 5) ISBN 92 75 12529 5 I. Title II. Series 1. DEAD BODY 2. NATURAL DISASTER 3. DISASTER EMERGENCIES 4. DISASTER EPIDEMIOLOGY LC HC553 © Pan American Health Organization, 2004 A publication of the Area on Emergency Preparedness and Disaster Relief of the Pan American Health Organization (PAHO) in collaboration with the Department Health Action in Crises of the World Health Organization (WHO). The views expressed, the recommendations made, and the terms employed in this publication do not necessarily reflect the current criteria or policies of PAHO/WHO or of its Member States. The Pan American Health Organization welcomes requests for permission to reproduce or translate, in part or in full, this publication. Applications and inquiries should be addressed to the Area on Emergency Preparedness and Disaster Relief, Pan American Health Organization, 525 Twenty-third Street, N.W., Washington, D.C. 20037, USA; fax: (202) 775-4578; e-mail: [email protected]. This publication has been made possible through the financial support of the Division of Humanitarian Assistance, Peace and Security of the Canadian International Development Agency (IHA/CIDA), the Office for Foreign Disaster Assistance of the United States Agency for International Development (OFDA/USAID), the United Kingdom’s Department for International Development (DFID), the Swedish International Development Cooperation Agency (SIDA), and The European Commission’s Humanitarian Aid department (ECHO).
    [Show full text]
  • Party Warehouse Jukebox Song List
    Party Warehouse Jukebox Song List Please note that this is a sample song list from one Party Warehouse Digital Jukebox. Each jukebox will vary slightly so we cannot gaurantee a particular song will be on your jukebox Song# ARTIST SONG TITLE 1 2 PAC CALIFORNIA LOVE 2 28 DAYS RIP IT UP 3 28 DAYS AND APOLLO FOUR FORTY SAY WHAT 4 3 DOORS DOWN BE LIKE THAT 5 3 DOORS DOWN HERE WITHOUT YOU 6 3 DOORS DOWN ITS NOT MY TIME 7 3 DOORS DOWN KRYPTONITE 8 3 DOORS DOWN LET ME GO 9 3 DOORS DOWN LOSER 10 3 JAYS FEELING IT TOO 11 3 JAYS IN MY EYES 12 3 THE HARDWAY ITS ON 13 30 SECONDS TO MARS CLOSER TO THE EDGE 14 3LW NO MORE 15 3O!H3 FT KATY PERRY STARSTRUKK 16 3OH!3 DONT TRUST ME 17 3OH!3 DOUBLE VISION 18 3OH!3 STARSTRUKK ALBUM VERSION 19 3OH!3 AND KESHA MY FIRST KISS 20 4 NON BLONDES CALLING ALL THE PEOPLE 21 4 NON BLONDES DEAR MR PRESIDENT 22 4 NON BLONDES DRIFTING 23 4 NON BLONDES MORPHINE AND CHOCOLATE 24 4 NON BLONDES NO PLACE LIKE HOME 25 4 NON BLONDES OLD MR HEFFER 26 4 NON BLONDES PLEASANTLY BLUE 27 4 NON BLONDES SPACEMAN 28 4 NON BLONDES SUPERFLY 29 4 NON BLONDES TRAIN 30 4 NON BLONDES WHATS UP 31 48 MAY BIGSHOCK 32 48 MAY HOME BY 2 33 48 MAY INTO THE SUN 34 48 MAY LEATHER AND TATTOOS 35 48 MAY NERVOUS WRECK 36 50 CENT 21 QUESTIONS 37 50 CENT CANDY SHOP 38 50 CENT IN DA CLUB 39 50 CENT JUST A LIL BIT 40 50 CENT PIMP 41 50 CENT STRAIGHT TO THE BANK 42 50 CENT WINDOW SHOPPER 43 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 44 6400 CREW HUSTLERS REVENGE Party Warehouse Jukebox Songlist Song# ARTIST SONG TITLE 45 98 DEGREES GIVE ME JUST ONE NIGHT
    [Show full text]
  • Copyrightx: Lecture Transcripts Ii
    LECTURE TRANSCRIPTS Based on the Lectures of Prof. William W. Fisher III, Harvard Law School Compiled by Marc Pelteret, student of CopyrightX: UCT 2017 Version 1.2 (7 February 2018) PREFACE There are many ways to learn, and which way is best is up to the individual to decide. Personally, I find it quicker and easier to read rather than listen to lectures. Because of this, I decided to extract the transcriptions of Prof. Fisher’s excellent lectures from the YouTube videos. Only later I did I discover that the FLAX project (http://flax.nzdl.org) had already done this. What the project lacks, however, is the visual references, and so I decided to continue with my effort to create a comprehensive set of transcripts, complete with as much referenced material as possible. This text includes most images, diagrams, graphs and textual material referenced in the video lectures. Some material was left out because while it is interesting to see, it is not critical to understanding the subject and would only have extended the length of the text. Many of the diagrams and graphs were re-drawn, initially just to make a few of them clearer, but later to ensure they have a consistent look. In a few cases I added extra detail. Most of the text is a direct transcription of Prof. Fisher’s videos. Some editing was necessary to refer to figures and tables, rather than the screen. Additional editing was done to correct mistakes in the transcriptions, remove repetition (particularly in the introduction of each lecture), and to improve the readability of the text.
    [Show full text]