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Circular 1 Copyright Basics
CIRCULAR 1 Copyright Basics Copyright is a form of protection Copyright is a form of protection provided by the laws of the provided by U.S. law to authors of United States to the authors of “original works of authorship” that are fixed in a tangible form of expression. An original “original works of authorship” from work of authorship is a work that is independently created by the time the works are created in a a human author and possesses at least some minimal degree of creativity. A work is “fixed” when it is captured (either fixed form. This circular provides an by or under the authority of an author) in a sufficiently overview of basic facts about copyright permanent medium such that the work can be perceived, and copyright registration with the reproduced, or communicated for more than a short time. Copyright protection in the United States exists automatically U.S. Copyright Office. It covers from the moment the original work of authorship is fixed.1 • Works eligible for protection • Rights of copyright owners What Works Are Protected? • Who can claim copyright • Duration of copyright Examples of copyrightable works include • Literary works • Musical works, including any accompanying words • Dramatic works, including any accompanying music • Pantomimes and choreographic works • Pictorial, graphic, and sculptural works • Motion pictures and other audiovisual works • Sound recordings, which are works that result from the fixation of a series of musical, spoken, or other sounds • Architectural works These categories should be viewed broadly for the purpose of registering your work. For example, computer programs and certain “compilations” can be registered as “literary works”; maps and technical drawings can be registered as “pictorial, graphic, and sculptural works.” w copyright.gov note: Before 1978, federal copyright was generally secured by publishing a work with an appro- priate copyright notice. -
Cloud Fonts in Microsoft Office
APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ -
Handshake Brand Guidelines 2021 1 Spring 2021
Brand GuidelinesHANDSHAKE BRAND GUIDELINES 2021 SPRING 20211 Manifesto Our brand manifesto is our call to action for students. It describes what we do, what we stand for, and what we can help students accomplish. For the ready, set, and not quite there yet. For the “I know” and the “I have no idea.” For the seekers, finders, doers, and explorers. Look ahead at what’s possible. At what’s next. If you want it, you can make it happen. No matter what you’re looking for, or where you are in your career journey—we’re here to help. Take the first step. Then the next. Towards to job you want. Find Your Next. HANDSHAKE BRAND GUIDELINES 2021 2 Logo The Handshake logo is the official signature of the Handshake brand — it is confident, simple and trustworthy. Our logo is our most important assets, serving as the chief expression of the brand. HANDSHAKE BRAND GUIDELINES 2021 3 Logo The Handshake logo is the anchor of our brand horizontal lockup of the brand wordmark and our system , and maintaining the mark’s integrity iconic symbol. Modern and timeless, the mark across all touchpoints is critical for establishing balances trustworthiness and professionalism with a successful corporate identity. The logo is a an authentic human touch. PRIMARY MARK ▶ HANDSHAKE BRAND GUIDELINES 2021 4 Logo To preserve the integrity of the brand, the or the signature Handshake red. The red logo is Handshake logo must only be displayed in a limited only permitted on use of a white or very light gray palette of color options. -
Advanced Printer Driver Ver.4.13
Advanced Printer Driver for South Asia Ver.4 TM Printer Manual APD Overview Descriptions of the APD features. Using the APD Descriptions of simple printings and useful functions. Reference Descriptions of property seings of the printer driver. TM Flash Logo Setup Utility Ver.3 Descriptions of how to set and use the TM Flash Logo Setup Utility Ver3. Restrictions Descriptions of restrictions on use of the APD. Printer Specification Descriptions of the specifications of TM-T81. M00024103-2 Rev. D Cautions • No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Seiko Epson Corporation. • The contents of this document are subject to change without notice. Please contact us for the latest information. • While every precaution has taken in the preparation of this document, Seiko Epson Corporation assumes no responsibility for errors or omissions. • Neither is any liability assumed for damages resulting from the use of the information contained herein. • Neither Seiko Epson Corporation nor its affiliates shall be liable to the purchaser of this product or third parties for damages, losses, costs, or expenses incurred by the purchaser or third parties as a result of: accident, misuse, or abuse of this product or unauthorized modifications, repairs, or alterations to this product, or (excluding the U.S.) failure to strictly comply with Seiko Epson Corporation’s operating and maintenance instructions. • Seiko Epson Corporation shall not be liable against any damages or problems arising from the use of any options or any consumable products other than those designated as Original EPSON Products or EPSON Approved Products by Seiko Epson Corporation. -
Classifying Type Thunder Graphics Training • Type Workshop Typeface Groups
Classifying Type Thunder Graphics Training • Type Workshop Typeface Groups Cla sifying Type Typeface Groups The typefaces you choose can make or break a layout or design because they set the tone of the message.Choosing The the more right you font know for the about job is type, an important the better design your decision.type choices There will are be. so many different fonts available for the computer that it would be almost impossible to learn the names of every one. However, manys typefaces share similar qualities. Typographers classify fonts into groups to help Typographers classify type into groups to help remember the different kinds. Often, a font from within oneremember group can the be different substituted kinds. for Often, one nota font available from within to achieve one group the samecan be effect. substituted Different for anothertypographers usewhen different not available groupings. to achieve The classifi the samecation effect. system Different used by typographers Thunder Graphics use different includes groups. seven The major groups.classification system used byStevenson includes seven major groups. Use the Right arrow key to move to the next page. • Use the Left arrow key to move back a page. Use the key combination, Command (⌘) + Q to quit the presentation. Thunder Graphics Training • Type Workshop Typeface Groups ����������������������� ��������������������������������������������������������������������������������� ���������������������������������������������������������������������������� ������������������������������������������������������������������������������ -
Logo Guidelines ® Introduction
Logo Guidelines ® Introduction The strength of the Akron Brass Company’s corporate and brand identity / image throughout the world depends, in part, upon the proper use of all Akron trademarks and corporate logo including our logos, products, brand names, taglines, advertising, brochures and presentations. Because the Akron Brass Company brand cannot be compromised, we’ve created this guide to provide all the pertinent specifications you need to maintain its integrity. This document constitutes a user friendly identification system that can be used by Akron’s corporate partner, distributors, OEM’s, customers and advertising agencies to refer to Akron and its products. This is a living document and may be updated from time to time. Third parties may refer to Akron and its products by their associated Akron Trademarks, as long as such references are (A) truthful, fair and not misleading and (B) the use adheres to the guidelines set forth herein, which may be modified from time to time at Akron’s sole discretion. Always use trademarks and brand names in the way they were intended for use. Do not use them for goods and services for which they were not originally intended. Contact the Marketing Department for artwork requests or any other inquiries on logo brand guidelines. ® General Use The Akron signature is the graphic representation of our company. The Akron signature combines the two most important visual elements of our brand, the Akron logotype and the Akron symbol (the flaming “A” and the underline). The following diagram illustrates the recognizable graphic features that make the Akron signature unique. -
1 Warum Hassen Alle Comic Sans?
Preprint von: Meletis, Dimitrios. 2020. Warum hassen alle Comic Sans? Metapragmatische Onlinediskurse zu einer typographischen Hassliebe. In Jannis Androutsopoulos/Florian Busch (eds.), Register des Graphischen: Variation, Praktiken, Reflexion, 253-284. Boston, Berlin: De Gruyter. DOI: 10.1515/9783110673241-010. Warum hassen alle Comic Sans? Metapragmatische Onlinediskurse zu einer typographischen Hassliebe Dimitrios Meletis Karl-Franzens-Universität Graz 1. Einleitung If you love it, you don’t know much about typography, and if you hate Com- ic Sans you don’t know very much about typography either, and you should probably get another hobby. Vincent Connare, Designer von Comic Sans1 Spätestens ab dem Zeitpunkt, als mit dem Aufkommen des PCs einer breiten Masse die Möglichkeit geboten wurde, Schriftprodukte mithilfe von vorinstallierten Schriftbear- beitungsprogrammen und darin angebotenen Schriftarten nach Belieben selbst zu gestal- ten, wurde – oftmals unbewusst – mit vielen (vor allem impliziten) Konventionen ge- brochen. Comic Sans kann in diesem Kontext als Paradebeispiel gelten: Die 1994 ent- worfene Type (in Folge simplifiziert: Schriftart, Schrift) wird im Internet vor allem auf- grund von Verwendungen in dafür als unpassend empfundenen Situationen von vielen leidenschaftlich ‚gehasst‘. So existiert(e) unter anderem ein Manifest, das ein Verbot der Schrift fordert(e) (bancomicsans.com).2 Personen, die die „Schauder-Schrift“ (Lischka 2008) „falsch“ verwenden, werden als Comic Sans Criminals bezeichnet und ihnen wird Hilfe angeboten, -
Embedding a Copyright Into an Image One of the Main Concerns About Putting Images on the Web, Is the Theft of Those Images
Embedding A Copyright Into An Image One of the main concerns about putting images on the web, is the theft of those images. Putting your name in text on the image will not guarantee the safety of the image. The healing brush can easily remove text from an image. Photoshop offers a number of ways to embed your personal and copyright information in your image files. There is a bit of extra work involved in the copyright process and sometimes it can be visually intrusive. But, if the image is important to you, the time is worth it. There is also a more powerful option available via a plugin that is less visually intru- sive. This option is available though the Digimarc plugin which when chosen, takes you to the their web site. You can read more about it by going to http://www.digimarc. com. There is a yearly fee for using this option based on the number of images and options selected. Add Copyright Information to File Info 1. Open an image. 2. In the File menu, choose File Info... The File Info dialogue box appears. 3. Fill in all important information. Embedding TitleA Copyright goes here Into An Image Use a Font Copyright Symbol 1. Select the Type Tool. 2. In the Tools Option bar set options to: Helvetica Bold 500 pts - 3. Click the Type Palette icon if the Type Palette is not already open. 4. Use the option +g keys (mac), or Alt+g keys (windows) to type a copyright symbol 5. Move into position. -
Copyrights Quick Reference Series
Copyrights Quick Reference Series Designing a t-shirt? Showing a movie on campus? Creating a website? For these things and more it is important to understand the laws and rules surrounding copyrighted material. Check out the information below to understand how copyright affects your student org. Copyright Material In the United States Code, Title 17, Section 107 of the Copyright Law allows for the “fair use” of a copyrighted work for purposes such as criticism, comment, news reporting, teaching, scholarship, or research. The Fair Use Doctrine allows for limited use of copyrighted materials without obtaining permission from the copyright holder, but the limitations are significant. The factors to be considered in determining if the copying is fair use are: The purpose and character of the use (education is more likely to be fair use and use that causes the work to be used for a new purpose is more likely to be fair use) The nature of the copyrighted work (a fact-based work is more likely to be fair use than a creative fictional work) The amount and substantiality of the copied portion compared to the work as a whole (a small portion and/or not copying the “best” portion(s) of the work is more likely to be fair use) The effect of the use on the potential market (copying that does not cause someone to not buy the whole work is more likely to be fair use) Copyright and Trademark Symbols © is the copyright symbol and signifies a creator’s exclusive rights to publish, reproduce, or sell an original work. -
38—GEOLOGIC AGE SYMBOL FONT (Stratagemage) REF NO STRATIGRAPHIC AGE SUBDIVISION TYPE AGE SYMBOL KEYBOARD POSITION for Stratagemage FONT
Federal Geographic Data Committee U.S. Geological Survey Open-File Report 99–430 Public Review Draft - Digital Cartographic Standard for Geologic Map Symbolization PostScript Implementation (filename: of99-430_38-01.eps) 38—GEOLOGIC AGE SYMBOL FONT (StratagemAge) REF NO STRATIGRAPHIC AGE SUBDIVISION TYPE AGE SYMBOL KEYBOARD POSITION FOR StratagemAge FONT 38.1 Archean Eon A Not applicable (use Helvetica instead) 38.2 Cambrian Period _ (underscore = shift-hyphen) 38.3 Carboniferous Period C Not applicable (use Helvetica instead) 38.4 Cenozoic Era { (left curly bracket = shift-left square bracket) 38.5 Cretaceous Period K Not applicable (use Helvetica instead) 38.6 Devonian Period D Not applicable (use Helvetica instead) 38.7 Early Archean (3,800(?)–3,400 Ma) Era U Not applicable (use Helvetica instead) 38.8 Early Early Proterozoic (2,500–2,100 Ma) Era R (capital R = shift-r) 38.9 Early Middle Proterozoic (1,600–1,400 Ma) Era G (capital G = shift-g) 38.10 Early Proterozoic Era X Not applicable (use Helvetica instead) 38.11 Eocene Epoch # (pound sign = shift-3) 38.12 Holocene Epoch H Not applicable (use Helvetica instead) 38.13 Jurassic Period J Not applicable (use Helvetica instead) 38.14 Late Archean (3,000–2,500 Ma) Era W Not applicable (use Helvetica instead) 38.15 Late Early Proterozoic (1,800–1,600 Ma) Era I (capital I = shift-i) 38.16 Late Middle Proterozoic (1,200–900 Ma) Era E (capital E = shift-e) 38.17 Late Proterozoic Era Z Not applicable (use Helvetica instead) 38.18 Mesozoic Era } (right curly bracket = shift-right square bracket) 38.19 Middle Archean (3,400–3,000 Ma) Era V Not applicable (use Helvetica instead) 38.20 Middle Early Proterozoic (2,100–1,800 Ma) Era L (capital L = shift-l) 38.21 Middle Middle Proterozoic (1,400–1,200 Ma) Era F (capital F = shift-f) 38.22 Middle Proterozoic Era Y Not applicable (use Helvetica instead) A–38–1 Federal Geographic Data Committee U.S. -
Use of Copyrighted/Trademarked Materials in 4-H Fair Exhibits And
For Staff and Judges Use of COPYRIGHTED/TRADEMARKED Material In 4-H Fair Exhibits and Activities What does copyright mean?????? A copyright and/or a trademark are legal methods used by artists, photographers, writers, and others to protect their original and creative works. Protected items may range from professional photography and books to music, sport logo insignias, corporate and brand name logos to art designs. It is important to remember the idea itself cannot receive a copyright. The expression of an idea is what is copyrighted. For example, one cannot copyright "bears", but specific bears like Winnie-the-Pooh and Smoky Bear cannot be copied without permission. As an educational agency, 4-H has the responsibility to prepare materials that help program participants learn about proper use of copyright and trademark regulations. Copyright means complete or portions of materials cannot be reproduced without permission and proper crediting of the source. It is not possible to address all situations that may occur; however, the following information will provide some background for making decisions and determining appropriate actions. Proper crediting of source includes name of book, magazine, newspaper, etc., author/artist/ publisher (which ever is most logical), date of publication, page number. If 4-H’ers lack some of the documentation when exhibiting, judges should use the situation as a teachable moment, remembering this is meant to be a learning experience not a policing experience. It is the responsibility of individual 4-H’ers to be aware of copyright/trademark regulations when developing 4-H exhibits and communication activities for county and state fairs. -
Using International Characters in Bartender How to Read Data and Print Characters from Almost Every Language and Writing System in the World
Using International Characters in BarTender How to Read Data and Print Characters from Almost Every Language and Writing System in the World Supports the following BarTender software versions: BarTender 2016, BarTender 2019 WHITE PAPER Contents Overview 3 BarTender's Unicode Support 3 Understanding International Character Support 4 Fonts 4 Scripts 4 Asian Characters 5 Writing Systems that Read Right to Left 5 Entering International Text Into Text Objects 7 Using the Insert Symbols or Special Characters Dialog 7 Using the Windows Character Map 7 Using the Keyboard 8 Reading International Characters from a Database 9 Encoding International Characters in Barcodes 10 Using Unicode Data 10 ECI Protocol 11 Formatting According to Locale 12 About Data Types 12 Example 12 Appendix A: Languages, Encodings and Scripts 13 Appendix B: Configuring Windows 14 Installing Windows Input Support for International Languages 14 Windows Support for Additional Display Languages 15 Related Documentation 16 Overview With the built-in international character support that BarTender provides, you can add international characters to your design and encode them into barcodes or RFID tags on your template. When you design items for a single locale, you can configure the format (or appearance) of information that may vary between regions, such as date and time, currency, numbering, and so on. By using BarTender, you can also globalize your design and print international materials by inserting text in multiple languages. For example, the following item illustrates how BarTender can be used with many locales with its built-in Unicode support. BarTender's Unicode Support Unicode is a universal character encoding standard that defines the basis for the processing, storage and interchange of text data in any language.