Activities of the Photographic Society of Japan in 2009
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Henry and Nancy Rosin Collection of Early Photography of Japan
Henry and Nancy Rosin Collection of Early Photography of Japan Freer Gallery of Art and Arthur M. Sackler Gallery Archives Washington, D.C. 20013 [email protected] https://www.freersackler.si.edu/research/archives/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Local Numbers................................................................................................................. 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Series FSA A1999.35 A1: Photo album from the studio of Adolpho Farsari, [1860 - ca. 1900]................................................................................................................... 3 Series FSA A1999.35 A2: Photo album from the studio of Tamamura, [1860 - ca. 1900]...................................................................................................................... -
Mai 36 Galerie
MAI 36 GALERIE Japanese Photography 1930s – 1970s In collaboration with Taka Ishii Gallery Opening: Sunday, June 9, 2019, 11 am – 1 pm Exhibition: June 7 – August 3, 2019 Hours: Tues-Fri 11 am to 6.30 pm, Sat 11 am to 4 pm Zurich Art Weekend 2019: Friday, June 7, 12-7pm, Saturday/Sunday, June 8/9, 10am-7 pm Saturday, 3pm: Talk with Ryuichi Kaneko, former curator at Tokyo Metropolitan Museum of Photography We are pleased to present a selection of Japanese Photography in the group exhibition Japanese Photography 1930s- 1970s, in collaboration with Taka Ishii Gallery, Tokyo. Mai 36 Galerie has been showing contemporary positions in photography for 30 years, such as Thomas Ruff as well as analogue photography by Roe Ethridge, Luigi Ghirri, Ion Grigorescu, Jitka Hanzlová, Peter Hujar, Robert Mapplethorpe and Torbjørn Rødland. The global recognition of Japanese art photography has grown dramatically since the 1990s. Audiences worldwide were interested in the way that Japanese photographers, although influenced by Western photographic expression, created their own unique contexts for their practice. What began as interest in individual Japanese photographers expanded so that connections were made between the dots to create lines and overviews of Japanese photography transformed into systematic research of the same. In 2005, an exhibition on the history of Japanese photography was shown at the Houston International Photography Festival held in Texas, U.S.A., and deepened understanding of Japanese photography in America. In 2008, the “Heavy Light: Recent Photography and Video from Japan” exhibition was held at the International Center of Photography in New York, and it introduced post-1990s trends in Japanese photography and contemporary art. -
Metamorphosis of Japan After the War
Completing management training at a stock brokerage firm. Ikebukuro, Tokyo 1961 © Shigeichi Nagano Metamorphosis of Japan After the War EXHIBITION PERIOD: 22 January – 26 April 2015 Curated by Tsuguo Tada and Marc Feustel In 1945, post-war Japan made a new start from the ashes of devastation. In the twenty years leading up to the Tokyo Olympics of 1964, it succeeded in undergoing a dramatic transformation, embarking on a path towards becoming an economic power. These two decades constituted a period truly brimming with creative energy - a time in which democracy led to the restoration of vitality and free photographic expression, in which new talent pioneered post-war photography. This new exhibition reflects on the turbulent period that followed the war, exhibiting over 100 black and white photographs by 11 leading Japanese photographers. The photographers selected are Ken Domon, perhaps the best-known Japanese photographer of the 20th century for his cool-headed photo-realism. Ihee Kimura, whose approach to realism was distinguished from Domon's by its unique aesthetics. Hiroshi Hamaya, who photographed the climates and environments of mountain and agricultural villages together with the lives of their inhabitants. Tadahiko Hayashi, who produced marvelous portraits. Shigeichi Nagano, Ikko Narahara, Kikuji Kawada, Shomei Tomatsu, and Yasuhiro Ishimoto, who represent a younger generation of photographers, and Eikoh Hosoe and Takeyoshi Tanuma, who were two of the photographers who demonstrated the creativity of photography. Each of these individuals has their own style and produced significant works that are important records of this period. Rather than arranging the works by period and author, this exhibition is divided into three sections: "The Aftermath of the War" "Between Tradition and Modernity" and "Towards a New Japan" Although the arrangement may seem arbitrary, the sequence provides a vivid narrative of the convoluted aspects of this complicated era. -
Japan on Display: Photography and the Emperor P
Japan on Display Sixty years on from the end of the Pacifi c War, Japan on Display examines representations of the Meiji Emperor, Mutsuhito (1852–1912), and his grandson the Shôwa Emperor, Hirohito, who was regarded as a symbol of the nation, in both war and peacetime. Much of this representation was aided by the phenomenon of photography. The introduction and development of photography in the nineteenth century coincided with the need to make Hirohito’s grandfather, the young Meiji Emperor, more visible. It was important to show the world that Japan was a civilised nation, worthy of international respect. Photobooks and albums became a popular format for presenting seemingly objective images of the monarch, reminding the Japanese of their proximity to the emperor, and the imperial family. In the twentieth century, these ‘national albums’ provided a visual record of wars fought in the name of the emperor, while also documenting the reconstruction of Tokyo, scientifi c expeditions, and imperial tours. Collectively, they create a visual narrative of the nation, one in which Emperor Hirohito (1901–89) and science and technology were prominent. Drawing on archival documents, photographs, and sources in both Japanese and English, this book throws new light on the history of twentieth-century Japan and the central role of Hirohito. With Japan’s defeat in the Pacifi c War, the emperor was transformed from wartime leader to peace-loving scientist. Japan on Display seeks to understand this reinvention of a more ‘human’ emperor and the role that photography played in the process. Morris Low is Professor of East Asian Sciences and Technology at Johns Hop- kins University. -
BAKUMATSUYA ۥ¢Â€ PDF Catalogue
Catalogue for September 2020 1057-29 Ichigao-cho, Aoba-ku, Yokohama, Kanagawa 225-0024, JAPAN Inspection by appointment only www.bakumatsuya.com - 2 - Catalogue of The Exhibition of Paintings of Hokusai the first exhibition of Hokusai works held in Japan The exhibition was 'Held at the Japan Fine Art Association, Uyeno Park, Tokio from 13th to 30th January, 1900.' This copy signed by the author, Bunshichi Kobayashi, the well known art dealer, and given to his friend and collector, Frederick W. Gookin. According to WorldCat, no copies in institutions outside Japan except on microfiche. One copy at Nichibunken in Kyoto. Excessively rare and important Hokusai reference. Quite possibly more than a few of the Hokusai paintings described and/or photographed in the book were lost in the 1923 earthquake or WWII. Comprehensive catalogue with 223 items described and most in some detail. Fifty plates showing important works. Fascinating 16-page preface by Ernest Fenellosa. Interestingly, for some reason the catalogue itself wasn't published until 18 months after the exhibition was held and it seems very few were ever printed. Colour, woodblock printed frontispiece of Hokusai. Hard cover with brown boards. Tokyo. Bunshichi Kobayashi. 1901. Colour frontispiece+16pp preface. 167[1]pp+50 b&w plates+colophon page. 26.9 x 18.5cm. In very good condition. Covers starting to separate and are a bit worn with minor loss at top of spine. Corners a little bumped. Internally very good with almost no wear. nb32070018 Price: $11,892 - 3 - Flags of the Different Daimios of Japan Wonderful scroll in Japanese and English Fascinating scroll showing the names of the 29 daimyo (lord) of Japan, their provinces, their flag, the leading family's name, along with the wealth of each daimyo as measured in rice (one koku was roughly the amount of rice needed to feed one person for one year). -
Museum Collections Totaled 142.1 Million
National Collections Program Staff William G. Tompkins, National Collections Coordinator Lauri A. Swann, Assistant National Collections Coordinator Cover Photo: Smithsonian Institution Building towers from the Arts and Industries Building showing both roofs. This image first appeared in the 1931 United States National Museum Report. For additional information or copies of this report contact: National Collections Program, Arts & Industries Building, Room 3101, 900 Jefferson Drive, SW, Smithsonian Institution, Washington, DC 20560 - 0404 tel. (202) 357-3125 fax (202) 633-9214 e-mail [email protected]. 2000 Collection Statistics National Collections Program Smithsonian Institution Archives Director’s Statement I am pleased to present to the Board of Regents, the Secretary, and Smithsonian staff the annual statistical report on the collections of the Smithsonian. This report contains a wealth of information on Institutional trends in the acquisition, loan, and management of the National Collections. First published in 1987, the statistics have become an important indicator of both progress and problems in collections management, informing resource allocators and the Institution’s personnel of events occurring in a given year, and trends reflected over time. This year’s Collection Statistics marks a departure from previous years. More important, it marks the beginning of changes that will occur as the National Collections Program (NCP) of Smithsonian Institution Archives reviews the needs and wishes of its multiple audiences. In the coming year, NCP will seek to identify new and expanded methods to communicate findings on the growth, care, and use of the National Collections. This year’s change moves the publication toward increased uniformity and comparability of data. -
THE TOM BURNETT COLLECTION of PHOTOGRAPHS of JAPAN 1859 – C. 1912
THE TOM BURNETT COLLECTION OF PHOTOGRAPHS OF JAPAN 1859 – c. 1912 • A TOTAL OF 4,500 VINTAGE PHOTOGRAPHS • 42 ALBUMS CONTAINING A TOTAL OF 2,000 PHOTOGRAPHS • 11 GROUPS OF IMAGES CONTAINING A TOTAL OF 250 PHOTOGRAPHS • AND APPROXIMATELY 2,000 MISCELLANEOUS PHOTOGRAPHS --VARIOUS PHOTOGRAPHIC FORMATS INCLUDING AMBROTYPES, CABINET CARDS, DEGURREOTYPE, CARTES-DE-VISITE, COLLOTYPES, GLASS LANTERN SLIDES, MAMMOTH PRINTS, STEREOVIEWS and PANORAMAS. 1 PREPARED WITH THE ASSISTANCE OF ALDEN REISS REFERENCES cited in this catalogue: Felice Beato, A Photographer on the Eastern Road (Getty Museum), Anne Locoste, 2010 PER (PL – Plate) Felice Beato in Japan, CG Phillipp, Motta edition, 1991 FBJ Japan, Photographs, Clark Worswick, 1979 JP Photography in Japan 1853 – 1912, Terry Bennett, 2006 PIJ Views and Costumes of Japan: A Photograph Album by Baron Raimund von Stillfried-Ratenicz, Luke Gartlan, “The La Trobe Journal” No 76, 2005 VCJ Felice Beato Photographer in Nineteenth-Century Japan, Eleanor M. Hight, 2011 FBUNH La Photographie Japonaise, Patrik Bonneville, 2006 LPJ Koshashin, The Hall Collection, 2009 KO Reinventing Tokyo, Catalogue for Exhibition at Mead Art Museum at Amherst College, 2013 RT Souvenirs from Japan, Margarita Winkel, 1991 SJ Staging Desires: Japanese Feminitity in Kusakabe Kimbei’s Nineteenth-Century Souvenir Photograohy, Mio Wakita, 2013 SD Renjo Shimooka: The Pioneer Photographer in Japan, Ishiguro Keisho, 1999 ISH The British and French Military Garrisons in Yokohama at the Time of the Meiji Restoration, Yokohama Archives of -
Political and Ritual Usages of Portraits of Japanese
POLITICAL AND RITUAL USAGES OF PORTRAITS OF JAPANESE EMPERORS IN EIGHTEENTH AND NINETEENTH CENTURIES by Yuki Morishima B.A., University of Washington, 1996 B.F.A., University of Washington, 1996 M.S., Boston University, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Yuki Morishima It was defended on November 13, 2013 and approved by Katheryn Linduff, Professor, Art and Architecture Evelyn Rawski, Professor, History Kirk Savage, Professor, Art and Architecture Dissertation Advisor: Karen Gerhart, Professor, Art and Architecture ii Copyright © by Yuki Morishima 2013 iii POLITICAL AND RITUAL USAGES OF PORTRAITS OF JAPANESE EMPERORS IN EIGHTEENTH AND NINETEENTH CENTURIES Yuki Morishima, PhD University of Pittsburgh, 2013 This dissertation examines portraits of Japanese emperors from the pre-modern Edo period (1603-1868) through the modern Meiji period (1868-1912) by questioning how the socio- political context influenced the production of imperial portraits. Prior to Western influence, pre- modern Japanese society viewed imperial portraits as religious objects for private, commemorative use; only imperial family members and close supporters viewed these portraits. The Confucian notion of filial piety and the Buddhist tradition of tsuizen influenced the production of these commemorative or mortuary portraits. By the Meiji period, however, Western portrait practice had affected how Japan perceived its imperial portraiture. Because the Meiji government socially and politically constructed the ideal role of Emperor Meiji and used the portrait as a means of propaganda to elevate the emperor to the status of a divinity, it instituted controlled public viewing of the images of Japanese emperors. -
Collection Christian Polak De L'université Meiji Album Personnel
2015/6/15 claude estèbe Inalco - CEJ Album Conrad (1864-1865) クロード・エステーブ Collection Christian Polak de l'université Meiji Album personnel du vice-amiral Alfred Conrad (1824-1891) un officier de marine français sur la corvette Dupleix qui participa à la bataille de Shimonoseki (1864). Album rare par sa forme et son iconographie très variée qui permet de se faire une idée précise de la photographie au Japon à la fin de la période Bakumatsu. L’album Conrad La photographie au Japon en 1864 Christian Polak, Soie et Lumières : l'âge d'or des échanges franco-japonais : des origines aux années 1950, Tôkyô, Hachette Fujingahô, 2001. Collection Christian Polak de l'université Meiji Soie et cocon, histoire des relations entre la France et de département de Kanagawa Musée départemental d'histoire culturelle de Kanagawa, Yokohama, 2014 明治大学 クリスチャン・ポラック コレクション 「繭と鋼 -神奈川とフランスの交流史-」 神奈川県立歴史博物館、横浜市、2014 Christian Polak, Soie et Lumières : l'âge d'or des échanges franco-japonais : des origines aux années 1950, Tôkyô, Hachette Fujingahô, 2001 Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. 1 2015/6/15 Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. vice-amiral Alfred Conrad, Album, 1865, collection Christian Polak de l’université Meiji Eliphalet Brown Jr., Namura Gohachirō 名村五八郎, 1854, daguerreotype, Bishop Museum, Honolulu. plats en cuir, reliure japonaise. 2 2015/6/15 Frederick William Sutton, Album, 1867, collection musée Guimet. Felice Beato, Album, 1868, collection musée Guimet. plats en tissus, reliure japonaise plats en cuir, reliure occidentale. -
La Visió Del Col·Leccionista. Els Millors Fotollibres Segons Martin Parr
1 - La visió del col·leccionista. Els millors fotollibres segons Martin Parr Owen Simmons (fotògraf desconegut) The Book of Bread Maclaren and Sons, Londres, 1903 Vladimir Maiakovski i Aleksandr Ródtxenko Pro eto. Ei i mne Gos. Izd-vo (publicacions de l’Estat), Moscou, 1923 Albert Renger-Patzsch Die Welt ist Schön Kurt Wolff Verlag, Munic, 1928 Germaine Krull Métal Librairie des Arts Décoratifs, París, 1928 August Sander Antlitz der Zeit: 60 Fotos Deutscher Menschen Transmare Verlag i Kurt Wolff Verlag, Munic, 1929 Bill Brandt The English at Home B. T. Batsford Ltd., Londres, 1936 Comissariat de propaganda de la Generalitat de Catalunya Madrid Indústries Gràfiques Seix i Barral, Barcelona, 1937 Robert Capa Death in the Making Covici Friede Inc., Nova York, 1938 Heinrich Hoffmann (ed.) Winterhilfswerk-Heftchen Bild-Dokumente Heinrich Hoffmann, Munic, de 1938 a c. 1942 KZ: Bildbericht aus fünf Konzentrationslagern Oficina d’informació de guerra nord-americana), 1945 imoni col·locat ho gaudeix] Éditions du Seuil, Album Petite Planete, París, 1956 The Great Hall of the People Editorial de belles arts del poble, Pequín, 1959 Dirk Alvermann Algerien / L’Algérie Rütten & Loening, Berlín, 1960 Dirk Alvermann vitrina Parr Algerien / L’Algérie Rütten & Loening, Berlín, 1960 (facsímil 2011) Kazuo Kenmochi Narcotic Photographic Document Inoue Shoten, Tòquio, 1963 Kazuo Kitai Teikoh Mirai-sha Press, Tòquio, 1965 Ed van der Elsken Sweet Life Harry N. Abrams Inc., Nova York, 1966 Gian Butturini London Editrice SAF, Verona, 1969 Enrique Bostelmann América: -
ACTA ASIATICA VARSOVIENSIA No. 29
Institute of Mediterranean and Oriental Cultures Polish Academy of Sciences ACTA ASIATICA VARSOVIENSIA No. 29 Warszawa 2016 Editor-in-Chief Board of Advisory Editors KRZYSZTOF TRZCIŃSKI NGUYEN QUANG THUAN KENNETH OLENIK Subject Editor ABDULRAHMAN AL-SALIMI OLGA BARBASIEWICZ JOLANTA SIERAKOWSKA-DYNDO English Text Consultant BOGDAN SKŁADANEK ANNA KOSTKA LEE MING-HUEI ZHANG HAIPENG French Text Consultant NICOLAS LEVI Secretary AGNIESZKA PAWNIK © Copyright by Institute of Mediterranean and Oriental Cultures, Polish Academy of Sciences, Warsaw 2016 PL ISSN 0860–6102 eISSN 2449–8653 ISBN 978–83–7452–091–1 ACTA ASIATICA VARSOVIENSIA is abstracted in The Central European Journal of Social Sciences and Humanities, Index Copernicus, ProQuest Database Contents ARTICLES: MAXIME DANESIN, L’aube des light novels en France ..... 7 MÁRIA ILDIKÓ FARKAS, Reconstructing Tradition. The Debate on “Invented Tradition” in the Japanese Modernization ............................................................................................... 31 VERONICA GASPAR, Reassessing the Premises of the Western Musical Acculturation in Far-East Asia .................. 47 MARIA GRAJDIAN, Imaginary Nostalgia: The Poetics and Pragmatics of Escapism in Late Modernity as Represented by Satsuki & Mei’s House on the EXPO 2005 Site ................... 59 MAYA KELIYAN, Japanese Local Community as Socio- Structural Resource for Ecological Lifestyle ........................ 85 EKATERINA LEVCHENKO, Rhetorical Devices in Old Japanese Verse: Structural Analysis and Semantics........... -
Developments in the Japanese Documentary Mode • Marcos Centeno and Michael Raine Developments in the Japanese Documentary Mode
Developments in the Japanese Documentary Mode • Marcos Centeno • Marcos and Michael Raine Developments in the Japanese Documentary Mode Edited by Marcos Centeno and Michael Raine Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Developments in the Japanese Documentary Mode Developments in the Japanese Documentary Mode Editors Marcos Centeno Michael Raine MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Marcos Centeno Michael Raine Department of Cultures and Film Studies Program, Languages, Birkbeck, Western University University of London Canada UK Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) (available at: https://www.mdpi.com/journal/arts/special issues/developments japanese documentary mode). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Volume Number, Page Range. ISBN 978-3-03943-913-3 (Hbk) ISBN 978-3-03943-914-0 (PDF) Cover image courtesy of Komura Shizuo. © 2020 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.