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Sérgio Assad: Sua Linguagem Estético-Musical Através Da Análise De Aquarelle Para Violão Solo

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Sérgio Assad: Sua Linguagem Estético-Musical Através Da Análise De Aquarelle Para Violão Solo Universidade de São Paulo Thiago Chaves de Andrade Oliveira Sérgio Assad: sua linguagem estético-musical através da análise de Aquarelle para violão solo Dissertação apresentada ao programa de Pós- Graduação em Música, Área de Concentração Processo de Criação Musical, Linha de pesquisa Técnicas Composicionais e Questões Interpretativas da Escola de Comunicação e Artes da Universidade de São Paulo, como exigência parcial para a obtenção de Título de Mestre em Música, sob a Orientação do Prof. Dr. Edelton Gloeden. São Paulo 2009 1 Universidade de São Paulo Thiago Chaves de Andrade Oliveira Sérgio Assad: sua linguagem estético-musical através da análise de Aquarelle para violão solo Dissertação apresentada ao programa de Pós- Graduação em Música, Área de Concentração Processo de Criação Musical, Linha de pesquisa Técnicas Composicionais e Questões Interpretativas da Escola de Comunicação e Artes da Universidade de São Paulo, como exigência parcial para a obtenção de Título de Mestre em Música, sob a Orientação do Prof. Dr. Edelton Gloeden. São Paulo 2009 2 Sérgio Assad: Sua Linguagem Estético Musical Através da análise de Aquarelle para Violão Solo Thiago Chaves de Andrade Oliveira Orientador: Prof. Dr. Edelton Gloeden. Dissertação apresentada ao programa de Pós-Graduação em Música, Área de Concentração Processo de Criação Musical, Linha de pesquisa Técnicas Composicionais e Questões Interpretativas da Escola de Comunicação e Artes da Universidade de São Paulo, como exigência parcial para a obtenção de Título de Mestre em Música. _______________________________________________________________ Prof. Dr. Edelton Gloeden. _______________________________________________________________ Prof. Dr. _______________________________________________________________ Prof. Dr. São Paulo 2009 3 Resumo O presente trabalho se propõe a traçar um retrato da linguagem estética e instrumental do compositor e violonista Sérgio Assad (1952). Tal investigação será feita através da contextualização de sua produção através de um relato bibliográfico, da análise de umas de suas obras mais representativas, Aquarelle , escrita para violão solo com um comentário sobre o restante da sua produção. Visto que o compositor pesquisado ainda se encontra em atividade e possui uma vasta produção de música de câmara e como arranjador, este trabalho se propõe a delimitar o escopo à suas composições originais para violão solo. Palavras chave: Sérgio Assad, música brasileira, pós-modernismo, análise musical, violão. 4 Abstract This work has the objective of researching the instrumental and aesthetic language of guitarist composer Sérgio Assad (1952). Such investigation will be conducted through a biographical portrait of the composer, an analysis of one of his most important works, Aquarelle, for solo guitar and a commentary about his works for the instrument. Knowing that the composer is still active and has a large body of chamber music and arrangements, this work will focus on his production of original compositions for solo guitar. Keywords: Sérgio Assad, Brazilian music, post modernism, musical analisis, classical guitar. 5 Agradecimentos A Edelton Gloeden, orientador desta dissertação, pela orientação, paciência e preciosas lições. À minha família e amigos pelo apoio. A Maurício Orosco, Gilson Antunes, Luciano César Morais, João Paulo Figueiroa pelo suporte. Aos violonistas que gentilmente cederam entrevistas a este trabalho, Aliéksey Vianna, Randall Avers, David Russell e Eduardo Meirinhos. Um agradecimento especial a Sérgio Assad, por sua disponibilidade, apoio e generosidade. 6 Who watches the Watchmen? (Alan Moore) 7 Sumário Introdução ........................................................................................................ 1 1.1 Hibridismos da música culta com a música popular no âmbito do repertório para violão ..................................................................................... 4 1.2 O Hibridismo no violão brasileiro........................................................... 10 1.3 Sérgio Assad: perfil do compositor instrumentista ................................ 16 1.4 Duo Assad e seus contemporâneos...................................................... 24 2. Análise de Aquarelle .......................................................................... 28 2.1 Aspectos Gerais da Obra ...................................................................... 28 2.1.1 Divertimento ......................................................................................... 29 2.1.2 Valseana ............................................................................................... 30 2.1.3 Prelúdio e Toccatina ............................................................................. 30 2.2 Análise de Motivos ................................................................................ 31 2.2.1 Divertimento ......................................................................................... 32 2.2.2 Valseana ............................................................................................... 40 2.2.3 Prelúdio e Toccatina ............................................................................. 44 2.3 Análise de rítmica ................................................................................. 51 2.3.1 Divertimento ......................................................................................... 52 2.3.2 Prelúdio e Toccatina .............................................................................. 58 2.4 Análise de harmônica ........................................................................... 65 2.4.1 Divertimento ......................................................................................... 65 2.4.2 Valseana ............................................................................................... 79 2.4.3 Prelúdio e Toccatina ............................................................................. 82 2.5 Análise de escrita violonística ............................................................... 93 2.5.1 Divertimento ......................................................................................... 93 2.5.2 Valseana ............................................................................................. 112 2.5.3 Prelúdio e Toccatina ........................................................................... 116 2.6 As influências estéticas em Aquarelle ................................................ 125 2.6.1.1 Radamés Gnattali .............................................................................. 128 2.6.1.2 Exemplos ........................................................................................... 130 2.6.3 Villa-Lobos .......................................................................................... 132 2.6.4.1 Música popular urbana ...................................................................... 136 2.6.4.2 Exemplos ........................................................................................... 137 2.6.5 Linguagem harmônica ........................................................................ 142 2.6.6 Estruturação .........................................................................................154 3.1 Os reflexos de Aquarelle na obra para violão solo de Sérgio Assad ..............................................................................................................161 3.2 Estruturação das obras ....................................................................... 162 3.2.1 Fantasia carioca .................................................................................. 162 3.2.2 Sonata ................................................................................................ 163 3.2.3 Jobiniana n° 3 ...................................................................................... 167 3.2.4 Three greek letters ............................................................................... 169 3.2.5 Três Divertimentos ............................................................................... 170 3.2.5 Eli’s Portrait ......................................................................................... 171 3.2.7 Seis Brevidades .................................................................................. 172 8 3.3 Exemplos da influência da música popular urbana na obra para violão solo de Sérgio Assad ..................................................................................... 173 3.4 Linguagem harmônica......................................................................... 177 3.5 Elaboração motívica ............................................................................ 181 3.6 Escrita Instrumental............................................................................. 190 3.7 Técnicas estendidas............................................................................ 203 4. Conclusão .......................................................................................... 208 5. Bibliografia ......................................................................................... 210 6. Anexos ................................................................................................ 218 Lista de Gravações de Aquarelle ................................................................... 219 Discografia de Sérgio Assad .......................................................................... 220 Lista de Composições de Sérgio Assad ........................................................ 224 Entrevista com Aliéksey
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