Jello Biafra High Priest of Harmful Matter - Tales from the Trial Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Jello Biafra High Priest Of Harmful Matter - Tales From The Trial mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Non Music Album: High Priest Of Harmful Matter - Tales From The Trial Country: UK Released: 1992 Style: Spoken Word MP3 version RAR size: 1238 mb FLAC version RAR size: 1176 mb WMA version RAR size: 1567 mb Rating: 4.8 Votes: 423 Other Formats: TTA MP1 DMF AU AIFF FLAC RA Tracklist 1.01 Intro - Love American Death Squad Style 11:46 1.02 Talk On Censorship 44:06 2.01 Tales From The Trial 43:24 Credits Producer – Jello Biafra Notes Spoken Word Album #2 (P)+(C) 1989/1992 Alternative Tentacles Records, 64 Mountgrove Road, London N5 2LT. UK Distribution RTM/Pinnacle. Made In England (and you're not). Barcode and Other Identifiers Barcode: 5 016691 006622 Other (Label Code): LC 8356 Other (Distribution Code): EFA CD17617 22 Other versions Category Artist Title (Format) Label Category Country Year High Priest Of Harmful Jello Alternative VIRUS 66 Matter - Tales From The VIRUS 66 US 1989 Biafra Tentacles Trial (2xLP, Album) Jello High Priest Of Harmful Alternative VIRUS 66C VIRUS 66C US 1989 Biafra Matter (Cass) Tentacles High Priest Of Harmful Jello Alternative VIRUS 66 Matter - Tales From The VIRUS 66 UK 1989 Biafra Tentacles Trial (2xLP, Album) High Priest Of Harmful Jello Alternative VIRUS 66CD Matter (2xCD, Album, VIRUS 66CD US Unknown Biafra Tentacles RE) High Priest Of Harmful Jello Alternative VIRUS 66CD Matter (2xCD, Album, VIRUS 66CD Canada 1992 Biafra Tentacles RE) Related Music albums to High Priest Of Harmful Matter - Tales From The Trial by Jello Biafra Neurosis - Souls At Zero Alice Donut - Medication Tumor Circus - Take Me Back Or I'll Drown Our Dog Alice Donut - Magdalene Jello Biafra With D.O.A. - Last Scream Of The Missing Neighbors Dead Kennedys - Plastic Surgery Disasters Dead Kennedys - Give Me Convenience Or Give Me Death Jello Biafra And The Guantanamo School Of Medicine - The Audacity Of Hype Dead Kennedys - Frankenchrist Dead Kennedys - Bedtime For Democracy.

Copy Link

Recommended publications

Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
[Show full text]
Punk Preludes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it.
[Show full text]
Dead Kennedys and the Yippie-Punk Continuum I Michael Stewart Foley
Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i Michael Stewart Foley To cite this version: Michael Stewart Foley. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i. Sonic Politics: Music and Social Movements in the Americas, 2019, 1138389390. hal-01999010 HAL Id: hal-01999010 https://hal.univ-grenoble-alpes.fr/hal-01999010 Submitted on 30 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuumi MICHAEL STEWART FOLEY By the time Dead Kennedys released their first LP, Fresh Fruit for Rotting Vegetables, in 1980, the band had established itself as the leading American political punk band, hailing from a city that seemed to specialize in political art. In many ways, the band and its music represented the culmination of nearly three years of subcultural political struggle on a host of issues facing not only young people in San Francisco but American youth everywhere – enough that, to this day, many of the city’s punk veterans refer to their experience in the “movement.” Political historians of the United States in the 1970s and 1980s have mostly ignored punk, but this essay examines Dead Kennedys’ early career as a way to illuminate the political experience of one segment of American youth in the late 1970s.
[Show full text]
Punk Lyrics and Their Cultural and Ideological Background: a Literary Analysis
Punk Lyrics and their Cultural and Ideological Background: A Literary Analysis Diplomarbeit zur Erlangung des akademischen Grades eines Magisters der Philosophie an der Karl-Franzens Universität Graz vorgelegt von Gerfried AMBROSCH am Institut für Anglistik Begutachter: A.o. Univ.-Prof. Mag. Dr. Hugo Keiper Graz, 2010 TABLE OF CONTENTS PREFACE 3 INTRODUCTION – What Is Punk? 5 1. ANARCHY IN THE UK 14 2. AMERICAN HARDCORE 26 2.1. STRAIGHT EDGE 44 2.2. THE NINETEEN-NINETIES AND EARLY TWOTHOUSANDS 46 3. THE IDEOLOGY OF PUNK 52 3.1. ANARCHY 53 3.2. THE DIY ETHIC 56 3.3. ANIMAL RIGHTS AND ECOLOGICAL CONCERNS 59 3.4. GENDER AND SEXUALITY 62 3.5. PUNKS AND SKINHEADS 65 4. ANALYSIS OF LYRICS 68 4.1. “PUNK IS DEAD” 70 4.2. “NO GODS, NO MASTERS” 75 4.3. “ARE THESE OUR LIVES?” 77 4.4. “NAME AND ADDRESS WITHHELD”/“SUPERBOWL PATRIOT XXXVI (ENTER THE MENDICANT)” 82 EPILOGUE 89 APPENDIX – Alphabetical Collection of Song Lyrics Mentioned or Cited 90 BIBLIOGRAPHY 117 2 PREFACE Being a punk musician and lyricist myself, I have been following the development of punk rock for a good 15 years now. You might say that punk has played a pivotal role in my life. Needless to say, I have also seen a great deal of media misrepresentation over the years. I completely agree with Craig O’Hara’s perception when he states in his fine introduction to American punk rock, self-explanatorily entitled The Philosophy of Punk: More than Noise, that “Punk has been characterized as a self-destructive, violence oriented fad [...] which had no real significance.” (1999: 43.) He quotes Larry Zbach of Maximum RockNRoll, one of the better known international punk fanzines1, who speaks of “repeated media distortion” which has lead to a situation wherein “more and more people adopt the appearance of Punk [but] have less and less of an idea of its content.
[Show full text]
Order Form Full
PUNK ARTIST TITLE LABEL RETAIL 100 DEMONS 100 DEMONS DEATHWISH INC RM90.00 4-SKINS A FISTFUL OF 4-SKINS RADIATION RM125.00 4-SKINS LOW LIFE RADIATION RM114.00 400 BLOWS SICKNESS & HEALTH ORIGINAL RECORD RM117.00 45 GRAVE SLEEP IN SAFETY (GREEN VINYL) REAL GONE RM142.00 999 DEATH IN SOHO PH RECORDS RM125.00 999 THE BIGGEST PRIZE IN SPORT (200 GR) DRASTIC PLASTIC RM121.00 999 THE BIGGEST PRIZE IN SPORT (GREEN) DRASTIC PLASTIC RM121.00 999 YOU US IT! COMBAT ROCK RM120.00 A WILHELM SCREAM PARTYCRASHER NO IDEA RM96.00 A.F.I. ANSWER THAT AND STAY FASHIONABLE NITRO RM119.00 A.F.I. BLACK SAILS IN THE SUNSET NITRO RM119.00 A.F.I. SHUT YOUR MOUTH AND OPEN YOUR EYES NITRO RM119.00 A.F.I. VERY PROUD OF YA NITRO RM119.00 ABEST ASYLUM (WHITE VINYL) THIS CHARMING MAN RM98.00 ACCUSED, THE ARCHIVE TAPES UNREST RECORDS RM108.00 ACCUSED, THE BAKED TAPES UNREST RECORDS RM98.00 ACCUSED, THE NASTY CUTS (1991-1993) UNREST RM98.00 ACCUSED, THE OH MARTHA! UNREST RECORDS RM93.00 ACCUSED, THE RETURN OF MARTHA SPLATTERHEAD (EARA UNREST RECORDS RM98.00 ACCUSED, THE RETURN OF MARTHA SPLATTERHEAD (SUBC UNREST RECORDS RM98.00 ACHTUNGS, THE WELCOME TO HELL GOING UNDEGROUND RM96.00 ACID BABY JESUS ACID BABY JESUS SLOVENLY RM94.00 ACIDEZ BEER DRINKERS SURVIVORS UNREST RM98.00 ACIDEZ DON'T ASK FOR PERMISSION UNREST RM98.00 ADICTS, THE AND IT WAS SO! (WHITE VINYL) NUCLEAR BLAST RM127.00 ADICTS, THE TWENTY SEVEN DAILY RECORDS RM120.00 ADOLESCENTS ADOLESCENTS FRONTIER RM97.00 ADOLESCENTS BRATS IN BATTALIONS NICKEL & DIME RM96.00 ADOLESCENTS LA VENDETTA FRONTIER RM95.00 ADOLESCENTS
[Show full text]
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).
[Show full text]
Bab Ii Perkembangan Ideologi Punk Sebagai Bentuk
BAB II PERKEMBANGAN IDEOLOGI PUNK SEBAGAI BENTUK RESISTENSI TERHADAP PERMASALAHAN SOSIAL-POLITIK. Dalam Bab ini, peneliti menjelaskan mengenai awal kelahiran atau kemunculan ideologi Punk di Inggris , yang kemudian berkembang menjadi sebuah gerakan subkultur yang besar, dan menggambarkan musik Punk sebagai salah satu bentuk perlawanan, kritik atau protes terhadap pemerintah yang dirasa bertanggung jawab terhadap permasalahan sosial politik yang terjadi. Hingga penyebaran ideologi Punk ke Amerika Serikat. 2.1 Awal Kemunculan Ideologi Punk di Inggris Gerakan anak muda yang diawali dari kelas-kelas pekerja ini dilatarbelakangi oleh masalah ekonomi dengan tingkat pengangguran dan kriminalitas yang tinggi. Pada tahun 1970 an, Inggris mengalami krisis ekonomi sehingga muncul perkembangan kapitalisme, yang telah membuat Pemerintah Inggris mengeksploitasi, menindas, dan menekan kelas pekerja, demi usaha pemulihan ekonomi.1 Ideologi Punk kemudian lahir sebagai bentuk ketidakpuasan akan sistem dan peraturan yang berlaku di Inggris, serta sebagai bentuk ide dan perlawanan kelas pekerja terhadap pemerintahan yang menerapkan sistem kapitalisme, dengan melakuan berbagai tindakan eksploitasi, penindasan, dan diskriminasi terhadap para pekerja industri. 1 Fajar Munggah Pramdani, ( 106032201102 ), 2012, Profil Komunitas Punk Marginal Dan Faktor Pendorong Menjadi Punk . Skripsi Jurusan Sosiologi – FISIP UIN Syarif Hidayatullah Jakarta. Diakses dalam http://repository.uinjkt.ac.id/dspace/bitstream/123456789/24010/3/FAJAR%20MUNGGAH%20PRAMDANI.p df (12 /6 /2016) 12.21 WIB. 27 Punk merupakan ideologi yang lahir dari suatu komunitas yang berasal dari orang-orang yang merasa hidupnya tertindas (kaum pekerja/golongan bawah) oleh pemerintah atau oleh golongan atas (bangsawan) yang pertama kali terjadi di kota London, Inggris pada tahun 1970 an. Berawal dari ketidaksukaan terhadap Pemerintahan Ratu Elzabeth II dan sistem monarki yang dianggap menjadi penyebab terjadinya ketimpangan ekonomi terhadap kelas pekerja.
[Show full text]
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC.
[Show full text]
Alternative Tentacles Batcastno. 111: H.R. Giger Tribute by Jello
Transcription of Mordam, our distributor at the time, said, "Well, you realize no store will stock this if that is the front Alternative Tentacles Batcast No. 111: cover." So then we looked at having the super dark H.R. Giger Tribute shrink wrap that Roxy Music used in "Country Life" and Pink Floyd used on "Wish You Were Here" I by Jello Biafra - 5/13/2014 think? The blue shrink wrap proved to be prohibitively expensive. Then after initially saying Original podcast available on the idea was ok, the other members of Dead www.bullhorn.fm/alternativetentaclesbatcast/posts/z Kennedys then freaked out about the picture. After LfkuGZ-111-h-r-giger-tribute we had secured the rights and everything! So a big quarrel ensued and we finally agreed to put it on the inside, which took care of the stores, as an insert The reason for the emergency podcast, trying to put poster, instead of the concept of having it as a wrap it up before getting too many interview requests with around gate-fold cover with "Frankenchrist" in all the same questions, though Rolling Stone and LA candy cane lettering and nothing else on the front. Times have already found me apparently. I'm Then you would open it up and on the inside would grateful they would even consider wanting my input be the infamous Shriner picture and nothing else. No on Hans Ruedi Giger. explanation whatsoever. That's what I wanted. Many people know him mainly for the monster and Didn't work out that time.
[Show full text]
Download a PDF of the Inventory B
PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise.
[Show full text]
Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography
Page 1 of 35 Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: An Annotated Bibliography and Discography. Compiled by Walt “Cat” Walker. Approved by the GLBTRT Resources Committee. Last revised January 12, 2017. TABLE OF CONTENTS Introduction 2 I. General Nonfiction 3 II. Memoirs & Biographies 9 III. Fiction 32 IV. Drama 33 V. Children & Teens 34 VI. DVDs 35 Page 2 of 35 Introduction Gays, lesbians, bisexuals, and transgender people have always participated in creating popular music. In recent years, the visibility of LGBTQ people in the music world has increased, and more popular music has been created that openly describes the LGBTQ experience. There has also been an increase in books and films related to LGBTQ visibility in popular music, both in fiction and nonfiction. This bibliography includes resources about gay men, lesbians, bisexuals, and transgender persons involved in the popular music field. The books have all been published in print, and many of them may also be found as e-books. Separate sections contain memoirs, novels, plays, and children’s and teen books. Several LGBT popular music-related DVDs are also listed. Each book and DVD has a link to the OCLC WorldCat record (when available) where you can see which libraries hold the item. Most of this resource is comprised of a discography of popular music recordings by LGBTQ artists. It is not meant to be complete, but many recordings still available in CD format for each artist are listed, and several are annotated. Many of these performers’ songs can now also be found on streaming music services and online digital music websites.
[Show full text]
Hallo Zusammen
Hallo zusammen, Weihnachten steht vor der Tür! Damit dann auch alles mit den Geschenken klappt, bestellt bitte bis spätestens Freitag, den 12.12.! Bei nachträglich eingehenden Bestellungen können wir keine Gewähr übernehmen, dass die Sachen noch rechtzeitig bis Weihnachten eintrudeln! Vom 24.12. bis einschließlich 5.1.04 bleibt unser Mailorder geschlossen. Ab dem 6.1. sind wir aber wieder für euch da. Und noch eine generelle Anmerkung zum Schluss: Dieser Katalog offeriert nur ein Bruchteil unseres Gesamtangebotes. Falls ihr also etwas im vorliegenden Prospekt nicht findet, schaut einfach unter www.visions.de nach, schreibt ein E-Mail oder ruft kurz an. Viel Spass beim Stöbern wünscht, Udo Boll (VISIONS Mailorder-Boss) NEUERSCHEINUNGEN • CDs VON A-Z • VINYL • CD-ANGEBOTE • MERCHANDISE • BÜCHER • DVDs ! CD-Angebote 8,90 12,90 9,90 9,90 9,90 9,90 12,90 Bad Astronaut Black Rebel Motorcycle Club Cave In Cash, Johnny Cash, Johnny Elbow Jimmy Eat World Acrophobe dto. Antenna American Rec. 2: Unchained American Rec. 3: Solitary Man Cast Of Thousands Bleed American 12,90 7,90 12,90 9,90 12,90 8,90 12,90 Mother Tongue Oasis Queens Of The Stone Age Radiohead Sevendust T(I)NC …Trail Of Dead Ghost Note Be Here Now Rated R Amnesiac Seasons Bigger Cages, Longer Chains Source Tags & Codes 4 Lyn - dto. 10,90 An einem Sonntag im April 10,90 Limp Bizkit - Significant Other 11,90 Plant, Robert - Dreamland 12,90 3 Doors Down - The Better Life 12,90 Element Of Crime - Damals hinterm Mond 10,90 Limp Bizkit - Three Dollar Bill Y’all 8,90 Polyphonic Spree - Absolute Beginner -Bambule 10,90 Element Of Crime - Die schönen Rosen 10,90 Linkin Park - Reanimation 12,90 The Beginning Stages Of 12,90 Aerosmith - Greatest Hits 7,90 Element Of Crime - Live - Secret Samadhi 12,90 Portishead - PNYC 12,90 Aerosmith - Just Push Play 11,90 Freedom, Love & Hapiness 10,90 Live - Throwing Cooper 12,90 Portishead - dto.
[Show full text]