Drum & Percussion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
50Th Annual Concerto Concert
SCHOOL OF ART | COLLEGE OF MUSICAL ARTS | CREATIVE WRITING | THEATRE & FILM BOWLING GREEN STATE UNIVERSITY 50th a n n u a l c o n c e r t o concert BOWLING GREEN STATE UNIVERSITY Summer Music Institute 2017 bgsu.edu/SMI featuring the SESSION ONE - June 11-16 bowling g r e e n Double Reed Strings philharmonia SESSION TWO - June 18-23 emily freeman brown, conductor Brass Recording Vocal Arts SESSION THREE - June 25-30 Musical Theatre saturday, february 25 Saxophone 2017 REGISTRATION OPENS FEBRUARY 1ST 8:00 p.m. For more information, visit BGSU.edu/SMI kobacker hall BELONG. STAND OUT. GO FAR. CHANGING LIVES FOR THE WORLD.TM congratulations to the w i n n e r s personnel of the 2016-2 017 Violin I Bass Trombone competition in music performance Alexandria Midcalf** Nicholas R. Young* Kyle McConnell* Brandi Main** Lindsay W. Diesing James Foster Teresa Bellamy** Adam Behrendt Jef Hlutke, bass Mary Solomon Stephen J. Wolf Morgan Decker, guest Ling Na Kao Cameron M. Morrissey Kurtis Parker Tuba Jianda Bai Flute/piccolo Diego Flores La Le Du Alaina Clarice* undergraduate - performance Nia Dewberry Samantha Tartamella Percussion/ Timpani Anna Eyink Michelle Whitmore Scott Charvet* Stephen Dubetz, clarinet Keisuke Kimura Jerin Fuller+ Elijah T omas Oboe/Cor Anglais Zachary Green+ Michelle Whitmore, flute Jana Zilova* Febe Harmon Violin II T omas Morris David Hirschfeld+ Honorable Mention: Samantha Tartamella, flute Sophia Schmitz Mayuri Yoshii Erin Reddick+ Bethany Holt Anthony Af ul Felix Reyes Zi-Ling Heah Jamie Maginnis Clarinet/Bass clarinet/ Harp graduate - performance Xiangyi Liu E-f at clarinet Michaela Natal Lindsay Watkins Lucas Gianini** Keyboard Kenneth Cox, flute Emily Topilow Hayden Giesseman Paul Shen Kyle J. -
Red Note New Music Festival Program, 2013 School of Music Illinois State University
Illinois State University ISU ReD: Research and eData Red Note New Music Festival Music 2013 Red Note New Music Festival Program, 2013 School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/rnf Part of the Music Commons Recommended Citation School of Music, "Red Note New Music Festival Program, 2013" (2013). Red Note New Music Festival. 7. https://ir.library.illinoisstate.edu/rnf/7 This Book is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in Red Note New Music Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. calendar of events SUNDAY, MARCH 3, 2013 3 PM COMPOSER PRESENTATION CENTER FOR THE PERFORMING ARTS David Kirkland Garner centennial east building, room 229 2 - 2:50 pm the illinois state university wind symphony, conducted by daniel belongia, performs music composer david kirkland garner, winner of the by scott lindroth, john mackey, and paul dooley, composition competition, presents on his music as well as marcus maroney’s “rochambeau” (winner of the red note call for scores). COMPOSER Q&A - Tony Solitro MONDAY, MARCH 4, 2013 2-4 PM Kemp Recital Hall 4 - 5:30 pm KEMP RECITAL HALL composer tony solitro discusses his vocal music and career as a composer of opera and songs chicago-based spektral quartet leads a master class for string students in the illinois state university school of music string studio. TUESDAY, MARCH 5, 2013 8 PM KEMP RECITAL HALL MONDAY, MARCH 4, 2013 8 PM KEMP RECITAL HALL illinois state university faculty members and guest pianist blair mcmillen perform works of guest composer joan tower. -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
Flute Concerto (Symphonic Tale), Op
Clarinet Concerto No. 1 in F minor, Op. 73 Carl Maria von Weber I. Allegro (1786-1826) Taylor Heap, clarinet Lara Urrutia, piano Cello Concerto in B minor, Op. 104, B. 191 Antonin Dvorák SOLO CONCERTO COMPETITION I. Allegro (1841-1904) Finals Xue Chen, cello Monday, November 3, 2014 - 2 p.m. Stephanie Lovell, piano MEMORIAL CHAPEL The Bell Song Léo Delibes SET I (1836-1891) Flute Concerto (Symphonic Tale), Op. 43a Peter Benoit Caro Nome Guiseppe Verdi Movements I & II (excerpt) (1834-1901) Mayu Uchiyama, soprano Victoria Jones, flute Edward Yarnelle, piano Lara Urrutia, piano - BREAK - Di Provenza il mar, il suol Giuseppe Verdi from La Traviata (1813-1901) SET II Ein Madehen oder Weibchen Wolfgang Amadeus Mozart Piano Concerto No. 2 in F minor, Op. 21 Frédéric Chopin from Die Zauberflöte (1756-1791) I. Maestoso (1810-1849) Justin Brunette, baritone Michael Malakouti, piano Richard Bentley, piano Lara Urrutia, piano Piano Concerto in A minor, Op. 16 Edvard Grieg I. Allegro molto moderato (1843-1907) Amy Rooney, piano Stephanie Lovell, piano Que fais-tu, blanche tourterelle Charles Gounod ABOUT THE CONCERTO COMPETITION from Roméo et Juliette (1818-1893) Beginning in 1976, the Concerto Competition has become an annual event Cruda Sorte Gioacchino Rossini for the University of Redlands School of Music and its students. Music from L’Ataliana in Algeri (1792-1868) students compete for the coveted prize of performing as soloist with the Redlands Symphony Orchestra, the University Orchestra or the Wind Jordan Otis, soprano Ensemble. Twyla Meyer, piano This year the Preliminary Rounds of the Competition took place on Friday, October 31st and Saturday, November 1st. -
The Race of Sound: Listening, Timbre, and Vocality in African American Music
UCLA Recent Work Title The Race of Sound: Listening, Timbre, and Vocality in African American Music Permalink https://escholarship.org/uc/item/9sn4k8dr ISBN 9780822372646 Author Eidsheim, Nina Sun Publication Date 2018-01-11 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017. -
Nielsen Flute Concerto Clarinet Concerto Aladdin Suite
SIGCD477_BookletFINAL*.qxp_BookletSpread.qxt 22/12/2016 13:24 Page 1 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. Also available… NIELSEN FLUTE CONCERTO CLARINET CONCERTO 1 1 3 6 4 4 ALADDIN SUITE D D C C G G I I S S SAMUEL COLES FLUTE Bruckner: Symphony No.9 Schubert: Symphony No.9 Philharmonia Orchestra Philharmonia Orchestra MARK VAN DE WIEL CLARINET Christoph von Dohnányi Christoph von Dohnányi SIGCD431 SIGCD461 PAAVO JÄRVI “Beautifully prepared account ... Dohnányi’s new recording "This performance ... goes for broke and succeeds, to the is distinguished by the clarity with which it presents evident rapture of the audience. The Philharmonia is up to Bruckner’s score as well as the excellence of its sound.” all Dohnanyi's and Schubert's steep demands, and I was left Gramophone with a feeling of exhausted exhilaration." BBC Music Magazine Flute Concerto Producer – Andrew Cornall recorded live at Royal Festival Hall, 19 November 2015 Engineer – Jonathan Stokes Editor, Mixing & Mastering – Jonathan Stokes Clarinet Concerto Cover Image – Shutterstock recorded live at Royal Festival Hall, 19 May 2016 Design – Darren Rumney Aladdin Suite P2017 Philharmonia Orchestra recorded at Henry Wood Hall, 20 May 2016 C2017 Signum Records 20 1 291.0mm x 169.5mm SIGCD477_BookletFINAL*.qxp_BookletSpread.qxt 22/12/2016 13:24 Page 23 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. PAAVO JÄRVI CARL NIELSEN 1865-1931 reflection and prettiness. 15 years had passed NIELSEN Flute Concerto since the first performance of Nielsen’s Violin PaavFo LJäUrvTi iEs cCurrOenNtlyC CEhiRefT COonductor of the NHK Symphony Orchestra, Artistic Director of the Concerto when the Flute Concerto was DeutCschLeA KRamImNeErpThi lChaOrmNonCie EanRdT thOe founder of the Estonian Festival Orchestra, which brings Allegro moderato introduced in Paris in 1927. -
(1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements
Wolfgang Amadeus Mozart's (1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements Item Type text; Electronic Thesis Authors Koner, Karen Michelle Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 21:25:51 Link to Item http://hdl.handle.net/10150/193304 1 Wolfgang Amadeus Mozart’s (1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements By Karen Koner __________________________________ Copyright © Karen Koner 2008 A Thesis Submitted to the Faculty of the School of Music In Partial Fulfillment of the Requirements for the Degree of Master of Music In the Graduate College The University of Arizona 2008 2 STATEMENT BY THE AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgement of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. Signed: Karen Koner Approval By Thesis Director This thesis has been approved on the date shown below: J. Timothy Kolosick 4/30/2008 Dr. -
Classics 1 Program Notes
Classics 1: Program Notes The Sights and Sounds of Stockton: Cityscape John Wineglass and San Joaquin Delta College media students In accordance with its mission to inspire joy and build community through music—and with the aim of generating community pride and awareness through art—the Stockton Symphony teamed up with award-winning composer John Wineglass and San Joaquin Delta College media students under the direction of Adriana Brogger and Kirstyn Russell to create a project titled The Sights and Sounds of Stockton. The Delta College media students, all of whom are from the area and live in the various quadrants of our city, fanned out into the community to gather pictures and videos of their daily environment. They brought the raw footage to class and collaborated to edit the “sights” of Stockton into a feature approximately ten to twelve minutes long. Wineglass visited Stockton several times to get a feel for the area, and he worked with the students on the overall scope of the project as well as details of compilation to achieve a compelling outcome. He then composed the accompanying symphonic score for tonight’s live performance with the Stockton Symphony. This week he has also been meeting with composition students to discuss the composition process and how a composer works with visual components, and he engaged in a public forum with students and members of our community to discuss his work on this project. Winner of three Daytime Emmy Awards and recipient of four additional Emmy nominations, John Wineglass has performed on five continents, before five U.S. -
Oboe Concertos
OBOE CONCERTOS LINER NOTES CD1-3 desire to provide the first recording of Vivaldi’s complete oboe Vivaldi: Oboe Concertos works. All things considered, even the concertos whose It is more than likely that Vivaldi’s earliest concertos for wind authenticity cannot be entirely ascertained reveal Vivaldi’s instruments were those he composed for the oboe. The Pietà remarkable popularity throughout Europe during the early years documents reveal a specific interest on his part for the of the 1700s, from Venice to Sweden, including Germany, instrument, mentioning the names of a succession of master Holland and England. If a contemporary publisher or composer oboists: Ignazio Rion, Ludwig Erdmann and Ignazio Sieber, as used the composer’s name in vain, perhaps attempting to well as Onofrio Penati, who had previously been a member of emulate his style, clearly he did so in the hope of improving his the San Marco orchestra. However, it was probably not one of chances of success, since Vivaldi was one of the most famous these musicians who inspired Vivaldi to write for the oboe, but and widely admired composers of his time. Indeed, in this sense instead the German soloist Johann Christian Richter, who was in imitation bears witness to the eminence of the original. Venice along with his colleagues Pisandel and Zelenka in 1716- Various problems regarding interpretation of text came to 1717, in the entourage of Prince Frederick Augustus of Saxony. the fore during the preparation of the manuscripts’ critical As C. Fertonani has suggested, Vivaldi probably dedicated the edition, with one possible source of ambiguity being Vivaldi’s Concerto RV455 ‘Saxony’ and the Sonata RV53 to Richter, who use of the expression da capo at the end of a movement (which may well have been the designated oboist for the Concerto was used so as to save him having to write out the previous RV447 as well, since this work also called for remarkable tutti’s parts in full). -
2019 CCPA Solo Competition: Approved Repertoire List FLUTE
2019 CCPA Solo Competition: Approved Repertoire List Please submit additional repertoire, including concertante pieces, to both Dr. Andrizzi and to your respective Department Head for consideration before the application deadline. FLUTE Arnold, Malcolm: Concerto for flute and strings, Op. 45 strings Arnold, Malcolm: Concerto No 2, Op. 111 orchestra Bach, Johann Sebastian: Suite in B Minor BWV1067, Orchestra Suite No. 2, strings Bach, Carl Philipp Emanuel: Concerto in D Minor Wq. 22, strings Berio, Luciano: Serenata for flute and 14 instruments Bozza, Eugene: Agrestide Op. 44 (1942) orchestra Bernstein, Leonard: Halil, nocturne (1981) strings, percussion Bloch, Ernest: Suite Modale (1957) strings Bloch, Ernest: "TWo Last Poems... maybe" (1958) orchestra Borne, Francois: Fantaisie Brillante on Bizet’s Carmen orchestra Casella, Alfredo: Sicilienne et Burlesque (1914-17) orchestra Chaminade, Cecile: Concertino, Op. 107 (1902) orchestra Chen-Yi: The Golden Flute (1997) orchestra Corigliano, John: Voyage (1971, arr. 1988) strings Corigliano, John: Pied Piper Fantasy (1981) orchestra Devienne, Francois: Concerto No. 7 in E Minor, orchestra Devienne, Francois: Concerto No. 10 in D Major, orchestra Devienne, Francois: Concerto in D Major, orchestra Doppler, Franz: Hungarian Pastoral Fantasy, Op. 26, orchestra Feld, Heinrich: Fantaisie Concertante (1980) strings, percussion Foss, Lucas: Renaissance Concerto (1985) orchestra Godard, Benjamin: Suite Op. 116; Allegretto, Idylle, Valse (1889) orchestra Haydn, Joseph: Concerto in D Major, H. VII f, D1 Hindemith, Paul: Piece for flute and strings (1932) Hoover, Katherine: Medieval Suite (1983) orchestra Hovhaness, Alan: Elibris (name of the DaWn God of Urardu) Op. 50, (1944) Hue, Georges: Fantaisie (1913) orchestra Ibert, Jaques: Concerto (1933) orchestra Jacob, Gordon: Concerto No. -
Woodwind Grades Syllabus
Woodwind Syllabus Flute, Clarinet, Oboe, Bassoon, Saxophone & Recorder Graded exams 2017–2022 Important information Changes from the previous syllabus Repertoire lists for all instruments have been updated. Initial exams are now offered for flute and clarinet. New series of graded flute and clarinet books are available, containing selected repertoire for Initial to Grade 8. Technical work for oboe, bassoon and recorder has been revised, with changes to scales and arpeggios and new exercises for Grades 1–5. New technical work books are available. Own composition requirements have been revised. Aural test parameters have been revised, and new specimen tests publications are available. Improvisation test requirements have changed, and new preparation materials are available on our website. Impression information Candidates should refer to trinitycollege.com/woodwind to ensure that they are using the latest impression of the syllabus. Digital assessment: Digital Grades and Diplomas To provide even more choice and flexibility in how Trinity’s regulated qualifications can be achieved, digital assessment is available for all our classical, jazz and Rock & Pop graded exams, as well as for ATCL and LTCL music performance diplomas. This enables candidates to record their exam at a place and time of their choice and then submit the video recording via our online platform to be assessed by our expert examiners. The exams have the same academic rigour as our face-to-face exams, and candidates gain full recognition for their achievements, with