DOCSLIB.ORG

Concert." Written On

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Concert. Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 11-11-2002 Arbiter, November 11 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Medea: Jealousy, rage, revenge Broncos serve victory over Rice . Page 7 PageS ~ www.arbiteronline.com Boise State University Iter Vol. ,. iSSUl' :,:; First Copy Free Monday. November 11, 2002 Upcoming Features in Diversions ... Bank robbery, bomb scare hit close to campus Don't miss Thursday's cover- Contents of dud with a remote-controlled give him money. The box age of ISO, the robot. was wrapped in tape and bomb may betray had exposed wires: suspi- " provocative new Shortly after removing il play produced by false-beard the package, the bomb cious enough for BOIse Boise State alumni. bomber squad x-rayed it and police to cut off daytime I Also in Thursday's determined that it was a traffic on Broadway and part of University Drive issue is a preview By Casey Wyatt fake. However, media while they called in the of the Northwest Tile Arbiter ----- liaison Rich Wright sug- gested there was some- eX1?erts. ' I Liberal Arts Ihe bomb squad rolled A man wearing a fake thing in the package. Association's two- onto the scene thirty min- beard strolled away from Police are holding out on day art, film, utes later, followed by a the Bank across the what it was. music, spoken U'S, motor-home-like mobile street from Bronco "The contents of the word, and music command station, which Stadium last week, carry- box can best be used in replaced the temporary showcase, Project ing an undisclosed questioning the suspect; command post set up Limbo. amount of stolen cash in and if that's fruitful, it can among cars in the comer his pockets -and leaving yield a successful case for of the stadium parking Arbiter Archives behind a small package. future prosecution," Wright said. lot. 10 years Jgo The package prompted I' the mobilization of the The suspect hinted that PholO by Casey Wyatt, Tho Arbiter. The BSULibrary Boise City Police Bomb the box was a bomb when See Bank Robber page 3 Police set up a temporary command post ncar Bronco Stadium during last he demanded the teller can now boast of a Squad, which responded week's bomb scare. new acquisition hot off the press. Yes, Madonna's new Symphonic Winds book Sex is now available on cam- ready to rock pus. Unfortunately, By Colleen Underwood David Gillingham, who for those who wish Tire Arbiter wrote a piece called a little privacy, the "Internal Combustion." book is on perma- Boise State Brown says that it is the nent reserve and University's Symphonic most exciting piece, pay- cannot be taken Winds will perform a ing tribute to the auto- home. But there are concert with the theme mobile. private "study" "Great Composers of "You are going to hear rooms on the third Our Time" at 4 p.m. on fast cars and old cars. It and fourth floor. Nov. 17 at the Morrison tips its hat to the au torno- Center Main Hall. bile," Brown said. The concert will start Gillingham writes early in the day, in hopes moving and meaningful The' POW-MIA of attracting more stu- pieces. He wrote a piece flag that flew in dents. Marcellus Brown, about the tragedy of the Boise State's Quad director of Symphonic Oklahoma City bombing. area for at least the Winds, said he hopes "lGillingham is] the past year has dis- more students wiIl most performed compos- appeared, but only attend the concert if it is cr of new music for band because it W<:lS torn in the early afternoon. of the last 15 years," and weather-beat- The early start will allow Brown said. en. students of all ages, from The "Great RK. Williams, junior high to high school Composers of Our Time" veteran's coordina- students, to go home in concert will also contain tor at BSU, says the time to do homework. two marches. department .: Symphonic Winds is a "I call them toe-tap- removed the flag band, not an orchestra, pers." Brown said. because "it was which per- Many of faded and forms pieces the pieces raggedy." Williams fro rn "l think it will are inspired says the best A mer i can by music replacement option composers of be interesting that is popu- lies with finding a the 20th and jor people who lar today. donor such as a 21st century. Brown says chapter of the "I think it listen to 93.1 that all Veterans of Foreign _will be inter- to come to this music is fair Wars organization. esting for game to be people who concert." written on. listen to 93.1 Brown said One yl'ar llg0 '" to come to that when it this concert," Marcellus Brown comes to As part of a con- Brown said. Director of Symphollic Willds music, there tinuing effort to cut One of the is plenty of costs in the face of pieces, "Sparkle," com- variety to choose from. state budget woes, posed by Shafer He added that the com- I3SU President Mahoney, is a rock com- posed pieces would not Charles Ruch has position. have developed without submitted a sum- "It's a rock and roll the influence of our soci- mer energy conser- piece, but he has put it in ety today. "Sparkle" vation proposal for tuxedo," Brown said. could only have derived the State Board of The composers are from the rock and roll Education meeting highly recognizable for music of the 20th centu- later this month. their pieces. One of the ry. The same goes for The proposal featured composers, "Internal Combustion;" aims to cut energy William Balcom, won the without the automobile, costs on .a "flex- Pulitzer Prize in 1988 for there would not have time" schedule. a composition. Bolcom is been an influence for the Under this plan, presently a faculty mem- piece. summer classes. bel' at the University of Brown said that the will be consolidat-· Mlchigan. SymphoniC way the band is used sets ed into a few build- Photo by Jeremy Branstad, The Arbiter. Winds will perform the tone of the concert. ings instead of dis- Boise State student Satya Linak visits with Tulku Thubten Rinpoche last Friday in the SUB "Song for Band;" one of He said that the saxo- persed. around the Hatch Ballroom following a lecture titled "Finding Meaning'in Life". Rinpoche is a .Nyingma Balcom's pieces. I campus. Lama from Tibet who has lived in the United States since 1992. He is the director of the Buddha , Another taste of a 21st .See Winds page 3 I Mandala Foundation, and works to translate Tibetan texts to English. century composer is USA ,Today/ESPN Coaches Poll R:ecord Points Last Week to jump' from 27th' to average.' .' 1. Miami 9-0 1,525 1 Bronco sports information 23rd in the coaches poll.' The University of 2. Ohio State 11-0 1,462 3 Bronco football made The Broncos received Miami (9-0) is ranked 3. Texas' 9-1 ,1,363 4 history Sunday morning 1.23 points in last week's number one in the coach- 4. Washington State 9-1 ' 1,310 5 when it made its first top 25 poll, 'and has been es' poll with all 61 first 5. Iowa '10-1 1,275 6 appearance in a NCAA I- receiving votes in both place votes and 1,525. 6. Oklahoma 8-1 1,222 . 2 A poll, ranked ?3rd in the coaches' poll, and the points. The Hurricanes 7. Georgia' 9-1 1,142 8 the USA Today (ESPN Associated Press top-25,. are followed by Ohio 8. USC 7-2 1,066 9 .Coaches top-25 fall. the past several weeks, State University (11-0), 9. Notte Dame 9-1 1,019 10 TUESDAY The nationa top-25 Boise State is the top- the. University of Texas 10. Michigan. 8-2 967 ,11 ranking is the first .time scoring team in the coun- (9-1), Washington State 11: Kansas State 8-2 948 12 Boise State has cracked try with 479 points and a University (9-1) and the- 12. LSU 7-2 786 14 the national polls since it 47.9 per-game average. University of Iowa (10- 13.14 Virginia aTech 8-2 754 7 °/.34°. began competing atthe Bronco running Brock 1). 1 5' FFllor!ddS 77-33' 646092 1178 I-A level in 1996. Forsey is also the coun- . on a tate - i ' 51 Following a 49-7 Win try's top individual scor- 16. Penn State 7-3 539 19 i over Rice on Saturday- er ,willi 24 touchdowns 17. Colorado State 8-2 508 20 I 'WEDNESDAY. " h h f 144' d 144'F . 1 t 18. Colorado 7-3 442 21 I t 01;'. i th e team s elg pomts an a. or comp e e 19. Maryland 8-2 433 2S ..... " str,"~hl of 'he season- p"'-~""e averoge.· . game wrap-up, . 20. N,C.State 9'2 419, 13 ' .... ;:t::;a,;;..~:i:;'l als~ i:'=~h.~~ tun1.
Load more

Recommended publications
  • Rancid Indestructible Mp3, Flac, Wma
    Rancid Indestructible mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Indestructible Country: Europe Released: 2003 Style: Ska, Punk MP3 version RAR size: 1123 mb FLAC version RAR size: 1279 mb WMA version RAR size: 1454 mb Rating: 4.7 Votes: 709 Other Formats: AA MP3 MP1 WAV AUD FLAC VQF Tracklist Hide Credits 1 Indestructible 2 Fall Back Down Red Hot Moon 3 Vocals – Skinhead RobWritten-By – Reed*, Frederiksen*, Aston*, Armstrong* 4 David Courtney 5 Start Now 6 Out Of Control Django 7 Written-By – Armstrong* 8 Arrested In Shanghai 9 Travis Bickle 10 Memphis Spirit Of '87 11 Written-By – Carlock*, Frederiksen*, Armstrong* 12 Ghost Band 13 Tropical London Roadblock 14 Written-By – Reed*, Frederiksen*, Armstrong* 15 Born Frustrated 16 Back Up Against The Wall 17 Ivory Coast Stand Your Ground 18 Mixed By – Tim Armstrong 19 Otherside Credits Artwork By [Design] – Nicholas "Nick" Pritchard Bass, Vocals – Matt Freeman Drums – Brett Reed Edited By – Dave Carlock, Edmund Monsef, Seth McLain Engineer [Additional] – Andrew Alekel Engineer [Assistant] – Citris Reynolos, Dan Hoal, John Silas Cranfield, Pete Martinez Engineer, Edited By – Nick Raskulinecz Guitar, Vocals – Lars Frederiksen Guitar, Vocals, Artwork By [Cover Photo] – Tim Armstrong Keyboards – Vic Ruggiero* Mastered By – Brian Gardner Mixed By – Brett Gurewitz (tracks: 6, 10, 12 to 14, 19), Douglas Boehm* (tracks: 1, 3, 4, 7 to 9, 11, 15, 16, 17), Joe Baresi* (tracks: 2, 5), Rob Schnapf (tracks: 1, 3, 4, 7 to 9, 11, 15, 16, 17) Mixed By [Assistant] – Kevin Dran Percussion – Luis Conte Producer, Engineer [Additional], Vocals [Guest] – Brett Gurewitz Vocals [Guest] – Siedah Garrett Written-By – Frederiksen* (tracks: 1, 2, 4, 5, 6, 7, 9, 10, 12, 13, 15, 16 to 19), Armstrong* (tracks: 1, 2, 4, 5, 6, 8, 9, 10, 12, 13, 15, 16 to 19) Notes Recorded at Sound City Studios, Grand Master Recorders, Sondra Recorders.
    [Show full text]
  • Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
    Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis.
    [Show full text]
  • “Punk Rock Is My Religion”
    “Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area.
    [Show full text]
  • The Long History of Indigenous Rock, Metal, and Punk
    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
    [Show full text]
  • Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd*
    Entrepreneurship & Regional Development, 2014 Vol. 26, Nos. 1–2, 165–205, http://dx.doi.org/10.1080/08985626.2013.877986 Roots radical – place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd* ALBA Graduate Business School, AHEAD, 6-8 Xenias Street, Athens 115 28, Greece (Received 5 February 2013; accepted 16 December 2013) The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepre- neurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study.
    [Show full text]
  • Black & Brown Women of the Punk Underground
    Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Aucone, Courtney, "Game Changers & Scene Makers: Black & Brown Women of the Punk Underground" (2018). Women's History Theses. 37. https://digitalcommons.slc.edu/womenshistory_etd/37 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Thesis Seminar Dr. Mary Dillard December 6, 2018 Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, December 2018 Table of Contents: Acknowledgements……………………………………………………………………………………….…......1 Introduction…………………………………………………………………………………………………….…..2 v A Note on Methodology…………………………………………………………………………………21 Chapter I: “A Wave of History”…………………………………………………………………………... 26 Chapter II: The Underground…………………………………………………………………………….. 51 Chapter III: “Somos Chulas, No Somos Pendejas”: Negotiating Femininity & Power in the Underground……………………………..…………………………………………………………………70
    [Show full text]
  • MADBALL Release Date Pre-Order Start for the Cause Uu 15/06/2018 Uu 27/04/2018
    New Release Information uu June Price Code: CD04 NB 3682-2 CD MADBALL Release Date Pre-Order Start For The Cause uu 15/06/2018 uu 27/04/2018 uu available as BLACK LP in gatefold incl. BONUS TRACK uu available as CD incl. BONUS TRACK uu placements in European magazine - sound checks (Metal Hammer, Rock Hard, etc.) uu official album and single teaser and trailer videos on YouTube uu official lyric video for the 1st digital single “Old Fashioned” (release April 27th) uu official music video for the 2nd digital single “Rev Up” (release June st1 ) uu advertising in many important music magazines MAY/JUNE 2018 Price Code: LP15 uu album reviews, interviews in all important Metal magazines in Europe’s NB 3682-1 LP (black in gatefold) MAY/JUNE 2018 issues uu song placements in European magazine compilations uu Spotify playlist pitching in all European territories uu retail marketing campaigns uu instore decoration: flyers Territory: World http://media.nuclearblast.de/download/fastforward/june2018/ uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and Style: Hardcore display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock web- uu Tracklists: sites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the CD: Fixion network (mainly Blabbermouth) 01. Smile Now Pay Later uu video and pre-roll ads on YouTube 02. Rev Up 03. Freight Train uu ad campaigns on iPhones for iTunes and Google Play for Androids 04.
    [Show full text]
  • Rancid Back Patch Uk
    Rancid back patch uk click here to download Shop for rancid patch on Etsy, the place to express your creativity through the buying and Embroidered back fusible skull rancid hooligans skull patch 9 cm. Shop for rancid on Etsy, the place to express your creativity through the buying and selling Clash Strummer Old School Punk Rock Vintage Retro Ska UK Rock The Casbah . Embroidered back fusible skull rancid hooligans skull patch 9 cm. The place for exclusive & rare merch, music & more from Rancid. rancid - Let's Go Cloth Back Patch. Let's Go Cloth Back Patch . rancid - UK Tour Book. Shop Rancid - Backpatch Wolves (in 23, 5 cm x 20 cm). Free delivery and returns on all eligible orders. Rancid- Born Frustrated / Back Up Against The Wall / Ivory Coast 7". $ More Details - Rancid- Born Frustrated / Back Up Against The Wall / Ivory Coast. Officially licensed merch from Rancid available at Rockabilia. Roast, Tour, 20th Aniversary Tour, 20th Anniversary Tour, 20th Anniversary UK Tour, Rancid Fall Back Down Can Cooler Rancid Mohawk Cloth Patch. Rancid - White Skull £ Purchase · Rancid - And Out Come The Wolves. Rancid - And Out £ £ (10% off RRP) Purchase. Rancid - Band. New Huge Jacket Patch / Aufnaher. Colour: Black. The shape and dimensions compatible with the original patches in the U.S. | eBay! Buy Rancid Men's Wolves Cloth Patch Black: Shop top fashion brands Back. Rancid heavy metal rock band Iron On Patches #R# WITH FREE GIFT · out of. Although there is nothing currently listed here this is probably because we are still adding products that were listed on the previous version of this shop.
    [Show full text]
  • Queer Youth and the Importance of Punk Rock
    QUEERING PUNK: QUEER YOUTH AND THE IMPORTANCE OF PUNK ROCK DENISE SCOTT A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN INTERDISCIPLINARY STUDIES YORK UNIVERSITY TORONTO, ONTARIO DECEMBER 2011 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-90087-1 Our file Notre reference ISBN: 978-0-494-90087-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Sweat and Burn with MARTIN Shuster
    PAGE 18 THE RETRIEVER WEEKLY FEATURES January 26, 1999 Sweat and Burn WITH MARTIN SHusTER hope everyone had a productive hydrates. Bear in mind that you should never - especially proteins than you have be­ stated earlier. I recommend you trim your and enjoyable vacation. Before cut carbohydrates or even reduce them sig­ fore (create a means tor weight gain). and carbohydrate intake Jown a bit first. If the break, I spoke to you about nificantly. as they arc a good source of en­ you must sleep (create a time for weight gain). this doesn't work or produce an) suffi­ diet and the set-point. I will con­ ergy and arc required for all activities. ~otice that you do have to increase your ca­ cient losse:-.. then you need to start doing tinue to discuss diet thiS week. r II Next. I am sure some of you \\ant to bulk loric intake by a significant amount. Try to aerobic activity (jogging. biking. swim­ Ishare some nutrition myths '"ith you and up. You \\ant to put on some muscle. It\ not spread your meals out evenly during the day ming. etc.). tell you ho'" to gain or lose weight. an easy process. but it is not extremely com­ so that your body is anabolic most of the time, Basically, it comes down to this: If you First, several myths: plex either. It comes down to this: You must and make sure to rest and nap sufficiently. expend more energy than you eat during I. Fats are had for you. This is mostly work harder than you have before (create a The process of toning or trimming down the day, then you will lose weight.
    [Show full text]
  • The Interrupters – Primary Wave Music
    THE INTERRUPTERS The Interrupters are an American ska punk band formed in Los Angeles, California, in 2011. The band is comprised of Aimee Interrupter on lead vocals, Jesse Bivona on drums, Justin Bivona on bass, and Kevin Bivona on guitar. With their self-titled debut arriving in 2014, the band soon shared stages with bands like Rancid, Blink 182 & Bad Religion. In support of their second album – Say It Out Loud, they toured all around the world headlining their own shows as well as supporting Green Day in Europe, Australia, and South America. Their third and latest album, Fight the Good Fight, was released in 2018. This album is finds The Interrupters delivering their two-tone-inspired, powerfully melodic, punk-fueled sound with more vitality than ever before. Working with Grammy Award-winning producer Tim Armstrong and Grammy Award-winning mixer Tom Lord-Alge, Aimee and the Bivona brothers channeled that raw energy in part by recording almost entirely to tape. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Rat Boy Night Creature Internationally Unknown Hellcat/Epitaph 2019 The Interrupters She's Kerosene Fight the Good Fight Hellcat/Epitaph 2018 The Interrupters Title Holder Fight the Good Fight Hellcat/Epitaph 2018 The Interrupters Broken World Fight the Good Fight Hellcat/Epitaph 2018 The Interrupters Gave You Everything Fight the Good Fight Hellcat/Epitaph 2018 The Interrupters Got Each Other Fight the Good Fight Hellcat/Epitaph 2018 The Interrupters Bablyon Say It Out Loud Hellcat/Epitaph 2016 The Interrupters By My Side Say It Out Loud Hellcat/Epitaph 2016 The Interrupters On a Turntable Say It Out Loud Hellcat/Epitaph 2016 The Interrupters She Got Arrested Say It Out Loud Hellcat/Epitaph 2016 The Interrupters Take Back the Power The Interrupters Hellcat/Epitaph 2014 Unwritten Law Save Me Here's To The Mourning Lava W 2005.
    [Show full text]
  • 6-18-21 Tribune-Sentinel.Indd
    TTribune/Sentinelribune/Sentinel FFriday,riday, JJuneune 118,8, 22021021 5 Melissa Etheridge, Dropkick Murphys & Rancid added to Artpark schedule Tickets on sale Friday Melissa Etheridge will perform Medicine Show,” In 2020, the band was on the Artpark Amphitheater Etheridge reunited one of the fi rst to embrace stage at 7 p.m. Tuesday, Aug. 24. with celebrated pro- streaming performances, The concert is part of “Tuesdays ducer John Shanks to starting with the “Stream- in the Park” with featured act sound as rousing as ing Up From Boston St. sponsor Miller Lite. ever, bringing a new Patrick’s Day” virtual per- Tickets go on sale at 10 a.m. level of artistry to her formance. It was followed Friday, June 18, and cost $55 for 15th studio record- by last year’s landmark Front-of-Stage (standing-room- ing. “The Medicine “Streaming Outta Fen- only); $60 for Reserved Seating Show” deals with uni- way” livestream, which (numbered chairs provided); $38 versal themes of re- drew more than 5.9 million for General Admission Bowl; and newal, reconciliation, viewers and held the No. 3 $19 for General Admission Lawn reckoning, compas- spot on Pollstar’s Top 2020 (carry-in chairs permitted). sion and, most pro- livestreams chart. Drop- Prices include a facility fee. Ad- foundly, healing. kick Murphys’ “St. Patrick’s ditional fees apply for online or- In June 2020, Day Stream 2021...Still ders. Prices increase by $5 start- Melissa launched Locked Down,” was No. ing Sunday, Aug. 22. Etheridge TV, an in- 1 on Pollstar’s livestream Tickets will be available at the dependent channel chart for the week ending Artpark box offi ce (10 a.m.
    [Show full text]