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Can You Sing Or Play Old-Time Music?': the Johnson City Sessions Ted Olson East Tennessee State University, [email protected]
East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 2013 'Can You Sing Or Play Old-Time Music?': The Johnson City Sessions Ted Olson East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the Appalachian Studies Commons, and the Music Commons Citation Information Olson, Ted. 2013. 'Can You Sing Or Play Old-Time Music?': The oJ hnson City Sessions. The Old-Time Herald. Vol.13(6). 10-17. http://www.oldtimeherald.org/archive/back_issues/volume-13/13-6/johnsoncity.html ISSN: 1040-3582 This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. 'Can You Sing Or Play Old-Time Music?': The ohnsonJ City Sessions Copyright Statement © Ted Olson This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/1218 «'CAN YOU SING OR PLAY OLD-TIME MUSIC?" THE JOHNSON CITY SESSIONS By Ted Olson n a recent interview, musician Wynton Marsalis said, "I can't tell The idea of transporting recording you how many times I've suggested to musicians to get The Bristol equipment to Appalachia was, to record Sessions—Anglo-American folk music. It's a lot of different types of companies, a shift from their previous music: Appalachian, country, hillbilly. -
Country Music Country Music in Missouri Country Bios
Country Music Country music is a genre of popular music that originated in the rural South in the 1920s, with roots in fiddle music, old-time music, blues and various types of folk music. Originally called “hillbilly music” and sometimes called “country and western,” the name “country music” or simply “country” gained popularity in the 1940s. Many recent country artists use elements of pop and rock. Country music often consists in ballads with simple forms and harmonies, accompanied by guitar or banjo with a fiddle. Country bands now often include a steel guitar, bass and drums. Country Music in Missouri Missourians love country music, as evidenced by the large number of country music radio stations, the number of country artists on festivals and presented by concert venues around the state, the country music artists who make their home and perform regularly in the popular tourist destination of Branson, Missouri, and the many Missouri musicians and bands who play country music in the bars and clubs in their local community. “The Sources of Country Music,” a painting by well-known Missouri artist Thomas Hart Benton hangs in the Country Music Hall of Fame and Museum in Nashville. Ralph Peer (1892-1960), born in Independence, Missouri, worked for Columbia Records in Kansas City until 1920 when he took a job for OKeh Records in New York and supervised the recording of “Crazy Blues” by Mamie Smith, the first blues recording aimed at African- Americans. In 1924 he supervised the first commercial recording session in New Orleans, recording jazz, blues and gospel music. -
Loretta Lynn: Writin' Life Article 1
Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse. -
Draft 2-7-05
HFA Announces New Board Members Bob Doyle of Major Bob Music, Dave Johnson of Warner/Chappell, Dean Kay of Demi Music Corp. and Evan Medow of Secret Sauce Music May 28, 2008 – The Harry Fox Agency, Inc. (HFA), a leading U.S. music rights licensing organization, announced today that Bob Doyle of Major Bob Music, Dave Johnson of Warner/Chappell, Dean Kay of Demi Music Corp. and Evan Medow of Secret Sauce Music have been elected its Board. HFA’s Board is selected from the members of the Board of Directors of The National Music Publishers’ Association. “I congratulate Bob Doyle, Dave Johnson, Dean Kay and Evan Medow on their election to the HFA Board,” said HFA and NMPA Board Chairman Irwin Z. Robinson. “I know that with their experiences running all types of publishing companies around the country, and their close relationships with songwriters and performing artists, they will make great contributions to the board of the agency.” “I have already had the pleasure of working with Bob, Dave, Dean and Evan on the NMPA Board, and now I look forward to an even closer relationship with them as members of the HFA Board,” said Gary Churgin, President and CEO of HFA. “The diverse group of HFA Board members represents the interests of HFA’s almost 35,000 publisher affiliates, and I know they will provide us wise counsel as we continue to evolve HFA’s operations.” HFA’s complete Board of Directors is: Irwin Z. Robinson, Paramount Allegra Music, Chairman Bob Doyle, Major Bob Music Dave Johnson, Warner/Chappell Dean Kay, Demi Music Corp. -
Today a Commercially Successful, Internationally Appreciated Genre Of
18 had appeared on "hillbilty" records were from this region. On July 22, 1927, Peer and his two engineers set up a temporary studio on the Tennessee side of State Street in downtown Bristol; and on Monday, July 25, the now-famous "Bristol .. hillbilly music," a catch-all term for Sessions" began, showcasing a well much of the white folk and popular known local musician, Ernest music composed and performed in Stoneman (from the nearby Virginia the Southern United States during Blue Ridge, Stoneman had already Today a commercially successful, that era. Musicians from across the enjoyed several "hillbilly" hit internationally appreciated genre of South-including many from recordings). By their completion on American music, country music was Appalachia-traveled to those cities, Friday, August 5, the Bristol Sessions first commercially recorded in the for the experience of making records yielded 76 recorded performances by early 1920s. Since then, it has been and the possibility of financial 19 separate musical acts. Utilizing strongly influenced by traditional reward. The music recorded at these what was then state-of-the-art and popular music genres from studios, incorporating essentially the equipment, Peer and his engineers several regions of the United same repertoire then being performed ensured that the recordings exceeded States-by gospel and blues from on front porches and at other com all previous .. hillbilly" recordings in the South, cowboy music from the munity events in the South, sold far sound quality. Equally significant was West, and Tin Pan Alley music from more copies than record companies the high quality of the performances the North. -
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol. -
The Rise and Fall of the Hillbilly Music Genre, a History, 1922-1939. Ryan Carlson Bernard East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2007 The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939. Ryan Carlson Bernard East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Musicology Commons Recommended Citation Bernard, Ryan Carlson, "The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939." (2007). Electronic Theses and Dissertations. Paper 2059. https://dc.etsu.edu/etd/2059 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939. ___________________ A thesis presented to the faculty of the Department of Liberal Studies East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in Liberal Studies ___________________ by Ryan Carlson Bernard December, 2006 ___________________ Dr. Richard Blaustein, Chair Dr. Ted Olson Dr. Kevin O’Donnell Keywords: Hillbilly, Music, Stereotype, Genre, Phonograph, Radio ABSTRACT The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939 by Ryan Carlson Bernard This research will examine the rise in popularity of the hillbilly music genre as it relates to the early part of the twentieth century as well as its decline with the arrival of the western hero, the cowboy. -
Healing Songs 1St Edition Kindle
HEALING SONGS 1ST EDITION PDF, EPUB, EBOOK Ted Gioia | 9780822337027 | | | | | Healing Songs 1st edition PDF Book This track was also strong on the Billboard Hot , reaching No. He also worked with Frank Zappa and Elvis Presley. In the early part of the 20th century, she worked as head nurse of the Helsinki Surgical Hospital and later became president of the Finnish Nurses Association. But wouldn't you be disappointed if music's best offered anything less? Add to that the fact that the wardrobes for hip-hop hyphenates, jazz masters, smooth crooners, brash rockers, country stars, soul stirrers and pop icons are likely to have less in common than the music itself. Lists with This Book. Refresh and try again. This article has multiple issues. Mac Davis. Keyboard player John Hobbs was briefly in the lineup, but, though he played on future recordings, was not in the group long enough to appear on any album covers or publicity photos. As their domestic popularity continued to decline, Terry wanted to focus on the hard rockers that had done so well for them overseas. Just a moment while we sign you in to your Goodreads account. By both exciting and relaxing music aids the healing process. Trivia About Healing Songs. Home Books First Edition Books. I Believe in Music. Energetic Happy Hypnotic. Abi Smack rated it liked it May 11, Today, she lives in California and runs a jewelry store. Though scoring high on the easy listening charts, "Someone Who Cares" failed to reach the pop top fifty. Welcome back. Celine Dion won for Falling Into You for Drop us a comment and let us know. -
Taking in the Trail Through Middle Tennessee’S History, Landscape, Music and Cuisine
nashville area self-guided driving tour Welcome to the Screaming Eagle Trail. SEE THE DRIVING TOUR MAP ON PAGE 12. Get ready to explore the Screaming Eagle Trail, a journey TAKING IN THE TRAIL through Middle Tennessee’s history, landscape, music and cuisine. Your trip starts in Nashville and heads west, through • These 353 miles are full of historic sites, preserved homes and museums that bring the stories of the Screaming Eagle charming small towns built by the iron industry in the Trail to life. Many of them require advance reservations, 1800s. Along the way, stop to sample some of Tennessee’s best admission, or both to experience our history. BBQ ribs, coffee shop treats, family-style soul food and more. • Many historic buildings open their doors to visitors. Many Fall in step with military history, from the legendary properties remain as they have for over a century: 101st Airborne at Fort Campbell to the Civil War stories of Fort private residences. Please be respectful of the private land and homeowners on our tour. Donelson National Battlefield. You’ll also get a taste of the • This is a drive that promises an off-the-beaten-path region’s African-American heritage, from slave-built ironworks Tennessee experience. What we can’t promise is steady READY FOR A TENNESSEE ROAD TRIP? We’ve to the impact of Historically Black Colleges & Universities. cell phone service. Don’t be surprised if you don’t always got you covered on the new, self-guided driving trails of Learn about Tennessee women who have made their have a signal. -
L1 the ORIGINALS 570 6 November 2016 Appalachia 3
L1 THE ORIGINALS 570 6 november 2016 Appalachia 3 - Kirsten 2:56 1 Tennessee Border (Work) Alben JIMMY WORK AGA105 Dit zijn The Originals bij L1 Radio, Appalachia Special Vol 3, met een zeldzame van en door Jimmy Work op het Alben label in 1948: zijn Tennessee Border, gecoverd van Hank Williams tot Bill Haley. Jimmy woonde op de grens tussen Tennessee en Kentucky, maar zijn song is natuurlijk evenzeer toepasselijk voor wie op de grens tussen Tennessee en – pakweg – Virginia woonde, zoals Tennessee Ernie Ford, die zelfs pal op die grens woonde, in het plaatsje Bristol waarvan de hoofdstraat (State Street) gewoon die staatsgrens volgt. Niet alleen spreekt zulks tot de verbeelding, wij met The Originals zijn daar bijna een volle aflevering zoet. 2:37 2 Shotgun Boogie (Ford) Capitol TENNESSEE ERNIE FORD L90 3 Shotgun Boogie, waarmee Tennessee Ernie Ford in 1950 niet alleen een eerste plaats op de country charts veroverde, hij hield hier ook een Original aan over. Alle andere versies, van Cab Calloway tot Shakin’ Stevens, zijn van latere datum. Nu zijn we natuurlijk niet alleen voor Tennessee Ernie naar Bristol afgezakt (ook al blijft hij mooi meegenomen); in Bristol (Tennessee en/of Virginia) is vooral muziekgeschiedenis geschreven toen hier zomer 1927 voor het eerst een grote platenmaatschappij ter plaatse neerstreek voor opnamen. Tot dan toe zat er voor talent uit die bergen niets anders op dan zelf de verplaatsing naar New York te maken, toevallig of niet kwamen die dan allemaal terecht bij één en dezelfde producer bij één en dezelfde maatschappij: Ralph Peer om hem niet te noemen (We raken daar maar niet van af). -
Beneath the Load of Women's Cares
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky “Beneath the load of women’s cares:” Women’s voices in country music Bakalářská práce Autor: Nela Brančíková Vedoucí: Mgr. David Livingstone, Ph.D. OLOMOUC 2018 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla úplný seznam citované a použité literatury. V Olomouci dne 14.5. 2018 Nela Brančíková I would like to thank my supervisor Mgr. David Livingstone, Ph.D. for his patient help, advice and encouragement. Contents 1 Introduction 5 2 Country music background 7 2.1 Origins of Country Music 7 2.2 The South, Folk Music and Society 9 2.3 Early Recordings 11 2.4 Appalachian women 12 3 The 1920s 15 3.1 The Carter Family 15 3.2 Single Girl, Married Girl 19 3.3 Lulu Walls 21 4 The post-war era 24 4.1 Kitty Wells 25 4.2 It Wasn’t God Who Made Honky-Tonk Angels 26 4.3 Cheatin’s a Sin 29 5 The Women’s movement of the 1960s – 1980s 31 5.1 Loretta Lynn 31 5.2 The Pill 33 5.3 Hey Loretta 36 5.4 Dolly Parton 39 5.5 Jolene 41 5.6 Working Girl 43 6 Conclusion 46 7 České resumé 49 8 Bibliography 52 9 Annotation 55 10 Anotace 56 1 Introduction The aim of this work is to show how women were perceived in American society through country music culture, specifically through the country music of female artists. The quote from the title of my work “Beneath the load of women’s cares” is the final line from the song “Are You Tired of Me My Darling” by The Carter Family, one of the analyzed country music artists. -
20 in Mind. They Convinced Themselves That They Could Make Records Playing Fiddle Tunes
20 in mind. They convinced themselves that they could make records playing fiddle tunes. The two planned to convince the Victor Talking Machine Company of the same thing. On June 20, 1922, the two fiddlers got their wish, cutting four songs. The two that Victor released, "Sallie Goodin" and "Arkansas Traveler," may be the first country songs played by Southern musicians ever to be offered for sale." Robertson probably made quite an impression on New York, as photographs show him clad cowboy style in a Stetson hat, neckerchief, vest, and shirtsleeves. Okeh Records, a company based in New York, sent their field scout, Ralph Peer, to Atlanta in 1923 to record local talent for possible release. While conducting the field recording sessions, he recorded two old-time fiddle tunes played and sung by a local fiddle champion, "Fiddlin'" John Carson. Peer did not expect the recordings of "The Little Old Log Cabin in the Lane," and "The Old Hen Cackled and the Rooster's Going to Crow," to sell nationally, so he had only enough discs pressed to stock the shelves of local Atlanta record dealers. In an instance of perfect timing, the record order arrived in Atlanta the day of a big fiddle contest, which Carson won. This victory allowed him to advertise the record from stage, and all five hundred copies sold on the first day. Victor pressed a second order immediately. 12 Carson, who often performed with his daughter "Moonshine Kate," eventually became known for his boisterous singing style as well as his fiddling. As previously stated, Ralph Peer pronounced Carson's loud, nasal singing "pluperfect awful," but their comedy skits in which they portrayed a mountain moonshiner and his daughter, proved to be some of the earliest examples of what would become a permanent marriage between comedy and country music.