John Tchicai Discography
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Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long
MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler. -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Lagaay Alice in Conversation with Geerken Hartmut
Lagaay Alice in conversa0on with Geerken Hartmut On the ethos – and ethnography – of 'creave indifference': discovering the philosophy of Salomo Friedlaender keynote lecture Bio: Hartmut Geerken is a free-jazz musician, composer, writer, publisher, author of radio plays, filmmaker and joyful prac==oner of crea=ve indifference. He lived and worked in Athens, Cairo and Kabul before seDling with his family on the shores of Ammersee in Southern Germany. Hartmut and his wife Sigi came across the wri=ngs of Salomo Friedlaender by chance in 1966, when they travelled to France to inves=gate the correspondence and other wriDen work by Victor Hadwiger, a German- speaking poet from Prague. This chance discovery led to a series of further encounters and a curious passion out of which a life=me’s project was born, leading to the compila=on and later publica=on – in their own ‘Waitawhile’ publishing house – of the collected wri=ngs of Salomo Friedlaender. Alice Lagaay is currently a research fellow in philosophy at the IKKM in Weimar (Bauhaus University). She is a founding member of the Performance Philosophy network, and co-editor (with Laura Cull O’Maoilearca and Will Daddario) of the Performance Philosophy book series published with Palgrave Macmillan. Her work in recent years has focused on no=ons of ‘nega=ve’ performance: silence, failure, leng-be, the neutral, (crea=ve) indifference, and the impossible. In 2013, while researching for an ar=cle she was wri=ng on the potency of the concept of the ‘neutral’ (that which is neither ‘this’ nor ‘that’), Alice stumbled upon a footnote in a book by William Watkin. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
The Piano Equation
Edward T. Cone Concert Series ARTIST-IN-RESIDENCE 2020–2021 Matthew Shipp The Piano Equation Saturday, November 21 2020 8:00 p.m. ET Virtual Concert, Live from Wolfensohn Hall V wo i T r n tu so osity S ea Institute for Advanced Study 2020–2021 Edward T. Cone Concert Series Saturday, November 21, 2020 8:00 p.m. ET MATTHEW SHIPP PROGRAM THE PIANO EQUATION Matthew Shipp Funding for this concert is provided by the Edward T. Cone Endowment and a grant from the PNC Foundation. ABOUT THE MUSIC David Lang writes: Over the summer I asked Matthew Shipp if he would like to play for us the music from his recent recording The Piano Equation. This album came out towards the beginning of the pandemic and I found myself listening to it over and over—its unhurried wandering and unpredictable changes of pace and energy made it a welcome, thoughtful accompaniment to the lockdown. My official COVID soundtrack. Matthew agreed, but he warned me that what he would play might not sound too much like what I had heard on the recording. This music is improvised, which means that it is different every time. And of course, that is one of the reasons why I am interested in sharing it on our season. We have been grouping concerts under the broad heading of ‘virtuosity’–how music can be designed so that we watch and hear a musical problem being overcome, right before our eyes and ears. Improvisation is a virtuosity all its own, a virtuosity of imagination, of flexibility, of spontaneity. -
John Tchicai Discography
JOHN TCHICAI DISCOGRAPHY Introduction This discography is the result of a special project following the preparation of the ”Danish Jazz Discography 1945-2000”. In the first phase John Tchicai did supply a lot of information on his recordings. However – because of the complications after he suffered a stroke in June 2012 – he did not see the final result. Edited by Erik Raben Please mail all corrections and comments to [email protected]. Content The Discography covers John Tchicai’s recordings 1962 – 2012. Available video recordings are also included. The Detailed Listing of Issues has information on the issues (LP/CD names etc.) – followed by the year of recording. An overview of some of the most relevant issues is found in the Selective Listing of Issues. LP/CD titles as well as the titles played are generally written with initial capital letters – except for titles in Scandinavian languages. It has to be remembered that this discography – like most other discographies – is not faultless! The above mentioned listings are separate .pdf documents and the Adobe search functions can therefore be used to locate specific musi- cians, issues etc. Instrumental abbreviations acc accordion hsc harpsichord alth alto horn keyb keyboards arr arranger ldr leader as alto saxophone mand mandolin b bass mar marimba barh baritone horn mcs maracas bars baritone saxophone mel mellophone band-vcl vocal by members of the band org organ bassax bass saxophone p piano bcl bass clarinet perc percussion bg bongo drum(s) picc piccolo flute bj banjo sax (unspecified) -
Curriculum Vitae
Curriculum Vitae ROMUALD KARMAKAR DIRECTOR – PRODUCER Pantera Film GmbH Uhlandstrasse 160 10719 Berlin, Germany Ph +493068810141 [email protected] www.romuald-karmakar.de BACKGROUND Born 1965 in Wiesbaden, Germany. French citizen. Lives and works in Berlin. EDUCATION Higher education entrance qualification (Abitur), Oskar-von-Miller-Gymnasium, Munich (Germany), 1984 HONORS AND AWARDS – Best Music Documentary, DENK ICH AN DEUTSCHLAND IN DER NACHT, Dock of the Bay 2018, Festival de Cine Documental Musical de Donostia/San Sebastián – Preis der deutschen Filmkritik 2017, "Beste Musik“, DENK ICH AN DEUTSCHLAND IN DER NACHT – Invitation to “documenta 14”, Athens / Kassel, 2017 – Member of the International Jury of the 7th DMZ Int. Documentary Film Festival, Korea, 2015 – Member of the artistic board to join Chris Dercon (Tate Modern), the director to-be of Volksbühne, Berlin, 2015 – DEFA-Foundation Award for „Outstanding Achievement in German Film“, 2014 – Tutor of a student’s closing project (“Temperatur des Willens”, Peter Baranowski, 2017) at the University of Film and Television, Munich, SS 2014 – Seminar on „Filming Controversial Persons“ (Umstrittene Personen filmen) at the University of Film and Television, Munich, WS 2013/14 – Invitation to the German Pavilion at the Art Biennale in Venice, 2013, together with Ai Weiwei, Santu Mofokeng and Dayanita Singh – Fellow at the Radcliffe Institute for Advanced Study, Harvard University, 2012-2013 – Member of the Jury for the art competition of „NS-Dokumentationszentrum München“, 2012 – Jury President of „Dialogue en perspective“ in the Perspektive Deutsches Kino section of the Berlin Int. Film Festival, 2011 – Retrospective at the Jeonju Int. Film Festival, Korea, 2010 – Retrospective at the Austrian Film Museum, Vienna, 2010 CV. -
Recording Sessions Concert Series Focusing on Recording Projects of Free Improvisation, Free Jazz, Electro- Acoustic Improvisation and Contemporary Compositions
PROGRAMME #5 Recording Sessions Concert series focusing on recording projects of free improvisation, free jazz, electro- acoustic improvisation and contemporary compositions. Tom Chant – saxophones John Edwards – Double Bass Eddie Prevost – Drums + Interview with Philip Clark IKLECTIK Art Lab, Old Paradise, 20 Carlisle Lane, London, SE1 7LG Saturday 10th March 2018, doors open 7:30pm - starts 8:00pm. Entry: £12. Website: http://www.giovannilarovere.co.uk/recording-sessions/ This concert series is made possible through the goodwill of the musicians involved and the support of IKLECTIK Art Lab. Curated by Giovanni La Rovere Recording Sessions #5 – Chant / Edwards / Prevost Recording Sessions Recording Sessions is a concert series focusing on live recordings of free improvisation, free jazz, electro- acoustic improvisation and experimental composition projects. This series of events works with musicians and artists to develop an idea (or project), undertake research, capture a specific meeting of particular musicians and ultimately to explore the creative resource that is listening and the differences between the two predominant modes of making music: composition & improvisation. Experimental music and recording technology has undeniably influenced 20th and 21st century music making and developing a culture of listening to experimental music. Recording sessions intends to explore the interconnections among the aesthetics of Experimental Music and the aesthetics of sound recording with a focus on the act of Listening to research & explore our responses to music as it is experienced at live events (or when listening to recordings). Tom Chant, John Edwards, Eddie Prévost Trio Eddie created the trio in the spring of 1997 for a recording session that was to be used for their first disc “Touch.” This was followed in the year 2000 with “The Virtue In If” and 2003 with “The Blackbirds Whistle.” Their fourth disc, titled “All Change” was recorded beneath Waterloo Station in London in the summer of 2012. -
June 2010 Issue
NEW YORK June 2010 | No. 98 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com HERBIE HANCOCKSEVEN DECADES OF IMAGINATION Mark Feldman • David S. Ware • Kadima Collective • Event Calendar NEW YORK Despite the burgeoning reputations of other cities, New York still remains the jazz capital of the world, if only for sheer volume. A night in NYC is a month, if not more, anywhere else - an astonishing amount of music packed in its 305 square miles (Manhattan only 34 of those!). This is normal for the city but this month, there’s even more, seams bursting with amazing concerts. New York@Night Summer is traditionally festival season but never in recent memory have 4 there been so many happening all at once. We welcome back impresario George Interview: Mark Feldman Wein (Megaphone) and his annual celebration after a year’s absence, now (and by Sean Fitzell hopefully for a long time to come) sponsored by CareFusion and featuring the 6 70th Birthday Celebration of Herbie Hancock (On The Cover). Then there’s the Artist Feature: David S. Ware always-compelling Vision Festival, its 15th edition expanded this year to 11 days 7 by Martin Longley at 7 venues, including the groups of saxophonist David S. Ware (Artist Profile), drummer Muhammad Ali (Encore) and roster members of Kadima Collective On The Cover: Herbie Hancock (Label Spotlight). And based on the success of the WinterJazz Fest, a warmer 9 by Andrey Henkin edition, eerily titled the Undead Jazz Festival, invades the West Village for two days with dozens of bands June. -
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Quellen- und Literaturverzeichnis A. Quellen 1. Archivbestände Stiftung Archiv der Akademie der Künste (ehemals Nationale Forschungs- und Gedenkstätten der DDR für deutsche Kunst und Literatur des 20. Jahrhunderts), Berlin Walter Benjamin-Archiv Rudolf Leonhard-Archiv Heinrich Mann-Archiv Archives Nationales, Paris Bestand F 7 15 123-15 128: Archives provenant du journal Die Zukunft Bestand F 7 15 129-15 130: Imprimés et tracts (1932-1933) Bestand F 7 15 131-15 133: Fonds du KPD (1936-1939) Archives de la Préfecture de Police, Paris Réfugiés allemands (1933-1940), provisorische Signaturen: BA 55, BA 268-269, BA 1811-1815 Archives du Quai d'Orsay, Paris Série Europe 1918-1940, Sous-Série Allemagne vol. 739-741, vol. 790-791 Fonds Pierre Comert Archives de la Seine, Paris Registre du Commerce Deutsches Exilarchiv 1933-1945 in der Deutschen Bibliothek, Frankfurt/Main Bestand American Guild for German Cultural Freedom (EB 70/117) Bestand Exil-PEN (EB 75/175) Sammlung Paul Dreyfus (EB autogr. 395) Teilnachlass Walter A. Berendsohn (EB 54b/7) Briefwechsel Georg Bernhard/Fritz Naphtali (EB autogr. 399) Deutsches Literaturarchiv im Schiller-Nationalmuseum, Marbach/Neckar Nachlass Salomo Friedlaender Nachlass Manfred George Nachlass Ferdinand Hardekopf Hermann Hesse-Archiv Nachlass Siegfried Kracauer Teilnachlass Anselm Ruest Nachlass Emil Szittya Nachlass Paul Zech 402 Internationaal Instituât voor Sociale Geschiedenis, Amsterdam Verlagsarchiv Allert de Lange Nachlass Erich Kuttner Carl von Ossietzky-Archiv Privatarchiv H. Geerken, Herrsching -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. -
Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 42 Number 3 July Aug Sept 2016 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU TWO GREAT BRAZILIAN JAZZ RELEASES BY AAM MUSIC CAROL SABOYA “CAROLINA” On her second solo release for the U.S. market, Carol Saboya presents “Carolina”. a suite of exquisite compositions by master composers such as Antonio Carlos Jobim, Pixinguinha, Joao Bosco, Edu Lobo, Djavan, Lennon and McCartney, and Sting. Her new CD is sure to become a classic. ANTONIO ADOLFO “TROPICAL INFINITO" On the heels of two consecutive Latin Grammy nominations in 2014 and 2015 for Best Instrumental Album, Antonio Adolfo pres- ents his latest work, “Tropical Infinito.” Continuing to mine the authentic samba jazz vein that is his specialty, Antonio offers his unique take on pieces by Benny Golson, Oliver Nelson and Horace Silver, and works in four of his own compositions. On this release, Antonio and his octet work to recreate the energy and intensity of "gafieiras" -- dance parties that were a prominent feature of Rio de Janeiro nightlife in the 1960s. CDs available at ITunes, Amazon, CDBaby and more… AAM music www.aammusic.com NICK FRASER QUARTET STARER Nick Fraser: drums, compositions Tony Malaby: saxophones Andrew Downing: cello Rob Clutton: bass "Nick Fraser's drumming is like a tide rushing in, its momentum surging and receding with engulfing force and polyrhythmic spray, cradling and upending its accompanying voices as it pours out into sonic space.