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MS 7536 Pochoir Prints of Ledger Drawings by the Kiowa Five
MS 7536 Pochoir prints of ledger drawings by the Kiowa Five National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland, Maryland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Local Numbers................................................................................................................. 3 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical................................................................................................... -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Painting Culture, Painting Nature Stephen Mopope, Oscar Jacobson, and the Development of Indian Art in Oklahoma by Gunlög Fur
UNIVERSITY OF FOR IMMEDIATE RELEASE OKLAHOMA PRESS 9780806162874.TIF BOOKNEWS Explores indigenous and immigrant experiences in the development of American Indian art Painting Culture, Painting Nature Stephen Mopope, Oscar Jacobson, and the Development of Indian Art in Oklahoma By Gunlög Fur In the late 1920s, a group of young Kiowa artists, pursuing their education at the University of Oklahoma, encountered Swedish-born art professor Oscar Brousse Jacobson (1882–1966). With Jacobson’s instruction and friendship, the Kiowa Six, as they are now known, ignited a spectacular movement in American Indian art. Jacobson, who was himself an accomplished painter, shared a lifelong bond with group member Stephen Mopope (1898–1974), a prolific Kiowa painter, dancer, and musician. Painting Culture, Painting Nature explores the joint creativity of these two visionary figures and reveals how indigenous and immigrant communities of the MAY 2019 early twentieth century traversed cultural, social, and racial divides. $34.95s CLOTH 978-0-8061-6287-4 368 PAGES, 6 X 9 Painting Culture, Painting Nature is a story of concurrences. For a specific period 15 COLOR AND 22 B&W ILLUS., 3 MAPS immigrants such as Jacobson and disenfranchised indigenous people such as ART/AMERICAN INDIAN Mopope transformed Oklahoma into the center of exciting new developments in Indian art, which quickly spread to other parts of the United States and to Europe. FOR AUTHOR INTERVIEWS AND OTHER Jacobson and Mopope came from radically different worlds, and were on unequal PUBLICITY INQUIRIES CONTACT: footing in terms of power and equality, but they both experienced, according to KATIE BAKER, PUBLICITY MANAGER author Gunlög Fur, forms of diaspora or displacement. -
Master Uten Bilder
A Transforming Voice in a Changing Genre - Alison Krauss Sigrun Sundet Sandstad Master Thesis in Musicology At the Faculty of Musicology University of Oslo Autumn 2016 i A Transforming Voice in a Changing Genre - Alison Krauss - Acknowledgements… First of all I would like to thank my husband, Torkild. Your patience, your eye for detail, and shared love for bluegrass has been priceless in this process. I am also forever thankful for how you and our children have cheered me on in this process. Thank you dad, for introducing me to bluegrass music. Thank you for daring to play and listen to music you loved, although it was not always mainstream. Thank you Holly and Bart, for providing me with language expertise. Thank you, staff at the Grey Fox Bluegrass Festival 2016 for being so helpful. A huge thanks to Barry Bales, Charles Clements, Mike Compton, Jerry Douglas, Leigh Gibson and Sierra Hull for letting me interview you and for providing me with unique and valuable material. Thank you Stan Hawkins, my supervisor, for challenging me, encouraging me, and believing in me. I could never have done this without your guiding. Thank you, Alison Krauss, for loving and respecting bluegrass. Without your love for bluegrass, I wouldn’t have had mine. Sigrun S. Sandstad Stavern, October 2016 ii A Transforming Voice in a Changing Genre - Alison Krauss - iii A Transforming Voice in a Changing Genre - Alison Krauss - PREFACE If you asked me to guess, I would have said that it happened last week. It was one of those defining moments, which feels like days and at the same time a lifetime ago. -
The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952
1 The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952 Janet Catherine Berlo October 2008 2 Table of Contents Introduction . 3 Native American Painting as Modern Art The Publisher: l’Edition d’Art C. Szwedzicki . 25 Kiowa Indian Art, 1929 . .27 The Author The Subject Matter and the Artists The Pochoir Technique Pueblo Indian Painting, 1932 . 40 The Author The Subject Matter and the Artists Pueblo Indian Pottery, 1933-36 . 50 The Author The Subject Matter Sioux Indian Painting, 1938 . .59 The Subject Matter and the Artists American Indian Painters, 1950 . 66 The Subject Matter and the Artists North American Indian Costumes, 1952 . 81 The Artist: Oscar Howe The Subject Matter Collaboration, Patronage, Mentorship and Entrepreneurship . 90 Conclusion: Native American Art after 1952 . 99 Acknowledgements . 104 About the Author . 104 3 Introduction In 1929, a small French art press previously unknown to audiences in the United States published a portfolio of thirty plates entitled Kiowa Indian Art. This was the most elegant and meticulous publication on American Indian art ever offered for sale. Its publication came at a time when American Indian art of the West and Southwest was prominent in the public imagination. Of particular interest to the art world in that decade were the new watercolors being made by Kiowa and Pueblo artists; a place was being made for their display within the realm of the American “fine arts” traditions in museums and art galleries all over the country. Kiowa Indian Art and the five successive portfolios published by l’Edition d’Art C. -
Council File No. /;;2 ~ /3!:J.~ Council District No
COUNCIL FILE NO. /;;2 ~ /3!:J.~ COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _ } C. Dedication of Easement(s). _} D. Release of Restriction(s). __K_} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: ____} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____} Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council AUG 2 8 lfJtZ Of the City of Los Angeles Honorable Members: C. -
The Society of American Archivists / Performing Arts Roundtable News
PERFORMANCE! The Newsletter of the Society of American Archivists’ Performing Arts Roundtable Issue for Winter/Spring 2006 _____________________________________________________________________ [The Performing Arts Roundtable: Encourages the exchange of information on historical and contemporary documentation of music, dance, theater, motion pictures, and other performance media. (from the SAA Web site)] _______________________________________________________________________ Roundtable Co-Chair (2006): Roundtable Co-Chair (2007): Karen Spicher Helice Koffler Beinecke Library Wilson Processing Project Yale University New York Public Library New Haven, CT 06520 New York, NY 10036-4396 203/432-4205 212/714-8527 [email protected] [email protected] Newsletter Editor: Web Master: George Bain Ashley Yandle Archives & Special Collections Information Technology Branch Ohio University Libraries North Carolina State Archives 740/593-2713 919/807-7329 [email protected] [email protected] Visit the Roundtable Web Site: www.archivists.org/saagroups/performart/ Table of Contents • Message from the Roundtable Co-Chair………………….……..…………..…….2 • Open Letter on Theater Collections in London……………….……..….……..…3 • News Notes…………………………………………………………….……….…....4 • Reports from the Field…………………………….…………….….…….….……..4 o “Sharing the High Lonesome Sound: Training Bluegrass Performers” by Celia Szarejko and Norma Myers………...………………….…..….5 o “Jazz in the Hinterlands: The International Jazz Collections in Moscow, Idaho” by Michael Tarabulski and Lewis Ricci……..………9 • News of Roundtable Members………….……………………………...………..…12 • Editor’s Corner……………………………………………………..…….……..….12 Message from the Roundtable Co-Chair Performing Arts Roundtable Reaches Out By Helice Koffler At various times over the past several months I have been asked, “What does co-chairing the Performing Arts Roundtable involve?” Inevitably, a lot of energy goes into planning activities for the annual SAA conference and we have been active in that regard (see below). -
Art for All the Swedish Experience in Mid-America Art for All the Swedish Experience in Mid-America
Art for All The Swedish Experience in Mid-America Art for All The Swedish Experience in Mid-America by Cori Sherman North, Birger Sandzén Memorial Gallery Curator with an essay contributed by Donald Myers, Director of the Hillstrom Museum of Art at Gustavus Adolphus College in St. Peter, Minnesota, and introduction and acknowledgements by Ron Michael, Sandzén Gallery Director August 25 through October 20, 2019 2021: Dates to be Determined 2021/22: Dates to be Determined Hillstrom Museum of Art Introduction and Acknowledgements The inclination for the Birger Sandzén Memorial appreciate Director Karin Abercrombie’s assistance to Gallery to develop an ambitious, though certainly not make it happen. comprehensive, exhibition of early Swedish-American artwork has been brewing since the Gallery’s Conservation of several paintings from the Sandzén inception in 1957. Jonas Olof Grafström was one of Gallery’s permanent collection was made possible the true pioneers in this field and his history helped by a generous grant from the Swedish Council of spark the idea for this show. Additionally, there have America, a national non-profit organization dedicated been many instances of these artists making their to preserving and promoting Swedish heritage. way into exhibitions here, but none as far-reaching They also provided support for the printing of this as Art for All. Our namesake, Birger Sandzén, had catalogue. We are deeply grateful to them and hope ties to nearly all of the painters, printmakers, and the organization’s members will be proud of the sculptors represented, showing his amazing ability to exhibition. network. Therefore, it’s fitting that we finally tackle this incredible association of artists and their work, which We are also grateful to those who loaned works from was so important in building an appreciation for art in their collections to help add depth. -
High Lonesome Sound Definition
High lonesome sound definition Continue There is a feeling that can quietly creep over us and which is painful but also kind of unique to each of us, making it even more powerful. I'm talking about being alone. Some sounds and musical efforts to explain this isolation and particular grief are better defined by this very un-defined word than words ever could. Musical sounds that can't be described very well, but we all know what they feel like. Lonely is the sound of one trumpeter playing taps in a quiet cemetery. Lonely is the sound of an invisible Wheeler paddle blowing his steam whistle to warn other boats on the misty and dark Mississippi River. Lonely - the whistling of the train somewhere in the distance on a hot summer night. Lonely is Carlos Santana's distinctive guitar echoing through the muted and reverent stadium, before the rest of the band kicking in in Lone hears two coyotes (some Native Americans called their song dogs) singing to each other through a huge mountain meadow. Lonely is the sound of a frightened kitten thrown in the city alley. The great and often troubled Hank Williams wrote a song called I'm So Lonesome I Could Cry in the 1940s that perhaps says the best: Listen to the lonely whippowill, it sounds too blue to fly. Midnight train whining low, I was so lonely I could cry. I've never seen a night so long when time goes crawl past. The moon just went behind the cloud to hide her face and cry. -
1998-03-14-Billboard-Page-0042.Pdf
Country ARTISTS & MUSIC TRAVIS MAKES DREAMWORKS DEBUT COUNTRY (Continued from page 42) Travis is also straightforward as to grandiose plans together, but this one's months of the Travis campaign began ********** his reason for leaving Warner Bros. last working." with the single in February and run year. "I try not to say bad things, but I John Rose, senior executive for sales through August, when Travis will just had trouble with some people at and marketing, says, "Radio loves receive a star on the Hollywood Walk of Warners," he says. "I still have a lot of Randy because he represents a return Fame. In between will be a billboard on friends over there who will be my to traditional roots, and he's got that rec- Sunset Boulevard; scores of radio, TV CORNER friends for the rest of my life. But I had ognizable voice that they need on the air. and print appearances and interviews; trouble with the head of the label and The fans want that name recognition." a performance March 17 at the Nation- by Wade Jessen with the head of promotion. We couldn't Rose says the label is laying out a al Assn. of Record Manufacturers con- agree on the way things should be done, comprehensive plan for the album. ference; a fan -club tie -in with Gibson I N THE AMEN CORNER: With an increase of about 3,000 scans, the sound- I guess. The contract was up, and then "Luckily, the parent company gave us guitars; a truck -stop cross -promotion track to Robert Duvall's film "The Apostle" rises 36 -21 and snatches the the DreamWorks thing came up, so it time to put our company together to do with the movie "Black Dog" in April and Greatest Gainer ribbon on Billboard's Top Country Albums. -
Progressions
PROGRESSIONS Play along slowly CIRCLE OF FIFTHS • G-E7-A7-D7-G MORE CIRCLE OF FIFTHS • D-B7-E7-A7-D • C-A7-D7-G7-C • A-F#7-B7-E7-A • F-D7-G7-C7-F • Bd-G7-C7-F-Bd • Ed-C7-F-Bd-Ed • E-C#-F#7-B7-E 1-6 minor-4-5-1 • G-EM-C-D-G • C-AM-F-G-C • D-BM-G-A-D • E-C#M-A-B-E • F-DM-Bd-C-F 4-2M-6M-3M-5-1-6M-1 • C-AM-EM-BM-D-G-EM-G • F-DM-AM-EM-G-C-AM-C • G-EM-BM-F#M-A-D-BM-D • A-F#M-C#M-G#M-B-E-C#M-E • Bd-GM-DM-AM-C-F-DM-F • D-BM-F#M-C#M-E-A-F#M-A ROCKY TOP • G-C-G-EM-D-G (Repeat) EM-D-F-C-G- F-G-F-G • C-F-C-AM-G-C (Repeat) AM-G-Bd-F-C- Bd-C-Bd-C • D-G-D-BM-A-D (Repeat) BM-A-C-G-D- C-D-C-D • E-A-E-C#M-B-E (Repeat) C#M-B-D-A- E-D-E-D-E 1-4-5-1-4-1-5-1 • G-C-D-G-C-G-D-G • C-F-G-C-F-C-G-C • D-G-A-D-G-D-A-D • E-A-B-E-A-E-B-E • F-Bd-C-F-Bd-F-C-F • A-D-E-A-D-A-E-A • B-E-F#-B-E-B-F#-B THE BASICS AND WHY THEY’RE IMPORTANT I think it’s very important to start with the basics no matter what your level. -
Doctoral Dissertation Template
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By DENISE NEIL-BINION Norman, Oklahoma 2017 REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. Mary Jo Watson, Chair ______________________________ Dr. W. Jackson Rushing III ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Daniel Swan © Copyright by DENISE NEIL-BINION 2017 All Rights Reserved. For the many people who instilled in me a thirst for knowledge. Acknowledgements I wish to extend my sincerest appreciation to my dissertation committee; I am grateful for the guidance, support, and mentorship that you have provided me throughout this process. Dr. Mary Jo Watson, thanks for being a mentor and a friend. I also must thank Thomas Lera, National Postal Museum (retired) and RoseMaria Estevez of the National Museum of the American Indian. The bulk of my inspiration and research developed from working with them on the Indians at the Post Office online exhibition. I am also grateful to the Smithsonian Office of Fellowships and Internships for their financial support of this endeavor. To my friends and colleagues at the University of Oklahoma, your friendship and support are truly appreciated. Tammi Hanawalt, heather ahtone, and America Meredith thank you for your encouragement, advice, and most of all your friendship. To the 99s Museum of Women Pilots, thanks for allowing me so much flexibility while I balanced work, school, and life.