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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Lush's Final Show @ Manchester Academy
LUSH’S FINAL SHOW @ MANCHESTER ACADEMY larecord.com /photos/2016/11/26/lushs-final-show-manchester-academy November 26th, 2016 | Photos Photos by Todd Nakamine 2016 brought a very successful return for Lush with sold out shows, festival appearances and a new EP Blind Spot. But 2016 also brought the final show the band would play at the Manchester Academy to a somewhat somber crowd. We were soaking in every last note all knowing this was the last show ever (sometimes knowing is worse). Kicking off their high energy set with “De-luxe” and plowing through classic after classic covering their entire career including “Kiss Chase,” “Thoughtforms,” “Etheriel,” “Light From A Dead Star,” “Hypocrite,” “Undertow” plus the new already classic Lush track “Out of Control.” While nothing can replace the late Chris Acland’s subtleties that helped define Lush’s sound, drummer Justin Welsh’s hard and fast style of playing added an extra kick apparent in songs like “Ladykiller,” or as Miki Berenyi said should be renamed “Pussygrabber” in light of U.S.A.’s new president elect, as well as “Sweetness and Light.” Acland’s close friend Michael Conroy of Modern English filled in on bass as Phil King left the band in October. Finishing with the final song of the night “Monochrome,” Emma Anderson, Berenyi and Welsh gave their last waves, left the stage for the final time and the crowd quietly shuffled out having been treated with a very special goodbye. Kicking off the night was Brix & The Extricated featuring post punk legends Brix Smith, Steve Hanley and Paul Hanley (The Fall). -
2015 Regional Music Scholars Conference Abstracts Friday, March 27 Paper Session 1 1:00-3:05
2015 REGIONAL MUSIC SCHOLARS CONFERENCE A Joint Meeting of the Rocky Mountain Society for Music Theory (RMSMT), Society for Ethnomusicology, Southwest Chapter (SEMSW), and Rocky Mountain Chapter of the American Musicological Society (AMS-RMC) School of Music, Theatre, and Dance, Colorado State University March 27 and 28, 2015 ABSTRACTS FRIDAY, MARCH 27 PAPER SESSION 1 1:00-3:05— NEW APPROACHES TO FORM (RMSMT) Peter M. Mueller (University of Arizona) Connecting the Blocks: Formal Continuity in Stravinsky’s Sérénade en La Phrase structure and cadences did not expire with the suppression of common practice tonality. Joseph Straus points out the increased importance of thematic contrast to delineate sections of the sonata form in the beginning of the nineteenth century. Igor Stravinsky exploited other musical elements (texture, range, counterpoint, dynamics, etc.) to delineate sections in his neoclassical works. While theorists have introduced large-scale formal approaches to Stravinsky’s works (block juxtaposition, stratification, etc.), this paper presents an examination of smaller units to determine how they combine to form coherence within and between blocks. The four movements of the Sérénade present unique variations of phrase construction and continuity between sections. The absence of clear tonic/dominant relationships calls for alternative formal approaches to this piece. Techniques of encirclement, enharmonic ties, and rebarring reveal methods of closure. Staggering of phrases, cadences, and contrapuntal lines aid coherence to formal segments. By reversing the order of phrases in outer sections, Stravinsky provides symmetrical “bookends” to frame an entire movement. Many of these techniques help to identify traditional formal units, such as phrases, periods, and small ternary forms. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Here It Might, As Long As It’S Somewhere Worth Traveling
BRUCE ROBISON Bruce Robison has been making music professionally for decades. He still discusses his craft with so much enthusiasm he sounds almost like a kid raving about superheroes. That infectious energy is evident in every note of his new album, Bruce Robison & the Back Porch Band, as well as his new project, The Next Waltz, a blossoming community of artists, fans and friends gathering both virtually and at his recording studio in Lockhart, just outside of Austin. In both cases, the point is to celebrate country music’s rich traditions while giving creativity free rein to go where it might, as long as it’s somewhere worth traveling. It’s also about celebrating Robison’s “love of the craft of song.” “Writing is where it all starts for me,” he explains. “Whether it’s my writing, or songs I want to do with somebody else. I love the mechanics of it; how simple it can be.” Keeping it simple — and organic — was the guiding principle behind the latest album, a collection of Robison originals, co-writes and covers that capture country’s most beloved stylistic elements: good-time, lighthearted romps (“Rock and Roll Honky Tonk Ramblin’ Man”; “Paid My Dues”) and wistful, sometimes bittersweet ballads (“Long Time Coming”; “Still Doin’ Time”). But even the Who’s “Squeezebox” — which Robison calls “a great country song by some English dudes” — shows up, in a lively version dressed with cajun fiddle by Warren Hood and acoustic guitar and harmonies by Robison’s wife, Kelly Willis. Hood is one of a hand-picked crew of regulars tapped for Next Waltz recording sessions with Jerry Jeff Walker, Randy Rogers, Jack Ingram, Rodney Crowell, Willis, Hayes Carll, Turnpike Troubadours, Sunny Sweeney, Reckless Kelly and others. -
James M. Black and Friends, Contributions of Williamsport PA to American Gospel Music
James M. Black and Friends Contributions of Williamsport PA to American Gospel Music by Milton W. Loyer, 2004 Three distinctives separate Wesleyan Methodism from other religious denominations and movements: (1) emphasis on the heart-warming salvation experience and the call to personal piety, (2) concern for social justice and persons of all stations of life, and (3) using hymns to bring the gospel message to people in a meaningful way. All three of these distinctives came together around 1900 in Williamsport, Pennsylvania, in the person of James M. Black and the congregation at the Pine Street Methodist Episcopal Church. Because there were other local persons and companies associated with bands, instruments and secular music during this time, the period is often referred to as “Williamsport’s Golden Age of Music.” While papers have been written on other aspects of this musical phenomenon, its evangelical religious component has generally been ignored. We seek to correct that oversight. James Milton Black (1856-1938) is widely known as the author of the words and music to the popular gospel song When the Roll is Called Up Yonder . He was, however, a very private person whose failure to leave much documentation about his work has frustrated musicologists for decades. No photograph of him suitable for large-size reproduction in gospel song histories, for example, is known to exist. Every year the United Methodist Archives at Lycoming College expects to get at least one inquiry that begins, “I just discovered that James M. Black was a Methodist layperson from Williamsport, could you please tell me…” We now attempt to bring together all that is known about the elusive James M. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
Asking Alexandria New Album Pre Order with Download Asking Alexandria New Album Pre Order with Download
asking alexandria new album pre order with download Asking alexandria new album pre order with download. Artist: Asking Alexandria Album: LP5 DLX Country: USA Genre: Post-Hardcore, Metalcore Quality: Mp3, CBR 320 kbps. Tracklist: 01. Alone In a Room (4:05) 02. Into the Fire (3:57) 03. Hopelessly Hopeful (3:13) 04. Where Did It Go? (3:13) 05. Rise Up (3:07) 06. When the Lights Come On (3:23) 07. Under Denver (4:05) 08. Vultures (3:28) 09. Eve (3:58) 10. I Am One (3:32) 11. Empire (feat. Bingx) (4:16) 12. Room 138 (3:44) 13. Into the Fire (Radio Edit) (3:30) 14. Vultures (Rock Version) (3:26) 15. Where Did It Go? (Hyro Mash Up) (feat. Hyro the Hero) (2:17) 16. Perfect (Live from SiriusXM) (4:31) 17. Rise Up (Demo) (3:19) 18. Alone In a Room (Acoustic Version) (4:25) 19. Alone In a Room (Dex Luthor Remix) (3:17) Asking Alexandria. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £8.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Danny Worsnop, Composer - Asking Alexandria, Composer, MainArtist - Ben Bruce, Composer - James Cassels, Composer. © 2017 Sumerian Records ℗ 2017 Sumerian Records. Danny Worsnop, Composer - Asking Alexandria, Composer, MainArtist - Ben Bruce, Composer - James Cassels, Composer. -
7 B Come Brit-Pop, R Come Rock Storie Di Musica E Musicisti
20LIB07A2012 ZALLCALL 12 20:11:49 12/19/98 l’Unità DA SENTIRE 7 Lunedì 20 dicembre 1999 Interzone ◆ Death in Vegas col loro suono tagliente anni Sessan- «Soul Auctioneer» (cantato da Bob- ta, valvolare e pre-tecnologico, da by Gillespie dei «Primal Scream») a cantina. Al loro seguito, troviamo la «Broken Little Sister», a «Neptune batteria al postodelladrummachine, City»sonocostruiticomeunmodulo Com’è dolce annegare in questo suono organo Hammond in luogo del Fen- alla Warhol, uno stereotipo dall’aria der Rhodes, vecchi giri di accordi in- familiare e ovvia che, ripetuto all’in- Death in Vegas Stooges, Underground Resistance, dottisimilari,comeinquestocaso. no uno avanti e il sound cambia fac- vecedidubecampionamenti.Inaltre finito,purrestandougualesitrasfor- The Contino GIORDANO MONTECCHI Primal Scream, Automator. E altri Il cervello di Death in Vegas haun cia. Tramontano Chemical Brothers, parole,DeathinVegas,natacomedj- ma e diventa qualcos’altro. Il gioco Sessions aggiungono Velvet Underground, nome da condottiero medioevale: logorree funky & C e salgono invece band, si è trasformata in rock band. Il sta nel fatto che non è la musica a tra- Concrete/Bmg ose tipo Death in Vegas biso- Neu,PublicImageLimited,OneDo- Riccardo l’Intrepido. Ma Richard allaribaltaechipsichedelicianniSes- risultato è un album dai mille sapori sformarsi, bensì il suono che, come gnerebbe forse lasciarle ai co- ve, Mazzy Star... Che da tempo, or- Fearlessèancheesoprattuttoungra- santa, detritidi«garagerock»,tracce conosciuti; due note e subito scatta il una spugna, strada facendo assorbe C smologi del pop-rock e della mai, l’erudizione popular non abbia fico affermato che ha fatto delle arti di punk, stanchezze, sporcizie, ru- «cos’èpurequesto?dovel’hogiàsen- detriti, tracce, rumori, disturbi, fin club-culture. -
Download Festival Improves Disabled Access and Goes Greener
8-10 JUNE 2018 DOWNLOAD FESTIVAL IMPROVES DISABLED ACCESS AND GOES GREENER • BRITISH SIGN LANGUAGE (BSL) TO APPEAR FOR THE FIRST TIME • AWARDED FOUR OUT OF FIVE STAR CREATIVE GREEN CERTIFICATION • DOWNLOAD’S FIRST EVER ECO CAMPSITE HOSTED BY GREENPEACE WELCOMING NEW BOOKERS SEAN RYMAN AND KAMRAN HAQ TO THE DOWNLOAD FAMILY Download Festival, the world’s premier rock event has announced major improvement plans for this year’s festival, pushing to make it the most accessible and greenest Download ever. Viewing platforms across all stages and British Sign Language interpreters lead the way for accessibility improvements to better meet the needs of Download fans, and after receiving a 4-star Creative Green Certification from Julie’s Bicycle, Download continues to raise the bar with its commitment to environmental protection with the introduction of its first ever Eco Campsite. Download Festival takes place on 8 - 10 June 2018 at the spiritual home of rock in Donington Park, Leicestershire. Tickets are on sale now at downloadfestival.co.uk/tickets. Festival Republic’s Melvin Benn says: “Download Festival is built upon an ethos of inclusivity and it’s incredibly important to us that as many people as possible are able to enjoy the festival to the fullest. The appointment of accessibility ambassadors has provided us with invaluable feedback so that we’re able to implement practical improvements to site the that we hope will dramatically improve the experience for all. Being awarded a 4 out of 5 star Creative Green Certification is a huge milestone for Download Festival, and in this current climate I can’t help but feel proud of what we are doing to protect the environment including the introduction of Greenpeace’s Eco Campsite.” Access viewing platforms will now be available at all stages across the festival as well as in The DogHouse, Download’s resident party stop located in the Village, meaning great accessible vantage points for the fans’ favourite bands whether they’re on The Dogtooth Stage or Main Stage. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Country Airplay Charts
Country Update BILLBOARD.COM/NEWSLETTERS APRIL 20, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Barrett Finds ‘Hope’ At The Top Country Expands Style, Boundaries >page 5 With Increasing Pop Partnerships Recording Continues With Studios Closed Country is by definition a form of popular music, but the mod- On The Charts, page 5); Blake Shelton and pop/rock vocalist >page 11 ern version has popped up even more. Gwen Stefani rank No. 2 with “Nobody But You”; Brett Young, Artists from other genres are seemingly working with coun- who is at No. 3 with “Catch,” is simultaneously working “I Do,” try acts in greater numbers than ever, and a flurry of activity a tech-driven duet with European pop singer Astrid S; and Mor- surrounding the past weekend underscored the trend: gan Wallen, whose “Chasin’ You” is No. 4, already has snagged Country’s Happiest • Gabby Barrett unveiled an alternate version of “I Hope” a gold single from the RIAA for “Heartless,” which is featured Song Is… f e a t u r i n g p o p on that forthcom- >page 12 singer-songwriter- ing Diplo album. producer Charlie “My music is on Puth on April 17. the redneck side • E D M a r t i s t of things,” says Springsteen Born Diplo issued a col- Wallen, drawing a To Air In NYC laboration with comparison with >page 12 Blanco Brown, “Do the pop percussion Si Do,” on April 17 in “Heartless.” while announcing “But me and my Makin’ Tracks: the May 29 release buddies back home, Hambrick’s ‘Forever’ of a country-themed we listened to old- Soul album, Diplo Pres- s c h o o l c o u nt r y ents Thomas Wesley music, we listened >page 16 WALLEN LEGEND BALLERINI Chapter 1: Snake to old country/rock, Oil, featuring Cam, but sometimes Zac Brown, Danielle Bradbery and Thomas Rhett.