Sir Karl Jenkins Returns to the NCPA to Lead the Symphony Orchestra Of
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Program Notes Gloria, Vivaldi Venice, in the Early Eighteenth Century, Was
Program Notes Gloria, Vivaldi Venice, in the early eighteenth century, was a remarkably enlightened city-state and its governors saw fit to provide well for its poor, its sick, and its abandoned. The Ospedale della Pietá was one of four charitable institutions, this one for orphaned or abandoned babies. As the babies grew up, the boys were trained as craftsmen, the girls in lace- making and laundering, unless they showed special musical talent. If they were musically gifted, they received the finest instrumental and vocal training imaginable. Vivaldi, Il Pretto Roso (The Red Priest, so called because of his flaming red hair) was contracted by the Ospedale as a part time instructor. His title was Maestro di Violino. He was never was able to convince the board of the Ospedale to offer him the more prestigious full-time position of Maestro di Coro. Only when the installed Maestro di Coro took ill was Vivaldi asked to stand in as substitute for him and it was during these years, from 1713-1719, and again in 1739, that he wrote sacred choral music for the Ospedale. Such was the accomplishment of the girls and women singers and instrumentalists that, according to Charles de Brosses, writing in 1739, “The girls sing like angels, and play the violin, the flute, the organ, the oboe, the cello, the bassoon, in short there is no instrument large enough to frighten them.” French philosopher, Jean Jacques Rousseau, wrote: "Every Sunday in the churches of the four scuole, during Vespers, there are motets for a large chorus and orchestra. -
A TIME for May/June 2016
EDITOR'S LETTER EST. 1987 A TIME FOR May/June 2016 Publisher Sketty Publications Address exploration 16 Coed Saeson Crescent Sketty Swansea SA2 9DG Phone 01792 299612 49 General Enquiries [email protected] SWANSEA FESTIVAL OF TRANSPORT Advertising John Hughes Conveniently taking place on Father’s Day, Sun 19 June, the Swansea Festival [email protected] of Transport returns for its 23rd year. There’ll be around 500 exhibits in and around Swansea City Centre with motorcycles, vintage, modified and film cars, Editor Holly Hughes buses, trucks and tractors on display! [email protected] Listings Editor & Accounts JODIE PRENGER Susan Hughes BBC’s I’d Do Anything winner, Jodie Prenger, heads to Swansea to perform the role [email protected] of Emma in Tell Me on a Sunday. Kay Smythe chats with the bubbly Jodie to find [email protected] out what the audience can expect from the show and to get some insider info into Design Jodie’s life off stage. Waters Creative www.waters-creative.co.uk SCAMPER HOLIDAYS Print Stephens & George Print Group This is THE ultimate luxury glamping experience. Sleep under the stars in boutique accommodation located on Gower with to-die-for views. JULY/AUGUST 2016 EDITION With the option to stay in everything from tiki cabins to shepherd’s huts, and Listings: Thurs 19 May timber tents to static camper vans, it’ll be an unforgettable experience. View a Digital Edition www.visitswanseabay.com/downloads SPRING BANK HOLIDAY If you’re stuck for ideas of how to spend Spring Bank Holiday, Mon 30 May, then check out our round-up of fun events taking place across the city. -
July-Chimes-2017.Pdf
Praise the Lord! Praise God in his sanctuary; praise him in his mighty firmament! Praise him with trumpet sound; praise him with lute and harp! Praise him with tambourine and dance; praise him with strings and pipe! Praise him with clanging cymbals; praise him with loud clashing cymbals! Let everything that breathes praise the Lord! Praise the Lord! (Psalm 150:1-6) Dear Friends, Trinity has been celebrating our 125th Anniversary (our quasquicentennial anniversary) in some really wonderful ways so far this year. Under the leadership of our Senior Warden, Bob Moore, we experienced a truly wonderful dinner and dance celebrating the 1920’s. Deborah Moore and her kitchen helpers (especially Linda Bond, Emily Malmevik, Finian Baird and Tiernan Baird) prepared and served up a tremendous meal. For the auction portion of the event, our Junior Warden, Melody Oxley and Vestry member Carol Bartley provided organization and leadership. Every member of the Vestry demonstrated a genuine commitment to serving our parish with generosity and creativity to make the event a successful fundraiser for us, bringing in just under $10,000. On Trinity Sunday, we enjoyed a wonderful brunch prepared by Charlene Rawson and her friend, with lovely decorations prepared by Aileen Barker and Dianne McCormack. Members of Historic Everett joined us for celebrations that day, including a really wonderful slide presentation by Jack O’Donnell. So many members of our music program contributed their talents to our combine morning service that day that one visitor remarked to me, “I think that I may need to change churches!” In the afternoon of Trinity Sunday, David Spring conducted our choirs and a chamber orchestra in a special anniversary concert, in which we were joined by six area faith leaders who contributed beautiful prayers for peace from their spiritual traditions. -
Steven Roberts Conductor
Altrincham Choral Society Steven Roberts conductor Janet FisFisccccherherherher Adrienne Murray soprano mezzo Sipho Fubesi Andrew Slater tenor bass Lydia Bryan Jonathan Scott pianist pianist Jill Kemp recorder Graham Butcher Louise Emms instrumentalist instrumentalist Ian Matthews Gary Stewart instrumentalist instrumentalist John Turnbull Graham Walker instrumentalist instrumentalist Withington Girls’ School Choir Altrincham Choral Society The Society invites our supporters to become Patrons or Sponsors of ACS. They receive advance publicity, complimentary tickets, reserved seating for performances and are acknowledged on the choir web-site and in all programmes. If you are interested in becoming a Patron or Sponsor of the society, please contact E Lawrence 01925 861862. ACS is grateful to the following for their continued support this season: Platinum Patrons Sir John Zochonis Gold Patrons Bernard H Lawrence John Kennedy Lee Bakirgian Family Trust Sponsors Faddies Dry Cleaners of Hale Florence Matthews Flowers by Remember Me of Hale Altrincham Choral Society Altrincham Choral Society prides itself in offering a diverse, innovative and challenging programme of concerts, including many choral favourites. A forward thinking and progressive nature at ACS is complemented by a commitment to choral training and standards which provides its members with the knowledge and confidence to thoroughly enjoy their music-making. Rehearsals are on Monday evenings at Altrincham Methodist Church, Springfield Road, Altrincham – off Woodlands Road (opposite the Cresta Court Hotel). We are only 5 minutes walk from the train/metro station. Rehearsals are from 7.45 to 10.00 pm For more information you can contact us in a variety of ways: E-mail: [email protected] Telephone: P Arnold (Secretary) 01270 764335 Or log onto our web-site www.altrincham-choral.co.uk where you can find more information about the choir, future plans, and photographs from previous concerts including Verona, Florence and the recent tour to Prague. -
The Race of Sound: Listening, Timbre, and Vocality in African American Music
UCLA Recent Work Title The Race of Sound: Listening, Timbre, and Vocality in African American Music Permalink https://escholarship.org/uc/item/9sn4k8dr ISBN 9780822372646 Author Eidsheim, Nina Sun Publication Date 2018-01-11 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017. -
International Research and Exchanges Board Records
International Research and Exchanges Board Records A Finding Aid to the Collection in the Library of Congress Prepared by Karen Linn Femia, Michael McElderry, and Karen Stuart with the assistance of Jeffery Bryson, Brian McGuire, Jewel McPherson, and Chanté Wilson-Flowers Manuscript Division Library of Congress Washington, D.C. 2011 International Research and Exchanges Board Records Page ii Collection Summary Title: International Research and Exchanges Board Records Span Dates: 1947-1991 (bulk 1956-1983) ID No: MSS80702 Creator: International Research and Exchanges Board Creator: Inter-University Committee on Travel Grants Extent: 331,000 items; 331 cartons; 397.2 linear feet Language: Collection material in English and Russian Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: American service organization sponsoring scholarly exchange programs with the Soviet Union and Eastern Europe in the Cold War era. Correspondence, case files, subject files, reports, financial records, printed matter, and other records documenting participants’ personal experiences and research projects as well as the administrative operations, selection process, and collaborative projects of one of America’s principal academic exchange programs. International Research and Exchanges Board Records Page iii Contents Collection Summary .......................................................... ii Administrative Information ......................................................1 Organizational History..........................................................2 -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
National Endowment for the Arts FY 2017 Fall Grant Announcement
National Endowment for the Arts FY 2017 Fall Grant Announcement State and Jurisdiction List Project details are accurate as of December 7, 2016. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Creativity Connects, Challenge America, and Creative Writing Fellowships in Poetry. The grant category is listed with each recommended grant. All are organized by state/jurisdiction and then by city and then by name of organization/fellow. Click the state or jurisdiction below to jump to that area of the document. Alabama Louisiana Oklahoma Alaska Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Hawaii New Hampshire Virgin Islands Illinois New Jersey Washington Indiana New Mexico West Virginia Iowa New York Wisconsin Kansas North Carolina Wyoming Kentucky Ohio Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 7, 2016. Alabama Number of Grants: 6 Total Dollar Amount: $120,000 Alabama Dance Council, Inc. (aka Alabama Dance Council) $30,000 Birmingham, AL Art Works - Dance To support the 20th anniversary of the Alabama Dance Festival. The statewide festival will feature performances and a residency by CONTRA-TIEMPO. The festival also will include a New Works Concert featuring choreographers from the South, regional dance company showcases, master classes, workshops, community classes, and a Dance for Schools program. -
Island Roots Festival Draws Hundreds a Pirate Theme Brought Interest in Cay’S Past
VOLUME 15, NUMBER 10, MAY 15th, 2007 Island Roots Festival draws hundreds A pirate theme brought interest in cay’s past By Mirella Santillo Green Turtle Cay’s Island Roots Heritage Festival was officially opened on May 4th by Commissioner Lopez from Key West, who stated “without Green Turtle Cay, there would not be a Key West as we know it now.” The festival was created in 1977 to celebrate the first year anniversary of the sisterhood between Key West and New Ply- mouth. It was not held for 27 years but the festival has gained growing popularity since its return in 2004. It is a cultural and enter- taining event aimed at reminding people of the island’s history and of their roots. It also is intended to keep alive the ties between New Plymouth and Key West, which share a common Loyalist heritage. This year’s theme was Pirates and it is only normal that the pirate ship of the Conch Republic, (Key West) the schooner Wolf, heralded the festivities with a cannonade followed by a statement from the Admiral and First Sea Lord, Captain Finbar Gittleman, “We come not to plunder, merely to enjoy.” The Wolf’s first mate Julie “Blos- The Fourth Annual Island Roots Festival brought together Abaconians from all communities as well as many visitors from Florida som” McEnroe and the crew of the schoo- and elsewhere. The festival provided two days of entertainment, games, informative talks, demonstrations of bygone skills and skits ner, were joined by the Pyrates of the Coast, about pirates. -
ALSO AVAILABLE on Signumclassics
174Booklet 7/8/09 13:06 Page 1 ALSO AVAILABLE on signumclassics Guillaume de Machaut: Motets, Mass music Brussels 5557: Masses by Frye Guillaume Dufay: Sacred music from & songs by Machaut from the Ivrea Codex and Plummer Bologna Q15 The Clerks The Clerks The Clerks SIGCD011 SIGCD015 SIGCD023 “Each singer has a naturally light, straight- “I am always impressed with the way they “It is an absorbing and revealing collection, toned voice and can effortlessly flat over the balance precision and polished vocal blend and everything is delivered with tonal beauty vocal lines like ‘a feather on the breath in the most difficult music … unlike other and scholarly stylishness” of God’” groups singing this music, the Clerks’ Group Early Music The Gramophone don’t seem to break a sweat.” Goldberg Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 174Booklet 7/8/09 13:06 Page 3 Don’t Talk - Just Listen! p Don’t run low [0.20] a Be an egg donor [0.23] s Please to not betray [0.46] d Five Motets Robert Saxton Royal from Day One [0.17] f 1 Motet 1: Dixit autem Dominus ad Abram [3.27] I am woman [0.35] g 2 Motet 2: Distant, a family travels [2.52] Vocal ensemble for hire [0.33] h 3 Motet 3: Down the ages a song has echoed [2.34] Proactive, professional [0.32] j 4 Motet 4: Returning, wander weary [2.25] Mature composer seeks work [0.27] k 5 Motet 5: Igitur egressus Iacob [4.27] Guarantee [0.36] 6 Thou wast present as on this day Antony Pitts [6.44] Three Contrafacta l The Man who spills his soup -
Woodwind Grades Syllabus
Woodwind Syllabus Flute, Clarinet, Oboe, Bassoon, Saxophone & Recorder Graded exams 2017–2022 Important information Changes from the previous syllabus Repertoire lists for all instruments have been updated. Initial exams are now offered for flute and clarinet. New series of graded flute and clarinet books are available, containing selected repertoire for Initial to Grade 8. Technical work for oboe, bassoon and recorder has been revised, with changes to scales and arpeggios and new exercises for Grades 1–5. New technical work books are available. Own composition requirements have been revised. Aural test parameters have been revised, and new specimen tests publications are available. Improvisation test requirements have changed, and new preparation materials are available on our website. Impression information Candidates should refer to trinitycollege.com/woodwind to ensure that they are using the latest impression of the syllabus. Digital assessment: Digital Grades and Diplomas To provide even more choice and flexibility in how Trinity’s regulated qualifications can be achieved, digital assessment is available for all our classical, jazz and Rock & Pop graded exams, as well as for ATCL and LTCL music performance diplomas. This enables candidates to record their exam at a place and time of their choice and then submit the video recording via our online platform to be assessed by our expert examiners. The exams have the same academic rigour as our face-to-face exams, and candidates gain full recognition for their achievements, with -
Rating Time Room School Event Performers Selection Composer
Rating Time Room School Event Performers Selection Composer Acc Judge 1 9:09>AM Schafer>320 Ashley Mixed>Vocal> 4G6 4 Ain't>Judgin'>No>Man Greg>Gilpin>and>John>ParkerRockne Ensemble 1 11:06>AM NECE>239 Ashley Solo:>B>Flat> Ellen Schnabel Lamento>et>Tarantelle Gabriel>GrovlezP.Schnabel Riley Clarinet 1 11:33>AM NECE>304 Ashley Solo:>Baritone> Addie Schnabel Fidelity Smith E.Schnabel Thomson Horn 1 9:18>AM NECE>319 Beach Solo:>Trombone Sofia Muruato Turquoise Vandercook WilWand Bugbee 1 11:15>AM JSC>207 Beach Girls'>Vocal> 2G3 2 Till>the>Stars>Fall>From> Albrecht/AlthouseTescher Wald Ensemble the>Sky 1 1:54>PM Schafer>219 Beulah Boys'>Vocal>Solo Daniel> Harildstad Caro>Mio>Ben Giuseppe>GiordaniMeissner K.Bowles 1 10:03>AM NECE>335 Bishop>Ryan Mixed>WoodWind> 2G3 2 TBA TBA Boyd Ensemble * 9:00>AM Schafer>309 Bottineau Mixed>Vocal> 7G12 10 Ose>Shalom John>Leavitt Blumhagen Morey Ensemble * 9:09>AM Schafer>309 Bottineau Mixed>Vocal> 7G12 12 The>Gypsy>Fiddler Ronald>MelroseBlumhagen Morey Ensemble 1 9:45>AM NECE>323 Bottineau Saxophone> 2G3 2 TWo>Part>Invention>No.> Bach Salzer Ensemble 8 1 10:03>AM NECE>304 Bottineau Solo:>Tuba Halie Haakenson Stupendo N.K.BrahmstedtNancy>Olson>BThomson 1 10:21>AM NECE>321 Bottineau Clarinet>Ensemble 4G6 6 Caprice>For>Clarinet Clare>Grundman Joyce>Alme 1 10:48>AM LMC>177 Bottineau Percussion> 7G12 8 Balalaikan>Holiday Morris>Alan>Brand Johnson Ensemble 1 11:06>AM JSC>318 Bottineau Girls'>Vocal>Solo Shelby Pedie My>Johann Edvard>Grieg Marum D.Bowles 1 11:42>AM Schafer>320 Bottineau Boys'>Vocal> 2G3 2 Sigh>No>More,>Ladies