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Tuned Adrenaline: a Beat-Boogied Headful
Tuned Adrenaline: A Beat-Boogied Headful Richard P.Gabriel June 26, 2020 Contents EpigraphsandaDedication................................... ii WhenWeSayOurLastOnes ................................. 1 WolfPointMontana ...................................... 2 ScobeyMontana ........................................ 3 Pillows.............................................. 4 HowTrue/SoTough ..................................... 5 Preparations........................................... 6 Quiet&Still .......................................... 7 CareCrystal........................................... 8 LastTumbleweed........................................ 9 WarmAir............................................ 10 Tens............................................... 11 OverlaysandAmbiguities.................................... 12 WrongThenRight ....................................... 13 AThinCup........................................... 14 i Epigraphs and a Dedication Meanwhile, meanwhile, oh!, meanwhile, … the boys that tremble beneath the pale terror of the directors, the women drowned in mineral oils, the crowd of hammer, violin, or cloud, will scream although their brains may blow out on the wall, will scream in front of the domes, will scream maddened by fire, will scream maddened by snow, will scream with their heads full of excrement, will scream like all the nights together, will scream with a voice so torn that the cities tremble like little girls and the cities of oil and music break… —Scream to Rome Federico García Lorca 1930 Well, the girls -
An Annotated Bibliography of Works by the Brazilian Composer Sérgio Assad João Paulo Figueirôa Da Cruz
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 An Annotated Bibliography of Works by the Brazilian Composer Sérgio Assad João Paulo Figueirôa Da Cruz Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AN ANNOTATED BIBLIOGRAPHY OF WORKS BY THE BRAZILIAN COMPOSER SÉRGIO ASSAD By João Paulo Figueirôa da Cruz A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2008 Copyright © 2008 João Paulo Figueirôa da Cruz All Rights Reserved The members of the Committee approve the treatise of João Paulo Figueirôa da Cruz defended on June 17, 2008. ______________________________________ Evan Jones Professor Directing Treatise ______________________________________ James Mathes Outside Committee Member ______________________________________ Bruce Holzman Committee Member The Office of Graduate Studies has verified and approved the above named committee member ii ACKNOWLEDGEMENTS This dissertation would have not been possible without the support of many individuals who helped this project. I would like to thank Hanh Hoang for her assistance in the concretization of this document and Byron Fogo for his kindness to offer his help in this project. I do not have words to express my gratitude to all my committee members. I want to thank Dr. Jones for his devotion and wisdom directing this work, Dr. Mathes for agreeing to join the committee at the last minute, Dr. Olsen for his help and support during the years and finally Prof. Holzman for all these years which he gave his best to me! I would like to thank Fábio Zanon, Luciano César Morais and Thiago Oliveira for offering important research material for this project. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
Music and Some Highly Musical People
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com The Basic Afro-American Reprint Library - THE UNIVERSITY OF CHICAGO LIBRARY /5, 20 M U S I C AND SOME HIGHLY MUSICAL PEOPLE: CONTAINING BRIEF CHAPTERS ON I. A DESCRIPTION OF MUSIC. II. THE MUSIC OF NATURE. III. A GLANCE AT THE HISTORY OF MUSIC. IV. THE POWER, BEAUTY, AND USES OF MUSIC. FollowING WHICH ARE GIVEN SEETCHES OF THE LIVES OF REMARKABLE MUSICIANS OF THE COLORED RACE, {#ith 49ertraitz, AND AN APPENDIX CONTAINING COPIES OF MUSIC COMPOSED BY COLORED MEN. BY JAMES M. TROTTER. “A man should hear a little music, read a little £: and see a fine picture, every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.” – GoETHE. **Tis thine to merit, mine to record.”- HomER. FIFTH THOUSAND. BOSTON : LEE AND SHE PAR D, PUBLISHERS. NEW YORK: C H.A.R. L. E S T. DILLING EIA.M. 1881. JOHNSON REPRINT CORPORATION JOHNSON REPRINT COMPANY LTD. 111 Fifth Avenue, New York, N.Y. 10003 Berkeley Square House, London, W. 1 THE BASIC AFRO-AMERICAN REPRINT LIBRARY Books on the history, culture, and social environment of Afro-Americans Selected by Clarence L. Holte CoPYRIGHT, 1878, BY JAMES M. TROTTER. First reprinting, 1968, Johnson Reprint Corporation Printed in the United States of America *: *''' UNIVERSITY OF CH1 AGO LIBRARY PREFA CE. -
Yamaha Acoustic Guitar Owner's Manual
アコースティックギター 持込修理 保 証 書 This warranty is valid only in Japan. Acoustic Guitar Akustikgitarre Guitare acoustique 取扱説明書 この度はヤマハギターをお買い上げ戴きましてありがとうございました。 Owner’s Manual Bedienungsanleitung Mode d’emploi 本書は、保証規定により無料修理を行なう事をお約束するものです。 お買上げの日から下記期間中に故障が発生した場合は、本書をご提示の上、お買 上げの販売店に修理をご依頼ください。( 詳細は下記をご覧ください。) このたびは、ヤマハギターをお買い求めいただきまして、まことにありがとうございます。優れた性能を充分 Thank you for purchasing this Yamaha Guitar. Zunächst einmal vielen Dank dafür, dass Sie sich für diese Yamaha Gitarre entschieden haben. Nous vous remercions d’avoir acquis une guitare Yamaha. に発揮させると共に、いつまでも支障なくお使いいただくため、ご使用の前にこの取扱説明書をよくお読みに To get the most out of this fine instrument, and to use it in a safe manner, we urge you to read this Damit Sie das Potenzial dieses hochwertigen Instruments voll ausschöpfen können und es auf Pour tirer le meilleur parti de ce bel instrument de musique et l’utiliser en toute sécurité, nous vous なってください。以下の「安全へのこころがけ」には、思わぬけがや事故を未然に防ぐための注意が書かれて Owner’s Manual before using the instrument. sichere Weise nutzen, sollten Sie sich vor dem Spielen des Instruments die Zeit nehmen, die invitons à lire attentivement ce mode d’emploi préalablement à toute autre chose. Les consignes The cautions given in the following Safety Precautions section are provided to prevent unexpected injuries vorliegende Anleitung aufmerksam durchzulesen. Die Vorsichtshinweise im nachstehenden Abschnitt mentionnées dans la section qui suit, Précautions de sécurité, sont avant tout destinées à vous éviter ヤマハギター ※ 品番 ※ 製番 います。内容をご理解の上、この製品を正しく安全にお使いいただきますようお願いいたします。 or accidents. Please understand each of the cautions and use the instrument in a safe and proper manner. „Vorsichtsmaßregeln“ sollen Ihnen helfen, mögliche Verletzungen oder Unfälle zu vermeiden. Bitte prägen accidents ou blessures. Respecter ces consignes et utiliser l’instrument de la manière convenable. ご住所 〒 Sie sich die einzelnen Vorsichtsmaßregeln ein und achten Sie auf einen sicheren und vorschriftsmäßigen Gebrauch des Instruments. -
Acoustic Guitar
794 ACOUSTICACOUSTIC GUITARGUITAR ACOUSTIC THE ACOUSTIC INCLUDES THE NEW TAB NEW GUITAR GUITAR COMPLETE INCLUDES MAGAZINE’S PRIVATE METHOD, ACOUSTIC TAB LESSONS VOLUME 1 BOOK 2 GUITAR METHOD 24 IN-DEPTH LESSONS by David Hamburger LEARN TO PLAY USING String Letter Publishing String Letter Publishing THE TECHNIQUES & With this popular guide and Learn how to alternate the bass SONGS OF AMERICAN two-CD package, players will notes to a country backup ROOTS MUSIC learn everything from basic pattern, how to connect chords by David Hamburger techniques to more advanced with some classic bass runs, and String Letter Publishing moves. Articles include: Learning to Sight-Read (Charles how to play your first fingerpicking patterns. You’ll find out A complete collection of all three Acoustic Guitar Method Chapman); Using the Circle of Fifths (Dale Miller); what makes a major scale work and what blues notes do to books and CDs in one volume! Learn how to play guitar Hammer-ons and Pull-offs (Ken Perlman); Bass Line a melody, all while learning more notes on the fingerboard with the only beginning method based on traditional Basics (David Hamburger); Accompanying Yourself and more great songs from the American roots repertoire American music that teaches you authentic techniques and (Elizabeth Papapetrou); Bach for Flatpickers (Dix – especially from the blues tradition. Songs include: songs. Beginning with a few basic chords and strums, Bruce); Double-Stop Fiddle Licks (Glenn Weiser); Celtic Columbus Stockade Blues • Frankie and Johnny • The Girl you’ll start right in learning real music drawn from blues, Flatpicking (Dylan Schorer); Open-G Slide Fills (David I Left Behind Me • Way Downtown • and more. -
The Guitar Man-Bread Lyrics & Chords
Music resources from www.traditionalmusic.co.uk For personal educational purposes only The Guitar Man-Bread lyrics & chords The Guitar Man-Bread G C D 2x G C Who draws the crowd, who plays so loud, D Baby its the guitar man. G C Whos gonna steal the show, you know D Baby its the guitar man, Em C He can make you love, he can make you cry Em A He will bring you down, then hell get you high Cmaj7 Bm Something keeps him going, miles and miles a day Am D To find another place to play. G C Night after night, who treats you right, D Baby it's the guitar man G C Whos on the radio, you go listen D To the guitar man Em C Then he comes to town, and you see his face, Em A And you think you might like to take his place Cmaj7 Bm Something keeps him drifting, miles and miles away, Am D Searching for the songs to play. Am E C6 D Then you listen to the music and you like to sing along, G D Em E You want to get the meaning out of each and every song Am E C6 D Then you find yourself a message and some words to call your own E And take them home. G C D 2x Em C He can make you love, he can make you cry Em A He will bring you down, then hell get you high Cmaj7 Bm Something keeps him moving, but no one seems to know Am D What it is that makes him go. -
11 Things You Need to Know Before You Buy a New Guitar
11 Things You Need to Know Before You Buy a New Guitar Kevin Downing Kevin Downing is a guitarist, teacher and author. He writes for the New Zealand Musician Musician and Guitar Teacher magazines. He can be contacted on (06) 357 0057, through his website at www.guitar.co.nz or P O Box 4586, Palmerston North, 4442, New Zealand. Copyright © Kevin Downing 2013 No part of this publication may be reproduced, or transmitted in any form without the written permission of the author. Contents Introduction 3 Eleven Things You Need to Know Before You Buy a New Guitar Buy the Best Guitar You Can Afford 4 What Makes a Good Quality Guitar? 5 Quality Guitar Manufacturers 6 Many Models 7 How Do I Choose A Model for Me? 7 The Difference Between New and Second-hand Guitars 7 Buying the Right Guitar for the Job 9 Try It Out Before You Buy 10 Always Pick a Guitar Because it Sounds Great 11 Getting a Second-hand Purchase Checked Out 11 Buy Quality Accessories 12 The Difference Between Cases 12 Always Have an Electronic Tuner 13 Always Know the String Gauge 13 What to Do When You Need to Sell 14 Conclusion 14 2 © Kevin Downing 2013 Introduction The reason I have written this report is because a lot of people just do not know how to go about buying their first guitar. Even people who have been playing for a while and are buying their second or third guitar are sometimes unsure if what they are doing is right. -
Don't Shoot! I'm the Guitar
JuStice reQuireS reStraint leSSon PlanS for DON’T SHOOT! I’M THE GUITAR MAN By BuZZy Martin Dear Educators, I would like to present lesson plans for Don’t Shoot! I’m Th e Guitar Manby Buzzy Martin. I teach a high school class for students with learning and emotional disabilities and I used the book in the third quarter this year (2012). I worked to match the curriculum of the Santa Clara University (SCU) Character Based Literacy (CBL) Program. I hope that SCU CBL will add the book to their program and incorporate these lesson plans. Don’t Shoot! I’m Th e Guitar Man fi ts perfectly in the third quarter CBL theme “Justice Requires Restraint”. Th e book teaches information every child needs to be aware of as they make their choices in to adulthood. Our students will learn that if they do not show restraint, they will be restrained by the justice system. Th e book teaches the darkest consequences of not using personal restraint. Th e curriculum has been laid out for students to learn to be aware of their choices and the consequences of their actions. So, I’m hoping SCU CBL will use the book in their program. SCU CBL has students keep word wall lists as well as settings, character and page number lists, which are pro- vided in these lesson plans. In my class, I also have students keep a page of a list of adverbs and a page of a list of adjectives they are required to have in their English section of their three ring binder that they turn in every morn- ing for points towards their daily average. -
Portraiture and Text in African-American Illustrated Biographical Dictionaries, 1876 to 1917
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2014 Portraiture and Text in African-American Illustrated Biographical Dictionaries, 1876 to 1917 Dennis Williams II Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Literature Commons, American Material Culture Commons, Book and Paper Commons, and the Interdisciplinary Arts and Media Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3666 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Portraiture and Text in African-American Illustrated Biographical Dictionaries, 1876 to 1917 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University by Dennis Williams II, Bachelor of Arts, Virginia Commonwealth University, 2012 Director: Eric Garberson, Ph.D. Associate Professor, Department of Art History, and Director, Media, Art and Text Program Virginia Commonwealth University Richmond, Virginia December, 2014 ii Acknowledgements I am indebted to Dr. Eric Garberson for his perseverance, direction, patience, and breadth of knowledge and am grateful for the high expectations and standards to which he holds his students. I would like to thank Dr. Brian Daugherity and Dr. Babatunde Lawal for their assistance throughout this process and for their undergraduate courses which I took and which helped form the epistemological foundations for this thesis. I must also thank the following professors: Dr. Charles Brownell for setting me on the path which ultimately led to the study of portraiture, Dr. -
Meet the Luthier: Tim Reede
the front. This is done to reduce feedback and also because an Meet The Luthier... electromagnet pickup has been added. The body size has been As a child in the sixties, Tim remembers hearing music that opened a reduced and there are two whole new dimension of expression. Bands like Jefferson Airplane, Jimi output jacks, one for the electro Hendrix and Crosby Stills Nash and Young. This attraction led him to work magnet pickup and one for the with music for much of his life. piezo soundboard transducer. In high school, he worked with a mobile sound system which traveled to I enjoy the diversity of the guitar small towns for school dances. And with the money he earned, bought a used electric guitar. As he grew older, Tim worked as a DJ for a radio family, which is why I make a station and a college nightclub. In 1986, he went to school at the variety of instruments, each Recording Workshop in Ohio and studied sound engineering. And, in 1988, having their strengths and Tim began modifying guitars for himself and others, trying to make guitars purpose. You could say I am a play and sound better. - Duane M Evarts, editor traditionalist when it comes to guitar construction. I use hot hide glue because it is acoustically Share the circumstances that led you to become involved in the art transparent. It dries very hard, allowing vibrations to transfer of lutherie. cleanly. In 1992, I enrolled in the cabinetmaking program at Minneapolis What sets you and your guitars apart from other fine luthiers and Technical College. -
Electric Acoustic Guitar Guitar
乾電池の交換について BATTERY REPLACEMENT REMPLACEMENT DES PILES 電 池 の 寿 命 が 近 づくと、 ディスプ レイの が交互に点灯 * しますの As battery power depletes the lamps will flash alternately. Re- Quand les piles se déchargent, les témoins clignotent alternative- Electric Acoustic Guitar で、お早めに電池を交換してください。 Electric Acoustic Guitar place the batteries as soon as possible. Guitare électroacoustique ment. Remplacez les piles aussi vite que possible. Owner’s Manual(取扱説明書) * 出力ジャックにプラグが差し込んだとき、およびチューナーの電源を Owner’s Manual * These lamps will be displayed only when a plug is inserted to the output Mode d’emploi * Ces témoins s’affichent uniquement quand une fiche est insérée dans la jack or the power of the tuner is turned ON. jack de sortie ou que l’accordeur est sous tension (ON). O N にしたときにの み 表 示 されます。 Thank you for choosing a Yamaha electric-acoustic guitar. q Press the release lever on the battery Nous vous remercions d’avoir fait l’achat d’une guitare électroa- q Appuyez sur la languette d’ouverture du このたびは、ヤマハ エレクトリック アコースティック ギター q バッテリーケースのツメを 表示の方向 バッテリー アルカリ単三 In order to make the most of the advanced features and perfor- case in the direction indicated by the Alkaline coustique Yamaha. boîtier des piles dans le sens de la flèche Logement Piles alca- をお買い上げいただきまして、誠にありがとうございました。 に押してロックを解除し、バッテリーホ ホルダー Battery Holder des piles 乾電池× 2 本 mance provided by your guitar, please read this manual care- arrow in the illustration in order to battery x2 Pour profiter au mieux des fonctionnalités sophistiquées et des gravée afin de le débloquer, puis sor- lines x 2 製品の性能を十分に引き出し、上手にお使いいただくため、 ル ダーを引き抜きます。 fully before using the instrument.