Connecting Content with Consumers Volume 8 Issue 2
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The Beverly Hillbillies: a Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968
Paul Henning; The Beverly Hillbillies: A Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968 The Beverly Hillbillies is an American situation comedy originally broadcast for nine seasons on CBS from 1962 to 1971, starring Buddy Ebsen, Irene Ryan, Donna Douglas, and Max Baer, Jr. The series is about a poor backwoods family transplanted to Beverly Hills, California, after striking oil on their land. A Filmways production created by writer Paul Henning, it is the first in a genre of "fish out of water" themed television shows, and was followed by other Henning-inspired country-cousin series on CBS. In 1963, Henning introduced Petticoat Junction, and in 1965 he reversed the rags The Beverly Hillbillies - Season 3 : A nouveau riche hillbilly family moves to Beverly Hills and shakes up the privileged society with their hayseed ways. The Beverly Hillbillies - Season 3 English Sub | Fmovies. Loading Turn off light Report. Loading ads You can also control the player by using these shortcuts Enter/Space M 0-9 F. Scroll down and click to choose episode/server you want to watch. - We apologize to all users; due to technical issues, several links on the website are not working at the moments, and re - work at some hours late. Watch The Beverly Hillbillies 3 Online. the beverly hillbillies 3 full movie with English subtitle. Stars: Buddy Ebsen, Donna Douglas, Raymond Bailey, Irene Ryan, Max Baer Jr, Nancy Kulp. "The Beverly Hillbillies" is a classic American comedy series that originally aired for nine seasons from 1962 to 1971 and was the first television series to feature a "fish out of water" genre. -
The Poetry of Rita Dove
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Winter 1999 Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove Carol Keyes University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Keyes, Carol, "Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove" (1999). Doctoral Dissertations. 2107. https://scholars.unh.edu/dissertation/2107 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMi films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Calendar of Events 2017 Board Meetings Website Upgrading
Monthly Newsletter for The Tiffany Homeowners Association • A Covenant Protected Community Calendar April 2017 Vol. 12 No. 04 • Circulation: 175 of Events 2017 Upgrading Telecom Lines April 15th: Easter Egg Hunt The Xfinity/Comcast folks are upgrading the Telecom lines from Dry Creek Road 10:30 a.m. In our park to Milwaukee for the Tiffany neighborhood. They are using a horizontal directional April 22nd: Park Clean-up Day drilling, (HDD) machine to drill 4-5 feet below the ground to install new cable and con- 9:00 a.m. In our park duit. The utility easement runs behind the houses and along the property lines between May 26-29: Dumpster Days houses. The contractor should request access before entering your yard or opening a gate. The City of Centennial has issued a building permit for these folks. Call the City June 3: Spring Walk Thru of Centennial if you have any concerns or questions. June 9-10: Annual Yard Sale — Tom Wood July 4th: 4th of July Parade Starts at Milwaukee Way/ Fillmore Circle Park Clean Up Day August 13th: Neighborhood Picnic 5 p.m. In our park & Plant Swap All residents are invited to park clean-up day on Saturday April 22 at 9 a.m. We can pull weeds, pick up trash and sticks, trim bushes, and more. Does your garden need a change this Spring? Bring your unwanted perennials to Board Meetings the park during clean-up day. Trade them for plants someone else brings. Or take some June 19: Board Meeting – 6:30 p.m. -
2017 This Is
Florida State University is an elite, research-intensive, 41,000 & COUNTING public institution and one of just two preeminent In 1946, there were 2,583 students enrolled. In 2016, universities in Florida. Located in Tallahassee, Florida’s enrollment stood at 41,867. Of that number, 78 capital city, the university affords students and faculty percent were undergraduates, 19 percent were graduate opportunities for interaction with state and federal students and 3 percent were unclassifi ed; 81.4 percent agencies for internships, research and part-time were in-state students; 93.6 percent were from the employment, as well as numerous social, cultural and United States; students hailed from all 50 states and the recreational activities. FSU’s welcoming campus is District of Columbia; 18 states contributed 100 or more located on the oldest continuous site of higher education FLORIDAIDA STATE UNIVERSITY UNIVERSIT students each; 18 foreign countries contributed 30 or in Florida, in a community that fosters free inquiry and more students each; 55.5 percent were female and 44.5 Location: Tallahassee, Fla. embraces diversity. percent were male; 31.9 percent were minorities and 5.8 Founded: 1851 percent were international students. Enrollment: 41,867 BEGINNINGS Website: www.fsu.edu Florida State was established as the Seminary West LAY OF THE LAND of the Suwannee by an act of the Florida Legislature Offi cial news channel: news.fsu.edu The university’s main campus encompasses 476 in 1851. The institution fi rst offered instruction at Offi cial social media channels: acres in Tallahassee, Leon County; the Panama City the postsecondary level in 1857 and is the longest facebook.com/fl oridastate Campus has 25.6 acres in Panama City, Bay County. -
REBUS PUZZLE Each Rebus Puzzle, Made of Either LeErs Or Words, Contain a Hidden Word, Phrase, Or Saying
May/June 2021 701 South Walnut St. P.O. Box 664 Urbana, Ohio 43078 937-653-6088 Email: [email protected] Outreach Phone: 937-653-5352 Facebook: Champaign County Don't Let Age Control your Life… Senior Center Let Life Control Your Age! C O M I N G 2 Leer from Director Spring Greengs Friends! It’s just a wonderful feeling to know that we are now officially on our way to warmer weather! It seems like it has been a long and cold year and this spring seems a lile more welcome than usual this year. J I hope that you have taken the opportunity to go by our new senior center on Patrick Avenue. WOW! This place is really coming along nicely. The light, the openness, the commercial kitchen… The list goes on and on! It’s going to be a wonderful place for our Champaign County seniors to gather and enjoy the company of friends and the space to enjoy all the acvies that will be happening! We are planning a “so opening” for the new center that will be just for our UCCSC members. At this point, we don’t have an exact date, but most likely someme in June. We will be sending out invitaons for you to be able to visit the new center and take a tour before the actual grand opening ceremony that we are planning for a later date. As we begin this journey to our new home, it doesn’t escape me that this wonderful non-profit organizaon that began 50 YEARS ago (50 years!!!!) is now going to serve even more deserving people within our community. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Television Programs
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Survivor Dennis Dolbear 59 Heroes: Dennis Dolbear GHLIII 69 Sasquan Alert GHLIII 70 24 Hours Taral Wayne 71 Contributors 80 Bad Time, Inc
1 2 CHALLENGER #37 WINTER 2013-2014 Guy & Rose-marie Lillian 1390 holly avenue, merritt island fl 32529 318/218-2345 [email protected] COVER BY RON SANDERS CONTENTS Heroes: In New Orleans … GHLIII 4 Saying Goodbye to Lynn Hickman Curt Phillips 7 Another JFK Conspiracy Option Binker Glock Hughes 12 Two Poems Mike Estabrook 13 New Futurians David B. Williams 14 John Glenn Chris Barkley 17 You Only Joke Twice Joe Major 20 Leaping the Abyss Gregory Benford 24 The Challenger Tribute: Donna Amos Guy Lillian 30 Richard Feynman Jeff Copeland 31 A Poem: Apo’strophe Michael Ward 33 Mib the Great and Powerful GHLIII 34 ERB: The Man Who Held the Hero’s Horse Mike Resnick 40 Herself GHLIII 42 The Chorus Lines readers 48 Pitty Pat “Rocky” 53 Startling Accountancy Stories! John Nielsen-Hall 54 Survivor Dennis Dolbear 59 Heroes: Dennis Dolbear GHLIII 69 Sasquan Alert GHLIII 70 24 Hours Taral Wayne 71 Contributors 80 Bad Time, Inc. Rose-Marie Lillian 81 Challenger #37 is GHLIII Press Publication #1146. This is the eFanzines edition. The location and depth of the Challenger Deep are 11°22.4′N 142°35.5′E and 10,920 m (35,827 ft) ±10 m (33 ft).[3] 3 Heroes: “In New Orleans, We Call’em Po’Boys” GHLIII Until we packed them away for our move to Florida, most of my most beloved objects in this world rode a shelf in my office. In addition to Tony and Suzy, babyhood toys, and a bust of a man’s head I molded in fourth grade (it resembles a Hammer Frankenstein) there were two items of tarnished metal. -
¿Puestas En Escena En Una Lengua Minoritaria?: La Reconstrucción De Cartelera De Toda Actividad Teatral En Español En Los Ángeles, En Los Años 2007-2009
¿Puestas en escena en una lengua minoritaria?: La reconstrucción de cartelera de toda actividad teatral en español en Los Ángeles, en los años 2007-2009 John Benjamin Coates Gardner-Webb University [email protected] Palabras clave: Reconstrucción, cartelera, teatro español, Los Ángeles. Key Words: Reconstructed, playbill, Spanish theater, Los Angeles. Resumen: La ciudad de Los Ángeles, California tiene una población hispana de 8,5 millones de personas. Sin embargo, aunque todos son hispanos inmigrantes de primera generación o de descendencia, todos estos hispanos no hablan español. Algunos son bilingües, pero muchos solo hablan inglés. Este artículo describe la reconstrucción de cartelera que se hizo para descubrir si, en este ambiente lingüístico, había una presencia teatral en español en esta ciudad. Abstract: The city of Los Angeles, California has a Hispanic population of 8.5 million people. However, although all of these Hispanics are either first-generation immigrants or Hispanics by family heritage, not all of them speak Spanish. Some of them are bilingual, but many only speak English. This article describes the reconstructed playbill that was made in order to discover if, in this linguistic environment, there was a theatrical presence in Spanish in this city. 61 «¿PUESTAS EN ESCENA EN UNA LENGUA MINORITARIA? LA RECONSTRUCCIÓN DE CARTELERA DE TODA ACTIVIDAD TEATRAL EN ESPAÑOL EN LOS ÁNGELES, EN LOS AÑOS 2007-2009» Introducción La población hispana de Los Ángeles, California es de 8,5 millones [La Opinión 2010 Media Kit], un número que la convierte en una de las ciudades hispanas más grandes del mundo. A diferencia de las otras ciudades grandes hispanas, las cuales normalmente son las capitales de países hispanohablantes, Los Ángeles se encuentra en un país cuyo idioma principal no es el español, sino el inglés. -
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Chapter 7 Community Cultural Development as a Site of Joy, Struggle, and Transformation Dudley Cocke Introduction This chapter reports the search by a rural, professional theater company, never numbering more than a dozen members, for a cultural development paradigm that utilizes the inherent intellectual, emotional, spiritual, and material traditions and features of a community to encourage individual agency in support of community well-being. Based on its theatrical experiments, Roadside Theater eventually would claim that by sharing (performing) and examining one’s personal story in public settings marked by manifold perspectives, not only can one learn to speak for one self from the depth of one’s own experience, but one can learn to act in concert with others to achieve what is fair and just for the whole in which one resides. This assertion would be decades in gestation as the theater company’s artists and producers learned from hundreds of communities in its home region of Appalachia and across the United States. If community cultural development (CCD) means developing the intellectual, emotional, spiritual, and material traditions and features of a community, then CCD has been the core of Roadside Theater’s effort since its inception 40 years ago. Beginning its work in its own backyard, Roadside eventually—for ideological, aesthetic, and economic reasons—turned 1 its attention to helping communities beyond its Appalachian homeland develop their inherent artistic assets as a means of celebrating local life, of wrestling with community -
The Planetary Turn
The Planetary Turn The Planetary Turn Relationality and Geoaesthetics in the Twenty- First Century Edited by Amy J. Elias and Christian Moraru northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2015 by Northwestern University Press. Published 2015. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data The planetary turn : relationality and geoaesthetics in the twenty-first century / edited by Amy J. Elias and Christian Moraru. pages cm Includes bibliographical references. ISBN 978-0-8101-3073-9 (cloth : alk. paper) — ISBN 978-0-8101-3075-3 (pbk. : alk. paper) — ISBN 978-0-8101-3074-6 (ebook) 1. Space and time in literature. 2. Space and time in motion pictures. 3. Globalization in literature. 4. Aesthetics. I. Elias, Amy J., 1961– editor of compilation. II. Moraru, Christian, editor of compilation. PN56.S667P57 2015 809.9338—dc23 2014042757 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Elias, Amy J., and Christian Moraru. The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century. Evanston: Northwestern University Press, 2015. The following material is excluded from the license: Illustrations and an earlier version of “Gilgamesh’s Planetary Turns” by Wai Chee Dimock as outlined in the acknowledgments. For permissions beyond the scope of this license, visit http://www.nupress .northwestern.edu/. -
(Wwdih the Sinister Halo” and the BETHESDA: 8301 WISCONSIN AVE
C-14 •• THE EVENING OTAR. Wwhington, D. C. WTRWBSt. SCAT ft. IW*4 TV KEY PREVIEWS Elfrida Hits IN THIS WEEKS POST- Tonwht'i top thou* a* prettsesoed by TV Kep t stag, A High 1 who attend rthtartalt. watch lermantnpi and analyse Quiz TELEVISION-RADIO Hollywood. opinion* von calmly tcrtpU in New York and Their nre Elfrida Nardroff offered at a guide to area vieweri. and collccUngly attained the Todoy- moy v, 1951 TV Quts hall of fame an NBC's i Television Twenty SugarfMt—“The Bullet and the Cross.” Primarily a two One. (Ck Her 30-point victory over ~YM. WRC iCh 4MWTT« TeCsl jWMAL ?TWTOPIChfI character play nicely performed by Will Hutchins and 41 tmm rat iln no >mli I Anarwaa IntMat M Frederick Rein, her worthy op- imm nmtmt tmm tmm Charles Bronson. • Tom Is trapped In an abandoned mine ponent from this area at 13.500 M * • t»«« t«a *• ¦<*»• suspected men get the drop per point added * * 1 * with a murderer. The two i 160.000 to her 4>n41 MmKmmh I tartaUM on each other so often that the show resembles a volley winnings to five her a total of 41 C*n**|Tm* ~tm MW In UacM* ItalmitM la than * * game, la 1318.000 This more to MIM “I. to* ball but the ending well handled and it'a worth anyone * * has won on a TV Quls 5,.« ; t**ll«tt»MM*l MMM*MMM mr over-all. 7:30 pm.. WMAL—7. (t*M watching Show. 4* fMtlttn rt*a4« Milt IMS CM MHIHMI Eddie Flatter—Last show of season, and an enjoyable one.