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Eudora Welty As Photographer, P Transatlantica Revue d’études américaines. American Studies Journal 2 | 2009 Benjamin Franklin / Richard Powers Édition électronique URL : http://journals.openedition.org/transatlantica/4386 DOI : 10.4000/transatlantica.4386 ISSN : 1765-2766 Éditeur AFEA Référence électronique Transatlantica, 2 | 2009, « Benjamin Franklin / Richard Powers » [En ligne], mis en ligne le 27 décembre 2009, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/4386 ; DOI : https://doi.org/10.4000/transatlantica.4386 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 SOMMAIRE Editorial Benjamin Franklin Dossier dirigé par Marie-Jeanne Rossignol Benjamin Franklin, 1706-2008 : anatomie d’un tricentenaire transatlantique Marie-Jeanne Rossignol Enlightenment and Identity : Franklin, Work, and Play Michael Zuckerman Les premières années de la diplomatie états-unienne : l’influence décisive de Benjamin Franklin à Paris (1776-1778) Christian Lerat Ben Franklin, America’s Postage Stamp Star — on the Wane? Notes on a changing image in U.S. postal memory François Brunet « Very much in the dark about light » : Franklin, lumières et critiques James Delbourgo Les modalités du temps chez Benjamin Franklin Elise Marienstras Electricity and Static: Franklin and his British compatriots Robert Mankin « Les Lumières américaines : continuités et renouveau » Nathalie Caron et Naomi Wulf Opening Perspectives. Six Essays on Richard Powers. Dossier dirigé par Jean-Yves Pellegrin Juvenile Cosmology; Or Richard Powers’ Post-Global Doughnut Judith Roof A Few Remarks on the Poetics of Turbulence in Richard Powers’ Operation Wandering Soul Jean-Yves Pellegrin Openings: the Act of Modelizing and the Question of Complexity Emilie Janton The Crumbling Two-Story Architecture of Richard Powers’ Fictions Thomas B. Byers Serial Production, Serial Photography, and the Writing of History in Three Farmers on Their Way to a Dance Flora Valadié Nothing Risked, Nothing Gained: Richard Powers' Gain and the Horizon of Risk Aaron Jaffe Transatlantica, 2 | 2009 2 Hors-thème SIM / SONGS Des chansons populaires militantes Jacques Portes Varia Présentation Géraldine Chouard A l’occasion du bicentenaire d’Abraham Lincoln, inauguration d'une statue dans les jardins de l'Université de Chicago à Paris Interview de l'artiste Vincent CHARRA Géraldine Chouard Comptes rendus d'expositions Joan Mitchell, Peintures Musée des Impressionnismes, Giverny, 23 août-31 octobre 2009. Kamila Benayada A propos de deux expositions au Kunsthal, Rotterdam « Modern Life. Edward Hopper and His Time » et Jacob Holdt « United States 1970-1975 » Jean Kempf Pop Life, Art in a Material World. Tate Modern, Londres, 1er octobre 2009 – 17 janvier 2010. Clémence Simon L’identité américaine en peinture : American Stories, Paintings of Everyday Life Au Metropolitan Museum of Art, New York, du 12 octobre 2009 au 24 janvier 2010. Hélène Valance Sally Mann, La chair toute nue Lisa Rossi A propos de l’exposition « OIL » d’Edward Burtynsky Corcoran Gallery of Art, Washington (du 3 octobre au 13 décembre 2009)Exposition itinérante organisée par la Corcoran. Hélène Béade Transatlantica, 2 | 2009 3 WELTY at 100 Jackson Centenaire de Eudora Welty à Jackson 16-19 avril 2009 Isabelle Mattéi “1119 Pinehurst Street” Alison Goeller Paris Celebrating Eudora Welty in Versailles, Paris, and New York Pearl Amelia McHaney Regarder ceux qui regardent : Eudora Welty photographe Jean-Marc Victor A newspaper account in Eudora Welty’s “The Demonstrators” Clément Massé Venise La dolce vita: Eudora Welty Scholars at the Centenary Conference in Venice 2009 A Watcher’s Eye Margit Müller Eudora Welty in France: Questions of Obliqueness Jacques Pothier Hearing the Dark Voicelessness Circe, Addie Bundren, and the Ghostliness of Language Susan V. Donaldson "One picture, One vision": comments on some Welty photographs “Camellia house, Jackson, Mississippi, post-1936” Eudora Welty as Photographer, p. 51 Pearl A. McHaney “Window Shopping, Granada, 1930s” Photographs, p. 16 Mae Claxton “In the Bag” One Time, One Place, p. 59 Alison Goeller Transatlantica, 2 | 2009 4 “Tomato packers recess, Copiah County, 1936” Photographs, p. 31 Louis Mazzari “Home Before Dark, Yalobusha County, 1936” One Time, One Place, p. 117 Susan V. Donaldson “Speaking in the Unknown Tongue, Holiness Church, Jackson, 1939” Photographs, p. 104 Diana Almeida A Weltian Rhapsody: Paul Strand, “Blind” (1917) and Eudora Welty, “Blind Weaver on the WPA, Oktibbeha County, 1930s” One Time, One Place, p. 27 Géraldine Chouard Compte rendu de lecture Eudora Welty as Photographer, Photographs by Eudora Welty, Edited by Pearl Amelia McHaney with contributions by Sandra S. Phillips and Deborah Willis, UP of Mississippi, 2009 Louis Mazzari Actualité de la recherche « Mormonisme, États et Sociétés » - Colloque international Université Michel de Montaigne Bordeaux 3, 15-16 octobre 2009 Carter Charles, Bernadette Rigal-Cellard et Régis Dericquebourg W.J.T. Mitchell in Paris September 8, 9, 10, 2009 Jennifer A. Donnelly Comptes rendus Paule Lévy, Figures de l’artiste, Identité et écriture dans la littérature juive américaine de la deuxième moitié du XXe siècle. Pessac, Presses universitaires de Bordeaux, 2006. 191 pages. (ISBN 10 : 286781 391 3, ISBN 13 : 978 2 86781 391 7). Emmanuel Vernadakis T.R. Reid, The Healing of America: A Global Quest for Better, Cheaper, and Fairer Health Care, New York, The Penguin Press, 2009, 277p Éveline Thévenard David Blumenthal and James A. Morone, The Heart of Power: Health and Politics in the Oval Office, Berkeley, Los Angeles, London, University of California Press, 2009, 484p Éveline Thévenard Transatlantica, 2 | 2009 5 Editorial 1 Il y a un monde entre le « bonhomme Franklin » et Richard Powers, entre le plus illustre citoyen de Philadelphie et l’auteur de Three Farmers on Their Way to a Dance (1985), entre l’une des figures emblématiques de la Révolution américaine et l’un des écrivains contemporains les plus étonnants et novateurs. Nous ne jouerons pas au jeu des correspondances secrètes et des liens cachés. Dans ce numéro, Transatlantica croise simplement les regards, littéraire et historien, afin de dépoussiérer les mythes de l’Amérique ou d’interpréter une écriture complexe et singulière. 2 Coordonnés par Marie-Jeanne Rossignol, les points de vue autour de Benjamin Franklin sont fort éloignés des images d’Epinal qui figurent en bonne place dans les manuels d’histoire. En quelques pages, le lecteur se retrouve plongé dans un univers où les temporalités et les croyances, les rites et les pratiques, diffèrent beaucoup de l’Amérique contemporaine. 3 Réunis par Jean-Yves Pellegrin, traducteur de l’auteur, les articles consacrés à Richard Powers abordent les turbulences, les discontinuités et les ambiguïtés d’une œuvre insaisissable. Ils montrent comment les romans s’ouvrent à leurs propres variations, à leurs entremêlements avec la science, mais aussi à d’autres formes d’art, musicales, photographiques ou cinématographiques, et inventent ainsi une poétique de l’incertitude. 4 Ce saut temporel et conceptuel nous conduit à l’Amérique d’aujourd’hui, à travers les musées, les chansons, les films, les séminaires et les colloques. Dans les rubriques habituelles, l’actualité culturelle, scientifique et intellectuelle est éclairée avec tact et curiosité. 5 Nous vous invitons ainsi à prendre le temps et le plaisir de découvrir ces regards multiples sur l’Amérique. Avec pertinence, Elise Marienstras cite dans son article un extrait de l'almanach, Poor Richard Improved, où Franklin écrit en 1758 : « doest thou love Life, then do not squander Time, for that's the stuff / Life is made of, as poor Richard says». Cet adage a sans doute encore du bon… Transatlantica, 2 | 2009 6 Benjamin Franklin Dossier dirigé par Marie-Jeanne Rossignol NOTE DE L’ÉDITEUR Transatlantica, 2 | 2009 7 Benjamin Franklin, 1706-2008 : anatomie d’un tricentenaire transatlantique Marie-Jeanne Rossignol Le tricentenaire aux Etats-Unis : commémorations et avancées historiographiques 1 Les Pères fondateurs continuent, selon une tendance qui s’était renforcée depuis la fin des années 1990, à susciter une avalanche d’ouvrages, biographies en particulier, qui visent en partie le public universitaire, mais surtout un lectorat de masse éduqué. Certains auteurs, tels Joseph J. Ellis, font fortune grâce à la manne intellectuelle, politique et surtout mémorielle que constitue la période de création des Etats-Unis. Nous avions parlé de cette tendance avec Naomi Wulf dans un précédent dossier de Transatlantica (Wulf et Rossignol 2006). Il semblerait que le tricentenaire de la naissance de Benjamin Franklin (1706) ne soit pas demeuré en reste de cette vague de remémoration des « Fondateurs » : certains historiens professionnels ont même profité de l’occasion, comme me l’a signalé Naomi en relisant cette introduction, pour jeter un regard acéré sur l’ex - « bonhomme Franklin » dont l’image dans la conscience populaire s’est peut-être transformée par voie de conséquence, à moins que les critiques des historiens n’aient reflété la place nouvelle de Franklin dans l’imaginaire collectif états-unien. 2 Dès 2002, un historien célèbre, Edmund S. Morgan, publiait une biographie brève de Franklin (Morgan 2002). De nombreuses autres publications ont suivi : autres biographies brèves par des historiens connus
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