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Electronic Sales Tax Return - General Instructions 1
R-1029Ei (7/18) Electronic Sales Tax Return - General Instructions 1. Who Should File: All persons and dealers who are Revenue (LDR) is assigning business codes to sales tax 5. Paid Preparer: If this return was prepared by a paid subject to the tax levied under Chapter 2 of Subtitle II accounts based upon the North American Industry preparer, he or she must complete the paid preparer of Title 47 of the Louisiana Revised Statutes of 1950 as Classification System (NAICS). If your sales tax account information. That person must enter their name and amended, are required to file a tax return monthly or currently does not have a NAICS code assigned to it, identification number when preparing and filing the quarterly. Returns are due on or before the 20th day of please include this information on your sales tax return. return. If the paid preparer has a PTIN, the PTIN must each month for the preceding calendar month or quarter. NAICS codes may be found on your federal corpo- be provided; otherwise, the FEIN or LDR account num- If the due date falls on a weekend or holiday, the return rate income tax return or on your Louisiana Workforce ber must be provided. If the paid preparer represents a is due the next business day and becomes delinquent the Commission account. NAICS codes may also be found firm, the firm’s FEIN must also be provided. The failure next day thereafter. on the U.S. Census Bureau’s webpage at www.census.gov. of a paid preparer to sign or provide an identification 2. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
To See the Full #Wemakeevents Participation List
#WeMakeEvents #RedAlertRESTART #ExtendPUA TOTAL PARTICIPANTS - 1,872 and counting Participation List Name City State jkl; Big Friendly Productions Birmingham Alabama Design Prodcutions Birmingham Alabama Dossman FX Birmingham Alabama JAMM Entertainment Services Birmingham Alabama MoB Productions Birmingham Alabama MV Entertainment Birmingham Alabama IATSE Local78 Birmingham Alabama Alabama Theatre Birmingham Alabama Alys Stephens Performing Arts Center (Alabama Symphony) Birmingham Alabama Avondale Birmingham Alabama Iron City Birmingham Alabama Lyric Theatre - Birmingham Birmingham Alabama Saturn Birmingham Alabama The Nick Birmingham Alabama Work Play Birmingham Alabama American Legion Post 199 Fairhope Alabama South Baldwin Community Theatre Gulf Shores Alabama AC Marriot Huntsville Alabama Embassy Suites Huntsville Alabama Huntsville Art Museum Huntsville Alabama Mark C. Smith Concert Hall Huntsville Alabama Mars Music Hall Huntsville Alabama Propst Arena Huntsville Alabama The Camp Huntsville Alabama Gulfquest Maritime Museum Mobile Alabama The Steeple on St. Francis Mobile Alabama Alabama Contempory Art Center Mobile Alabama Alabama Music Box Mobile Alabama The Merry Window Mobile Alabama The Soul Kitchen Music Hall Mobile Alabama Axis Sound and Lights Muscle Shoals Alabama Fame Recording Studio Muscle Shoals Alabama Sweettree Productions Warehouse Muscle Shoals Alabama Edwards Residence Muscle Shoals Alabama Shoals Theatre Muscle Shoals Alabama Mainstreet at The Wharf Orange Beach Alabama Nick Pratt Boathouse Orange Beach Alabama -
NBA Arenas: Timeline and Cost of Development DRAFT 9/20/2017
NBA Arenas: Timeline and Cost of Development DRAFT 9/20/2017 Facility City Year Opened Total Cost Private Private (%) Public Public (%) Key Arena* Seattle 2020 (Expected)$ 565 $ 565 100%$ - 0% Chase Center San Francisco 2019 (Expected)$ 1,000 $ 1,000 100% $ - 0% Quicken Loans Arena 1 Cleveland 2019 (Expected)$ 140 $ 70 50%$ 70 50% Bucks Arena Milwaukee 2018 (Expected)$ 524 $ 274 52% $ 250 48% Philips Arena 1 Atlanta 2018 (Expected)$ 193 $ 50 26%$ 143 74% Little Caesars Arena Detroit 2017$ 733 $ 448 61% $ 285 39% Target Center 1 Minneapolis 2017$ 129 $ 55 43%$ 74 57% Vivint SmartHome Arena 1,2 Salt Lake City 2017$ 125 $ 102 82%$ 23 18% Golden1 Center Sacramento 2016$ 507 $ 284 56% $ 223 44% AT&T Center 1 San Antonio 2015$ 112 $ 27 24%$ 85 76% TD Garden 1 Boston 2015$ 70 $ 70 100%$ - 0% Moda Center 1 Portland 2015$ 16 $ 16 100%$ - 0% Madison Square Garden 1 New York City 2013$ 1,200 $ 1,200 100%$ - 0% Smoothie King Center 1 New Orleans 2013$ 54 $ - 0%$ 54 100% Talking Stick Resort Arena Phoenix 2012$ 10 $ 3 30%$ 7 70% Barclays Center 3 Brooklyn 2012$ 1,034 $ 396 38% $ 638 62% Chesapeake Energy Arena 1 Oklahoma City 2011$ 104 $ - 0%$ 104 100% Air Canada Centre 1 Toronto 2010$ 48 $ 48 100%$ - 0% Amway Center Orlando 2010$ 480 $ 62 13% $ 418 87% United Center 1 Chicago 2009$ 188 $ 174 93%$ 13 7% Verizon Center 1,7 Washington, DC 2007$ 50 $ - 0%$ 50 100% Time Warner Cable Arena Charlotte 2005$ 265 $ 35 13% $ 231 87% FedEx Forum Memphis 2004$ 270 $ 16 6% $ 254 94% Talking Stick Resort Arena 1 Phoenix 2003$ 67 $ 42 63%$ 25 37% Toyota Center Houston -
New Orleans Taxicab Rates
NEW ORLEANS TAXICAB RATES 162-745 METER DROP $3.50 162-745 EACH ADDITIONAL 1/8 MILE .30 CENTS 162-746 CHARTER TRIP $35.00 PER HOUR (minimum of 2 hours) 162-745 ADDITIONAL PASSENGER AFTER ONE $1.00 PER PERSON ON REGULAR TAXI TRIPS 162-748 ADDITIONAL CHARGE FOR FERRIAGE & BRIDGE FEES TOLL FEE BASED ON ROUND TRIP CHARGE 162-747 SPECIAL EVENT RATE $7.00 PER PERSON OR THE METER (Sp. Event- regularly scheduled sporting events and/or concerts FARE two hours before and after event at Fogelman Arena, Superdome, UNO Lakefront Arena, City Park Stadium, Pan- American Stadium, Southern University Gymnasium, Xavier Field House, Yulman Stadium, Saenger, Smoothie King Center or the Fair Grounds) 162-755 UNO LAKEFRONT ARENA (to or from any location in an area $9.00 PER PERSON bounded by Galvez St., Esplanade Ave., the Mississippi River and Jackson Ave.) 162-749 TO OR FROM THE WESTBANK METER FARE PLUS $1.00 162-753 TO OR FROM THE ARMSTRONG INT’L AIRPORT OR KENNER TO 1 OR 2 PASSENGERS-$36.00 OR FROM ANY WESTBANK LOCATION 3 OR MORE-$15.00 PER PERSON PLUS THE WESTBANK METER FARE TO OR FROM THE TOLL PLAZA 162-753 TO OR FROM ARMSTRONG INT’L AIRPORT OR KENNER TO 1 OR 2 PASSENGERS-$36.00 ELYSIAN FIELDS BOUNDARY LINE 3 OR MORE-$15.00 PER PERSON (in addition use meter fare pass boundary line) 162-753 N. O. LAKEFRONT AIRPORT (to or from any location in an area 1 OR 2 PASSENGERS-$25.00 bounded by Galvez St., Esplanade Ave., the Mississippi River and 3 OR MORE-$10.00 PER PERSON Jackson Ave.) 162-753 TO OR FROM ALVIN CALENDAR FIELD 1 OR 2 PASSENGERS-$36.00 3 OR MORE-$15.00 -
3.5” 3.5” 3.5” 3.5” 3.5” 3.5” 3.5” 3.5” 3.5” Bullard
Paris Rd. 60 Morrison Hayne 10 CurranShorewood Michoud T 64, 65 Vincent Expedition 63 Little Woods Paris Rd. Michoud 3.5” 3.5” 3.5” 3.5” 3.5” 3.5” 3.5” 3.5” 3.5” Bullard North I - 10 Service Road Read 62 Alcee Fortier Morrison Lake Pontchartrain 17 Vanderkloot Walmart Paris Rd. T 62, 63, Lake Forest Crowder 64, 65 510 Dwyer Louis Armstrong New Orleans Lakefront Bundy Airport Read 63 94 60 International Airport Map Bullard Hayne Morrison US Naval 16 Joe Yenni 65 Joe Brown Reserve 60 Morrison Waterford Dwyer 64 Hayne 10 Training Center North I - 10 Service Road Park Michoud Old Gentilly Rd. Michoud Lakeshore Dr. Springlake CurranShorewood Bundy Pressburg W. Loyola W. University of SUNO New Orleans East Hospital 65 T New Orleans Downman 64, 65 T 57, 60, 80 62 H Michoud Vincent Loyola E. UNO Tilford Facility Expedition 80 T 51, 52, Leon C. Simon SUNO Lake Forest64 Blvd. Pratt Pontchartrain 55, 60 Franklin Park Debore Harbourview Press Dr. New Orleans East Williams West End Park Dwyer 63 Academy Robert E. Lee Pressburg Park s Paris St. Anthony System Map 63 Paris Rd. tis Pren 45 St. Anthony Odin Little Woods 60 10 H Congress Michoud Gentilly 52 Press Bullard W. Esplanade Bucktown Chef Menteur Hwy. Fillmore Desire 90 57 65 Canal Blvd. Mirabeau 55 32nd 51 Old Gentilly org Bonnabel 15 See Interactive Maps at RTAforward. and on the RTA GoMobile App. Duncan Place City Park y. Chef Menteur / Desire North I - 10 Service Road 5 Hw 62 Pontchartrain Blvd. -
MIRANDA LAMBERT ANNOUNCES 2020 WILDCARD TOUR Coming to Toyota Arena – February 22, 2020
FOR IMMEDIATE RELEASE Arena Contact: Sue Oxarart / [email protected] Director of Marketing & Communications #909.937.3058 MIRANDA LAMBERT ANNOUNCES 2020 WILDCARD TOUR Coming to Toyota Arena – February 22, 2020 27-Date Run Features Special Guests Cody Johnson & LANCO, with Randy Rogers Band & Parker McCollum on Select Dates Tickets on Sale Starting Friday, Sept. 27 Ontario, CA – September 26, 2019 – After thrilling fans with the opening weekend of her currently underway Roadside Bars & Pink Guitars Tour, which continues throughout the fall, CMA Female Vocalist of the Year nominee and seven-time winner in the category Miranda Lambert announces plans to continue touring into 2020 and coming to Toyota Arena February 22, 2020. Tickets to the general public go on sale starting tomorrow Friday, Sept. 27 at 10 a.m. local time at the Arena Box Office and ticketmaster.com. The Wildcard Tour, named for Lambert’s November 1 seventh-studio album designated one of the “most anticipated albums of Fall 2019” by Billboard, features 27 dates across several major markets throughout the U.S. and Canada. “The essence of a wildcard is always having something up your sleeve, in whatever capacity that means to you,” shares Lambert. “It is universal. Which is why I’m excited to kick off this tour with an incredible group of talented artists. We’re going to have a blast!” Fellow CMA nominee Cody Johnson and chart-topping dynamic group LANCO join as support for the majority of the run, with Texas compatriots Randy Rogers Band and Parker McCollum opening select shows in Kansas City, Tulsa and Dallas. -
NCAA Bowl Eligibility Policies
TABLE OF CONTENTS 2019-20 Bowl Schedule ..................................................................................................................2-3 The Bowl Experience .......................................................................................................................4-5 The Football Bowl Association What is the FBA? ...............................................................................................................................6-7 Bowl Games: Where Everybody Wins .........................................................................8-9 The Regular Season Wins ...........................................................................................10-11 Communities Win .........................................................................................................12-13 The Fans Win ...................................................................................................................14-15 Institutions Win ..............................................................................................................16-17 Most Importantly: Student-Athletes Win .............................................................18-19 FBA Executive Director Wright Waters .......................................................................................20 FBA Executive Committee ..............................................................................................................21 NCAA Bowl Eligibility Policies .......................................................................................................22 -
Electronic Sales Tax Return - General Instructions 1
R-1029Ei (7/17) Electronic Sales Tax Return - General Instructions 1. Who Should File: All persons and dealers who are 2. Dollar Amounts: All amounts on the return should NAICS codes may be found on your federal corpo- subject to the tax levied under Chapter 2 of Title 47 of be rounded to the nearest dollar and entered into the rate income tax return or on your Louisiana Workforce 1950, as amended, are required to file a tax return monthly appropriate boxes. Commission account. NAICS codes may also be found or quarterly. Returns are due on or before the 20th day of 3. U.S. NAICS Code: The Louisiana Department of on the U.S. Census Bureau’s webpage at www.census.gov. each month for the preceding calendar month or quarter. Revenue (LDR) is assigning business codes to sales tax 4. FEIN Numbers – LDR is now requiring a federal If the due date falls on a weekend or holiday, the return accounts based upon the North American Industry employer identification number for all sales tax account is due the next business day and becomes delinquent the Classification System (NAICS). If your sales tax account holders. Please enter this information at the bottom of next day thereafter. currently does not have a NAICS code assigned to it, Schedule A. please include this information on your sales tax return. Electronic Sales Tax Return - Specific Instructions for filing periods starting July 2017 Line 1 – “Gross sales” is the total sales price for each indi- on all taxable transactions in Louisiana. Act 15 of the First Line 17 – Report intrastate telecommunication services, vidual item or article of tangible personal property with Extraordinary Session of the 2016 Louisiana Legislature such as local telephone calls, cellular telephone charges, no reduction for any purpose. -
Tool Extends North American Tour Tickets On-Sale This
TOOL EXTENDS NORTH AMERICAN TOUR TICKETS ON-SALE THIS FRIDAY Photo credit: Travis Shinn Nov.11, 2019, LOS ANGELES – TOOL, who are in the midst of their first North American tour in support of their #1 charting, record-breaking album Fear Inoculum (RCA Records), today announces an additional round of tour dates, kicking off on Jan. 10 in San Diego. Newly announced dates: January 10 San Diego, CA Viejas Arena January 12 San Diego, CA Viejas Arena January 15 Fresno, CA Save Mart Center January 17 Las Vegas, NV T-Mobile Arena January 18 Glendale, AZ Gila River Arena January 21 Austin, TX Frank Erwin Center January 22 Dallas, TX American Airlines Arena January 28 Atlanta, GA State Farm Arena January 29 Nashville, TN Bridgestone Arena January 31 Memphis, TN FedEx Forum February 1 New Orleans, LA Smoothie King Center Tickets are on-sale this Friday, Nov.15 at 10 am local time, with a limited number of VIP packages available exclusively to Tool Army members via Toolband.com this Wednesday, Nov.13 at 10 am local time. TOOL begins a two-night stint in Toronto this evening, during their extensive, sold out North American tour. The tour, which sees the band performing in some cities for the first time in over a decade, has received widespread accolades with the Los Angeles Times calling it “impeccable,” the Chicago Tribune describing the outing as a “twisting multimedia rollercoaster of a concert” and The Arizona Republic saying it’s “a visually breathtaking night of dystopian art-rock spectacle.” Fear Inoculum (http://smarturl.it/TOOLFIa) arrived on Aug. -
Cruise Planners
Charley Lee [email protected] www.cruiseplannersoftexas.com 903-483-2660 NEW ORLEANS, LA OVERVIEW Introduction It has been said that New Orleans, Louisiana, celebrates indulgence like no other U.S. city; its reputation for feasting and revelry, especially during Mardi Gras, is legendary. After Hurricane Katrina, the city rebuilt with fervor and tourism is flourishing. New restaurants, hotels and attractions draw millions of visitors to the city each year. Although some neighborhoods still struggle with the aftermath of the storm, visitors to New Orleans' Central Business District, the French Quarter, Faubourg Marigny neighborhood, the Garden District and Uptown along St. Charles Avenue and Magazine Street will find a city alive and thriving. In this city synonymous with resilience and rebirth, it takes more than a hurricane or an oil spill to make New Orleanians lose their appetite for fun, food and merriment. New Orleans is an extraordinary city, and with its unique culture and history, it has long enchanted a wide variety of visitors with a yearning for the romantic, the spiritual, the beautiful or the off-beat. (In what other U.S. city would a voodoo priestess be buried next to the mayor's family, or funerals be celebrated with a jazz band and a processional?) That magic feeling is stronger than ever, a calling card to a city with a spirit too beautiful to ever break. Sights—St. Louis Cathedral and the French Quarter (also called Vieux Carre); the Garden District; Woldenberg Riverfront Park; an aboveground cemetery; the view of the city from Algier's Point. Museums—The Ogden Museum of Southern Art; The Cabildo; the Historic New Orleans Collection; the National World War II Museum; the Southern Food and Beverage Museum (SoFAB); the New Orleans Museum of Art. -
Pensacola Bay Center Improvements & Management
PENSACOLA BAY CENTER IMPROVEMENTS & MANAGEMENT | 1 P: 504.587.3827 J. DOUGLAS THORNTON F: 504.587.3854 Executive Vice President [email protected] Stadiums & Arena Division www.smgworld.com 1501 Dave Dixon Drive New Orleans, LA 70113 November 14, 2017 Paul R. Nobles Purchasing Manager, Office of Purchasing Matt Langley Bell III Building 213 Palafox Place 2nd Floor, Room 11.101 Pensacola, FL 32502 Re: SMG Response - Escambia County RFP #17-18.002 SMG is pleased to submit our response to the Escambia County Request for Proposals (RFP #17-18.002) relating to a Multi-Use Sports and Event Venue Public Private Partnership Solicitation. Our proposal is submitted as an alternative option to the unsolicited proposal recently submitted by the consortium led by Jay Patel for your consideration. SMG believes that limited investment in the Pensacola Bay Center provides a better, more affordable solution for the County, while preserving a significant community asset. Our proposed capital improvements not only take steps to modernize the facility, but they also address the specific capital requirements needed to accommodate an NBA G-League franchise – which we know is something that has been of great interest to the community. In an effort to provide the County with maximum flexibility, SMG has put forth two (2) separate proposal scenarios for your consideration. Neither of these options require any capital investment, debt issuance, guarantee of debt, or credit facility by the County: Scenario 1: $10 million capital improvement program funded through the use of ‘Triumph Funds’, with focus on facility infrastructure and enhancements, as well as improvements necessary to meet the NBA G-League requirements.