Computer Fiction: “A Logic Named Joe” Towards Investigating the Importance of Science Fiction in the Historical Development of Computing
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(C) 1978 by Random House, Inc. Introduction: "The Dean of Science
A Del Rey Book - Published by Ballantine Books Copyright (c) 1978 by Random House, Inc. Introduction: "The Dean of Science Fiction" Copyright (c) 1978 by J. J. Pierce All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Ballantine Books of Canada, Ltd., Toronto, Canada. Library of Congress Catalog Card Number: 78-52210 ISBN 0-345-25800-2 Manufactured in the United States of America First Edition: April 1978 Cover art by H. R. Van Dongen ACKNOWLEDGMENTS "Sidewise in Time," copyright (c) 1934 by Street & Smith Publications, Inc., for Astounding Stories, June 1934. "Proxima Centauri," co~yright (c) 1935 by Street & Smith Pub.. lications, Inc., for Astounding Stories, March 1935. - "The Fourth-dimensional Demonstrator," copyright (c) 1935 by Street & Smith Publications, Inc., for Astounding Stories, December 1935. "First Contact," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, May 1945. "The Ethical Equations," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, June 1945. "Pipeline to Pluto," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, August 1945. "The Power," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, September 1945. "A Logic Named Joe," copyright (c) 1946 by Street & Smith Publications, Inc., for Astounding Science Fiction, March 1946. "Symbiosis," copyright (c) 1947 for Collier's Magazine, January 1947. "The Strange Case of John Kingman," copyright (c) 1948 by Street & Smith Publications, Inc., for Astounding Science Fiction, May 1948. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Program Book
GREETINGS to The 2 1st WO RETD SCIENCE E I C T I O KT C CONVENTION Th.e 2 1st 'WOFiLTD SCIENCE FICTION C ONVENTION VPtz shinqton, <DC 31 August 1 September 1 q e 3 2 September 'y am Cammittee: CRAFTY CHAIRMAN .................................... George Scithers TACHYLEGIC TREASURER ....................................... Bill Evans DESPOTIC DIPLOMAT .......................................... Bob Pavlat EXTEMPORANIZING EDITOR .................................... Dick Eney FLAMBOYANT FOLIATOR .................................... Chick Derry RECRUDESCENT RELIC ....................................... Joe Sarno MEMORIALIST of MISDEEDS.................................... Bob Madle TARTAREAN TABULIST .................................... Bill Osten PUBLICISTEAN PHOTOGRAPHIST .............................. Tom Haughey _A.n Appreciation of Murray £ein$ter It was in the year 1919 or '20, when I was fifteen and every fine fantasy story I read was an electric experience, that I read "The Mad Planet". It was a terrific nightmare vision and instantly I added the name of Murray Leinster to the list that already held A. Merritt, Edgar Rice Burroughs, and a few others. I have been reading and admiring his stories ever since, and I hope they go on forever. Mr. Leinster is a professional, in the finest sense of the word, meaning that he has the skills of his profession at his fingertips. And his profession is that of a master story-teller. His stories take hold of you from the first page and build with a sheer craftmanship and econ omy of effort that are the envy and despair of anyone who has ever tried to do the same thing. In science-fiction, imagination is even more important than writ ing skill, and the boldness of his imaginative concepts is one big rea son why Murray Leinster’s name has been up there in the bright lights for so long. -
Table of Contents
Extensively Cross-Indexed Using Internal Hyperlinks TABLE OF CONTENTS Introduction Preface Important Notes Sources Format Key What Are ISBNs? Main Entries Supplements Books — Fiction The E. Mayne Hull Stories Short Fiction E. Mayne Hull: Another View Books — Non-Fiction Statistics Short Non-Fiction Production Chart Other Works Series List Rare Works Working Titles Collaborative Works Indices Media Adaptations List of Fix-Up Novels Alternate Title Index Book Revisions Magazine Index Alphabetical Index Chronological Index Version 5 ©2001 - 2008 Isaac Wilcott April 9th, 2008 Icshi: The A.E. van Vogt Information Site (Version History) Preface This new document, the Storysource, replaces both the Database and Compendium by combining the two. (I suppose you could call this a "fix-up" bibliography since it is the melding of previously "published" material into a new unified whole. And, in the true van Vogtian tradition, I've not only revised it but I've given it a new title as well.) The last versions of both are still available for download as a single ZIP file for those who would like them for whatever reason. The format of the Compendium has been retained with only a few alterations while adding the bibliographic information of the Database. A section for short stories has accordingly been added. The ugly and outdated Database is eliminated, while retaining all of its positive traits, and the usefulness of the Compendium is drastically improved. No longer will you have to jump between the two while looking something up — all information has been pooled into just one document. This new format's interface is more intuitive, alphabetically arranged rather than chronological, and with all items thoroughly cross- indexed with internal hyperlinks. -
Eng 4936 Syllabus
ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice. -
Vop #141 / 3 Are on My Own Recommended Reading List, So I Ordered the Following Books
Visions of Paradise #141 Visions of Paradise #141 Contents Out of the Depths...............................................................................................page 3 Favorite SF Movies ... Paperback Swap Will F. Jenkins Day..............................................................................................page 4 A celebration of the life and career of Murray Leinster The Passing Scene................................................................................................page 6 Homes ... May 2009 Wondrous Stories................................................................................................page 9 Going For Infinity … F&SF ... Deathworld ... Heat On the Lighter Side............................................................................................page 13 _\\|//_ ( 0_0 ) ___________________o00__(_)__00o_________________ Robert Michael Sabella E-mail [email protected] Personal blog: http://adamosf.blogspot.com/ Sfnal blog: http://visionsofparadise.blogspot.com/ Fiction blog: http://bobsabella.livejournal.com/ Available online at http://efanzines.com/ Copyright ©May 2009, by Gradient Press Available for trade, letter of comment or request Artwork Franz H. Miklis … Cover Terry Jeeves … p. 9 http://www.sfsite.com/~silverag/leinster.html … page 4 Out of The Depths I am not a huge movie fan, partly because I don’t have a lot of available time to watch them (without depleting my limited reading time), and partly because movies rarely interest me as much as a good book does. So when I was -
Introduction to the Retro Hugo Awards for 1953
Retro Hugo Awards for 1953 1 Introduction to the Retro Hugo Awards for 1953 to be presented at Noreascon 4 September 2-6, 2004 2 Noreascon 4 1953 Retro Hugo Awards Table of Contents An Introduction by Andrew I. Porter......................................... 3 Identifying Items to Nominate by Joe Siclari ............................ 4 The Year of the Hugos by Juanita Coulson ............................... 5 Additional comments by Robert Silverberg.......................... 9 1953: The Good Ones by Don D’Ammassa.............................11 Short Fiction of 1953 by Mark L. Olson & Jim Mann ............ 15 Artists of 1953 by Alex Eisenstein .......................................... 17 Dramatic Presentations by Daniel M. Kimmel ........................ 27 Editor: Andrew I. Porter Asst. Editor & Layout: Joe Siclari Staff: Edie Stern From the WSFS Constitution: Section 3.13: Retrospective Hugos. (http://worldcon.org/bm/const-2002.html) A Worldcon held 50, 75, or 100 years after a Worldcon at which no Hugos were presented may conduct nominations and elections for Hugos which would have been presented at that previous Worldcon. Procedures shall be as for the current Hugos. Categories receiving insufficient numbers of nominations may be dropped. Once retrospective Hugos have been awarded for a Worldcon, no other Worldcon shall present retrospective Hugos for that Worldcon. “World Science Fiction Convention” “Worldcon” and “Hugo Award” are service marks of the World Science Fiction Society, an unincorporated literary society. “Noreascon” is a service mark of Massachusetts Convention Fandom, Inc. The Noreascon 4 logo uses a picture taken by the Hubble Space Telescope, made available by NASA and STScl. Copyright © 2003 by Massachusetts Convention Fandom, Inc. All Rights Reserved. Rights to all material are returned to the contributors upon publication. -
The Politics of the Contemporary Alternate History Novel
What Almost Was 63 What Almost Was: The Politics of the Contemporary Alternate History Novel Matthew Schneider-Mayerson Between August of 1995 and July of 1996, Speaker of the House of Rep- resentatives Newt Gingrich published two books. One, To Renew America, a folksy Republican polemic cobbled together from Gingrich’s speeches, served as a sequel to Contract with America, the blueprint of the conservative movement that assumed control of Congress in 1995.1 The other was 1945, coauthored with William R. Forstchen, a novel set in an alternate universe.2 In 1945’s divergent timeline, Germany does not declare war on the United States, the Soviet Union is split into fragments, and the United States and Germany have settled into a cold war. Nazi soldiers parachute into the United States to a capture a nuclear facility in Tennessee, but posses of arms-bearing American veterans successfully defend their country. 1945 was representative of the flourishing genre of alternate history novels in all but two ways: an author’s celebrity and its media exposure. Due to Gingrich’s status as the public leader of the conservative renaissance of the mid-1990s, 1945 was widely reviewed in mainstream publications. Treated as a curiosity and ridiculed for its poor literary quality, very few reviewers noted the libertarian themes in 1945, and even fewer placed it in the context of an inchoate literary genre.3 1995 can be considered the birth year of the alternate history novel as a genre. As a conceptual category, the counterfactual, as historians term their what-if narratives, has been pursued in print since classical Greece, if not earlier. -
Thought Experiment
Thought Experiment James Gunn SPACE OPERA AND THE QUEST FOR TRANSCENDENCE Half a dozen years ago I chose to return to a kind of science fiction I had turned my back on almost sixty years earlier—space opera. Jack Williamson, my collaborator in one of my two first 1955 novels, wrote that space travel was to science fiction what the Trojan War was to the Greeks—a defining myth. That myth became a reality, of sorts, after the Moon landing and unmanned re - search vessels to Venus, Mars, Jupiter, Saturn, and beyond. But that was only the first small step. Still to come in the fulfillment of humanity’s explorations into the un - known and the untouched were the exploration of the planets and then, in the more distant future, extrasolar expeditions. That imagined future was fueled by recent as - tronomical discoveries of planets around other suns, some of them with conditions re - sembling those on Earth. Focus on space started early. A substantial number of magazine covers, beginning with Amazing Stories, featured spaceships, aliens, or other worlds. In the twenties and thirties the spaceships were fanciful; by the fifties they had become more tech - nologically plausible as the realization of the myth became more credible with the use of rocket-propelled missiles in World War II. When book publishers began to is - sue science fiction, Doubleday identified its hardcover science fiction line with a rocketship on the spine. I would look for it in the new-books section at the public li - brary. John Campbell once defined science fiction as “the dreams . -
Preprint--Not for Circulation Murray Leinster and AA Logic Named Joe@ Eric G. Swedin and David L. Ferro the March 1946 Issue Of
preprint--not for circulation Murray Leinster and AA Logic Named Joe@ Eric G. Swedin and David L. Ferro The March 1946 issue of Astounding Science-Fiction published two stories by the prolific author Murray Leinster. The first story, AAdapter,@ ran under his well-known pen name, while the second ran under his real name of Will F. Jenkins. The second story, AA Logic Named Joe,@ became an immediate minor classic. In Machines That Think: The Best Science Fiction Stories About Robots & Computers, Isaac Asimov describes AA Logic Named Joe@ as @very interesting@ and Aone of a kind.@ In 1946, when computers Awere huge constructs so expensive that only the government or a large corporation could afford to own one@ and Athe miniaturization of computers had not yet been anticipated,@ only Leinster had Aimagined a society where home computers might be common.A (Asimov 279) Andy Duncan called the Aastonishing@ story Aone of the most prescient science fiction stories@ ever, Aa feat of prediction@ that prompted Wired magazine to hail ALeinster as a prophet.@ (Duncan 62, 63) This is a common assessment of AA Logic Named Joe,@ and accurate as far as it goes, but the story is even more insightful in light of present day computer technology. The story is also a powerful cautionary fable about the power of technological temptation. Murray Leinster: William Fitzgerald Jenkins (Will F. Jenkins) was born in Norfolk, Virginia on June 16, 1896. His formal education ended before finishing eighth grade, but his strong interest in science and technology sustained his quest for self-education. -
Dr. Eric Swedin and Dr. David Ferro Office
Honors HU/SS1520 Spring 2014 Science Fiction and the History of Science Instructors: Dr. Eric Swedin and Dr. David Ferro Office: DV137L at the Davis campus and SS250 on the Ogden campus (Swedin), and ET110 (Ferro) Office phone: 801-395-3553 (Swedin) and 801-626-6304 (Ferro) E-mail: [email protected] and [email protected] Office Hours: Office hours are available by appointment. Texts: David L. Ferro and Eric G. Swedin, editors, Science Fiction and Computing: Essays on Interlinked Domains (McFarland, 2011) ISBN-13: 978-0786445653 Mario Livio, Brilliant Blunders: From Darwin to Einstein - Colossal Mistakes by Great Scientists That Changed Our Understanding of Life and the Universe (Simon & Schuster, 2013) ISBN-13: 978-1439192368 Orson Scott Card, editor, Masterpieces: The Best Science Fiction of the 20th Century (Ace Trade, 2004) ISBN-13: 978-0441011339 Robert Silverberg, editor, The Science Fiction Hall of Fame, Volume One (Orb Books, 2005) ISBN-13: 978-0765305374 Class Description and Objectives: This course will examine current and historical writings of science fiction in the context of the history of scientific and technological developments. Class participation and discussion is expected. Grading Policies: Grades will be determined on the following basis: Quizzes 60% Term Paper 30% Class Participation 10% Grades: A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% E: 0 - 59% (Grades at the high or low ends of these ranges will earn plus and minus grades.) Quizzes: There will a short quiz every day at the beginning of class. Each quiz will be based on the readings that you were given for that day, or will be given on the content of the previous class’s presentations. -
25 Kraitsowits Ac
Cercles 25 (2012) SCIENCE FICTION IN THE 1930S A LITERATURE OF ANGST STEPHAN KRAITSOWITS Université de Picardie Jules-Verne (Amiens) During the few years after the trauma of World War I, in the midst of a financial crisis and in the dread of a Second World War a new kind of literature was coming to fruition in Europe and America in the works of mainstream authors such as E.M. Forster, Joseph Conrad or Ernest Hemingway. Yet, if the nostalgia for a glorious and stable past was being contrasted with a more disjointed and subjective present in the works of the new Modernist authors [KALAIDJIAN : 10], a more marginal genre was also busy giving a sense to readers of what the future might have in store. That genre was Science Fiction. The start of the popular dissemination of SF can be pin-pointed to April 1926, when the American writer and publisher Hugo Gernsback launched Amazing Stories. Amazing Stories was the first pulp magazine to be specialized in tales willfully and explicitly mingling Science and Fiction. What Gernsback first called “Scientifiction” in the editorial of the first issue of his magazine, and later referred to as “Science Fiction”, was a particular type of literature defined as: “... the Jules Verne, H.G. Wells, and E.A. Poe type of story - a charming romance intermingled with scientific fact and prophetic vision”. 1 What Gernsback’s magazine was proposing was to go one step further than the avant-garde literature of the day and to offer the new readers of mass publication a quick glimpse into the realm of completely new possibilities offered by the upsetting of the past order.