Vector 44 Parker 1967-05 BSFA
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
(C) 1978 by Random House, Inc. Introduction: "The Dean of Science
A Del Rey Book - Published by Ballantine Books Copyright (c) 1978 by Random House, Inc. Introduction: "The Dean of Science Fiction" Copyright (c) 1978 by J. J. Pierce All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Ballantine Books of Canada, Ltd., Toronto, Canada. Library of Congress Catalog Card Number: 78-52210 ISBN 0-345-25800-2 Manufactured in the United States of America First Edition: April 1978 Cover art by H. R. Van Dongen ACKNOWLEDGMENTS "Sidewise in Time," copyright (c) 1934 by Street & Smith Publications, Inc., for Astounding Stories, June 1934. "Proxima Centauri," co~yright (c) 1935 by Street & Smith Pub.. lications, Inc., for Astounding Stories, March 1935. - "The Fourth-dimensional Demonstrator," copyright (c) 1935 by Street & Smith Publications, Inc., for Astounding Stories, December 1935. "First Contact," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, May 1945. "The Ethical Equations," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, June 1945. "Pipeline to Pluto," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, August 1945. "The Power," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, September 1945. "A Logic Named Joe," copyright (c) 1946 by Street & Smith Publications, Inc., for Astounding Science Fiction, March 1946. "Symbiosis," copyright (c) 1947 for Collier's Magazine, January 1947. "The Strange Case of John Kingman," copyright (c) 1948 by Street & Smith Publications, Inc., for Astounding Science Fiction, May 1948. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Program Book
GREETINGS to The 2 1st WO RETD SCIENCE E I C T I O KT C CONVENTION Th.e 2 1st 'WOFiLTD SCIENCE FICTION C ONVENTION VPtz shinqton, <DC 31 August 1 September 1 q e 3 2 September 'y am Cammittee: CRAFTY CHAIRMAN .................................... George Scithers TACHYLEGIC TREASURER ....................................... Bill Evans DESPOTIC DIPLOMAT .......................................... Bob Pavlat EXTEMPORANIZING EDITOR .................................... Dick Eney FLAMBOYANT FOLIATOR .................................... Chick Derry RECRUDESCENT RELIC ....................................... Joe Sarno MEMORIALIST of MISDEEDS.................................... Bob Madle TARTAREAN TABULIST .................................... Bill Osten PUBLICISTEAN PHOTOGRAPHIST .............................. Tom Haughey _A.n Appreciation of Murray £ein$ter It was in the year 1919 or '20, when I was fifteen and every fine fantasy story I read was an electric experience, that I read "The Mad Planet". It was a terrific nightmare vision and instantly I added the name of Murray Leinster to the list that already held A. Merritt, Edgar Rice Burroughs, and a few others. I have been reading and admiring his stories ever since, and I hope they go on forever. Mr. Leinster is a professional, in the finest sense of the word, meaning that he has the skills of his profession at his fingertips. And his profession is that of a master story-teller. His stories take hold of you from the first page and build with a sheer craftmanship and econ omy of effort that are the envy and despair of anyone who has ever tried to do the same thing. In science-fiction, imagination is even more important than writ ing skill, and the boldness of his imaginative concepts is one big rea son why Murray Leinster’s name has been up there in the bright lights for so long. -
Table of Contents
Extensively Cross-Indexed Using Internal Hyperlinks TABLE OF CONTENTS Introduction Preface Important Notes Sources Format Key What Are ISBNs? Main Entries Supplements Books — Fiction The E. Mayne Hull Stories Short Fiction E. Mayne Hull: Another View Books — Non-Fiction Statistics Short Non-Fiction Production Chart Other Works Series List Rare Works Working Titles Collaborative Works Indices Media Adaptations List of Fix-Up Novels Alternate Title Index Book Revisions Magazine Index Alphabetical Index Chronological Index Version 5 ©2001 - 2008 Isaac Wilcott April 9th, 2008 Icshi: The A.E. van Vogt Information Site (Version History) Preface This new document, the Storysource, replaces both the Database and Compendium by combining the two. (I suppose you could call this a "fix-up" bibliography since it is the melding of previously "published" material into a new unified whole. And, in the true van Vogtian tradition, I've not only revised it but I've given it a new title as well.) The last versions of both are still available for download as a single ZIP file for those who would like them for whatever reason. The format of the Compendium has been retained with only a few alterations while adding the bibliographic information of the Database. A section for short stories has accordingly been added. The ugly and outdated Database is eliminated, while retaining all of its positive traits, and the usefulness of the Compendium is drastically improved. No longer will you have to jump between the two while looking something up — all information has been pooled into just one document. This new format's interface is more intuitive, alphabetically arranged rather than chronological, and with all items thoroughly cross- indexed with internal hyperlinks. -
Eng 4936 Syllabus
ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice. -
Vop #141 / 3 Are on My Own Recommended Reading List, So I Ordered the Following Books
Visions of Paradise #141 Visions of Paradise #141 Contents Out of the Depths...............................................................................................page 3 Favorite SF Movies ... Paperback Swap Will F. Jenkins Day..............................................................................................page 4 A celebration of the life and career of Murray Leinster The Passing Scene................................................................................................page 6 Homes ... May 2009 Wondrous Stories................................................................................................page 9 Going For Infinity … F&SF ... Deathworld ... Heat On the Lighter Side............................................................................................page 13 _\\|//_ ( 0_0 ) ___________________o00__(_)__00o_________________ Robert Michael Sabella E-mail [email protected] Personal blog: http://adamosf.blogspot.com/ Sfnal blog: http://visionsofparadise.blogspot.com/ Fiction blog: http://bobsabella.livejournal.com/ Available online at http://efanzines.com/ Copyright ©May 2009, by Gradient Press Available for trade, letter of comment or request Artwork Franz H. Miklis … Cover Terry Jeeves … p. 9 http://www.sfsite.com/~silverag/leinster.html … page 4 Out of The Depths I am not a huge movie fan, partly because I don’t have a lot of available time to watch them (without depleting my limited reading time), and partly because movies rarely interest me as much as a good book does. So when I was -
Twentieth-Century Wars and Science Fiction
1 Kilgore Trout English 480: Science Fiction Dr. Rudnicki 01/01/2001 Wars of the World: Twentieth-Century Wars and Science Fiction Science fiction and its respective literature tells stories that represent the hopes and futuristic dreams of its audience; whether one looks to Star Trek or Star Wars, the audience finds hope in both the narrative, and the potential worlds these stories present. It is no surprise that some of the greatest science fiction stories would find their geneses in one of the most traumatic and trying times in human history, that is, the early twentieth-century. While the world, and Europe especially, prepared itself for war, science fiction writers noticed and put to paper the intense and hostile atmosphere present all around them. Writers like H.G. Wells predicted warring technologies and tactics years before their debut, likely due to their environment and war preparations present in Europe. This trend of interpreting the warring world around them serves as inspiration for science fiction writers to criticize, analyze, and incentivize the world and its drastically changing ideologies. These authors, using their sometimes-horrific imaginations, present their readers with impossible situations and outcomes arising out of the turmoil and horror that the wars of the twentieth-century beheld. Whether these criticisms predict situations arising from mounting war-pressure, or analyze past actions presciently, the first two World Wars serve as the testing grounds and foundations for science fiction as the twenty-first century understands it. Twentieth-century authors find their influence for many of their greatest works from the devastating and insurmountable wars of the twentieth-century. -
Archive II: Laughs
Archive II: laughs. As with Stranger, I reread it every year, and Back to Live I still haven’t worn it down to the parts that annoy An e-zine by Arthur D. Hlavaty me and “I know that.” [email protected] AND ALSO Shea went on to write good, solid <https://supergee.dreamwidth.org/> historical novels with a beginning, a middle, and <http://www.maroney.org/hlavaty/> an end in that order, but also with fascinating © 2003, 2018 by Arthur D. Hlavaty. Staff: characters and small hints of metaphysical and Bernadette Bosky, Kevin J. Maroney, other weirdness. I particularly liked Shike and All Shekinah Dax, and the Valentine’s Castle Things Are Lights. Wilson’s novels were more like Rat Pack. Permission to reprint in any Illuminatus!, centered on initiation. Schrödinger’s nonprofit publication is hereby granted, on Cat was based on quantum theory, among other condition that I am credited and sent a things. James Joyce, to whom there are many copy. This is an e-zine, available in .txt, references in Wilson’s other fiction, showed up as .pdf, and *feh* landscape .pdf only. a character in Masks of the Illuminati, which actually had a tight plot structure, along with the Wilsonian stuff. In 2003 I had been doing zines for a quarter of a century, writing 100 genzines, and many many apazines. I had joined up with the Internet, with trufen, fmzfen, alt.polyamory, and rasff, among Joseph Heller others. Then I noticed livejournal, where I could do Catch-22 a blog with all the technical stuff done for me and hang out with a lot of the interesting people from Anybody who’s trying to get you killed is your the aforementioned sites. -
Scottishe 65
NIBBLINGS.....................; ;.3&JtEVTW....;....... .Ethel Lindsay /:■ V'■'/: ' ' ’ LETTERS.................. ..............................................................The ..Readers • . ... / . • \ NATTERINGS.......................SF'lN A TV STUDIO.............iEthel Lindsay QUARTERLY • 3 for $1 or ^0P ALL ARTWORK BY ATOM . ' US-Jteent: Andrew Pbrter.s .. ' Box ,4175, New York.NI 10017 \ ' Produced =and published by Ethel Lindsay ; " ’ ' -.... 6. Lai glby 'Avenue . • , ' j"-'- ...Surbiton. Svrreyl,KT6 6QL.UK DERYNI RISING by Katherine Kurtz .PAN Paperbacks.40p. A new name in the Adult ^'antasy series. It is an imaginary world romance, a world that has roots in our own Wales and England of the ninth to eleventh centuries. The Derny'i are a part-mortal race with more than human powers. Lord Morgan is the pro tagonist who is half-Doryni. He is brought up with the young Kirgi Brion and becomes his friends and guardian. This is badly needed when Clarissa who is a. full Deryni challenges the young Kir^.Well told in the grand manner. DERYNI CHECKMATE by Katherine Kurtz .PAN Paperbacks.40p. Hart 2 off the story of the Derynis tells of the continued trouble that comes to them because of their occult powers. Young-King Kblson finds his position threatened because the priets distrust the influence of the Deryni. Fine romantic story with plenty of intrigue to keep the action going. GOLD THE MAN by Joseph Green. PAN Paperbacks. 3"’p. An alien 3OOft high - is quite a conception; but the author also has the imaginative idea to make his alien suffer from such extensive brain damage that earth science is used to scoop out the brain and instal a computer that can control the body! Right behind the eye is a chamber in which two scientists can live. -
Introduction to the Retro Hugo Awards for 1953
Retro Hugo Awards for 1953 1 Introduction to the Retro Hugo Awards for 1953 to be presented at Noreascon 4 September 2-6, 2004 2 Noreascon 4 1953 Retro Hugo Awards Table of Contents An Introduction by Andrew I. Porter......................................... 3 Identifying Items to Nominate by Joe Siclari ............................ 4 The Year of the Hugos by Juanita Coulson ............................... 5 Additional comments by Robert Silverberg.......................... 9 1953: The Good Ones by Don D’Ammassa.............................11 Short Fiction of 1953 by Mark L. Olson & Jim Mann ............ 15 Artists of 1953 by Alex Eisenstein .......................................... 17 Dramatic Presentations by Daniel M. Kimmel ........................ 27 Editor: Andrew I. Porter Asst. Editor & Layout: Joe Siclari Staff: Edie Stern From the WSFS Constitution: Section 3.13: Retrospective Hugos. (http://worldcon.org/bm/const-2002.html) A Worldcon held 50, 75, or 100 years after a Worldcon at which no Hugos were presented may conduct nominations and elections for Hugos which would have been presented at that previous Worldcon. Procedures shall be as for the current Hugos. Categories receiving insufficient numbers of nominations may be dropped. Once retrospective Hugos have been awarded for a Worldcon, no other Worldcon shall present retrospective Hugos for that Worldcon. “World Science Fiction Convention” “Worldcon” and “Hugo Award” are service marks of the World Science Fiction Society, an unincorporated literary society. “Noreascon” is a service mark of Massachusetts Convention Fandom, Inc. The Noreascon 4 logo uses a picture taken by the Hubble Space Telescope, made available by NASA and STScl. Copyright © 2003 by Massachusetts Convention Fandom, Inc. All Rights Reserved. Rights to all material are returned to the contributors upon publication. -
Science Fiction Hall of Fame Chosen by the Members of the Science Fiction Writers of America
Edition der SF – The Science Fiction Writers of America / SFWA Recherche: Lutz Schridde für www.sfgh.de <Recherche mit http://www.chpr.at , http://en.wikipedia.org , http://contento.best.vwh.net , http://www.locusmag.com , http://www.locusmag.com/SFAwards/Db/Nebula.html und eigener Bibliothek> The Science Fiction Hall of Fame chosen by the members of The Science Fiction Writers of America Robert Silverberg (Ed.) - Science Fiction Hall of Fame 1 (USA 1970, 2003) Ben Bova (Ed.) - Science Fiction Hall of Fame, Bd. 2A (USA 1973, 2005) Ben Bova (Ed.) - Science Fiction Hall of Fame, Bd. 2B (USA 1973) Zusammenfassung: (Formuliert für Volltext-Suchmaschinen) Dieses Memo zur den ersten Anthologien Science Fiction Hall of Fame 1, 2A und 2B zeigt die Präsenz der bewerteten Geschichten in deutschen Ausgaben an. Nur die Geschichte des Initiators des 1965 gegründeten Schriftstellerverbandes Science Fiction Writers of America SFWA wurde nicht in deutscher Übersetzung gefunden. Die Geschichten kennzeichnen das Qualitätsverständnis der SFWA. Dieses Verständnis von professioneller Qualität wird durch Platzierung der Geschichten in weiteren Anthologien bestätigt. Es setzte sich innerhalb des SFWA bis heute durch die Vergabe des Nebula Award fort. Der erste Herausgeber Robert Silverberg vertieft alsbald grundsätzliche Kritik am Genre, sonst bisher besonders vertreten durch Samuel Delany und Barry N. Malzberg, weitere folgen. Es zeigt sich nebenbei ein loses Subgenre von Science Fiction der Science Fiction, teils mit Selbstanwendungen gewohnter Metaphern, das die Nerven des Genres bloßlegt. Auch eine interne Genre-Satire zeigt sich, z. B. 1949 mit What mad universe von Frederic Brown und 1969-1973 mit den Autoren-Parodien des Amerikaners und Wahl-Engländers John T.