ざた/ / ArtsInfo 12/ 11/2015
1. れ 」 MeiMei Rado, Hui-wen Lu, Joyce Tsai Jungeun Lee, Susan Huang, Peggy Ho, Kevin McLoughlin, Joseph Scheier-Dolberg イ ジ Nixi Cura ◇わ Arts of China Consortium 2. る イ イ 3. あ ざた る り ジ 4. (Big5) (IME) 5. 6. ク ら あ ら
■ 1.! 2.! や 3.
■ 1.! ざた 2.! 3.! 4.! 5.! 6.! 7.! 8.! 9.! ざた 10.! 11.! 12.! づ 13.! 14.! 15.! 16.! 17.! 18.! 19.! レ
■ 、 1. Freer and Sackler Galleries 2.! The Metropolitan Museum of Art 3.! Nelson-Atkins Museum of Art 4.! Newark Museum 5.! Cleveland Museum of Art 6.! Getty Center 7.! Princeton University Art Museum 8.! Staatliche Museen zu Berlin
1.!
1 し— さ ほ 2014/08/01~ 106 http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=04005700
2 2014/11/29~ 304 http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=04005847
3 — さ 2015/03/31~2016/02/28 303 http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=04006182
4 す─ さ 2015/07/18~2016/01/10 104 http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=04006450
5) - : 2015/10/06-2016/01/04 : 202/204/206/210/212
6) : : 2015/10/06-2016/01/06 : 103/105/107
2.! や
1 10/7 -12/30
2) 10/14
3) 10/21
http://museum.sinica.edu.tw/exhibition.php
3. ─ http://www.fgsbmc.org.tw/news_exhibition_c.aspx?Id=20151004 : / :2015-11-14 2016-02-28
1.! ざた
1 いク 2014.7.23 – ( ) http://www.lcsd.gov.hk/CE/Museum/Arts/zh_TW/web/ma/teaware03.html
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6.! “ —— ・ ” 2015 2 10 12 10 http://www.tjbwg.com/ExhibitionInfo_3318.html
7.!
1 —— 2014-11-27—2016-11-30 http://www.zhejiangmuseum.com/showexhibition.do?status=detail&id=132 の 2015 11 13 -2016 4 5 づ E 47 500 9:00-17:00
8.!
1 —— ョ 2015 11 10 12 20 ん らと: http://mp.weixin.qq.com/s?__biz=MjM5NDMyNjMwMQ%3D%3D&mid=206432570&idx= 1&sn=c461b6f51d8ed755bca9f792ac8cbe04&scene=2&from=timeline&isappinstalled=0#rd と: http://mp.weixin.qq.com/s?__biz=MzA5MDg1NTIxOQ%3D%3D&mid=213828680&idx=1 &sn=523466c525ab0648c93f7072247e7fc7&scene=2&srcid=1020XecMKtju8rJu05JY7vfY&fro m=timeline&isappinstalled=0#rd
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1 —— さ 2015 4 1 2016 1 31 : http://gzam.com.cn/sitecn/zzzc/5788.html 1913—2004 て ち さ は ば
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11. 1 —— 2015 5 16 ~ http://www.lnmuseum.com.cn/news/index.asp?ChannelID=609
2 —— 2015 5 16 ~ 5 http://www.lnmuseum.com.cn/news/index.asp?ChannelID=606
3 -っ —— 、 2015 5 16 ~ 2 http://www.lnmuseum.com.cn/news/index.asp?ChannelID=608
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13. —— さ ョ 2015 11 30 ——2016 3 6
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1 2015 4 7 2016 4 10 1 http://www.tnm.jp/modules/r_exhibition/index.php?controller=item&id=3999 2 た 2015 4 14 2016 4 10 7 http://www.tnm.jp/modules/r_exhibition/index.php?controller=item&id=3904
3 2 2015 4 7 2016 4 10 2 http://www.tnm.jp/modules/r_exhibition/index.php?controller=item&id=4234 2
4 た 2015 4 14 2016 4 10 7 http://www.tnm.jp/modules/r_exhibition/index.php?controller=item&id=3904 1 2 ち に た ぞ
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10 17 11 29 http://www.kurokawa-institute.or.jp/newpage2.html 19. レ さ Kyujanggak, Embracing the Knowledge of the World □ Duration: Oct. 16 (Fri.), 2015 ~ Jan. 16 (Sat.), 2016 □ Venue: Exhibition Room (B1), Kyujanggak Institute for Korean Studies (Bldg. 103), SNU レさ の さ 1725 Books contain years of accumulated human wisdom and play a vital role in allowing readers to become aware of the world around them. During the Joseon Dynasty, great efforts were made to assimilate and absorb new knowledge and culture from the outside world. This fact is made evident by the diversity of Chinese books held at Kyujanggak. While keeping the time-honored traditions of the Joseon Dynasty, King Jeongjo established Kyujanggak as a repository of numerous books, But he also wanted Kyujanggak to become a place where wisdom and knowledge could be created in abundance. Future generations also kept King Jeongjo’’s spirit and continued to gather and study books that contained new knowledge. In this way, Jibokjae , which was established under the reign of King Gojong, also collected books rich in modern scholarship and culture. This special exhibition, Kyujanggak: Embracing the Knowledge of the World, has been conceived as a reconstruction of the efforts of Joseon people to use books as windows to the world and opportunities for groth. King Jeongjo thus always emphasized that nothing compares to books when it comes to breaking away from antiquated knowledge and fostering new ways of thinking. Despite the difficulty of accepting new ideas and ways of thinking, the people of the Joseon Dynasty made great efforts and succeeded in connecting with the outside world. This spirit of wisdom continues even to this day. http://e-kyujanggak.snu.ac.kr/LANG/en/introduction/6_current_exhibition.jsp?type=41&lang=en& pageno=1&curtype=curr
、 1.! Freer Gallery of Art
1 Promise of Paradise: Early Chinese Buddhist Sculpture Opens December 1, 2012- Indefinitely
2 Chinese Ceramics: 13th-14th Century December 20, 2014 – January 3, 2016 Location: Gallery F15 http://www.si.edu/Exhibitions/Details/Chinese-Ceramics-13th-14th-Century-5533 Ceramic production during the Yuan dynasty (1279-1368) reflects the strength of the international market demand for Chinese wares. Notably, celadon-glazed vessels from Longquan competed with porcelain objects from Jingdezhen, painted with innovative decoration in cobalt pigment. A dozen Chinese ceramics from the Freer collection show highlights of Yuan ceramic styles and complement the exhibition Style in Chinese Landscape Painting: The Yuan Legacy.
3) Enigmas: The Art of Bada Shanren (1626–1705) June 20, 2015 - January 3, 2016 http://www.asia.si.edu/bada-shanren/ Born a prince of the Ming imperial house, Bada Shanren (1626–1705) lived a storied life, remaking himself as a secluded Buddhist monk and, later, as a professional painter and calligrapher. Featured in this exhibition are examples of his most daring and idiosyncratic works, demonstrating his unique visual vocabulary. The selection of painting and calligraphy includes some of Bada Shanren's best work, dating from the 1660s through his peak professional years in the 1680s and 1690s. Also represented is his late period in the early 1700s, when he sought solitude and harmony with the natural order.
2.! The Metropolitan Museum of Art
1 A Passion for Jade The Heber Bishop Collection March 14, 2015–June 19, 2016 http://www.metmuseum.org/exhibitions/listings/2015/passion-for-jade Heber R. Bishop's collection of carved jades was formed in the last quarter of the nineteenth century and bequeathed to the Metropolitan Museum in 1902. Consisting of over one thousand pieces—primarily Chinese jades of the eighteenth and nineteenth centuries, as well as jades from Mughal India—it was the first major collection of its kind in the country. This exhibition features a selection of the finest examples from this renowned collection and celebrates the hundredth anniversary of the Department of Asian Art.
2 Chinese Textiles Eight Centuries of Masterpieces from the Met Collection September 12, 2015–June 19, 2016 http://www.metmuseum.org/exhibitions/listings/2015/chinese-textiles This installation, which explores the cultural importance of silk in China, will showcase the most important and unusual textiles from the Museum's collection. In addition to three rare pieces dating from the Tang dynasty (618–906), when China served as a cultural hub linking Korea and Japan to Central and West Asia, and, ultimately to the Mediterranean world, the exhibition also includes eleventh- and twelfth-century tapestries from Central Asia, as well as contemporaneous Chinese examples of this technique. Spectacular embroideries—including an imperial fourteenth-century canopy decorated with phoenixes and flowers, and a monumental late seventeenth- or early eighteenth-century panel showing phoenixes in a garden—will also be on view, together with theatrical garments, court costumes, and early examples of badges worn at court to designate rank.
3 Chinese Lacquer Treasures from the Irving Collection, 12th–18th Century September 12, 2015–June 19, 2016 http://www.metmuseum.org/exhibitions/listings/2015/chinese-lacquer Lacquer, the resin of a family of trees found throughout southern China—as well as in Southeast Asia, Korea, and Japan—is an amazing material. When exposed to oxygen and humidity, lacquer hardens or polymerizes, becoming a natural plastic and an ideal protective covering for screens, trays, and other implements. Mixed with pigments, particularly cinnabar (red) and carbon (black), lacquer has been also used as an artistic media for millennia. This installation, which features all of the most important examples of Chinese lacquer in the Museum's collection, explores the laborious techniques used to create scenes based on history and literature, images of popular gods and mythical and real animals, and representations of landscapes and flowers and birds.
4 Masterpieces of Chinese Painting from the Metropolitan Collection
October 31, 2015–October 11, 2016 http://www.metmuseum.org/exhibitions/listings/2015/masterpieces-of-chinese-painting http://mp.weixin.qq.com/s?__biz=MzA3MTUxMzEzNw%3D%3D&mid=217305488&idx=1 &sn=275e62d512416c4ec9ae7e534ce0f4b3&scene=0#rd This exhibition, presented in two rotations, will highlight the gems of the permanent collection in a chronological display, with an emphasis on works from the Song (960–1279) and Yuan (1271–1368) dynasties. ( らとン )
3.! Nelson-Atkins Museum of Art
Flowers to Frost: Four Seasons in East Asian Art July 18, 2015–July 17, 2016 http://www.nelson-atkins.org/art/exhibitions/flowers-to-frost.cfm
4.! Newark Museum
1 China's China Porcelain, Earthenware, Stoneware & Glazes Now on View http://www.newarkmuseum.org/china.html Over 2,000 years of ceramic excellence are showcased with meaningful selections to feature a range of different techniques through both figural and practical forms. Dating from seven different dynastic periods—stretching from the second century BC to contemporary works—this installation provides a profound rationale for why the name of the country became a synonym for the ceramic arts while demonstrating an abridged introduction of some of the most significant and celebrated ceramic types in Chinese history.
2 Red Luster Lacquer & Leatherworks of Asia Ongoing http://www.newarkmuseum.org/red-luster For the past two thousand years—far before the development of plastic laminations and modern-day adhesives—lacquer was (and remains) a superior material. Red Luster: Lacquer and Leatherworks of Asia demonstrates the aesthetic impact of red lacquer and its faux imitators in leatherworks and other materials. The glossy sheen, slick texture and deep colors of lacquer have long been a prized material throughout Asia but the materials to create “true lacquers” do not exist in all of Asia. Different raw materials originating from different types of trees and even insects distinguish East Asian lacquers (China, Japan and Korea) from those of Central and South Asia (Turkey, Iran, India and Tibet) or Southeast Asia (Myanmar). The relatively slow construction process, coupled with regionally restricted supplies of raw material, made production relatively exclusive. Thus all of Asia also developed imitation or faux lacquers created by an even greater variety of materials and techniques. Many faux lacquers became important forms of art in their own right. This is the first lacquer exhibition to span the vastly different cultural and historical legacies of Asia from the Near to Far East.
5.! Cleveland Museum of Art
Silent Poetry: Masterpieces of Chinese Painting
11/14/2015-04/24/2016
http://www.clevelandart.org/events/exhibitions/silent-poetry-masterworks-chinese-painting
6.! Getty Center
Cave Temples of Dunhuang: Buddhist Art on China's Silk Road May 7–September 4, 2016, GETTY CENTER The Mogao caves, located near the town of Dunhuang in the Gobi Desert of northwest China, comprise some 500 decorated Buddhist cave temples dating from the 4th to the 14th century. Filled with exquisite wall paintings and sculptures, the caves bear witness to the intense religious, artistic, and cultural exchanges along the Silk Road, the trade routes linking East and West. Cave Temples of Dunhuang: Buddhist Art on China's Silk Road features numerous objects originally from the site—such as paintings and manuscripts that have rarely, if ever, traveled to the United States, as well as three spectacular full-size cave replicas. The exhibition celebrates more than 25 years of collaboration between the Getty Conservation Institute and the Dunhuang Academy to preserve this UNESCO World Heritage Site.
7.! Princeton University Art Museum
Sacred Caves of the Silk Road: Ways of Knowing and Recreating Dunhuang
2015-10-4-2016-1/10 A sacred complex of more than seven hundred primarily Buddhist cave-grottoes located in the western province of Gansu near the city of Dunhuang preserves an astonishing trove of early styles and periods of art that rarely survive elsewhere in China. Strategically located at the crossroads of the northern and southern routes of the ancient Silk Road, the caves were built and rebuilt over the course of a millennium beginning in the mid-fourth century. They were filled with brilliantly colored paintings and sculptures that covered the walls, ceilings, and floors. The physical site and its artistic riches reveal shifting artistic influences and ritual practices, attesting to a long and varied history of political, religious, and private patronage as well as local, court, and foreign military protection.
Sacred Caves of the Silk Road: Ways of Knowing and Recreating Dunhuang brings together paintings, calligraphy, and sculpture discovered at Dunhuang along with travelogues, early photo archives, present-day photos, and artist renderings and copies. Each source forms a kind of cultural archive that emphasizes certain types of information while omitting others. Independently or in combination, these archives permit different recreations of how the art of Dunhuang may be seen and understood. The exhibition will feature Dunhuang objects from the Princeton University Art Museum and from Princeton’s East Asian Library as well as two paintings on loan from the British Museum. http://artmuseum.princeton.edu/art/exhibitions/1639
8.! Staatliche Museen zu Berlin 1 Collection of East Asian Art in the Museum für Asiatische Kunst http://www.smb.museum/en/exhibitions/detail.html?tx_smb_pi1%5BexhibitionUid%5D=27&c Hash=a8ada49c1599c10a16533dd3f187140f
1. "Jesuit Legacies: Images, Visuality, and Cosmopolitanism in Qing China," Karl Jasper Centre for Transcultural Studies, R212, Voßstr. 2, 69115 Heidelberg, December 13-14, 2015. Organized by Sarah E. Fraser, Lianming Wang, in Association with the Research Institute, The Palace Museum, Beijing, with financial support of The Excellence Initiative II "Mobility of International Research Collaborations," Heidelberg University. ( らとン )
2. 》 》 》 The 3nd Southeast Asian Archaeology Workshop, 2015 Inter-regional Connections in Southeast Asian Archaeology: Recent Advances in Ryukyu Archaeology 2015 12 14 7 704 や 》 09:50—10:00 ま 10:00—11:40 る : ち MORI Tatuya た 、た る : ー る / 》 13:40—16:00 》 ち : 1. MORIMOTO Isao こ ) る 2. MIYAGI Hiroki る ) る メ 3. YAMAMOTO Masaaki こ ョ る 4. KURANARI Tarou で る ー ゅ 16:20—17:00 り ち る
3. Literature and Images in the History of Cultural Exchanges in East Asia
た 2015
て /Schedule
2015 12 14 , /December 15th,2015,Tuesday 9 00-9 30 Opening Ceremony 9 40-11 00 /Literature and Images in the Tang and the Five Dynasties periods と Takamizawa Osamu 」 Itakura Masaaki) /Speakers Anna Shields: Visualizing Friendship in Mid-Tang China/ ょ な (Li Xingming) —— の /Landscape paintings in the Tang period: Evidence from Archaeology and Literature 14 00-15 20 /Korean and Japanese Cultures 々 Haneda Masashi Tsukamoto Maromitsu /Speakers Steven Chung: Strange Attractors: Korean Media Cultures from the Postwar through the Present/ 「 Haruko Wakabayashi: From the Land Beyond Seas and Skies:Trans-Boundary Marriages in Medieval Narrative Tales/ 15 40-17 00 /Religion and Art Martin Kern Deng Fei /Speakers /Hirase Takao をよ / をよ Rostislav Berezkin/ あ Images of popular Buddhist narratives at the Ming court: intersections of painting, text, and performance/ ぞ ち 2015 12 15 , /December 15th,2015,Tuesday 9 00-11 00 /Painters and Paintings in the Yuan period Oki Yasushi Anna Shields /Speakers (Dengfei) /Landscape paintings in Yuan tombs /Itakura Masaaki ― / ( —— ) /Tsukamoto Maromitsu ( ) / —— さ ) 11 15-12 30 り / Round table and closing ceremony り Oki Yasushi あ Rostislav Berezkin
4. 2015 12 20 ふ / た
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12:30-1:30 1:30 -2:20 る る ざた 2:20 -4:00 ざた る 2:20-3:00 さ ー る ざた (Eric Lefebvre) 3:00-3:40 る ざた が 3:40-4:00 り 4:00 -4:20 4:20 -5:40 た 4:20-5:00 る 5:00-5:40 げ る ざた 5:40-6:00 り
4.Versailles in the World, 1660–1789 New York University, 29 January 2016
Organized by Jeffrey Collins, Meredith Martin, and Robert Wellington Versailles is often seen as the epitome of ‘Frenchness’, yet the palace and its contents were profoundly shaped by encounters with people and objects from around the world. This symposium builds upon recent colloquia and exhibitions such as La Chine à Versailles: art et diplomatie au XVIIIe siècle (2014) and Voyageurs étrangers à la cour de France, 1589–1789 (2014) to emphasize the international character of Versailles between the reigns of Louis XIV and Louis XVI and to situate its art and architecture in a global context. The day-long public event at the Washington Square Campus of NYU brings together an international group of scholars to explore connections between Versailles and a wide variety of geographical regions and cultures, from Thailand to Tunisia to Dutch Brazil. Papers focus on a range of visual and material culture that relates to cross-cultural exchanges at Versailles in the late seventeenth and eighteenth centuries, including the depiction of ambassadorial visits to the palace; gifts to and from the French Court; objects and images made for Versailles and its inhabitants that depict non-European cultures or reveal cross-cultural resonances; exoticism and fashion; and examples of art and architecture made outside of Europe that were inspired by Versailles. Versailles in the World, 1660–1789 is timed to coincide with the preparation of a major exhibition on the foreign visitor at Versailles that will open at the Metropolitan Museum of Art in May 2017. It has been made possible through the generous support of New York University, Bard Graduate Center, and The Metropolitan Museum of Art. P R O G R A M 10:00 Welcome and Opening Remarks: Versailles as a Site of Global Exchange, Meredith Martin, New York University
10:15 Curators Daniëlle Kisluk-Grosheide (Metropolitan Museum) and Bertrand Rondot (Musée National des Châteaux de Versailles et de Trianon) discuss their upcoming exhibition Visitors to Versailles, 1682–1789 11:00 Session I. Diplomatic Gifts and the French Court • Mediating Spaces: Dutch Brazil at the French Court, Carrie Anderson, Middlebury College • From Versailles to Nouvelle France: French ‘Indian Peace Medals’ of the Eighteenth Century, Robert Wellington, Australian National University • Versailles, Beijing and the Eighteenth-Century Global Imaginary, Kristel Smentek, Massachusetts Institute of Technology 12:30 Lunch
1:45 Session 2. International Trade, Collecting, and Display • From Ancient Carthage to Modern Tunis: The Cultural and Political Reception of Tunisia at the French Court of Versailles, Ridha Moumni, Institut de recherche sur le Maghreb contemporain (IRMC) • Mercantilism, Entrepreneurship, and the French Silk Corridors to Persia, Junko Takeda, Syracuse University • Native American Objects at Versailles, Noémie Etienne, Getty Research Institute 3:15 Break
3:30 Session 3. Fashion and Exoticism • Fashion Will Travel: Dress and Diplomacy at the Court of Louis XVI and Marie-Antoinette, Kimberly Chrisman-Campbell, Independent scholar 4:15 Roundtable discussion led by Jeffrey Collins, Bard Graduate Center
5:15 Closing Reception
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Scrolling Paintings Project
University of Chicago https://lucian.uchicago.edu/blogs/caea/scrolling-paintings/
Handscroll paintings, painted horizontally on a pieces of silk or sheets of paper and mounted as scrolls, are a major type of traditional East Asian painting, distinctive in their format and method of viewing. Their creation is based on special principles that differ from those of painting single-framed pictures as they are continuous pictures that progress in space and time. Handscroll paintings are meant to be handled as well as seen–unrolled for viewing and rolled up for storage. Viewing section by section calls for particular kinds of engagement or participation on the part of the viewer moving forward (from left to right) stopping and going back. In addition to painted images, the scrolls often include handwritten text, artists’ signatures and seals, and the seals of later owners of the painting. The texts might include narrative and descriptive passages on the painting itself and colophons added at the end, including comments by of the painters’ associates and later viewers, including owners of the paintings. These can provide a social history of the painting.
Because of the rare and fragile nature of these paintings, however, they are rarely shown. They cannot be handled by the public or exposed to light for extended periods in exhibitions. Therefore our center created this interactive site to simulate the experience of viewing handscrolls in ways that published photographs in books and projected slides cannot and to make them more widely accessible for teaching and research.
· づ 、た たり 2015 づ 、た たり シ “ · ” 、た り り て り 1 ざた 2 ざた 3 、た 4 “ ” 、た 5 、た 6 、た 7 8 ざた 9 ざた 10 ざた 2015 12 3 ち 2015 12 4-5 たり 2015 12 6 た》 り 「 》 ん タ り や ら 2015 11 20 1000 り て た り [email protected] り め 18290669313 づ づ 620 づ 、た 710119
北山汲古：碑帖銘刻拓本
The Bei Shan Tang Legacy:Rubbings of Stone Engraving and Model Calligraphy
展品清單 List of Exhibits
預展期 第一期 第二期
Soft Opening First Rotation Second Rotation
25/9-7/10/2015 17/10-29/11/2015 7/12/2015-31/1/2016 北山十寶 Ten Treasures of Bei Shan Tang 東漢 西嶽華山廟碑（馬氏小玲瓏山館本／順德本） 1 ＊ The Stele of Huashan Temple 東漢 夏承碑（華氏真賞齋本） 2 ＊ The Stele for Xia Cheng 唐 歐陽詢九成宮醴泉銘（汪氏孝經堂本） 3 ＊ Inscription on the Sweet Spring in the Jiucheng Palace 唐 懷仁集王羲之聖教序（孔氏嶽雪樓本） 4 Stele of the Preface to the Sacred Teaching (composed by the ＊ Buddhist Monk Huairen) 唐 李邕 雲麾將軍李思訓碑（吳榮光舊藏本） 5 ＊ Stele for Li Sixun 唐 顏真卿 大字麻姑仙壇記 （何紹基舊藏本） 6 ＊ Record of the Altar of the Goddess Magu 宋刻東晉王羲之十七帖（孔氏嶽雪樓本） 7 ＊ On the Seventeenth Day (Shiqi tie) 宋刻淳化閣帖泉州本卷六至八集王書（陸恭舊藏本） 8 Model Calligraphies from the Chunhua Era (Chunhua ge tie) ＊ Quanzhou version 宋刻汝帖（吳榮光舊藏本） 9 ＊ Model Calligraphies Engraved in Ruzhou (Ru tie) 宋刻米芾英光堂帖（徐渭仁舊藏本） 10 ＊ Model Calligraphies of Yingguang Hall (Yingguangtang tie) 游相蘭亭 The Lanting Preface from the Grand Councillor You Collection 甲之二 御府領字從山本蘭亭序
1 Lanting Preface, Imperial Court version with the ling character ＊ topped by a shan radical (Yufu lingzicongshan ben) (No. 2) 甲之四 中山王氏家藏本蘭亭序
2 Lanting Preface, version collected by the Wang’s family of ＊ Zhongshan (No. 4) 甲之五 御府本蘭亭序 3 ＊ Lanting Preface, Imperial Court version (Yufu ben) (No. 5) 甲之八 括蒼劉涇本蘭亭序 4 ＊ Lanting Preface, The Kuocang Liu Jing version (No. 8) 乙之一 雙鉤部分字本蘭亭序 5 ＊ Lanting Preface, Partial double-outlined tracing version (No. 11) 乙之五 錢塘許氏本蘭亭序 6 ＊ Lanting Preface, Qiantang Xu’s version (No. 15) 丙之八 會稽本蘭亭序 7 ＊ Lanting Preface, Huiji version (No. 38) 庚之三 莫知所出本蘭亭序 8 ＊ Lanting Preface, unknown origin version (No. 73) □之四 湯舍人本蘭亭序 9 Lanting Preface, version engraved by Tang Hong’s Family (No. 44 ＊ or 84) 臨川本蘭亭序 10 ＊ Lanting Preface, Linchuan version 豐碑古韻 Stelae and Mountainside Inscriptions 東漢 祀三公山碑 1 ＊ Stele Inscription Commemorating Sacrifices at Sangong Shan 東漢 石門頌 2 ＊ ＊ Eulogy of Shimen 東漢 孔宙碑 3 ＊ ＊ Stele for Kong Zhou 東漢 張遷碑 4 ＊ Stele for Zhang Qian 東漢 甘陵相碑殘石 5 ＊ Stele for the Minister of Ganling (Fragmentary) 南朝宋 爨龍顏碑 6 ＊ ＊ Stele for Cuan Longyan 北魏 鄭道昭 雲峰山題字 7 ＊ Mountainside Inscriptions from Yunfeng Shan 南朝梁 瘞鶴銘 8 ＊ Eulogy on Burying a Crane 東魏 天平三年（五三六）銘文造像碑殘石 9 ＊ Buddhist Votive Tablet (Fragmentary) 北齊 臨淮王像碑 10 ＊ ＊ Buddhist Votive Stele by the Prince of Linhuai 唐 歐陽詢 皇甫誕碑 11 ＊ ＊ Stele for Huangfu Dan 唐 褚遂良 雁塔聖教序 12 ＊ Stele of the Preface to the Sacred Teaching 武周 薛曜 夏日遊石淙詩 13 ＊ ＊ Poems on the Summer Excursion in Shicong 唐 顏真卿 多寶塔碑 14 ＊ Stele for the Prabhūtaratna Buddha Stupa 唐 顏真卿 郭氏家廟碑碑陰 15 ＊ ＊ Stele for the Guo’s Clan Temple (Verso) 高麗 蔡忠順 大慈恩玄化寺碑陰 16 ＊ Stele for the Daci’en Xuanhua Monastery (Verso) 法帖流風 Model Calligraphies 孫過庭 書譜 1 ＊ ＊ Manual on Calligraphy (Shupu) 顏真卿 爭座位帖 2 ＊ Letter on the Controversy over Seating Protocol 潁上黃庭經 3 ＊ ＊ Huangting Jing, Yingshang version 潁上蘭亭序 4 ＊ ＊ Lanting Preface, Yingshang version 定武蘭亭翻刻本 5 ＊ ＊ Lanting Preface, Recut of Dingwu version 淳化閣帖（肅王重刻本） 6 ＊ Model Calligraphies from the Chunhua Era (Chunhua Ge tie) 蘭亭圖（益定王重刻本） 7 ＊ ＊ ＊ Illustrated Scroll of the Lanting Gathering 孝女曹娥碑、小字麻姑仙壇記合冊 8 a. Stele for the Filial Daughter Cao E ＊ ＊ b. Record of the Altar of the Goddess Magu
阮元 重刻石鼓文 9 Recut of the Inscriptions of Stone Drums by Ruan Yuan ＊ (1764-1849)
葉夢龍 刻貞隱園法帖 10 Model Calligraphies of Zingyin Garden engraved by Ye Menglong ＊ ＊ (1775-1833) 銘記平生 Tomb Epitaphs 1 西晉 趙氾墓表 Tomb Stele of Zhao Fan ＊ ＊ ＊ 2 北魏 元思墓誌 Tomb Epitaph of Yuan Si ＊ ＊ 3 北魏 楊無醜墓誌並蓋 Tomb Epitaph of Yang Wuchou ＊ 4 北魏 楊珍墓誌 Tomb Epitaph of Yang Zhen ＊ ＊ 5 北魏 劉阿素墓誌 Tomb Epitaph of Liu Asu ＊ 6 北魏 趙邕墓誌並蓋 Tomb Epitaph of Zhao Yong ＊ 7 隋 趙章墓誌並蓋 Tomb Epitaph of Zhao Zhang ＊ 8 唐 李徹墓誌 Tomb Epitaph of Li Che ＊ ＊ 唐 長孫仁暨妻陸氏墓誌 9 ＊ ＊ Tomb Epitaph of Zhangsun Ren and His Wife née Lu 10 唐 張寶墓誌並蓋 Tomb Epitaph of Zhang Bao ＊ ＊ 11 唐 阿史那忠墓誌並蓋 Tomb Epitaph of Ashina Zhong ＊ ＊ 12 唐 梁師亮墓誌 Tomb Epitaph of Liang Shiliang ＊ 13 唐 崔文仲墓誌並蓋 Tomb Epitaph of Cui Wenzhong ＊ 14 唐 牛景墓誌並蓋 Tomb Epitaph of Niu Jing ＊ ＊ 15 唐 王洛客墓誌並蓋 Tomb Epitaph of Wang Luoke ＊ 16 唐 李翽墓誌並蓋 Tomb Epitaph of Li Hui ＊ ＊ 17 唐 范儉墓誌並蓋 Tomb Epitaph of Fan Jian ＊ 18 唐 李貞墓誌並蓋 Tomb Epitaph of Li Zhen ＊ ＊ 19 唐 靳恪墓誌並蓋 Tomb Epitaph of Jin Ke ＊ ＊ 20 唐 趙惠忠墓誌並蓋 Tomb Epitaph of Zhao Huizhong ＊ ＊ 21 唐 慕容讓墓誌並蓋 Tomb Epitaph of Murong Rang ＊ 22 唐 崔沇墓誌並蓋 Tomb Epitaph of Cui Yan ＊ ＊ 23 五代 潘景厚墓誌並蓋 Tomb Epitaph of Pang Jinghou ＊ 24 北宋 馮訥墓誌並蓋 Tomb Epitaph of Feng Na ＊
Masterpieces of Chinese Painting from the Metropolitan Collection Rotation 1: 10/31/2015–4/17/2016 Rotation 2: 5/7/2016–10/11/2016
During the last forty years, the Metropolitan’s collection of Chinese painting and calligraphy has grown to be one of the greatest in the world. With masterpieces dating from the Tang dynasty (608–917) to the Qing (1644–1911), the collection encompasses the vast historical sweep of the brush arts of China, from meticulous court painting to fiercely brushed dragons to lyrical paintings by scholars. The exhibition is part of a yearlong celebration marking the centennial of the Department of Asian Art. This exhibition, presented in two rotations, will highlight the gems of the permanent collection in a chronological display, with an emphasis on works from the Song (960–1279) and Yuan (1271–1368) dynasties. 大都会馆藏中国书画精品特展 一期: 10/31/2015–4/17/2016 二期: 5/7/2016–10/11/2016
过去四十年中，大都会博物馆逐渐发展成世上最重要的中国书画收藏機構之一。馆藏囊括唐朝 (618–907) 到當今的历代笔墨精華，從祥和的佛经，到浮夸的宫廷肖像，再到遣興的文人画。展览 将馆藏珍品按時代陈列，对宋 (960–1279)、元 (1271–1368) 两朝尤有侧重。
Rotation 1 一期: 10/31/2015–4/17/2016 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
唐 韓幹 照夜白圖 卷 Han Gan, Chinese, active ca. 742–756 Night-Shining White China Handscroll ca. 750 Handscroll; ink on paper 1977.78
唐 傳鍾紹京 楷書靈飛經 冊 Zhong Shaojing, Chinese, active ca. 713–41 Spiritual Flight Sutra China Album ca. 738 Album of nine leaves; ink on paper 1989.141.1a–i
南宋 佚名 明皇幸蜀圖 軸 Unidentified Artist Emperor Xuanzong's Flight to Shu China Hanging scroll mid-12th century Hanging scroll; ink, color, and gold on silk 41.138
五代/北宋 佚名 乞巧圖 軸 Unidentified Artist Palace Banquet China Hanging scroll Hanging scroll; ink and color on silk 2010.473
北宋 佚名 倣范寬山水圖 軸 Unidentified Artist Fan Kuan, Chinese, active ca. 990–1030 Landscape in the Style of Fan Kuan China Hanging scroll early 12th century Hanging scroll; ink and color on silk 56.151
1 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
北宋 黃庭堅 草書廉頗藺相如傳 卷 Huang Tingjian, Chinese, 1045–1105 Biographies of Lian Po and Lin Xiangru China Handscroll ca. 1095 Handscroll; ink on paper 1989.363.4
北宋 李公麟 孝經圖 卷 Li Gonglin, Chinese, ca. 1041–1106 The Classic of Filial Piety China Handscrolls ca. 1085 Three handscrolls: a) painting, ink on silk; b) colophons, ink on paper; c) modern copy preserving seventeenth century silk restorations, ink on paper and silk 1996.479a–c
北宋 佚名 睢陽五老, 畢世長像 冊頁 Unidentified Artist Portrait of Bi Shichang, from the set Five Old Men of Suiyang China Album leaf before 1056 Album leaf; ink and color on silk 17.170.1
南宋 高宗 草書天山陰雨七絕詩 團扇 Emperor Gaozong, Chinese, 1107–1187, r. 1127–1162 Quatrain on Heavenly Mountain China Fan mounted as an album leaf after 1162 Round fan mounted as album leaf; ink on silk 1989.363.6
2 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
南宋 楊皇后 楷書瀹雪凝酥七絕 團扇 Empress Yang Meizi, Chinese, 1162–1232 Quatrain on Yellow Roses China Fan mounted as an album leaf Fan mounted as an album leaf; ink on silk 1989.363.13
南宋 馬遠 月下賞梅圖 團扇冊頁 絹本 Ma Yuan, Chinese, active ca. 1190–1225 Viewing Plum Blossoms by Moonlight China Folding fan mounted as an album leaf early 13th century Fan mounted as an album leaf; ink and color on silk 1986.493.2
南宋 夏珪 山市晴嵐圖 冊頁 Xia Gui, Chinese, active ca. 1195–1230 Mountain Market, Clear with Rising Mist China Album leaf early 13th century Album leaf; ink on silk 13.100.102
南宋 理宗趙昀 行書北宋梅堯臣 依韻和資政侍郎雪後登看山亭詩 團扇 Emperor Lizong, Chinese, 1205–64, r. 1224–64 Quatrain on Snow-covered West Lake China Fan mounted as an album leaf Fan mounted as an album leaf; ink on silk 1989.363.18
3 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
南宋 趙孟堅 水仙圖 卷 Zhao Mengjian, Chinese, 1199–before 1267 Narcissus China Handscroll mid-13th century Handscroll; ink on paper 1973.120.4
南宋 趙孟堅 行書梅竹詩譜 卷 Zhao Mengjian, Chinese, 1199–before 1267 Poems on Painting Plum Blossoms and Bamboo China Handscroll dated 1260 Handscroll; ink on paper 1989.363.28
元 耶律楚材 行書贈別劉滿詩 卷 Yelü Chucai, Khitan, 1190–1244 Poem of Farewell to Liu Man China Handscroll dated 1240 Handscroll; ink on paper 1989.363.17
北宋 傳黃宗道 舊傳李贊華 獵鹿圖 卷 Huang Zongdao, Chinese, active ca. 1120 Li Zanhua, Chinese, 899–936 Stag Hunt China Handscroll Handscroll; ink and color on paper 1982.3.1
北宋 傳楊邦基 聘金圖 卷 Yang Bangji, Chinese, ca. 1110–1181 A Diplomatic Mission to the Jin China Handscroll ca. late 1150s Handscroll; ink and color on silk 1982.1.1
4 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
南宋 傳陳居中 胡騎春獵圖 團扇 Chen Juzhong, Chinese, active 1200–1230 Nomads Hunting with Falcons China Fan mounted as an album leaf early 13th century Fan mounted as an album leaf; ink and color on silk 47.18.32
元 佚名 蓮花圖 軸 Unidentified Artist Lotus and Water Birds China Hanging scrolls ca. 1300 Pair of hanging scrolls; ink and color on silk 1988.155a, b
南宋 佚名 阿彌陀如來圖 軸 Unidentified Artist Buddha Amitabha Descending from His Pure Land China Hanging scroll 13th century Hanging scroll; ink and color on silk 1980.275
元 李堯夫 蘆葉達摩圖 軸 Li Yaofu, Chinese, active ca. 1300 Bodhidharma Crossing the Yangzi River on a Reed China Hanging scroll before 1317 Hanging scroll; ink on paper 1982.1.2
5 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
南宋 傳直翁 藥山李翱問道圖 軸 Zhiweng, Chinese, active first half of the 13th century Meeting between Yaoshan and Li Ao China Album leaf mounted as a hanging scroll before 1256 Album leaf mounted as a hanging scroll; ink on paper 1982.2.1
南宋 佚名 騎驢圖 軸 Unidentified Artist Chan Master Riding a Mule China Hanging scroll before 1249 Hanging scroll; ink on paper 1989.363.24
元 趙蒼雲 劉晨阮肇入天台山圖卷 Zhao Cangyun, Chinese, active late 13th–early 14th century Liu Chen and Ruan Zhao Entering the Tiantai Mountains China Handscroll Handscroll; ink on paper 2005.494.1
元 趙孟頫, 趙雍, 趙麟 吳興趙氏三世人馬圖 卷 Zhao Mengfu, Chinese, 1254–1322 Zhao Yong, Chinese, 1289–after 1360 Zhao Lin, Chinese, active second half of the 14th century Horses and Grooms China Handscroll 1296 and 1359 Handscroll; ink and color on paper 1988.135
元 張羽材 霖雨圖 卷 Zhang Yucai, Chinese, active 1295–1316 Beneficent Rain China Handscroll late 13th–early 14th century Handscroll; ink on silk 1985.227.2
6 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
元 周東卿 漁樂圖 卷 Zhou Dongqing, Chinese, active late 13th century The Pleasures of Fishes China Handscroll dated 1291 Handscroll; ink and color on paper 47.18.10
元 方從義 雲山圖 卷 Fang Congyi, Chinese, ca. 1301–after 1378 Cloudy Mountains China Handscroll second half of 14th century Handscroll; ink and color on paper 1973.121.4
元 倪瓚 秋林野興圖 軸 Ni Zan, Chinese, 1306–1374 Enjoying the Wilderness in an Autumn Grove China Hanging scroll dated 1339 Hanging scroll; ink on paper 1989.363.38
元 張遜 石上松花圖 軸 Zhang Xun, Chinese, ca. 1295–after 1349 Rocky Landscape with Pines China Hanging scroll before 1346 Hanging scroll; ink on silk 2008.673
元 陸廣 丹臺春曉圖 軸 Lu Guang, Chinese, ca. 1300–after 1371 Spring Dawn Over the Elixir Terrace China Hanging scroll ca. 1369 Hanging scroll; ink on paper 1982.2.2
7 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
元 盛懋 秋林漁隱圖 團扇 Sheng Mou, Chinese, active ca. 1310–1360 Recluse Fisherman, Autumn Trees China Fan mounted as an album leaf dated 1349 Fan mounted as an album leaf; ink and color on silk 1973.121.13
元 盛著 秋江垂釣圖 團扇 Sheng Zhu, Chinese, active late 14th century Angling in the Autumn River China Fan mounted as an album leaf ca. 1370 Fan mounted as an album leaf; ink and color on silk 1973.121.14
元 吳鎮 老松圖 軸 Wu Zhen, Chinese, 1280–1354 Crooked Pine China Hanging scroll dated 1335 Hanging scroll; ink on silk 1985.120.1
元 王冕 墨梅圖 軸 Wang Mian, Chinese, 1287–1359 Fragrant Snow at Broken Bridge China Hanging scroll Hanging scroll; ink on silk 1973.121.9
8 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
元 唐棣 摩詰詩意圖 軸 Tang Di, Chinese, ca. 1287–1355 Landscape after a Poem by Wang Wei China Hanging scroll dated 1323 Hanging scroll; ink and color on silk 1985.214.147
元 羅稚川 古木寒鴉圖 軸 Luo Zhichuan, Chinese, active ca. 1300–30 Old Trees, Pheasants, and Crows in Winter China Hanging scroll Hanging scroll; ink and color on silk 1973.121.6
明 傳謝環 杏園雅集圖 卷 Xie Huan, Chinese, 1377–1452 Elegant Gathering in the Apricot Garden China Handscroll ca. 1437 Handscroll; ink and color on silk 1989.141.3
元/明 佚名 竹鶴雙清圖 軸 Unidentified Artist Crane in a Bamboo Grove China Hanging scroll 14th–early 15th century Hanging scroll; ink and color on silk 1991.378
9 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
明 林良 二鷹圖 軸 Lin Liang, Chinese, ca. 1416–1480 Two Hawks in a Thicket China Hanging scroll 15th century Hanging scroll; ink and pale color on silk 1993.385
明 劉俊 納諫圖 軸 Liu Jun, Chinese, active ca. 1475–ca. 1505 Remonstrating with the Emperor China Hanging scroll Hanging scroll; ink and color on silk 2005.494.3
明 佚名 鳥販圖 軸 Unidentified Artist Bird Peddler China Hanging scroll late 15th–early 16th century Hanging scroll; ink and color on silk 1998.48
明 陳子和 古木酒仙圖 軸 Chen Zihe, Chinese, active late 15th–early 16th century Drunken Immortal beneath an Old Tree China Hanging scroll early 16th century Hanging scroll; ink on silk 2005.494.4
10 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
清 王原祁 輞川圖 卷 Wang Yuanqi, Chinese, 1642–1715 Wangchuan Villa China Handscroll dated 1711 Handscroll; ink and color on paper 1977.80
清 王翬等 康熙南巡圖，第三卷: 濟南至泰山 Wang Hui, Chinese, 1632–1717 The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount Tai China Handscroll datable to 1698 Handscroll; ink and color on silk 1979.5a–d
清 朱耷(八大山人) 魚石圖 軸 Bada Shanren (Zhu Da), Chinese, 1626–1705 Fish and Rocks China Hanging scroll dated 1699 Hanging scroll; ink on paper 1989.363.137
清 朱耷(八大山人) 蓮塘戲禽圖 卷 Bada Shanren (Zhu Da), Chinese, 1626–1705 Birds in a Lotus Pond China Handscroll ca. 1690 Handscroll; ink on satin 1989.363.135
清 朱耷 (八大山人) 二鷹圖 軸 Bada Shanren (Zhu Da), Chinese, 1626–1705 Two Eagles China Hanging scroll dated 1702 Hanging scroll; ink on paper 2014.721
11 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1 (10/31/2015-4/17/2016)
清 徐揚等 乾隆南巡圖, 第六卷﹕大運河至蘇 州 Xu Yang, Chinese, active ca. 1750–after 1776 The Qianlong Emperor's Southern Inspection Tour, Scroll Six: Entering Suzhou along the Grand Canal (Qianlong nanxun, juan liu: Dayunhe zhi Suzhou) China Handscroll dated 1770 Handscroll; ink and color on silk 1988.350a–d
12 Rotation 2 二期: 5/7/2016–10/11/2016 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2 (5/7/2016-10/11/2016)
北宋 傳屈鼎 夏山圖 卷 Qu Ding, Chinese, active ca. 1023–ca. 1056 Summer Mountains China Handscroll mid-11th century Handscroll; ink and color on silk 1973.120.1
北宋 郭熙 樹色平遠圖 卷 Guo Xi, Chinese, ca. 1000–ca. 1090 Old Trees, Level Distance China Handscroll ca. 1080 Handscroll; ink and color on silk 1981.276
北宋 徽宗 竹禽圖 卷 Emperor Huizong, Chinese, 1082–1135; r. 1100–25 Finches and Bamboo China Handscroll Handscroll; ink and color on silk 1981.278
北宋 黃庭堅 草書廉頗藺相如傳 卷 Huang Tingjian, Chinese, 1045–1105 Biographies of Lian Po and Lin Xiangru China Handscroll ca. 1095 Handscroll; ink on paper 1989.363.4
五代 傳董元 溪岸圖 軸 Dong Yuan, Chinese, active 930s–960s Riverbank China Hanging scroll Hanging scroll; ink and color on silk L.1997.24.1
1 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2 (5/7/2016-10/11/2016)
宋 佚名 倣李成 寒林策驢圖 軸 Unidentified Artist Li Cheng, Chinese, 919–967 Travelers in a Wintry Forest ("Hanlin celü") China Hanging scroll early 12th century Hanging scroll; ink and color on silk 1972.121
北宋 米芾 草書吳江舟中詩 卷 Mi Fu, Chinese, 1052–1107 Poem Written in a Boat on the Wu River China Handscroll ca. 1100 Handscroll; ink on paper 1984.174
南宋 米友仁 雲山圖 卷 元 鮮于樞 題米友仁雲山圖 Mi Youren, Chinese, 1074–1151 Cloudy Mountains China Handscroll colophon dated to 1200 Handscroll; ink on paper 1973.121.1
南宋 傳李唐 晉文公復國圖 卷 Li Tang, Chinese, ca. 1070s–ca. 1150s Duke Wen of Jin Recovering His State China Handscroll datable to early 1140 Handscroll; ink and color on silk 1973.120.2
南宋 高宗 草書天山陰雨七絕詩 團扇 Emperor Gaozong, Chinese, 1107–1187, r. 1127–1162 Quatrain on Heavenly Mountain China Fan mounted as an album leaf after 1162 Round fan mounted as album leaf; ink on silk 1989.363.6
2 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2 (5/7/2016-10/11/2016)
南宋 楊皇后 楷書瀹雪凝酥七絕 團扇 Empress Yang Meizi, Chinese, 1162–1232 Quatrain on Yellow Roses China Fan mounted as an album leaf Fan mounted as an album leaf; ink on silk 1989.363.13
南宋 傳閻次于 松壑隱棲圖 團扇 Yan Ciyu, Chinese, act. ca. 1164–81 Yan Ciping, Chibese, active 12th century Hermitage by a Pine-covered Bluff China Fan mounted as an album leaf Fan mounted as an album leaf; ink and color on silk 1973.121.12a, b
南宋 梁楷 澤畔行吟圖 團扇 Liang Kai, Chinese, active first half of the 13th century Poet Strolling by a Marshy Bank China Fan mounted as an album leaf Fan mounted as an album leaf; ink on silk 1989.363.14
南宋 佚名 舊傳五代周文矩 琉璃堂人物圖 卷 Unidentified Artist Scholars of the Liuli Hall China Handscroll late 13th century Handscroll; ink and color on silk 1977.49
宋 傳趙克敻 藻魚圖 冊頁 Zhao Kexiong, Chinese, active early 12th century Fish at Play China Album leaf Album leaf; ink and color on silk 13.100.110
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南宋 佚名 竹梅小禽圖 團扇 Unidentified Artist Sparrows, Plum Blossoms, and Bamboo China Fan mounted as an album leaf late 12th century Fan mounted as an album leaf; ink and color on silk 24.80.487
南宋 馬和之 詩經豳風圖 卷 Ma Hezhi, Chinese, ca. 1130–ca. 1170 Odes of the State of Bin China Handscroll Handscroll; ink, color, gold and silver on silk 1973.121.3
南宋 李結 西塞漁社圖 卷 Li Jie, Chinese, ca. 1124– after 1191 Fisherman's Lodge At Mount Xisai China Handscroll ca. 1170 Handscroll; ink and color on silk 1989.363.10a, b
南宋 傳劉松年 倣高克明 溪山雪意圖 卷 Liu Songnian, Chinese, active ca 1175–after 1195 Streams and Mountains Under Fresh Snow China Handscroll Handscroll; ink and color on silk 1984.274
南宋 佚名 寒江釣雪圖 軸 Unidentified Artist Fishing on a Snowy River China Hanging scroll Hanging scroll; ink and color on silk L.1980.74
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南宋 金處士 十王圖 軸（之二） Jin Chushi, Chinese, active late 12th century Ten Kings of Hell China Hanging scroll before 1195 One of five of a set of ten hanging scrolls; ink and color on silk 30.76.291
南宋 金處士 十王圖 軸（之五） Jin Chushi, Chinese, active late 12th century Ten Kings of Hell China Hanging scroll before 1195 One of five of a set of ten hanging scrolls; ink and color on silk 30.76.294
南宋 佚名 阿彌陀如來圖 軸 Unidentified Artist Buddha Amitabha Descending from His Pure Land China Hanging scroll 13th century Hanging scroll; ink and color on silk 1980.275
北宋 維摩詰經 卷 Unidentified Artist Vimalakirti Sutra China Handscroll dated January 13, 1119 Handscroll; gold and silver on purple silk 47.18.2
南宋/元 顏庚 鍾馗嫁妹圖 卷 Yan Geng, active late 13th century The Demon Queller Zhong Kui Giving His Sister Away in Marriage China Handscroll Handscroll; ink on silk 1990.134
5 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2 (5/7/2016-10/11/2016)
元 錢選 王羲之觀鵝圖 卷 Qian Xuan, Chinese, ca. 1235–before 1307 Wang Xizhi Watching Geese China Handscroll ca. 1295 Handscroll; ink, color, and gold on paper 1973.120.6
元 趙孟頫 雙松平遠圖 卷 Zhao Mengfu, Chinese, 1254–1322 Twin Pines, Level Distance China Handscroll ca. 1310 Handscroll; ink on paper 1973.120.5
元 趙孟頫 行書右軍四事 卷 Zhao Mengfu, Chinese, 1254–1322 Four Anecdotes from the Life of Wang Xizhi China Handscroll datable to ca. 1310 Handscroll; ink on paper 1989.363.30
元 王振鵬 維摩不二圖 卷 Wang Zhenpeng, Chinese, active ca. 1275–1330 Vimalakirti and the Doctrine of Nonduality China Handscroll dated 1308 Handscroll; ink on silk 1980.276
元 唐棣 滕王閣圖 卷 Tang Di, Chinese, ca. 1287–1355 The Pavilion of Prince Teng China Handscroll dated 1352 Handscroll; ink on paper 1989.363.36
6 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2 (5/7/2016-10/11/2016)
元 夏永 黃樓圖 冊頁 Xia Yong, Chinese, active mid-14th century The Yellow Pavilion China Album leaf ca. 1350 Album leaf; ink on silk 1991.438.3
元 鮮于樞 草書石鼓歌 卷 Xianyu Shu, Chinese, 1246–1302 Song of the Stone Drums China Handscroll dated 1301 Handscroll; ink on paper 1989.363.29
元 姚彥卿 (廷美) 雪山行旅圖 軸 Yao Yanqing (Tingmei), Chinese, ca. 1300–after 1360 Traveling through Snow-Covered Mountains China Hanging scroll Hanging scroll; ink on silk 2011.573
元 張羽 松軒春靄圖 軸 Zhang Yu, Chinese, 1333–1385 Spring Clouds at the Pine Studio China Hanging scroll dated 1366 Hanging scroll; ink and color on paper 1980.426.3
元 趙原 (元) 晴川送客圖 軸 Zhao Yuan, Chinese, active ca. 1350–75 Farewell by a Stream on a Clear Day China Hanging scroll early 1370s Hanging scroll; ink on paper 1973.121.8
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元 吳鎮 蘆灘釣艇圖 卷 Wu Zhen, Chinese, 1280–1354 Fisherman China Handscroll ca. 1350 Handscroll; ink on paper 1989.363.33
元/明 宋克 草書負郭堂成七律詩 卷 Song Ke, Chinese, 1327–1387 Poem on Retirement China Handscroll Handscroll; ink on gold-flecked paper 1989.363.40
元 趙原 (元) 倣燕文貴范寬山水圖 卷 Zhao Yuan, Chinese, active ca. 1350–75 Landscape in the Style of Yan Wengui and Fan Kuan China Handscroll Handscroll; ink on paper 1981.285.15
元/明 沈巽 竹石圖 卷 Shen Xun, (active ca. 1370–1400) Bamboo Grove China Handscroll Handscroll; ink and color on paper 1981.285.16
元 倪瓚 江渚風林圖 軸 Ni Zan, Chinese, 1306–1374 Wind among the Trees on the Riverbank China Hanging scroll dated 1363 Hanging scroll; ink on paper 1989.363.39
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元 倪瓚 虞山林壑圖 軸 Ni Zan, Chinese, 1306–1374 Woods and Valleys of Mount Yu China Hanging scroll dated 1372 Hanging scroll; ink on paper 1973.120.8
元 王蒙 素庵圖 軸 Wang Meng, Chinese, ca. 1308–1385 The Simple Retreat China Hanging scroll ca. 1370 Hanging scroll; ink and color on paper 2012.526.2
元 鄧宇 竹石圖 軸 Deng Yu, Chinese, ca. 1300–after 1378 Bamboo and Rock China Hanging scroll ca. 1360–67 Hanging scroll; ink on paper 1991.438.1
元 李衎 竹石圖 軸二幅 Li Kan, Chinese, 1245–1320 Bamboo and Rocks China Hanging scrolls dated 1318 Pair of hanging scrolls; ink and color on silk 1973.120.7a, b
9 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2 (5/7/2016-10/11/2016)
明 沈周 溪山秋色圖 卷 Shen Zhou, Chinese, 1427–1509 Autumn Colors among Streams and Mountains China Handscroll ca. 1490–1500 Handscroll; ink on paper 1979.75.1
元/明 吳伯理 龍松圖 軸 Wu Boli, Chinese, active late 14th–early 15th century Dragon Pine China Hanging scroll ca. 1400 Hanging scroll; ink on paper 1984.475.3
明 夏昶 清風高節圖 軸 Xia Chang, Chinese, 1388–1470 Bamboo in Wind China Hanging scroll ca. 1460 Hanging scroll; ink on paper 1989.235.1
明 戴進 雪歸圖 軸 Dai Jin, Chinese, 1388–1462 Returning Home Through the Snow China Hanging scroll ca. 1455 Hanging scroll; ink and color on silk 1992.132
10 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2 (5/7/2016-10/11/2016)
明 鍾禮 觀瀑圖 軸 Zhong Li, Chinese, active ca. 1480–1500 Scholar Looking at a Waterfall China Hanging scroll late 15th century Hanging scroll; ink and color on silk 1991.438.4
明 伏生授經圖 軸 Du Jin, Chinese, active ca. 1465–1509 The Scholar Fu Sheng Transmitting the Book of Documents China Hanging scroll 15th–mid-16th century Hanging scroll; ink and color on silk 1991.117.2
明 文徵明 樓居圖 軸 Wen Zhengming, Chinese, 1470–1559 Living Aloft: Master Liu's Retreat China Hanging scroll dated 1543 Hanging scroll; ink and color on paper L.2001.85.2
明 陸治 種菊圖 軸 Lu Zhi, Chinese, 1495–1576 Planting Chrysanthemums China Hanging scroll mid-16th century Hanging scroll; ink and pale color on paper 1986.266.3
11 MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2 (5/7/2016-10/11/2016)
明 董其昌 溪山樾館圖 軸 紙本 Dong Qichang, Chinese, 1555–1636 Shaded Dwellings among Streams and Mountains China Hanging scroll ca. 1622–25 Hanging scroll; ink on paper 1979.75.2
清 王鑑 仿古山水圖 冊 紙本 Wang Jian, Chinese, 1609–77 or 1688 Wang Shimin, Chinese, 1592–1680 Landscapes in the styles of old masters China Album dated 1668 Album of ten paintings; ink and color on paper 1979.439a–o
清 吳歷 墨井草堂消夏圖 卷 Wu Li, Chinese, 1632–1718 Whiling Away the Summer China Handscroll dated 1679 Handscroll; ink on paper 1977.81
清 徐揚等 乾隆南巡圖, 第六卷﹕大運河至蘇 州 Xu Yang, Chinese, active ca. 1750–after 1776 The Qianlong Emperor's Southern Inspection Tour, Scroll Six: Entering Suzhou along the Grand Canal (Qianlong nanxun, juan liu: Dayunhe zhi Suzhou) China Handscroll dated 1770 Handscroll; ink and color on silk 1988.350a–d
清 石濤 (朱若極) 十六羅漢圖 卷 Shitao (Zhu Ruoji), Chinese, 1642–1707 The Sixteen Luohans China Handscroll dated 1667 Handscroll; ink on paper 1985.227.1
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