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01:510:255:90 DRACULA — FACTS & FICTIONS Winter Session 2018 Professor Stephen W. Reinert
01:510:255:90 DRACULA — FACTS & FICTIONS Winter Session 2018 Professor Stephen W. Reinert (History) COURSE FORMAT The course content and assessment components (discussion forums, examinations) are fully delivered online. COURSE OVERVIEW & GOALS Everyone's heard of “Dracula” and knows who he was (or is!), right? Well ... While it's true that “Dracula” — aka “Vlad III Dracula” and “Vlad the Impaler” — are household words throughout the planet, surprisingly few have any detailed comprehension of his life and times, or comprehend how and why this particular historical figure came to be the most celebrated vampire in history. Throughout this class we'll track those themes, and our guiding aims will be to understand: (1) “what exactly happened” in the course of Dracula's life, and three reigns as prince (voivode) of Wallachia (1448; 1456-62; 1476); (2) how serious historians can (and sometimes cannot!) uncover and interpret the life and career of “The Impaler” on the basis of surviving narratives, documents, pictures, and monuments; (3) how and why contemporaries of Vlad Dracula launched a project of vilifying his character and deeds, in the early decades of the printed book; (4) to what extent Vlad Dracula was known and remembered from the late 15th century down to the 1890s, when Bram Stoker was writing his famous novel ultimately entitled Dracula; (5) how, and with what sources, Stoker constructed his version of Dracula, and why this image became and remains the standard popular notion of Dracula throughout the world; and (6) how Dracula evolved as an icon of 20th century popular culture, particularly in the media of film and the novel. -
Bram Stoker's Vampire Trap : Vlad the Impaler and His Nameless Double
BRAM STOKER’S VAMPIRE TRAP VLAD THE IMPALER AND HIS NAMELEss DOUBLE BY HANS CORNEEL DE ROOS, MA MUNICH EMAIL: [email protected] HOMEPAGE: WWW.HANSDEROOS.COM PUBLISHED BY LINKÖPING UNIVERSITY ELECTRONIC PREss S-581 83 LINKÖPING, SWEDEN IN THE SERIES: LINKÖPING ELECTRONIC ARTICLES IN COMPUTER AND INFORMATION SCIENCE SERIES EDITOR: PROF. ERIK SANDEWALL AbsTRACT Since Bacil Kirtley in 1958 proposed that Bram Stoker’s Count Dracula, the best known literary character ever, shared his historical past with the Wallachian Voivode Vlad III Dracula, an intense debate about this connection has developed and other candidates have been suggested, like the Hungarian General János Hunyadi – a proposal resurfacing in the most recent annotated Dracula edition by Leslie Klinger (2008). By close-reading Stoker’s sources, his research notes and the novel, I will demonstrate that Stoker’s narrative initially links his Count to the person of Vlad III indeed, not Hunyadi, although the novelist neither knew the ruler’s first name, nor his father’s name, nor his epithet “the Impaler”, nor the cruelties attributed to him. Still – or maybe for this very reason – Stoker did not wish to uphold this traceable identity: In Chapter 25, shortly before the decisive chase, he removes this link again, by way of silent substitution, cloaked by Professor van Helsing’s clownish distractions. Like the Vampire Lord Ruthven, disappearing through the “vampire trap” constructed by James R. Planché for his play The Brides of the Isles in the English Opera House, later renamed to Lyceum Theatre and run by Stoker, the historical Voivode Vlad III Dracula is suddenly removed from the stage: In the final chapters, the Vampire Hunters pursue a nameless double. -
Dracula: Hero Or Villain? Radu R
Dracula: Hero or Villain? Radu R. Florescu racula is the real name of a Left: Portrait of Dracula Wallachian ruler, also known to at Castle Ambras, near DRomanian chroniclers as Vlad lnnsbruck, Austria. The the Impaler. Dracula is a derivative of artist is unknown, but his father's name, Dracul, which in this appears to be a Romanian means the devil. According to copy painted during the those more charitably inclined, the second half of the 16th father was so known because he had century from an earlier been invested by the Holy Roman original that was proba Emperor with the Order of the Dragon, bly painted during dedicated to fighting "the Infidel:' Dracula's imprison Dracula was, therefore, either the son of ment at Buda or evil or the son of good, villain or hero. Visegnid after 1462. Dracula ruled the Romanian princi pality of Wallachia on three separate occasions: in 1448, from 1456 to 1462, Right: The Chindia and, briefly, shortly before his assassina watchtower at Tirgo tion in 1476. These dates correspond to vi~te; a 19th-century one of the most crucial periods in the reconstruction. Apart country's history. Constantinople had from its role as an fallen in 1453, most of the lands south of observation post, it Wallachia had been converted into enabled Dracula to Turkish pashaliks, and the last hero of watch impalements in the Balkan crusades, John Hunyadi, had the courtyard below. died in the plague of Belgrade in 1456. Images courtesy The Danube was thus the frontier of Radu R. Florescu Christendom at a time when Moham med the Conqueror was planning fur chronicle which mentions Dracula, dat Genoese, English, and French chroniclers ther Turkish inroads. -
Cultural Stereotypes: from Dracula's Myth to Contemporary Diasporic Productions
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions Ileana F. Popa Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1345 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. Ileana Florentina Popa BA, University of Bucharest, February 1991 MA, Virginia Commonwealth University, May 2006 Director: Marcel Cornis-Pope, Chair, Department of English Virginia Commonwealth University Richmond, Virginia May 2006 Table of Contents Page Abstract.. ...............................................................................................vi Chapter I. About Stereotypes and Stereotyping. Definitions, Categories, Examples ..............................................................................1 a. Ethnic stereotypes.. ........................................................................3 b. Racial stereotypes. -
Cultural Stereotypes: from Dracula's Myth to Contemporary Diasporic Productions Ileana F
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by VCU Scholars Compass Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions Ileana F. Popa Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from http://scholarscompass.vcu.edu/etd/1345 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. Ileana Florentina Popa BA, University of Bucharest, February 1991 MA, Virginia Commonwealth University, May 2006 Director: Marcel Cornis-Pope, Chair, Department of English Virginia Commonwealth University Richmond, Virginia May 2006 Table of Contents Page Abstract.. ...............................................................................................vi Chapter I. About Stereotypes and Stereotyping. Definitions, Categories, Examples ..............................................................................1 a. Ethnic -
5 TOP PLACES to HUNT for VAMPIRES Zoomer | October 25Th, 2012
5 TOP PLACES TO HUNT FOR VAMPIRES Zoomer | October 25th, 2012 ike the immortal blood sucking creatures themselves, our fascination with vampires isn’t L dimmed by the passing centuries. These pale-faced, fang-toothed icons have inspired centuries of horror and mystery — not to mention a Hollywood blockbuster or two. (Who can forget Max Schreck as Nosferatu or Bela Lugosi’s Dracula?) Before the Twilight Saga and True Blood , author Bram Stoker spun vampire legends into a literary classic that continues to capture our imaginations. While today’s vampire fans flock to the scenes of their favourite TV shows and movies, there are many places you can sink your teeth into some good old-fashioned vampire lore. After all, vampire haunts can offer more than sets: the history, culture and scenery make them destinations their own right. In the spirit of Halloween, here are five vampire-spotting destinations inspired by Lonely Planet’s Best in Travel . Transylvania, Romania Long before Bram Stoker’s Dracula called this central Romanian province his home, the "land beyond the forest" has a tradition of the supernatural. Vampires reportedly haunt its sites on St. George’s Day and the eve of St. Andrew, and its supposed location on one of the earth’s strongest magnetic fields give the locals extra sensory abilities. Stoker drew inspiration not just from local lore, but from one of the country’s famous rulers: Vlad III Dracul of Wallachia, better known as “Vlad the Impaler” for his brutal method of executing his enemies. Portraits of this infamous leader even look like our modern imagining of Dracula. -
Dracula Tourism in Romania
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bournemouth University Research Online The Undead and Dark Tourism: Dracula Tourism in Romania Duncan Light This is an Accepted Manuscript of a book chapter published by Routledge in Dark Tourism: Practice and Interpretation on 14 July 2016, available online: (ISBN: 9781472452436; https://www.routledge.com/Dark-Tourism-Practice-and-interpretation/Hooper- Lennon/p/book/9781472452436) This work should be cited as: Light, D. (2017) ‘The undead and dark tourism: Dracula tourism in Romania’, in G. Hooper and J.J. Lennon (eds) Dark Tourism: Practice and Interpretation, Routledge, Abingdon, 121-133 Introduction Although I have been researching Dracula tourism (the visiting of places in Transylvania associated with the Count Dracula of fiction and cinema) for more than a decade, I have not previously examined it in terms of dark tourism since, to my mind, there was little direct connection between such tourism and death or human suffering. However, conceptions of dark tourism are continually evolving and the phenomenon is now increasingly defined in terms of the ‘macabre’, meaning that dark tourism now embraces a wider range of sites and experiences which are not directly associated with death. I wish to begin this chapter by considering the changing definitions of dark tourism with particular reference to the notion of the macabre as a criterion for defining the phenomenon. I then want to examine Dracula tourism in Romania from the perspectives of both supply and demand. In terms of supply I argue that there is almost no deliberate provision of tourist experiences based on Dracula, so that identifying Dracula tourism as a form of dark tourism is problematic. -
Unseen Horrors: the Unmade Films of Hammer
Unseen Horrors: The Unmade Films of Hammer Thesis submitted by Kieran Foster In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2019 Abstract This doctoral thesis is an industrial study of Hammer Film Productions, focusing specifically on the period of 1955-2000, and foregrounding the company’s unmade projects as primary case studies throughout. It represents a significant academic intervention by being the first sustained industry study to primarily utilise unmade projects. The study uses these projects to examine the evolving production strategies of Hammer throughout this period, and to demonstrate the methodological benefits of utilising unmade case studies in production histories. Chapter 1 introduces the study, and sets out the scope, context and structure of the work. Chapter 2 reviews the relevant literature, considering unmade films relation to studies in adaptation, screenwriting, directing and producing, as well as existing works on Hammer Films. Chapter 3 begins the chronological study of Hammer, with the company attempting to capitalise on recent successes in the mid-1950s with three ambitious projects that ultimately failed to make it into production – Milton Subotsky’s Frankenstein, the would-be television series Tales of Frankenstein and Richard Matheson’s The Night Creatures. Chapter 4 examines Hammer’s attempt to revitalise one of its most reliable franchises – Dracula, in response to declining American interest in the company. Notably, with a project entitled Kali Devil Bride of Dracula. Chapter 5 examines the unmade project Nessie, and how it demonstrates Hammer’s shift in production strategy in the late 1970s, as it moved away from a reliance on American finance and towards a more internationalised, piece-meal approach to funding. -
Route Through Transylvania, Tailormade by Car 17/01
Romania: Route through Transylvania, tailormade by car The Carpathians in Romania, much more than haunting castles, mistshrouded mountains and the legendary Count Dracula Surrounded by the Carpathian mountain range, Transylvania covers the central part of Romania and is one of the bestknown regions outside the country. Much of this is due to the famous vampire Count Dracula, the literary character created by Bram Stoker and inspired by Vlad the Impaler. Thanks to this fascinating road trip, you can follow in the footsteps of the Romanian prince infamous for cruelly impaling his enemies and even explore the ruins of his former fortress, Poenari Castle. You can also visit the perfectly preserved Bran Castle, the bastion chosen by the communist dictator Nicolae Ceausescu to locate the residence of Vlad the Impaler and the imaginary vampire Count in an attempt to draw in more tourism to Romania. Or the house where he spent his formative years of life in Sighisoara and which was owned by his father, Vlad II Dracul. Yet despite being firmly placed on the tourist map, Transylvania offers visitors many other attractions than everything surrounding the immortal Dracula. In fact, this region has been controlled by the Dacians, the Romans, the Hungarians, the Transylvanian Saxons and the Ottomans, who all left behind a spectacular multicultural heritage that is very much alive today. Transylvania, translated from its Latin name as 'the land beyond the forest', is actually called Ardeal in Romanian, Erdély in Hungarian and Siebenbürgen in German. In Romania, you'll be enchanted by the beauty of its mountainous landscapes, its lush forests and its architectural heritage that includes iconic buildings such as the communistera Palace of the Parliament in Bucharest; the Biserica Neagra in Brasov, the largest Gothicstyle church in Romania and Southeast Europe; the Citadel of Rasnov; the famous fortified churches of Prejmer and Harman; and the Cathedral of Curtea de Arges, among many other exceptional tourist attractions. -
The Use of History in Dracula Tourism in Romania
doi:10.7592/FEJF2014.57.hovi THE USE OF HISTORY IN DRACULA TOURISM IN ROMANIA Tuomas Hovi Abstract: Dracula tourism in Romania combines fiction with history. It is centred on either the fictional Western vampire Count Dracula or the historical Dracula, the fifteenth-century Romanian ruler Vlad the Impaler. These two characters are also often conflated, or sometimes even forged together, into one Dracula figure in Dracula tourism. Besides the history concerning the ruler, Vlad the Impaler, through Dracula tourism the guides and travel agencies also tend to offer much more history and tradition of Romania in their tours. In this article I will exam- ine what kind of history is told and what is left out. I am especially interested in the history and tradition (as it is manipulated) that is not connected to Vlad or Dracula. I look at the types and eras of history used and emphasised in Dracula tourism in Romania, and the reasons for the choices. I am also interested in the idea of how the seemingly superficial and fictitious Dracula tourism can be used as a gateway into Romanian history and culture. Keywords: Dracula tourism, local heritage, Romania, the use of history, tour narrations, tradition Dracula tourism in Romania is an interesting combination of history, tradi- tion and fiction. In Dracula tourism tourists visit locations connected to the historical Dracula, Vlad the Impaler, the ones described in Bram Stoker’s novel Dracula, and some other locations in Romania that the different tourist agen- cies want to show to the tourists. There are many foreign and domestic tourist agencies that offer different kinds of Dracula-themed tours around Romania. -
“Dracula: Facts & Fictions” Spring Semester 2014
PROSPECTUS FOR 01:510:255 “Dracula: Facts & Fictions” Spring Semester 2014 CONTACT INFORMATION > Instructor: Stephen W. Reinert (Professor) > Meeting Times: M/TH, 2nd Period (9:50-11:10 AM) > Meeting Place: College Avenue Campus, Murray Hall, Room 212 > Instructor's Email: [email protected] > Instructor's Office: Van Dyck Hall, Room 218, College Avenue Campus > Office Hours: by arrangement, and always available by Skype THEMES & OBJECTIVES OF THE COURSE Everyone's heard of "Dracula" and knows who he was (or is!), right? Well ... While it's true that "Dracula" — aka "Vlad III Dracula" and "Vlad the Impaler" — are household words throughout the planet, surprisingly few have any detailed comprehension of his life and times, or comprehend how and why this particular historical figure came to be the most celebrated vampire in history. Throughout this class we'll track those themes, and our guiding aims will be to understand: (1) "what exactly happened" in the course of Dracula's life, and three reigns as prince (voivod) of Wallachia (1448; 1456-62; 1476); (2) how serious historians can (and sometimes cannot!) uncover and interpret the life and career of "The Impaler" on the basis of surviving narratives, documents, pictures, and monuments; (3) how and why contemporaries of Vlad Dracula launched a project of vilifying his character and deeds, in the early decades of the printed book; (4) to what extent Vlad Dracula was known and remembered from the late 15th century down to the 1890s, when Bram Stoker was writing his famous novel ultimately entitled Dracula; (5) how, and with what sources, Stoker constructed his version of Dracula, and why this image became and remains the standard popular notion of Dracula throughout the world; (6) how modern historians developed a credible reconstruction of Vlad III's life and career, from the 19th century to the present; (7) how Dracula evolved as an icon of 20th century popular culture, particularly in the media of film and the novel. -
Tour of Transylvania Culture, Traditions and Beautiful Nature Adriana and Friends May 30 – June 10Th, 2019
Tour of Transylvania Culture, traditions and beautiful nature Adriana and friends May 30 – June 10th, 2019, Offer created by: Via Transylvania Tours Tour operator from Romania www.viatransylvania.com Tel.: 0040 755 365 778 (Romania) Skype: dan_rosca Email: [email protected] Suggested ITINERARY: Thursday, May 30, 2019, Day 1 Arrival day Upon your arrival in Cluj Napoca you will be picked up from the airport and transferred to the hotel in the heart of the city. Recommended flight from the Netherlands: WizzAir flight EIN-CLJ 16:25- 19:45. Overnight in Cluj Napoca Transfer time: 30’ Friday, May 31, 2019, Day 2 Explore Cluj-Napoca, Turda Salt Mine and Alba Iulia fortress Your guide will take you in the morning for a guided tour of Cluj-Napoca, a lively city with historic buildings and a beautiful old center. You will walk through the old center, visit Unirii Square and King Matthias Corvinus’ birth house. The next stop will be Turda salt mine, an impressive, alien-looking place. Inside there is a lake where you can row a boat, an amphitheater and even a Ferris wheel. While you breathe the healthy salt air you can enjoy playing soft sports such as mini golf, table tennis or bowling. Last on your itinerary is a guided walking tour of Alba Iulia. Having a Vauban-style star shape, Alba Iulia fortress has a special historical importance for Romanians, as it was here in 1918 that Transylvania was united with the rest of Romania to form the current territory. Here you will visit the Union Hall and Unification Cathedral, along with one of the oldest Catholic churches in Romania, and some majestic baroque entrance gates Overnight in Banpotoc Drive time: 3h Saturday, June 1, 2019, Day 3 Relax in nature and visit a Gothic castle Start the day with a walk in the village of Alun, known as the marble village.