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Collection Christian Polak De L'université Meiji Album Personnel 2015/6/15 claude estèbe Inalco - CEJ Album Conrad (1864-1865) クロード・エステーブ Collection Christian Polak de l'université Meiji Album personnel du vice-amiral Alfred Conrad (1824-1891) un officier de marine français sur la corvette Dupleix qui participa à la bataille de Shimonoseki (1864). Album rare par sa forme et son iconographie très variée qui permet de se faire une idée précise de la photographie au Japon à la fin de la période Bakumatsu. L’album Conrad La photographie au Japon en 1864 Christian Polak, Soie et Lumières : l'âge d'or des échanges franco-japonais : des origines aux années 1950, Tôkyô, Hachette Fujingahô, 2001. Collection Christian Polak de l'université Meiji Soie et cocon, histoire des relations entre la France et de département de Kanagawa Musée départemental d'histoire culturelle de Kanagawa, Yokohama, 2014 明治大学 クリスチャン・ポラック コレクション 「繭と鋼 －神奈川とフランスの交流史－」 神奈川県立歴史博物館、横浜市、２０１４ Christian Polak, Soie et Lumières : l'âge d'or des échanges franco-japonais : des origines aux années 1950, Tôkyô, Hachette Fujingahô, 2001 Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. 1 2015/6/15 Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. vice-amiral Alfred Conrad, Album, 1865, collection Christian Polak de l’université Meiji Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. plats en cuir, reliure japonaise. 2 2015/6/15 Frederick William Sutton, Album, 1867, collection musée Guimet. Felice Beato, Album, 1868, collection musée Guimet. plats en tissus, reliure japonaise plats en cuir, reliure occidentale. Yokohama shashin (Kusakabe, Farsari…), Album, années 1880, collection privée. plats en laque, reliure occidentale. Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. 3 2015/6/15 ange céleste, Tennyo 天女 天女 1864 - dix ans après la première photographie prise au Japon. - le début d’une industrie photographique. - permets de dater précisément des photographies. Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. 4 2015/6/15 1854 Premières photographies au Japon Eliphalet Brown Jr. a pris les premières photographies lors de l’expédition de Perry Wilhelm P. B. Heine, ハイン、琉球島で « Temple at Tumai, Lew Chew », 1856. Lithographie (détail). Collection Particulière. Hakodate bugyô 1857 plus ancienne photographie connu par des photographes japonais. Daguerréotype de Shimazu Nariakira par des rangakusha de son fief de Satsuma. 5 2015/6/15 1859 ouverture des ports des traités Nagasaki, Yokohama & Hakodate Reportages & et début de la photographie en studio Ichiki Shirō et autres 市来四郎 他 Shimazu Nariakira 島津斉彬, 1857 daguerréotype Shōko Shūseikan 尚古集成館蔵 Kagoshima. Issen Yoshikazu 一川芳員, Français 仏蘭西, 1861. estampe polychrome Christian Polak Collection. Luther Gerlach, 2015 富士山 ふじの山 富士山 Charles Parker 富士山 vers 1863-1868. Carte de visite. Boyd-Izakura collection. 6 2015/6/15 1863-1868 Album Conrad Felice Beato - datation précise A pris des portaits de vrais samouraïs - « instantané » de la photographie au Japon en 1864 > réalisés dans son studio de Yokohama et pendant ses reportages (Edo, Nagasaki, Kagoshima, Shimonoseki). > à l’intention de journaux européens et pour vendre aux visiteurs occidentaux. > début des Yokohama Shashin 7 2015/6/15 15b 15b 15b 8 2015/6/15 Felice Beato, vers 1863-1864 9 2015/6/15 Felice Beato, Daionji, Nagasaki, Université de Nagasaki Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. 10 2015/6/15 Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. 1866 Ueno Hikoma ouvre un studio à Nagasaki en 1862 Il prends des portraits de samouraïs célèbres des fiefs rebelles. > le pistolet de Sakamoto Ryōma. Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. 11 2015/6/15 Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. Felice Beato, Ueno Hikoma, Japonaise, vers 1864. Portrait de femme en seiza, vers 1864. Carte de Visite coloriée. Carte de Visite. Fonds Jacques Siegfried, Institut de France. Collection Christian Polak. 12 2015/6/15 Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. 13 2015/6/15 14 2015/6/15 Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. Le reportage Anonyme, "Place du Meurtre des Officiers Anglais, à Kamakura", 1864, épreuve à l'albumine sur papier, collection Christian Polak de l'université de Meiji. Felice Beato, "one of the Gorogio's" (Elder – membre du conseil du shōgun), vers 1863, V&A museum 15 2015/6/15 21 novembre 1864 Après avoir pris leur breakfast avec Wirgman, Roussin, et Beato, le Major Baldwin et le Lieutenant Bird sont assassinés en chemin vers Yokohama, en passant par Kamakura et Kanazawa. Les autres étaient rentrés par Fujisawa. Felice Beato, "VIEW NEAR KAMAKURA WHERE MAJOR BALDWIN AND LIEUT. BIRD WERE MURDERED", 1864, 289 x 208, université de Nagasaki Felice Beato, The place where Richardson was murdered [Namamugi], 1864, épreuve à l’albumine sur papier, université de Leyde. Incident de Namamugi, septembre 1862 Felice Beato, « Executioner of Kanagawa», 1864, épreuve à l’albumine sue papier colorée à la main, collection Claude Estebe. 16 2015/6/15 Aimé Humbert au Japon Le Japon illustré, dans Le Tour du Monde, 1866 17 2015/6/15 18 2015/6/15 Ueno Hikoma, portraits, cartes de visites, 1864 Ueno hikoma, portraits, cartes de visites, 1864 19 2015/6/15 20 2015/6/15 Lettre au marchand suisse François Perregaux date du 7 juin 1865 Mon cher Monsieur Perregaux, ‘ ...Je vous prie d’aller chez le photographe japonais qui demeure dans une rue près de Benton* ; de lui demander de vous faire voir tout ce qu’il a fait depuis le printemps de 1864, et de choisir, pour mon compte, ce que vous trouverez de mieux. J’ai déjà de lui deux femmes assises, l’une ayant la pipe à la main, une femme nue appuyée sur un monument, et quelques yacounines. Prenez tout ce qu’il aura de nouveau en fait de types de femmes surtout des types de femmes, et aussi d’artisans ; quant aux yacounines et gens de la douane, j’en ai assez. Je n’ai pas besoin non plus de vues de Yokohama. Veuillez avoir l’obligeance de m’expédier cette commande par le retour de la malle, en me disant chez qui je dois vous en rembourser le montant. J’ai traité à Paris avec la librairie L. Hachette et Cie pour la publication d’un volume illustré sur le Japon, et l’on commencera à en donner des extraits dans le journal illustré Le Tour du Monde, dès le mois de novembre.’ Aimé Humbert * J’ai donné une commission analogue à M. de Polsbroek pour Beato, parce qu’il connaît déjà ce que celui-ci m’a livré. Mais s’il était absent ou empêché, veuillez y pourvoir pour le mieux, dans le même sens. 21 2015/6/15 22 2015/6/15 ? Apollinaire Le Bas, Guerrier Japonais, 1864, collection musée Guimet 23 2015/6/15 24 2015/6/15 Apollinaire La Bas, « Pagode de Simonoseki » 1864, collection musée Guimet. ? 25 .
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