DOCSLIB.ORG

OLLI at SOU Fall 2021 Course Catalog

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
OLLI at SOU Fall 2021 Course Catalog Osher Lifelong Learning Institute OLLI atSOU Southern Oregon University Course availability and schedules are subject to change. Visit our website for up-to-date information. Fall 2021 Course Catalog September 13 to November 19, 2021 inside.sou.edu/olli • 541.552.6048 • [email protected] Learn More. Age Less. Together. Osher Lifelong Learning Institute OLLI atSOU Southern Oregon University Contacting Fall 2021 Course Catalog OLLI at SOU CATALOG CONTENTS Phone: 541.552.6048 OLLI Council President’s Letter ......................................... 3 Email: [email protected] SOU Director’s Letter ........................................................... 5 inside.sou.edu/olli Mailing Address Course Schedule ................................................................... 6 1250 Siskiyou Blvd. Course Descriptions Ashland, OR 97520 Arts: Film/TV/Radio ....................................................... 9 Offce Hours Arts: Music ....................................................................... 10 Monday-Friday Arts: Theater .................................................................... 13 9:00 am to 4:00 pm Arts: Visual Arts ............................................................... 13 Arts: Writing ..................................................................... 14 History ................................................................................ 15 Languages and Cultures ............................................. 19 Life Planning ................................................................... 24 Literature .......................................................................... 27 Movement ....................................................................... 29 Nature ................................................................................ 31 Personal Exploration ................................................... 33 Recreation ....................................................................... 37 Science, Technology, Engineering and Mathematics ................................................... 38 Social Sciences .............................................................. 44 On the Cover The cover artwork is an acrylic painting Other Important Information titled “Forest Floor” by OLLI supporter Pam OLLI Member Benefts ................................................. 12 Haunschild. See more of her nature inspired work at Art & Soul Gallery in Ashland or Shared Interest Groups ................................................ 13 online at www.pamhaunschild.com. Dates to Remember .................................................... 16 Scholarships .................................................................... 23 Catalog Staff Membership Application ................................................ 49 Editor: Peg Evans Production Manager: Rob Casserly Volunteer at OLLI ................................................................ 50 Communications and Community Outreach Committee: Peg Evans, Chair Course Request Form ........................................................ 51 Curriculum Committee: Ginny Blankinship & Anne Coleman, Co-chairs Registration and Getting the Courses You Want ..... 52 Community Group Distribution: Kay Godwin Graphic Design: David Ruppe, Impact Publications OLLI at SOU 1 Fall 2021 Catalog OLLI Leadership Greetings from the 2021-2022 OLLI Council President Council Directors his past year has been full of challenges and John Ferris, President TOLLI has met them admirably. We offered a Phyllis Fernlund, full and varied slate of classes, with instructors Vice President and students alike learning new technologies Tracy Palermini, Treasurer so that they could continue to teach and to Betsy Gentry, Secretary learn remotely. In my view the resulting class Clark Custodio, Director experience was excellent. Larry Hunter, Director We continued to have social interactions learn- Colleen Patrick-Riley, Director ing new ways to be connected. Susan Stitham, Director Our plan, going forward, is to have a combi- Elisabeth Zinser, Director nation of in-person classes, Zoom classes, and some experiments of hybrid classes: in-person Standing Committees and Zoom classes simultaneously. Our fexibil- John Ferris, Communications and ity will continue to be tested. OLLI Council President Community Outreach Peg Evans, Chair The great beneft to OLLI of all this is that we have survived as a viable organization, delivering an important service to Curriculum our community. We continue to recognize that OLLI really matters to the Ginny Blankinship and Anne Coleman, Co-chairs well-being of older adults. OLLI has provided a continuing connection for all of us while we couldn’t be together in person. Development Wayne Davison, Chair Financially, OLLI has survived and will continue to survive. The downside Finance of this pandemic and fre year is that our membership has dropped by 35%. Tracy Palermini, Chair We will spend this coming year rebuilding in several ways. Landscape • First and foremost, by promoting membership. Word of mouth is Sandra Hansen, Chair the most effective way of doing this and we can all help to spread Leadership Development the word. and Recruitment • Second, we will be able to enjoy the remodeled Campbell Center, Lorraine Vail, Chair a huge positive. Medford OLLI Sue Sorem, Chair • Third, our Medford location at the HEC will be actively promoting OLLI with the space and facilities we need. Member Services Cathy Crocker, Chair • Furthermore, Zoom has given us a much broader membership Personnel geographically, from Alaska to the East Coast. These new mem- Rachel Jones, Chair bers will continue to take our Zoom classes. Venue and Technology The basics are in place. Our unbelievable cadre of volunteers and our Planning hard-working staff are doing everything possible to make renewed OLLI en- Cliff Edwards, Chair thusiasm a reality. I’m really looking forward to helping to make that happen. OLLI Management Sincerely, John Ferris Director, Outreach & OLLI at SOU Council President Engagement Programs Rachel Jones Assistant Director, OLLI Rob Casserly OLLI at SOU 3 Fall 2021 Catalog Fall classes taught on-line via Many of us have now 1. Consult the OLLI website, https://inside.sou.edu/olli/courses/zoom-for-students.html, had 4 terms of using or the Zoom help center (https://support.zoom.us/hc/en-us ) about how to use Zoom Zoom, and we are for your classes. If you are new to Zoom, we encourage you to become familiar with Zoom before your classes begin. You might want to practice with a friend. feeling somewhat comfortable with it. If 2. Ask for help, prior to the start of classes, from a member of the team of OLLI volunteers you are new to Zoom or giving one-on-one Zoom help to students. if you need a refresher 3. If your instructor offers a Class Zero, please attend. Class Zero has one main purpose – course about it, we to give instructors an opportunity to share with students how they will be using Zoom are offering several and what to expect in their class. opportunities to help 4. Call or email the OLLI offce at 541-552-6048 or [email protected] you with Zoom. If you are new to Zoom or you are feeling rusty about using Zoom, please don’t let Please note: We only provide information and assistance to that be a roadblock to attending OLLI classes online this term. We are here to help. current OLLI at SOU members. COME CELEBRATE WITH US! SAVE THE Campbell Center DATE Reopening Thursday, September 9 10AM–noon Tour the newly renovated classrooms and member lounge. Enjoy the refreshments. Visit with OLLI members. See the newly-installed Many Giving Garden Mural. thanks to OLLI members and friends and SOU for Details to follow supporting the ReNEWall campaign. OLLI at SOU 4 Fall 2021 Catalog A note from SOU Director, Outreach and Engagement Programs... Welcome to Fall Term 2021! f we have learned anything in the past 18 months, one of the top lessons has Ibeen how to live with uncertainty. Nonetheless, at the time that I’m writing this we are inching ever closer to a more familiar sort of Fall Term. While OLLI at SOU has proved adept at existing in ambiguity during the pandemic, the return to normal operations will be a welcome reprieve from the unusual nature of the past academic year. OLLI at SOU has weathered the COVID-19 pandemic admirably. As in the past, we remain at the forefront as one of the most robust, healthy, affordable, and resourceful OLLI programs in the country. Throughout the pandemic we have maintained a strong membership. Our number of courses per term is more than double the national average for OLLI programs, and we are one of only a small handful of OLLIs that found ways to offer social events on Zoom during the pandemic. Remarkably, we ended the 2020-21 academic year having garnered students and instructors from ninety-one cities and towns across the United States! Rachel Jones, Director, All of this, and more, are a testament to the impressive governance and SOU Outreach & Engagement management of OLLI at SOU. The commitment of our council, committee members, and tireless staff, coupled with the strength of our governance process have enabled us to remain vibrant and healthy even during diffcult times. As we embark on a new academic year that feels full of promise, and the long-awaited unveiling of our fully renovated Campbell Center, the fall term is beckoning as a time of revival and delight. Whether joining us in-person or remotely, come join us this fall for a year of exploration, discovery, and renewal. Rachel Jones Director, SOU Outreach
Load more

Recommended publications
  • Click Here to Download The
    $10 OFF $10 OFF WELLNESS MEMBERSHIP MICROCHIP New Clients Only All locations Must present coupon. Offers cannot be combined. Must present coupon. Offers cannot be combined. Expires 3/31/2020 Expires 3/31/2020 Free First Office Exams FREE EXAM Extended Hours Complete Physical Exam Included New Clients Only Multiple Locations Must present coupon. Offers cannot be combined. 4 x 2” ad www.forevervets.com Expires 3/31/2020 Your Community Voice for 50 Years PONTEYour Community Voice VED for 50 YearsRA RRecorecorPONTE VEDRA dderer entertainment EEXXTRATRA! ! Featuring TV listings, streaming information, sports schedules, puzzles and more! June 25 - July 1, 2020 has a new home at INSIDE: THE LINKS! Sports listings, 1361 S. 13th Ave., Ste. 140 sports quizzes Jacksonville Beach and more Pages 18-19 Offering: · Hydrafacials · RF Microneedling · Body Contouring · B12 Complex / Lipolean Injections ‘Hamilton’ – Disney+ streams Broadway hit Get Skinny with it! “Hamilton” begins streaming Friday on Disney+. (904) 999-0977 1 x 5” ad www.SkinnyJax.com Kathleen Floryan PONTE VEDRA IS A HOT MARKET! REALTOR® Broker Associate BUYER CLOSED THIS IN 5 DAYS! 315 Park Forest Dr. Ponte Vedra, Fl 32081 Price $720,000 Beds 4/Bath 3 Built 2020 Sq Ft. 3,291 904-687-5146 [email protected] Call me to help www.kathleenfloryan.com you buy or sell. 4 x 3” ad BY GEORGE DICKIE Disney+ brings a Broadway smash to What’s Available NOW On streaming with the T American television has a proud mistreated peasant who finds her tradition of bringing award- prince, though she admitted later to winning stage productions to the nerves playing opposite decorated small screen.
    [Show full text]
  • News L Etter
    THE NINETY-NINES, Inc. INTERNATIONAL ORGANIZATION OF WOMEN PILOTS N ew s L etter International Headquarters — P. 0. Box 1444 — Oklahoma City, Oklahoma AIR TERMINAL BUILDING — WILL ROGERS FIELD ---------------- NOVEMBER, 1958 President's Column 29 YEARS YOUNG Novem ber 1, 1958 Everyone who participated in the S.M.A.L.L. Race saw Michigan in its full Autumn dress—a beautiful riot of color! All activities were so very well planned, there was wonderful coopera­ tion from the contestants and all per­ sons who assisted in any way. It was a successful and enjoyable event, with which to finish our Ninety-Nine racing activities for the season. In attending the Michigan Chapter meeting after the finish of the race, I learned of their aim for this year. It was so inspirational that I feel sure all of you should know about it, so here it is: “ To expand through the addition of valuable new members. To make tangible contribution to avia­ tion and to the community around us. To be a genuine asset to the Ninety- Nines, Inc. To be worthy of recogni­ tion by qualifying our existance as an organized group.” Haven’t they put into words, so nicely, the actual aim of every Chapter? The Amelia Earhart Scholarship ap­ plication forms will be sent to your Chapter Chairman soon, and they must be in by January 15. This $350 MELBA BEARD, JIMMYE LOU SHELTON AND RUTH REINHOLD stand- scholarship is worth competing for, so ing under the wing of M elba’s Kinner Bird, w7hich is a Bird biplane powered do get those applications in before the with a 160 hp Kinner R-55 engine, converted from the original OX-5 engine deadline date.
    [Show full text]
  • INTRODUCTION. 157 Other Settlements of the Chetleschantunne Composition of Site and Actual Occupational Depth 165 166 Bone Artif
    151 THE PISTOL RIVER SITE OF SOUTHWEST OREGON Eugene Heflin INTRODUCTION. 153 GEOGRAPHICAL DESCRIPTION OF THE AREA 156 DESCRIPTION, HISTORY AND LOCATION OF SITE 157 Other Settlements of the Chetleschantunne . 162 EXCAVATION Maps and Method of Locating House Pits 162 House Pits . 163 Composition of Site and Actual Occupational Depth . 164 Molluscan and Other Remains Found in Shell Midden . 165 Bone Remains . 165 Stone Artifacts . 166 Sculpture . 169 Bone Artifacts . 169 Burials . 170 Items of Caucasian Manufacture . a 171 CONCLUSIONS . 174 EXPLANATION OF PLATES . 177 BIBLIOGRAPHY . 203 LIST OF ILLUSTRATIONS Map 1. Map of Chetleshin . 158 Plates . 184 153 INTRODUCTION The coastal Indian village sites of Oregon, especially those of the southwestern section of the state, have been neglected archaeolog- ically in the past, and today few remain which have withstood the forces of nature and wanton destruction by man. The Pistol River occupation site, anciently known to its inhabitants as Chetleshin or Chetlessentan, was located on a high bluff overlooking both river and ocean, about 8.5 miles south of Gold Beach, Oregon. For a time this was one of the few prehistoric sites to escape the constant spoilative activities of the pothunter, but in 1961 it finally became a victim of his aggressiveness. Prior to this, Chetleshin had been part of the W. H. Henry sheep ranch and had been held by the family for many years. Until a highway was constructed from Gold Beach to Brookings, the region was difficult of access and could be reached only by an old county trail. At various times the village area had been under cultivation and had produced bountiful crops due to its extremely rich soil, at other times it had been used for sheep pasture.
    [Show full text]
  • Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942
    DRAFTING DISNEY FOR VICTORY: ANIMATION, PROPAGANDA, AND POLITICAL RESISTANCE, 1941-1942 by John Michael Gregory A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2019 Approved by: ______________________________ Dr. Mark Wilson, Thesis Director ______________________________ Dr. Peter Thorsheim ______________________________ Dr. David Johnson ©2019 John Michael Gregory ALL RIGHTS RESERVED ABSTRACT JOHN MICHAEL GREGORY. Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942. (Under the direction of DR. MARK WILSON) History has forgotten animation, and film companies are often complicit in failing to acknowledge its influence on our social and cultural history. Walt Disney came of age in the film industry during the Golden Age of Hollywood, an era that coincided with a world stage set for war and conflict. The threat of Nazi Germany was felt both home and abroad, and the United States struggled with indecision on whether or not to support its European allies or remain isolationist. When the Second World War began, the American response was lukewarm with Lend-Lease being the only acceptable political means of interference in the European conflict. Walt Disney, struggling over lack of profits due to war-related distribution overseas, sought US Government contracts for morale and instructional films to keep his company afloat and his artists paid. Though Disney’s popularity and success in Hollywood in the late 1930s should have made him an easy sell to politicians, he was largely met with distrust over questions of cost and the future viability of animation in government use.
    [Show full text]
  • Playgra:1Vi February I 960 Forty-First St
    d \.,) PLAYGRA:1VI FEBRUARY I 960 FORTY-FIRST ST. THEATRE 125 West 41st St., New York II .• SHAKESPEARE IN HARLEM February 28th, 1950: The Day They Killed Cash J i m D ish o1,; R e ttor t f!' r Jim Bishop, the famous neu·spaperman. is the hope of the hopeless. boats, liquor, tire-., car-;, plane trip,;, luggage, the author of the best-selling books. ·'The This led to the Federal Deposit Jn,.urance stenographic services, recording:,:;, camerae;, Day Lincoln Was Shot" and "The Da) Corporation. \\hich means that the United fishing equipment, gi fts, flower,.-many. Christ Died." Ile is also a ll"idely syndicated States Go,ernment endorsed sa, in~s atc-ounls many things. \ mong the items it will not buy columnist. and stopped the failure of hanks. It also led are a !.paL'l' ship, a dental extraction and a to the cheap checking account, through guide rondurted tour o f the Kremlin. 6"" \\hich the average \,age earner r-ould pay his Thf' D.C. f•xccuti,es are ,,orking: on thf'c;e. ...._,a<:.h, of course, has not died. If you think bills by ,,ritinµ; on a slip of paper. Thi;; The rost of becomin:;: a member ic; -~5. The so, try doing wi thou t it. In my fami ly it is check ,,as a long step in the right direnion. low fee led to ~ome suspi<"ion on my part. I used freely. Too freely. I have often aJ.ked It honored t he signature of the pri,ate my children if they thought 1 wac; made of it citizen.
    [Show full text]
  • Cyril Ritchard the Happiest Girl in the World Mp3, Flac, Wma
    Cyril Ritchard The Happiest Girl In The World mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Stage & Screen Album: The Happiest Girl In The World Country: US Released: 1961 Style: Musical MP3 version RAR size: 1646 mb FLAC version RAR size: 1776 mb WMA version RAR size: 1264 mb Rating: 4.3 Votes: 943 Other Formats: MP2 FLAC DXD MP3 FLAC VQF AU Tracklist A1 Overture: The Glory That Is Greece A2 The Happiest Girl In The World A3 The Greek Marine A4 Shall We Say Farewell? A5 Never Be-Devil The Devil A6 Whatever That May Be A7 Eureka A8 The Oath A9 Vive La Virtue! B1 Finale, Act I B2 Adrift On A Star B3 That'll Be The day B4 How Soon, Oh Moon? B5 Love-Sick Serenade B6 Five Minutes Of Spring B7 Never Trust A Virgin B8 Entrance Of The Courtesans B9 Vive La Virtue Other versions Category Artist Title (Format) Label Category Country Year Cyril Ritchard, Cyril Ritchard, Janice Rule Janice Rule With With Dran Seitz & Bruce Columbia KOL 5650 KOL 5650 US 1961 Dran Seitz & Yarnell - The Happiest Girl Masterworks Bruce Yarnell In The World (LP, Mono) Cyril Ritchard, Janice Rule Cyril Ritchard, With Dran Seitz & Bruce Janice Rule With 19032 Yarnell - The Happiest Girl DRG Records 19032 US 2002 Dran Seitz & In The World (CD, Album, Bruce Yarnell RM) Related Music albums to The Happiest Girl In The World by Cyril Ritchard Donna Fargo - The Happiest Girl In The Whole U.S.A. / The Awareness of nothing Mary Martin, Cyril Ritchard - Peter Pan Prokofiev / Cyril Ritchard / Britten / Eugene Ormandy - Peter And The Wolf / Young Person's Guide To The Orchestra Cyril Stapleton Orchestra - Cyril Stapleton Orchestra Janice - Love Up Julie Harris , Cyril Ritchard, David Wayne - A Gathering Of Great Poetry For Children, Volume Two Cyril Tawney - Janice - Talk To Me Mary Martin - Peter Pan Cyril Ornadel And Starlight Symphony Orchestra - Carnival.
    [Show full text]
  • Chapter Template
    Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade.
    [Show full text]
  • An Historical Overview of Vancouver Barracks, 1846-1898, with Suggestions for Further Research
    Part I, “Our Manifest Destiny Bids Fair for Fulfillment”: An Historical Overview of Vancouver Barracks, 1846-1898, with suggestions for further research Military men and women pose for a group photo at Vancouver Barracks, circa 1880s Photo courtesy of Clark County Museum written by Donna L. Sinclair Center for Columbia River History Funded by The National Park Service, Department of the Interior Final Copy, February 2004 This document is the first in a research partnership between the Center for Columbia River History (CCRH) and the National Park Service (NPS) at Fort Vancouver National Historic Site. The Park Service contracts with CCRH to encourage and support professional historical research, study, lectures and development in higher education programs related to the Fort Vancouver National Historic Site and the Vancouver National Historic Reserve (VNHR). CCRH is a consortium of the Washington State Historical Society, Portland State University, and Washington State University Vancouver. The mission of the Center for Columbia River History is to promote study of the history of the Columbia River Basin. Introduction For more than 150 years, Vancouver Barracks has been a site of strategic importance in the Pacific Northwest. Established in 1849, the post became a supply base for troops, goods, and services to the interior northwest and the western coast. Throughout the latter half of the nineteenth century soldiers from Vancouver were deployed to explore the northwest, build regional transportation and communication systems, respond to Indian-settler conflicts, and control civil and labor unrest. A thriving community developed nearby, deeply connected economically and socially with the military base. From its inception through WWII, Vancouver was a distinctly military place, an integral part of the city’s character.
    [Show full text]
  • Theatre Conservatory Presents the Summer Players in the Cast of Peter Pan
    ’s Theatre Conservatory presents the Summer Players in ’s Theatre Conservatory presents the Summer Players in Julianne Argyros Stage • August 9 & 10, 16 & 17 at 1 & 5 pm and August 15 at 7 pm a musical based on the play by SIR JAMES M. BARRIE Lyrics by Music by CAROLYN LEIGH MORRIS "MOOSE" CHARLAP Additional Lyrics by Additional Music by BETTY COMDEN AND ADOPH GREEN JULE STYNE original Broadway production conceived, directed and choreograhed by JEROME ROBBINS Set and Costume Design Lighting Design Sound Design SARA RyUNG CLEMENT KARYN D. LAWRENCE JEFF POLUNAS Choreography by Production Manager Stage Manager KELLY TODD JACKIE S. HILL KRISTEN CRUZ Musical Direction by Peter Pan Erin McNally Directed by Hisa Takakuwa The cast of James Barrie left the copyright of PETER PAN to the Great Ormond Street Hospital for Children in London, and thousands of children have benefited from his gift in the years since his death. The producers are proud and happy that everyone who has bought a ticket for today's performance is helping a sick child get well. Setting Cast of Characters The Darling Nursery and Neverland, circa 1905 (in order of appearance) SHANE IVERSON ��������������������������������������������������������������������������������Wendy Darling Length JADEN FOGEL ��������������������������������������������������������������������������������������� John Darling Two hours with one fifteen minute intermission NIKA NATALIE AYDIN ����������������������������������������������������������������������Michael Darling KIRA WENDLAND �����������������������������������������������������������������������������������������������Liza
    [Show full text]
  • Theatre Conservatory Presents the Summer Players
    Theatre Conservatory Presents The Summer Players in The cast of Peter Pan Top row: Sean Kato, Nick Trafton, Vincent Logan, Preston Veravanich, Marcello Bui 2nd row: Pierce Harvey, Ben Susskind, PJ Giglia, Halia Lindauer, Grady Farman 3rd row: Zoe Hebbard, Charlie Goubran, Chloe Thompson, Katie Lee, Sarah Sparks 4th row: Sienna Patel, ChloeLux Phan, Mia Ciuni, Libby Rue, Tess Fox, Natalie Bright 5th row: Sofia Mendez, Caitlyn Yu, Maggie Moland, Brooke Berberian, Jaden Linares Bottom row: Quinn Garcia, Tessany Azizi, Leah Kaplan, Isaac Person, Presley Coogan PETER PAN is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI. www.mtishows.com Segerstrom Stage • August 7, 8, 14 & 15, 2021 DAVID IVERS PAULA TOMEI Artistic Director Managing Director DAVID EMMES & MARTIN BENSON Founding Artistic Directors Theatre Conservatory presents A musical based on the play by Sir J.M. Barrie Lyrics by Music by Carolyn Leigh Morris (Moose) Charlap Additional Lyrics by Additional Music by Betty Comden & Adolf Green Jule Styne Originally Directed, Choreographed and Adapted by Jerome Robbins Music direction by Directed by ERIN MCNALLY HISA TAKAKUWA SET DESIGNER COSTUME DESIGNER LIGHTING DESIGNER LEAH RAMILLANO KATE POPPEN KARYN D. LAWRENCE SOUND DESIGNER CHOREOGRAPHER STAGE MANAGER JEFF POLUNAS SJAAN TROWBRIDGE ANNA KLEVIT In 1929 Sir J.M. Barrie bequeathed PETER PAN to GREAT ORMOND STREET HOSPITAL FOR CHILDREN IN LONDON, which as benefited thousands of children since then. The producers are proud and happy that everyone who has bought a ticket for today's performance of PETER PAN is helping towards making the hospital the incredible center of hope it is today.
    [Show full text]
  • Oregon's History
    Oregon’s History: People of the Northwest in the Land of Eden Oregon’s History: People of the Northwest in the Land of Eden ATHANASIOS MICHAELS Oregon’s History: People of the Northwest in the Land of Eden by Athanasios Michaels is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted. Contents Introduction 1 1. Origins: Indigenous Inhabitants and Landscapes 3 2. Curiosity, Commerce, Conquest, and Competition: 12 Fur Trade Empires and Discovery 3. Oregon Fever and Western Expansion: Manifest 36 Destiny in the Garden of Eden 4. Native Americans in the Land of Eden: An Elegy of 63 Early Statehood 5. Statehood: Constitutional Exclusions and the Civil 101 War 6. Oregon at the Turn of the Twentieth Century 137 7. The Dawn of the Civil Rights Movement and the 179 World Wars in Oregon 8. Cold War and Counterculture 231 9. End of the Twentieth Century and Beyond 265 Appendix 279 Preface Oregon’s History: People of the Northwest in the Land of Eden presents the people, places, and events of the state of Oregon from a humanist-driven perspective and recounts the struggles various peoples endured to achieve inclusion in the community. Its inspiration came from Carlos Schwantes historical survey, The Pacific Northwest: An Interpretive History which provides a glimpse of national events in American history through a regional approach. David Peterson Del Mar’s Oregon Promise: An Interpretive History has a similar approach as Schwantes, it is a reflective social and cultural history of the state’s diversity. The text offers a broad perspective of various ethnicities, political figures, and marginalized identities.
    [Show full text]
  • Redacted for Privacy
    AN ABSTRACT OF THE THESIS OF M. Susan Van Laere for the degreeof Master of Arts in Applied Anthropologypresented on March 6, 2000. Title: The Grizzly Bear andthe Deer: The History of Federal Indian Policy and Its Impacton the Coast Reservation Tribes of Oregon, 1856-1877. Abstract Approved Redacted for privacy David R. Brauner The Coast Reservation of Oregonwas established under Executive Order of President Franklin Pierce in November,1855, as a homeland for the southern Oregon tribes. It was an immense, isolatedwilderness, parts of which had burned earlier inthe century. There were some prairies where farmingwas possible, but because the reservation system itself and farming,particularly along the coast,were unknown entities, life for the Indianswas a misery for years. Those responsible for the establishmentof the reservation were subject to the vagaries of the weather, the wilderness,the Congress, and the Office of Indian Affairs. Agents were accountable, not only forthe lives of Oregon Indians, but also for allof the minute details involved in answeringto a governmental agency. Some of the agentswere experienced with the tribes ofwestern Oregon; others were not. All of them believedthat the only way to keep the Indiansfrom dying out was to teach them theEuropean American version of agriculturalism.Eventually, if possible, Oregon Indians would be assimilated into the dominant culture. Mostagents held out little hope for the adults of the tribes. This thesis lays out the background for thedevelopment of United States Indian policies. European Americans' etimocentricideas about what constituted civilization became inextricablywoven into those policies. Those policies were brought in their infant stage to Oregon.
    [Show full text]