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Architecture and Acoustics of Recording Studios Analysis to Prediction to Realization
Distinguished Guest Lecture Thursday, April 30 School of Architecture Greene Gallery Department of Architectural Acoustics Architecture and Acoustics of Recording Studios Analysis to Prediction to Realization presented by John Storyk, R.A., AES, Principal Walters-Storyk Design Group The recording studio has changed dramatically in the past 10 years in ways that were almost unpredictable. Both the business models and the studio design/equipment configurations are markedly different, with changes continuing virtually every week. The shift from large ‘all at once’ sessions to a file-based mixing process has ushered in a new era of small, yet extremely powerful and highly flexible audio content creation environments. These ‘next generation’ rooms continue to depend on pristine acoustics, and the aesthetic and comfort factors remain high priorities. Studios will always want to provide the ultimate critical listening conditions and standards. Digital recording and mixing technology have changed, but the skills of recording, mixing and mastering engineers will continue to drive the creative process. These rooms will continue to depend on the architect/acoustician’s ability to create or ‘tune’ the environment to maximize its acoustic potential. Jungle City Studios, New York, NY Diante de trono, Brazil Berklee College of Music opened the doors to its 160 Massachusetts Avenue residence tower in January 2014. The ten-studio Walters-Storyk Design Group designed audio education component represents a pinnacle of contemporary studio planning. Paul Epworth, The Church, London John Storyk, Co Founder and Principal of Walters-Storyk Design Group has been responsible for designing over 3000 media and content creation facilities worldwide. Credits include Jimi Hendrix's Electric Lady Studios (1969); NYC’s Jazz At Lincoln Center and Le Poisson Rouge; broadcast facilities for The Food Network, ESPN, and WNET; major education complexes for NYU and Berklee College of Music, Boston (2015 TEC winner) and Valencia, Spain; and media rooms for such corporate clients as Hoffman La Roche. -
From the Sound Board to the GRAMMY Board John Poppo, ’84, Chairman of the Recording Academy’S Board of Trustees
THE MAGAZINE FOR FREDONIA ALUMNI AND FRIENDS SPRING 2016 From the sound board to the GRAMMY board John Poppo, ’84, Chairman of The Recording Academy’s Board of Trustees Coming of age Fredonia senior Steve Moses wins ‘Big Brother 17’ on CBS A tandem in tune Singer Nia Drummond and manager Michelle Cope form unique partnership College of Education Launches new Language and Learning master’s program SPRING 2016 COVER STORY From the sound board to the GRAMMY board THE MAGAZINE FOR FREDONIA ALUMNI AND FRIENDS 4 John Poppo, ’84, Chairman of The Recording Academy’s Board of Trustees 20 ADMISSIONS EVENTS Open House Dates 12 Monday, Feb. 15 Presidents Day 10 Saturday, April 9 Accepted Student Reception Saturday Visit Dates Saturday, March 5 Saturday, March 12 Saturday, April 23 Saturday, June 11 Students and families can also visit any day during the academic year. Just contact Admissions to arrange an appointment. To learn more, visit: fredonia.edu/ 14 18 admissions/visit or call 1-800-252-1212. ALUMNI AND CAMPUS EVENTS CALENDAR • Please check alumni.fredonia.edu as details are confirmed. For event registration and Los Angeles, Calif., Brunch Chicago, Ill., Reception SEPTEMBER payment, go to http://alumni. Sunday, March 20 Saturday, May 21, 2–4 p.m. New York State Tour fredonia.edu/Events.aspx, or Getty Museum, 11 a.m.–1 p.m. Midwest Youth Organization Monday – Thursday, Sept. 12–15 contact the Alumni Affairs office 200 Getty Center Drive (Music School) Locations TBA at (716) 673-3553. $25 878 Lyster Road, Highwood, IL Self-paid parking $15* give 30 Hosted by alumnus Allan and OCTOBER FEBRUARY minutes to ride tram to museum. -
Aes 143Rd Convention Program October 18–21, 2017
AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Avid Congratulates Its Many Customers Nominated for the 57Th Annual GRAMMY(R) Awards
December 10, 2014 Avid Congratulates Its Many Customers Nominated for the 57th Annual GRAMMY(R) Awards Award Nominees Created With the Company's Industry-Leading Music Solutions Include Beyonce's Beyonce, Ed Sheeran's X, and Pharrell Williams' Girl BURLINGTON, Mass., Dec. 10, 2014 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulated its many customers recognized as award nominees for the 57th Annual GRAMMY® Awards for their outstanding achievements in the recording arts. The world's most prestigious ceremony for music excellence will honor numerous artists, producers and engineers who have embraced Avid EverywhereTM, using the Avid MediaCentral Platform and Avid Artist Suite creative tools for music production. The ceremony will take place on February 8, 2015 at the Staples Center in Los Angeles, California. Avid audio professionals created Record of the Year and Song of the Year nominees Stay With Me (Darkchild Version) by Sam Smith, Shake It Off by Taylor Swift, and All About That Bass by Meghan Trainor; and Album of the Year nominees Morning Phase by Beck, Beyoncé by Beyoncé, X by Ed Sheeran, In The Lonely Hour by Sam Smith, and Girl by Pharrell Williams. Producer Noah "40" Shebib scored three nominations: Album of the Year and Best Urban Contemporary Album for Beyoncé by Beyoncé, and Best Rap Song for 0 To 100 / The Catch Up by Drake. "This is my first nod for Album Of The Year, and I'm really proud to be among such elite company," he said. "I collaborated with Beyoncé at Jungle City Studios where we created her track Mine using their S5 Fusion. -
Universidade Federal De Campina Grande Centro De Formação De Professores Unidade Acadêmica De Letras Licenciatura Plena Em Letras – Língua Inglesa
UNIVERSIDADE FEDERAL DE CAMPINA GRANDE CENTRO DE FORMAÇÃO DE PROFESSORES UNIDADE ACADÊMICA DE LETRAS LICENCIATURA PLENA EM LETRAS – LÍNGUA INGLESA VICENTE OBEDE QUENTAL LEITE O ENSINO DE CULTURA POR MEIO DA MÚSICA NAS AULAS DE LÍNGUA INGLESA Cajazeiras – 2018 VICENTE OBEDE QUENTAL LEITE O ENSINO DE CULTURA POR MEIO DA MÚSICA NAS AULAS DE LÍNGUA INGLESA Monografia de Graduação apresentada ao Curso de Licenciatura Plena em Letras – Língua Inglesa – da Universidade Federal de Campina Grande como requisito parcial para obtenção do título de Licenciado em Letras – Língua Inglesa. Linha de pesquisa: Ensino de Língua Inglesa. Orientadora: Profª. Ma. Luciana Parnaíba de Castro Cajazeiras – 2018 AGRADECIMENTOS A Deus por sempre ter me sustentado e iluminado desde sempre, firmando meus pés no chão quando os problemas quiseram me derrubar. A minha orientadora, professora Ma. Luciana Parnaíba de Castro, pela liberdade que me concedeu durante a elaboração desta pesquisa, pela paciência, profissionalismo e, acima de tudo, pela amizade. Aos professores Daniela Miguel de Souza Morais e Marcílio Garcia de Queiroga, por aceitarem fazer parte da minha banca de defesa. Aos meus colegas e amigos, Bianca Lins, Daniel Sousa e Henrique Pedro, pelas conversas, desabafos e por sempre estarem ao meu lado, me apoiando quando precisei. Aos meus amados pais, Fabiana e Paulo, por me amarem incondicionalmente e não terem medido esforços para me incentivar a chegar onde estou. Aos meus amados irmãos, Omero e Oséias que, mesmo distantes, também sempre me apoiaram. A Lasaro Gomes por estar permanentemente ao meu lado durante todo o curso e produção deste trabalho, me fortalecendo e me impulsionando a ir adiante a todos os momentos. -
Designing for the Ears As Well As for the Eyes
Inspicio architecture 26 Sushi & Tapas restaurant, Surfside, Florida, 2015. Photo: WSDG Designing for the Ears as Well as for the Eyes By Howard Sherman orris J. Kaplan is a very hands-on businessman. A successful real estate developer and innovative res- M taurateur/entrepreneur, his career track is marked by imaginative ventures. Last year, Kaplan and his wife Sandra began laying the groundwork for a new Miami-area restaurant. A longtime fan of master chef Fernando Chang’s culinary tal- ents, Kaplan was confident there would be a strong demand for Chef Chang’s specialty—Kosher sushi and Peruvian dishes. Kaplan invested considerable time collaborating on the bill of fare and the interior design of his new restaurant. In addition to the menu, one of his primary concerns was acoustics. An avid “foodie,” Kaplan had long avoided dining in restaurants with noise levels so high they intruded on his guests’ ability to enjoy a simple conversation along with their meal. Kaplan made a promise to himself. Diners at his new restaurant would be able to discuss their food (and other topics) without having to shout at the top of their lungs. Coincidentally, as he formulated his plans for what was to be- come “26 Sushi & Tapas” in Surfside, Florida, Kaplan was also involved in building two new Miami area synagogues. During the course of a series of visits to those construction sites, he became aware of an unusually quiet ambience. Building sites are typically noisy environments and neither of these work sites would ever be mistaken for a library, but Kaplan discovered a sound clarity that was unusual enough to spark an investiga- tion. -
2021 WSDG Company Profile Religious
Company Profile Religious 1 2 Table of Contents Company Background and Structure .................................................................................................................. 4 Company Background ......................................................................................................................................... 4 Company Structure .............................................................................................................................................. 4 Services | Architectural Acoustic Consulting .................................................................................................... 5 Acoustic Testing, Measurement and Assessment ............................................................................................... 5 Acoustic Simulation, Modeling, Auralization ........................................................................................................ 5 Room Acoustics Analysis and Surface Treatments Design ................................................................................. 5 Sound Isolation, Structural Acoustics Analysis and Design ................................................................................. 5 Peer Review, Expert Reports, Studies and Surveys ........................................................................................... 6 Media Facility Site, Facility, Master Planning, Feasibility Studies ....................................................................... 6 Broadcast and Recording Studio Design -
Company Profile Religious
Company Profile Religious 1 2 Table of Contents Company Background and Structure ..............................................................................................................4 Company Background .....................................................................................................................................4 Company Structure .........................................................................................................................................4 Services | Architectural Acoustic Consulting .................................................................................................5 Acoustic Testing, Measurement and Assessment ............................................................................................5 Acoustic Simulation, Modeling, Auralization .....................................................................................................5 Room Acoustics Analysis and Surface Treatments Design ..............................................................................5 Sound Isolation, Structural Acoustics Analysis and Design ..............................................................................5 Peer Review, Expert Reports, Studies and Surveys .........................................................................................6 Media Facility Site, Facility, Master Planning, Feasibility Studies .....................................................................6 Broadcast and Recording Studio Design .........................................................................................................6 -
Download the WSDG Deck
OFFICES Highland, USA 262 Martin Avenue Highland, New York 12528 New York City, USA Neuehouse 110 W 25th Street New York, New York 10010 Miami, USA 18430 NE 24th Avenue North Miami Beach, Florida 33160 Basel, Switzerland Maiengasse 30 4056 Basel Belo Horizonte, Brasil Rua Rio Grande do Norte / sala 1107 Belo Horizonte, MG, CEP, 30.130-131 Berlin, Germany Arkonastr. 45-49 13189 Berlin REPRESENTATION OFFICES Barcelona, Spain. Buenos Aires, Argentina. Doha, Qatar. Guangzhou City, China. Los Angeles, USA. Mexico City, Mexico. Mumbai, India. San Francisco, USA COMPANY PROFILE WSDG - Walters-Storyk Design Group is Company Information Green Initiative a global architecture, acoustic, electro- WSDG, LLC WSDG is fully committed to the efforts of the 262 Martin Avenue, Highland, New York 12528 US Green Building Council (USGBC) as well acoustics and advanced audio-visual +1 845-691-9300 as other organizations and research projects www.wsdg.com dedicated to sustainable architectural design. systems integration consulting and design We have been involved in numerous projects that have obtained LEED status and continue firm. Pioneering architect/acoustician, Qualifications to develop architectural and acoustical solu- John Storyk (AIA), founded the company WSDG’s nearly 50 years of innovative design tions that are consistent with these goals. We achievement has produced over 3500 diverse actively research and participate in product in 1969 with the creation of Jimi Hendrix’s global projects. Notable projects include Jazz transparency initiatives which we incorporate at Lincoln Center, KKL Luzern Concert Hall, into our design solutions. Our designs strive Electric Lady Studios in NY. Switzerland, Jungle City Studios, and studios for to minimize toxic substances in building ma- Alicia Keys, Jay-Z, Bob Marley, Bruce Springsteen, terials and create regenerative spaces. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
STUDIO DESIGN &John Storyk, Beth Walters and a Life of Science with Style
Alphabetland: X Is Back! ★ Classic Tracks: ‘We Are the World’ ★ Producer Dave Cobb ★ Acoustic Materials June 2020 \\ mixonline.com \\ $6.99 >ALSO THE CLASS OF 2020 The Year’s Hottest New Studios >REVIEWED AUDIO DESIGN DESK 1.2 WORKSTATION MASSENBURG DESIGNWORKS MUSIC PRODUCTION • LIVE SOUND • SOUND FOR PICTURE MDWEQ6-AAX PLUG-IN SERENDIPITY STUDIO DESIGN &John Storyk, Beth Walters and a Life of Science With Style 06.20 Contents Volume 44, Number 6 MUSIC TECHNOLOGY FEATURES 10 Surprise 32 Technology Surprise! Showcase: Acoustic There’s a New Materials Album From X BY THE MIX EDITORS BY BARBARA 34 New Products: Studio and Live Sound SCHULTZ 14 Classic Tracks: ”We Are the World,” 36 Review: Audio Design Desk 1.2 Unity, Passion, Workstation Commitment and BY MIKE LEVINE the Power of Music 40 Review: BY ROBYN FLANS Massenburg DesignWorks MDWEQ6-AAX 16 On the Cover: John Storyk DEPARTMENTS Plug-in and the Next 50 Years BY BARRY RUDOLPH BY TOM KENNY 6 From the Editor: The Nexus of Art, 42 Back Page Blog: Architecture and Technology Live Streaming From Home, Better 20 The Class of 2020: A Studio 8 Current: Funk Studios Adds Duality; Audio From Zoom Design Showcase of the dCS Legends Honors Cherney BY MIKE LEVINE AND STEVE LA CERRA Year’s Top Studios BY THE MIX EDITORS On the Cover: For more than 50 years, the inimitable John Storyk, who designed Electric Lady Studios for Jimi Hendrix in 1969, has helped shaped the very look and functionality of the modern studio. Pictured here with his wife, Beth Walters, 30 The Musician’s Producer: pictured here on West Lake, Hangzhou, China.