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Document generated on 09/27/2021 7:30 p.m. Circuit Musiques contemporaines Catalogue des oeuvres commandées par la smcq Solenn Hellégouarch Souvenirs du futur : pour les 50 ans de la smcq Volume 27, Number 2, 2017 URI: https://id.erudit.org/iderudit/1040877ar DOI: https://doi.org/10.7202/1040877ar See table of contents Publisher(s) Circuit, musiques contemporaines ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Hellégouarch, S. (2017). Catalogue des oeuvres commandées par la smcq. Circuit, 27(2), 53–66. https://doi.org/10.7202/1040877ar Tous droits réservés © Circuit, musiques contemporaines, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Catalogue des œuvres commandées par la smcq Solenn Hellégouarch Ce catalogue présente les œuvres commandées (ou co-commandées) par la Société de musique contemporaine du Québec (smcq) entre 1968 et 2017. Les œuvres sont classées par année de création, puis par date de création1. La 1. Dès lors, seules les œuvres créées présence d’un astérisque indique que la commande a reçu l’aide du Conseil ont été retenues dans le présent catalogue. des arts du Canada (cac). 1968 § *Gilles Tremblay, Souffles (Champs II) (1968), 2 flûtes (et piccolo), hautbois, clari- nette, cor, 2 trompettes en si bémol (et trompettes en do), 2 trombones, piano, 2 per- cussions et contrebasse. -
Virtual Brochure #Sendaiamericas #Resilienceforall #Beadrrchangeagent Table of Contents
Fifth Regional Platform for Disaster Risk Reduction in the Americas March 7 - 9, 2017 | Montreal, Canada | #SendaiAmericas Virtual Brochure #SendaiAmericas #ResilienceForAll #BeaDRRChangeAgent Table of Contents Welcome Messages by Dignitaries 2 Minister Ralph Goodale, Public Safety Canada 3 Mr. Robert Glasser, Special Representative of the Secretary-General (SRSG) for Disaster Risk Reduction 4 Minister Martin Coiteux, Public Safety Quebec and Responsible for Montreal Area 5 Mayor Denis Coderre, City of Montreal 6 Regional Platform Concept Note 9 Agenda/Program Sessions Concept Notes 13 Plenary 1 – Understanding the Risks in the Americas 15 Parallel 1 – Implementation and Measurement of the Sendai Framework and Linkage to Sustainable Development Goals 18 Parallel 2 – Innovations in Financial Resilience and Risk Financing 22 Parallel 3 – Building Resiliency: Indigenous Peoples and Disaster Risk Reduction 25 Plenary 2 – Disaster Risk Reduction, Climate Change and Sustainable Development 28 Parallel 4 – Empowerment of Women and Girls and Gender Equality in Disaster Risk Reduction 31 Parallel 5 – Intersections of Health Security and Disaster Risk Reduction 34 Parallel 6 – Sendai Framework Inclusion of Volunteers in Social Mobilization for Disaster Risk Reduction 37 Parallel 7 – Building Resilience in Cities 40 Parallel 8 – Engaging with the Private Sector to Understand and Reduce Risks 46 Parallel 9 – High Risk Populations as Agents of Change for Disaster Risk Reduction 48 Plenary 3 – Innovation for Disaster Risk Reduction Workshop – Sciences -
ATELIER DE JOHN REA, WALTER BOUDREAU ET VINCENT DODIER Salle AB
ATELIER DE JOHN REA, WALTER BOUDREAU ET VINCENT DODIER Salle AB: vendredi de 15h30 à 17h00 Diriger une œuvre contemporaine au secondaire : Danser avec la gravité de John Rea Un atelier incontournable qui offre aux participants un moment de partage d’expertise pratique quant à la direction d’une œuvre contemporaine au secondaire. Rassemblés pour l’occasion : le compositeur John Rea, l’Orchestre à vents Saint-Luc formé de 90 jeunes du secondaire et leur chef, Vincent Dodier, ainsi que le directeur artistique spécialisé en musique contemporaine, Walter Boudreau. Après une présentation de son œuvre Danser avec la gravité (2015) par le compositeur John Rea, les enseignants présents entendront l’œuvre interprétée par les jeunes de Saint-Luc. Suivra ensuite une période d’échange avec Vincent Dodier sur l’apprentissage et l’interprétation de l’œuvre en contexte scolaire et avec le chef Walter Boudreau qui partagera sa vision de la direction d’une œuvre contemporaine. L’atelier se terminera avec une interprétation participative pour les enseignants présents qui pourront jouer des extraits de l’œuvre avec les élèves. Danser avec la gravité est une commande du Centre de musique canadienne dans le cadre de la Série hommage au compositeur John Rea, produite par la Société de musique contemporaine du Québec. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ayant remporté de nombreuses récompenses prestigieuses durant sa carrière et très sollicité par divers organismes, le compositeur John Rea voit ses œuvres jouées au Canada, aux États-Unis et en Europe. Il illustre des genres très variés: musique de chambre instrumentale, théâtre musical, musique électroacoustique, musique de scène, œuvres pour grand ensemble et œuvres vocales. -
Sony Centre for the Performing Arts
SONY CENTRE FOR THE PERFORMING ARTS Executive Summary to Staff Reports Outlining Strategic Plan & Budget for 2014-15 BACKGROUND: At its meeting of September 26, 2011, City Council considered the Core Service Review completed by KPMG and authorized the City Manager to issue a Request for Expression of Interest (“REOI”) to determine the options for sale, lease, operation or other arrangement in respect of the three major civic theatres, including the Sony Centre. (http://app.toronto.ca/tmmis/viewAgendaItemHistory.do?item=2011.EX10.1.) The report can be found on pages 101-108: http://www.toronto.ca/legdocs/mmis/2011/ex/bgrd/backgroundfile-39626.pdf On September 29, 2011, the Mayor established a Task Force – Arts & Theatres. The Task Force examined the role that the civic theatres play in the city’s culture, economy and community. The Task Force recommended essential criteria for each of the three theatres for the REOI, along with other recommendations for consideration. An REOI was issued by the City in May 2012 to consider options for the future of the civic theatres, including the Sony Centre. The options were to include the sale, lease, operations or any other arrangements for any or all of the three theatres to meet the City’s cultural, social and economic goals. At its meeting held on November 27, 28 and 29, 2012 City Council adopted Item EX25.5 concerning the results of the REOI. At that time, City Council recognized the St. Lawrence Centre for the Arts and the Toronto Centre for the Arts as community cultural assets and directed the Boards of these two theatres, in consultation with the General Manager, Economic Development and Culture, to develop long term strategic and five- year business plans that ensure creative, cost effective and sustainable operations, minimize the City's tax funding, include performance measures for its service to the community, and provide for operating and capital reserves. -
Border Imperialism and Exclusion in Canadian Parliamentary Talk About International Students Dale M
Document generated on 09/30/2021 3:06 a.m. Canadian Journal of Higher Education Revue canadienne d'enseignement supérieur Border Imperialism and Exclusion in Canadian Parliamentary Talk about International Students Dale M. McCartney Special Issue: Emerging Issues in the Internationalization of Cdn. Article abstract Higher Ed. Although there is a rich critical literature examining international student Volume 50, Number 4, 2020 policy in Canada, very little of it considers the views of Members of Parliament. MPs have limited direct influence over international student policy, but their URI: https://id.erudit.org/iderudit/1075830ar policy talk about international students defines the context within which such DOI: https://doi.org/10.47678/cjhe.v50i4.188831 policy is developed. For that reason Parliamentary debate deserves study. This paper examines MPs’ discussion of international students between 1984 and 2019, tracing themes in MP policy talk over the globalization era. It finds that See table of contents MPs evince remarkably consistent attitudes towards international students. Throughout the period MP policy talk shows that Parliamentarians saw international students as outsiders who were only ofvalue to the extent that Publisher(s) they could be made to serve Canada’s economic or political agenda. The uniformity of this attitude and the lack of dissenting voices suggest that MPs’ Canadian Society for the Study of Higher Education views may be a significant barrier to reforming international student policy in Canada. ISSN 2293-6602 (digital) Explore this journal Cite this article McCartney, D. (2020). Border Imperialism and Exclusion in Canadian Parliamentary Talk about International Students. Canadian Journal of Higher Education / Revue canadienne d'enseignement supérieur, 50(4), 37–51. -
The Victims of Substantive Representation: How "Women's Interests" Influence the Career Paths of Mps in Canada (1997-2011)
The Victims of Substantive Representation: How "Women's Interests" Influence the Career Paths of MPs in Canada (1997-2011) by Susan Piercey A thesis submitted to the School of Graduate Studies in partial fulfilment of the requirements for the degree of Masters of Arts Department of Political Science Memorial University September, 2011 St. John's Newfoundland Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre r&tirence ISBN: 978-0-494-81979-1 Our file Notre reference ISBN: 978-0-494-81979-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Core 1..96 Hansard
CANADA House of Commons Debates VOLUME 140 Ï NUMBER 012 Ï 1st SESSION Ï 38th PARLIAMENT OFFICIAL REPORT (HANSARD) Wednesday, October 20, 2004 Speaker: The Honourable Peter Milliken CONTENTS (Table of Contents appears at back of this issue.) All parliamentary publications are available on the ``Parliamentary Internet Parlementaire´´ at the following address: http://www.parl.gc.ca 597 HOUSE OF COMMONS Wednesday, October 20, 2004 The House met at 2 p.m. EDMONTON Mr. Peter Goldring (Edmonton East, CPC): Mr. Speaker, Prayers democracy was exemplified in the arena of election culminating on Monday, October 18 in Edmonton. Ballots were tallied, soon making clear the citizens' choice was for change. Ï (1400) The new mayor of Edmonton is Stephen Mandel, considered to be [English] fiscally responsive, with a keen social conscience for the less The Speaker: As is our practice on Wednesday we will now sing fortunate and homeless. Former Mayor Bill Smith who has served O Canada, and we will be led by the hon. member for Timmins— Edmonton honourably for three terms failed to elicit sufficient James Bay. electoral support to continue. [Members sang the national anthem] New to council are Linda Sloan in Ward 1, Kim Krushell in Ward 2 and Mike Nickel in Ward 5. They join with nine returning Ï (1400) councillors to effect the will of Edmontonians. Democracy is at work in Edmonton. I extend congratulations to Mayor Mandel and to all new and returning city councillors. Edmontonians are looking forward to enhanced dialogue and improved cooperation among their federal, provincial and municipal STATEMENTS BY MEMBERS governments. -
Action Plan September 2001 to December 2002
FIRST DRAFT - FOR REVIEW ACTION PLAN SEPTEMBER 2001 TO DECEMBER 2002 PRESENTED TO THE COALITION TO RENEW CANADA'S INFRASTRUCTURE (CRCI) Montréal, February 7, 2004 CURRENT GGA CONTRACT The stated current objective by the Coalition to Renew Canada's Infrastructure (CRCI) (TRIP/CANADA) to GGA Communications Inc. (GGA) is to secure federal investment into Canada's National Highway System by way of a National Highway Program. The current contract pays GGA a $7,500/month retainer fee, and runs from June to September 2001. All related expenses are included in this monthly retainer. The contract can be terminated by either party providing a one month notice of termination. For this retainer fee, the CRCI receives the following services: ! General government relations assistance. ! Access to Québec-based cabinet ministers, members of Parliament (MPs) and Senator not contacted or easily accessed before. ! Coordination and execution of a MPs meeting blitz. This blitz will target Québec based MPs at first, followed by MPs in Ontario. GGA will coordinate the attendance of local contractors, issue a news release and coordinate any other necessary details with CRCI and member associations. The CRCI has experienced success with cabinet ministers and MPs outside Québec. However, when appropriate, GGA will assist in making contact with MPs and ministers outside of Québec. ! Access to key political staff and people of influence in both circle of friends of the Prime Minister as well as the Federal Minister of Finance. ! Media relations assistance. GGA has provided the resources of Mr. Jean-René Gagnon, Senior Vice-President & Partner, Mr. Pablo Rodriguez, Vice-President & Partner and Ms. -
Post-War & Contemporary
post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. -
Haviah Mighty Has Won the 2019 Polaris Music Prize for the Album 13Th Floor
HAVIAH MIGHTY HAS WON THE 2019 POLARIS MUSIC PRIZE FOR THE ALBUM 13TH FLOOR TORONTO, ON – Monday, September 16, 2019 Haviah Mighty has won the 2019 Polaris Music Prize for the album 13th Floor. “For me, the 13th floor is something that we remove from our reality because it is something that we don’t understand and therefore we dismiss it,” said Haviah Mighty. “This is very parallel to so many of the experiences that I speak on, on this album. I’m in a room with so many different people from so many different walks of life who have acknowledged that this is something they feel is important. These people don’t necessarily share the narratives that I ,do or the walks of life that I have, and yet, here we are, finally on what I believe is the 13th floor. This is the moment of resurgence where the dismissal that has existed is now being removed, and the discussion is being had. I’m so grateful that the people around me push me to be brave enough to speak my truth and to have it be acknowledged in this way.” The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history or label affiliation. It was determined by a Grand Jury of 11 music media professionals drawn from the greater Polaris jury pool of 199 writers, editors, broadcasters, DJs and personalities from across the country. Haviah Mighty’s victory came with a $50,000 monetary reward. -
The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index
Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators. -
Transmission 2009 Programme
2 0 0 9 PROGRAMME primary sponsors presenting sponsor of presenting sponsor of transmitLIVE showcase transmitTALKS major sponsor host province sponsor fulltone sponsors p a t r o n s affiliated trade organizations p r o d u c e r s hospitality partners We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada’s Private Radio Broadcasters. Booklet design by Rocketday Arts (www.rocketday.com), sister festival featuring illustration on page 5 by Dushan Milic. n behalf of the team of people behind the program. Our response to this quandary has been this unique initiative, I wish to welcome the launch of an online magazine that presents ideas you to the 4th annual edition of TRANSMISSION. and perspectives well before scheduled roundtables so WeO are rolling out with new dates, new venues, a new that key themes at transmitTALKS would be fomented magazine, and a new programme. What is consistent out before we get together. Furthermore, participants WELCOMEare our valued sponsors and international advisory and other contributors are now able to continue these board, who have supported us each year in redefining important conversations long after the lights go down ways for people to connect on the subject of music. on the stage. The result? A relevant, multi-disciplinary dialogue that people can participate in 365 days a year. In terms of a programme, TRANSMISSION is easily more complex than most. It’s not disorganized and it’s This year we focus on three themes: Intellectual not confusing, but it is complex and it does require Property, Emerging Markets and Next Generation the active engagement of the old grey matter.