In This Paper, the Author Examines Vedic Magha(Van)
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A Study of the Early Vedic Age in Ancient India
Journal of Arts and Culture ISSN: 0976-9862 & E-ISSN: 0976-9870, Volume 3, Issue 3, 2012, pp.-129-132. Available online at http://www.bioinfo.in/contents.php?id=53. A STUDY OF THE EARLY VEDIC AGE IN ANCIENT INDIA FASALE M.K.* Department of Histroy, Abasaheb Kakade Arts College, Bodhegaon, Shevgaon- 414 502, MS, India *Corresponding Author: Email- [email protected] Received: December 04, 2012; Accepted: December 20, 2012 Abstract- The Vedic period (or Vedic age) was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was com- posed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period. The end of the period is commonly estimated to have occurred about 500 BCE, and 150 BCE has been suggested as a terminus ante quem for all Vedic Sanskrit literature. Transmission of texts in the Vedic period was by oral tradition alone, and a literary tradition set in only in post-Vedic times. Despite the difficulties in dating the period, the Vedas can safely be assumed to be several thousands of years old. The associated culture, sometimes referred to as Vedic civilization, was probably centred early on in the northern and northwestern parts of the Indian subcontinent, but has now spread and constitutes the basis of contemporary Indian culture. After the end of the Vedic period, the Mahajanapadas period in turn gave way to the Maurya Empire (from ca. -
Agni's Flight and Return
Agni’s Flight and Return Presented to the ADF Summerlands Festival, Camp Clifton, Ohio, August 2016. by Nathan Large Agni has been born many times, of many mothers and fathers. He is born out of the heavens, in the solar fire. He is born of the celestial waters and brought forth in the winds, the rains, and the lightning. He is born of two mothers, the drill and board, with ten maids attending the birth. He is born, and dies, and is reborn again. Agni was a handsome young priest, a hotar, newly ordained as minister of all sacrifice. He was to succeed his elder brothers, each of whom served before as hotar, each of whom died in that service. The gods waited eagerly for the bounty of offerings their priest would bring, offerings from Manu, first human, representative of all humankind. But the offerings never came. The sacrifices were not made. Agni, promising young priest, had disappeared. Like us, without Agni, the gods cannot eat and grow weak. Hungry, angry, and afraid, the gods rode forth, after learning of their priest’s absence. Indra the Thundering King, Varuna the Lawgiver, and Yama the Judge rode at their head, best skilled to seek out the missing priest. They sought him out, but Agni was well hidden. Knowing the fate of his brothers before, fearing his own inevitable death, Agni fled far and hid deep. First he hid in the darkness of the skies, but Matarisvan the lightning sensed Agni and revealed him to Indra. Agni ran flashing to the earth. -
Vedic Brahmanism and Its Offshoots
Vedic Brahmanism and Its Offshoots Buddhism (Buddha) Followed by Hindūism (Kṛṣṇā) The religion of the Vedic period (also known as Vedism or Vedic Brahmanism or, in a context of Indian antiquity, simply Brahmanism[1]) is a historical predecessor of Hinduism.[2] Its liturgy is reflected in the Mantra portion of the four Vedas, which are compiled in Sanskrit. The religious practices centered on a clergy administering rites that often involved sacrifices. This mode of worship is largely unchanged today within Hinduism; however, only a small fraction of conservative Shrautins continue the tradition of oral recitation of hymns learned solely through the oral tradition. Texts dating to the Vedic period, composed in Vedic Sanskrit, are mainly the four Vedic Samhitas, but the Brahmanas, Aranyakas and some of the older Upanishads (Bṛhadāraṇyaka, Chāndogya, Jaiminiya Upanishad Brahmana) are also placed in this period. The Vedas record the liturgy connected with the rituals and sacrifices performed by the 16 or 17 shrauta priests and the purohitas. According to traditional views, the hymns of the Rigveda and other Vedic hymns were divinely revealed to the rishis, who were considered to be seers or "hearers" (shruti means "what is heard") of the Veda, rather than "authors". In addition the Vedas are said to be "apaurashaya", a Sanskrit word meaning uncreated by man and which further reveals their eternal non-changing status. The mode of worship was worship of the elements like fire and rivers, worship of heroic gods like Indra, chanting of hymns and performance of sacrifices. The priests performed the solemn rituals for the noblemen (Kshsatriya) and some wealthy Vaishyas. -
Part I the Religions of Indian Origin
Part I The Religions of Indian Origin MRC01 13 6/4/04, 10:46 AM Religions of Indian Origin AFGHANISTAN CHINA Amritsar Kedamath Rishikesh PAKISTAN Badrinath Harappa Hardwar Delhi Indus R. NEPAL Indus Civilization BHUTAN Mohenjo-daro Ayodhya Mathura Lucknow Ganges R. Pushkar Prayag BANGLADESH Benares Gaya Ambaji I N D I A Dakshineshwar Sidphur Bhopal Ahmadabad Jabalpur Jamshedpur Calcutta Dwarka Dakor Pavagadh Raipur Gimar Kadod Nagpur Bhubaneswar Nasik-Tryambak Jagannath Puri Bombay Hyderabad Vishakhapatnam Arabian Sea Panaji Bay of Bengal Tirupati Tiruvannamalai-Kaiahasti Bangalore Madras Mangalore Kanchipuram Pondicherry Calicut Kavaratti Island Madurai Thanjavar Hindu place of pilgrimage Rameswaram Pilgrimage route Major city SRI LANKA The Hindu cultural region 14 MRC01 14 6/4/04, 10:46 AM 1 Hinduism Hinduism The Spirit of Hinduism Through prolonged austerities and devotional practices the sage Narada won the grace of the god Vishnu. The god appeared before him in his hermitage and granted him the fulfillment of a wish. “Show me the magic power of your Maya,” Narada prayed. The god replied, “I will. Come with me,” but with an ambiguous smile on his lips. From the shade of the hermit grove, Vishnu led Narada across a bare stretch of land which blazed like metal under the scorching sun. The two were soon very thirsty. At some distance, in the glaring light, they perceived the thatched roofs of a tiny village. Vishnu asked, “Will you go over there and fetch me some water?” “Certainly, O Lord,” the saint replied, and he made off to the distant group of huts. When Narada reached the hamlet, he knocked at the first door. -
Hymns to the Mystic Fire
16 Hymns to the Mystic Fire VOLUME 16 THE COMPLETE WORKS OF SRI AUROBINDO © Sri Aurobindo Ashram Trust 2013 Published by Sri Aurobindo Ashram Publication Department Printed at Sri Aurobindo Ashram Press, Pondicherry PRINTED IN INDIA Hymns To The Mystic Fire Publisher’s Note The present volume comprises Sri Aurobindo’s translations of and commentaries on hymns to Agni in the Rig Veda. It is divided into three parts: Hymns to the Mystic Fire: The entire contents of a book of this name that was published by Sri Aurobindo in 1946, consisting of selected hymns to Agni with a Fore- word and extracts from the essay “The Doctrine of the Mystics”. Other Hymns to Agni: Translations of hymns to Agni that Sri Aurobindo did not include in the edition of Hymns to the Mystic Fire published during his lifetime. An appendix to this part contains his complete transla- tions of the first hymn of the Rig Veda, showing how his approach to translating the Veda changed over the years. Commentaries and Annotated Translations: Pieces from Sri Aurobindo’s manuscripts in which he commented on hymns to Agni or provided annotated translations of them. Some translations of hymns addressed to Agni are included in The Secret of the Veda, volume 15 of THE COMPLETE WORKS OF SRI AUROBINDO. That volume consists of all Sri Aurobindo’s essays on and translations of Vedic hymns that appeared first in the monthly review Arya between 1914 and 1920. His writings on the Veda that do not deal primarily with Agni and that were not published in the Arya are collected in Vedic and Philological Studies, volume 14 of THE COMPLETE WORKS. -
'Kona' the Prefix
Toponymy of Konarak ‘Kona’ the prefix The place name Konarak is considered to be a combination of two words Kona and Arka denoting corner and sun respectively. According to M.M.Ganguly, “The term corner or Kona has been used with reference to the position of the Padma Kshetra or Puri being situated at the northeast corner of the latter.”1 Debala Mitra presumes the prefix Kona to be “in relation to Trikona, in the corner direction of which the temple was erected” and identifies Trikona with Tikona on the bank of Kushabhadra.2 Sarala Das in his Oriya Mahabharata holds the view that as demon Arka was killed by the sun god in the Agnikona (southeast corner) of the earth, the place became famous as Konarka.3 The Brahmanda Purana locates Konarka in the southeast corner of earth.4 On the basis of the above viewpoints K.S.Behera holds, “ Either the Kona or corner was used in relation to some other place or it denoted one corner of the earth, probably the south-eastern corner.”5 ‘Kona’ as place name material: ‘Kona’ as a place name prefix has been used extensively in different parts of India. A search for ‘Kona’ as a place name prefix by this author reveals as many as 249 occurrences.6 Out of this, ‘Kona’ as a mono word place name has been used at least in 13 places (four in Andhra Pradesh, three in Uttar Pradesh, two in Madhya Pradesh; one each in Orissa,Bihar, Haryana, and Maharastra)7. Besides, ‘Kona’ occurs in the company of a variety of suffixes in many parts of the country. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
My HANUMAN CHALISA My HANUMAN CHALISA
my HANUMAN CHALISA my HANUMAN CHALISA DEVDUTT PATTANAIK Illustrations by the author Published by Rupa Publications India Pvt. Ltd 2017 7/16, Ansari Road, Daryaganj New Delhi 110002 Copyright © Devdutt Pattanaik 2017 Illustrations Copyright © Devdutt Pattanaik 2017 Cover illustration: Hanuman carrying the mountain bearing the Sanjivani herb while crushing the demon Kalanemi underfoot. The views and opinions expressed in this book are the author’s own and the facts are as reported by him which have been verified to the extent possible, and the publishers are not in any way liable for the same. All rights reserved. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 978-81-291-3770-8 First impression 2017 10 9 8 7 6 5 4 3 2 1 The moral right of the author has been asserted. This edition is for sale in the Indian Subcontinent only. Design and typeset in Garamond by Special Effects, Mumbai This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated, without the publisher’s prior consent, in any form of binding or cover other than that in which it is published. To the trolls, without and within Contents Why My Hanuman Chalisa? The Text The Exploration Doha 1: Establishing the Mind-Temple Doha 2: Statement of Desire Chaupai 1: Why Monkey as God Chaupai 2: Son of Wind Chaupai 3: -
Sun Worship in the Vedic Literature Chapter- Ii
CHAPTER- II SUN WORSHIP IN THE VEDIC LITERATURE CHAPTER- II SUN WORSHIP IN THE VEDIC LITERATURE The worship of the Sun as a prominent deity was prevalent among almost all the ancient nations of the world, for the celestial luminary appealed greatly to their religious instincts. Siirya was being worshipped in India from very early times. Vedic India had a vigorous tradition of Sun worship, which forms an integral part of Nature worship so prominently practiced by the Indo-Aryans. The Sun was worshipped under multiple names and forms in the Vedic tradition. Different Vedic Sun gods represent a special . 1 aspect of the Sun. Differences in functions, positions , aspects and times of daily worship of the Sun god as well as differences of tribes and families2 among the Indo Aryans and those of society and occupation3 among the Aryans and non-Aryans appear to have contributed to the multiplication of names and forms of the Sun god. Sacrifices were offered to the Sun god in his various aspects under different names such as Siirya, Savitri, Pii:}an, Bhaga, Vivasvat, Mitra and Vi:}QU, each personifying to a greater or lesser extent the different attributes of the Sun. I Surya: Siirya represents primarily the round red orb of the Sun and hence is "the most concrete of the solar deities'.4. His connection with the visible luminary orb is very 5 intimate in the Rigveda • In the Atharvaveda, Siirya looses that intimacy with nature and 6 becomes primarily a great force of magic and medicine • However, in the Brahmal)as, 7 8 Upanisads and Siitras the orb of the Sun is regularly worshipped • In the Rigveda, the 9 singer wishes the rising Sun to declare him sinless to Mitra and V ~ Ka~Itaki used to 9 adore the Sun god for the removal of his sin . -
From Rig-Veda to Upanishads
McMASTER UNIVERSITY LIBRARY THE AMERICAN LECTURES ON THE HISTORY OF RELIGIONS. I. Buddhism.—The History and Literature of Bud dhism. By T. W. Rhys-Davids, LL.D., Ph.D. II. Primitive Religions.—The Religions of Primitive Peoples. By D. G. Brinton, A.M., M.D., LL.D., Sc.D. III. Israel.—Jewish Religions. Life after the Exile. By Rev. T. K. Cheyne, M.A., D.D. IV. Israel.—Religion of Israel to the Exile. By Karl Budde, D.D. V. Ancient Egyptians.—The Religion of the Ancient Egyptians. By G. Steindorff, Ph.D. VI. Religion in Japan.—The Development of Re ligion in Japan. By George W. Knox, D.D. VII. The Veda.—The Religion of the Veda. By Maurice Bloomfdjld, Ph.D., LL.D. In activepreparation : VIII. Islam.—The Religion of Islam. By Iguaz Goldziher, Ph.D., Litt.D. G. P. PUTNAM'S SONS NEW YORK AND LONDON AMERICAN LECTURES ON THE HISTORY OF RELIGIONS SERIES— SEVENTH 1906-1907 THE RELIGION OFTHE VEDA THE ANCIENT RELIGION OF INDIA (From Rig-Veda to Upanishads) BY MAURICE BLOOMFIELD, Ph.D., LL.D. Professor of Sanskrit and Comparative Philology in Johns Hopkins University, Baltimore G. P. PUTNAM'S SONS NEW YORK AND LONDON Zbe "ftntcfcerbocher press 1908 Copyright, 1008 BY G. P. PUTNAM'S SONS TEbe lttUcfterbocfter ©re»g, new Jtort PREFACE. THIS volume reproduces with some little ampli fication six lectures on the Religion of the Veda given before various learned institutions of America during the fall and winter of 1906-07. The period of time and the amount of literature embraced in the term Vedic are large ; moreover any discussion of this religion that deserves the name must also include a glance at the prehistoric periods which preceded the religion of the Veda. -
A Walk Along the Ganga1 (3-5 Class Periods)
A Walk along the Ganga1 (3-5 class periods) Suggested Curriculum Areas: Social Studies/Global Studies and the Living Environment Goals: 1. To expose students to Indian culture including Hindu social customs, traditions, and religious beliefs and practices. (Social Studies Standard 2) 2. To introduce students to water resource issues in India. In what ways have human decisions and activities have had an impact on the Ganges ecosystem? (Living Environments, Key Idea 7) 3. To introduce the students to internet and library research skills. 4. To encourage students to think critically about an issue from a variety of perspectives. Background Information for Teachers PowerPoint: “Ganga: River and Ritual in Hinduism” Handout: River Ganga, Varanasi India Information sheet Articles and book chapters: o Alley, Kelly. 1994. Ganga and Gandagi: Interpretations of Pollution and Waste in Banaras. Ethnology. 33(2): 127-145. o Eck, Diana. 1982. Banaras: City of Light. New York: Knopf. (especially Chapter 5: The River Ganges and the Great Ghats) o Pandey, Brijesh. 2012. Ganga Polluted. Tehelka Magazine. http://archive.tehelka.com/story_main53.asp?filename=Ne160612GANGA.asp Video: Rose Apple Tree Island (2012) (http://vimeo.com/41653955) Video: “Ganges” (BBC, 2007) o A beautiful documentary about the ecology and cultural importance of the Ganges River. o This video can be ordered from the BBC. There are short clips at http://www.bbc.co.uk/programmes/b007wjwz/clips. You can also find it on YouTube. Website: National Ganga River Basin Authority: http://cpcb.nic.in/ngrba/about.html o The website for the government agency responsible for managing the Ganges watershed. -
NÔ Ai¶ Suyr P&Iwvi *Aes ! Vayu Saem
Introduction to Asian Philosophy The Vedic Gods The Ruler of Heaven. “In the Vedas, Indra appears as the deity of the sphere of space, the dispenser of rain who #NÔ dwells in the clouds. Feared as the ruler of the storm, the thrower of the thunderbolt, he is also the cause of fertility. As the ruler of the sky world he is the companion of Va– yu, the wind, which is the life breath of the cosmos. In several hymns of the Rg. Veda the highest divine functions and attributes are ascribed to him. In the triad of gods, Indra Agni, Vay––u, and Surya, who hold preeminence above the others, Indra frequently takes the place of Vay–u as the Indra ruler of the sphere of space. Agni, Indra, and Sur– ya then represent the three forms of fire: the fire of the earthly world, the thunderbolt or fire of the sphere of space, and the sun, the fire of the sky. As the king of the gods, Indra is a prominent deity. In the Vedas, more hymns are addressed to Indra than to any other deity” (Daniélou, 106-107). Fire. “The earth is the dwelling place of fire. Fire captured and tamed by man has been the greatest assistant in his Ai¶ progress, the instrument of his power. Every form of fire is worshiped as a deity, but the divinity of fire is more directly experienced in the ritual fire, born of two pieces of wood rubbed together to the accompaniment of ritual Agni utterances and ceremonies. Agni is one of the most important deities of the Vedas.