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The Poetics of Reflection in Digital Games
© Copyright 2019 Terrence E. Schenold The Poetics of Reflection in Digital Games Terrence E. Schenold A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Brian M. Reed, Chair Leroy F. Searle Phillip S. Thurtle Program Authorized to Offer Degree: English University of Washington Abstract The Poetics of Reflection in Digital Games Terrence E. Schenold Chair of the Supervisory Committee: Brian Reed, Professor English The Poetics of Reflection in Digital Games explores the complex relationship between digital games and the activity of reflection in the context of the contemporary media ecology. The general aim of the project is to create a critical perspective on digital games that recovers aesthetic concerns for game studies, thereby enabling new discussions of their significance as mediations of thought and perception. The arguments advanced about digital games draw on philosophical aesthetics, media theory, and game studies to develop a critical perspective on gameplay as an aesthetic experience, enabling analysis of how particular games strategically educe and organize reflective modes of thought and perception by design, and do so for the purposes of generating meaning and supporting expressive or artistic goals beyond amusement. The project also provides critical discussion of two important contexts relevant to understanding the significance of this poetic strategy in the field of digital games: the dynamics of the contemporary media ecology, and the technological and cultural forces informing game design thinking in the ludic century. The project begins with a critique of limiting conceptions of gameplay in game studies grounded in a close reading of Bethesda's Morrowind, arguing for a new a "phaneroscopical perspective" that accounts for the significance of a "noematic" layer in the gameplay experience that accounts for dynamics of player reflection on diegetic information and its integral relation to ergodic activity. -
Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
The Devils' Dance
THE DEVILS’ DANCE TRANSLATED BY THE DEVILS’ DANCE HAMID ISMAILOV DONALD RAYFIELD TILTED AXIS PRESS POEMS TRANSLATED BY JOHN FARNDON The Devils’ Dance جينلر بازمي The jinn (often spelled djinn) are demonic creatures (the word means ‘hidden from the senses’), imagined by the Arabs to exist long before the emergence of Islam, as a supernatural pre-human race which still interferes with, and sometimes destroys human lives, although magicians and fortunate adventurers, such as Aladdin, may be able to control them. Together with angels and humans, the jinn are the sapient creatures of the world. The jinn entered Iranian mythology (they may even stem from Old Iranian jaini, wicked female demons, or Aramaic ginaye, who were degraded pagan gods). In any case, the jinn enthralled Uzbek imagination. In the 1930s, Stalin’s secret police, inveigling, torturing and then executing Uzbekistan’s writers and scholars, seemed to their victims to be the latest incarnation of the jinn. The word bazm, however, has different origins: an old Iranian word, found in pre-Islamic Manichaean texts, and even in what little we know of the language of the Parthians, it originally meant ‘a meal’. Then it expanded to ‘festivities’, and now, in Iran, Pakistan and Uzbekistan, it implies a riotous party with food, drink, song, poetry and, above all, dance, as unfettered and enjoyable as Islam permits. I buried inside me the spark of love, Deep in the canyons of my brain. Yet the spark burned fiercely on And inflicted endless pain. When I heard ‘Be happy’ in calls to prayer It struck me as an evil lure. -
A Narrative Approach to the Philosophical Interpretation Of
A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: Curriculum and Instruction A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Co-Chairs of Committee, Stephen Carpenter Patrick Slattery Committee Members, Valerie Hill-Jackson Toby Egan Head of Department, Dennie Smith May 2011 Major Subject: Curriculum and Instruction iii ABSTRACT A Narrative Approach to the Philosophical Interpretation of Dreams, Memories, and Reflections of the Unconscious Through the Use of Autoethnography/Biography. (May 2011) Antonio Rivera Rosado, B.A., Interamerican University of Puerto Rico; M.Ed., The University of Texas at El Paso Co-Chairs of Advisory Committee, Dr. Stephen Carpenter Dr. Patrick Slattery The purpose of the present study aimed to develop a comprehensive model that measures the autoethnographic/biographic relevance of dreams, memories, and reflections as they relate to understanding the self and others. A dream, memory, and reflection (DMR) ten item questionnaire was constructed using aspects of Freudian, Jungian, and Lacanian Theory of Dream Interpretation. Fifteen dreams, five memories, and five reflections were collected from the participant at the waking episode or during a moment of deep thought. -
Michigan Business Law Journal Summer 2017
The Michigan Business Law JOURNAL CONTENTS Volume 37 Section Matters Issue 2 From the Desk of the Chairperson 1 Officers and Council Members 2 Summer 2017 Committees and Directorships 3 Columns Taking Care of Business Julia Dale 5 Tax Matters: Collection Update Eric M. Nemeth 7 Technology Corner: Data Breach and Cyber Incident Response Planning Michael S. Khoury, Martin B. Robins, Kimberly Dempsey Booher, and Geoffrey M. Goodale 8 In-House Insight: Expat Lessons: From Muskegon to China (and Back) Matthew J. Nolan 11 Articles In My Defense: The Author on the 25th Anniversary of the Michigan Sales Representative Commission Act Dave Honigman and Jordan B. Segal 14 Business Lawyers—What's New in Health Care Law? Theresamarie Mantese, Douglas L. Toering, and Fatima Bolyea 28 Sixth Circuit Court of Appeals Holds That a Perfected Assignment of Rents Enforced Pre-Petition Excludes Such Rents from Being Property of the Bankruptcy Estate Judith Greenstone Miller and Paul R. Hage 37 Case Digests 42 Index of Articles 44 ICLE Resources for Business Lawyers 48 Published by THE BUSINESS LAW SECTION, State Bar of Michigan The editorial staff of the Michigan Business Law Journal welcomes suggested business law topics of general interest to the Section members, which may be the subject of future articles. Proposed business law topics may be submitted through the Publications Director, Brendan J. Cahill, The Michigan Business Law Journal, 39577 Woodward Ave., Ste. 300, Bloomfield Hills, Michigan 48304, (248) 203-0721, [email protected], or through Kanika S. Ferency, ICLE, 1020 Greene Street, Ann Arbor, Michigan, 48109-1444, (734) 936-3432, ferencyk@icle. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
SCOPE 2016.Indd
On the cover: FROM THE EDITOR: PEDRO We are often under the notion that medicine is concrete — certain medications are used resident Amanda J. Ross, MD, to treat specifi c conditions, the physical exam is composed of established maneuvers and acrylic painting each diagnosis comes with its own gold standard. However, this perception creates an First Place, Art invalid dichotomy between the arts and the sciences. Art and medicine are not distinct entities. Art is inherent to medicine. The patient history is a carefully told story that physicians interpret in order to develop a personalized treatment. This requires as much creative capacity from a physician as Salvador Dali’s surrealist paintings. Much like medicine, art is universal. The pursuit of health knows no boundaries or language barriers. Likewise, an appreciation for art does not rely on a repertoire of impressionist paintings or the ability to differentiate a haiku from a sonnet — it only depends on an individual’s capacity to perceive beauty. Our 23rd edition of SCOPE is presented to you with no theme, solely creative freedom. In the pages that follow you will fi nd inspiration in how abstract the medical community can be. SCOPE has long-been the creative outlet for our School of Medicine family, and I would like to thank you for keeping the arts and medicine indistinguishable, whether that is by contributing through submissions or even fl ipping through these pages while waiting to see your physician. Allen Ghareeb, MSII 2016 SCOPE EDITORIAL TEAM Editor-in-Chief Review Staff Faculty Advisors Allen Ghareeb, MSII Yuri Fedorovich, MSII Kathleen Jones Jenna Goeckner, MSIII Art Editor Rae Gumayan, MSII Staff Advisors Joe Clemons, MSIII Breck Jones, PGY-2 Rebecca Budde neurosurgery Karen Carlson Review Editor Karie Schwertman, MSI Jason Johnson Nick Petre, MSII Chelsea Still, MSI Steve Sandstrom Andrianna Stephens, MSII Stephen Williams, MSI SCOPE is the property of Southern Illinois University School of Medicine. -
Notebook with Blank Lined Pages for Journaling, Note Taking and Jotting Down Ideas
IN MY DEFENSE I WAS LEFT UNSUPERVISED : NOTEBOOK WITH BLANK LINED PAGES FOR JOURNALING, NOTE TAKING AND JOTTING DOWN IDEAS Author: Hos Publishing Number of Pages: 122 pages Published Date: 02 Oct 2019 Publisher: Independently Published Publication Country: none Language: English ISBN: 9781697178708 DOWNLOAD: IN MY DEFENSE I WAS LEFT UNSUPERVISED : NOTEBOOK WITH BLANK LINED PAGES FOR JOURNALING, NOTE TAKING AND JOTTING DOWN IDEAS In My defense I was left unsupervised : Notebook with Blank Lined Pages For Journaling, Note Taking And Jotting Down Ideas PDF Book Chapter 6 - Cisco IOS - IOS overview, how to access IOS, get help. It's packed with worksheets, lists, tips, and detailed instructions on how to: -Build your resume -Secure letters of recommendation -Research schools -Apply interview on campus -File for financial aid compare aid packages -Rank the pros cons of colleges "It's important to keep your mind on the big picture: which are the colleges that are best suited to help you to grow academically, socially, spiritually, and in every other way. He won a Small Business Administration award and has been a speaker for "Inc. Almost 8000 unrecognized fighters, of which half of those produced served as a deterrent to enemy forces during the Cold War while being flown by friendly foreign countries. New "Theory in Action" articles, class activities, and activity questions in chapters 2-8 Updated material and data through each chapter Updated instructor ancillary materials including PowerPoint lecture slides and Test Bank. Brilliant Digital Photography for the Over 50's"True to form, Melvin Greer's futurist thinking provides new applicability to Software as a Service that identifies ways of reducing costs, creating greater efficiencies, and ultimately providing significant long-term value through business transformation.is a preventative cardiologist in Miami Beach and an associate professor of medicine at the University of Miami Miller School of Medicine. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
No Limit 0 150 None None No Limit 0 150 PG-13 None
Min Age Max Age Game/Event Type (board, Max Number required to Experience Needed to Game Name/Title Brief Description Rule System Name of GM/Presenter Day Start time End Time required to Rating Room Table # card, rpg, panel, etc) of participants play (0 min - play play 99 Max) Panel/Seminar 1000 We Are All Oithlings A discussion of all things Low Life None Andy Hopp Friday 1:00 PM 2:00 PM no limit 0 150 none none Fitness Room 1 An open discussion of these two comic titans and where they stand Panel/Seminar 1001 Marvel vs. DC None Kylan Toles & Ken Rose Thursday 11:00 AM 12:00 PM Fitness Room 1 in comics, movies, and television no limit 0 150 PG-13 none An open discussion regarding the treatment, portrayal, and Dawn Toles, Heather Panel/Seminar 1002 Women and Geekdom marketing to women and how everyone can do their part to bring none Thursday 12:00 PM 1:00 PM Fitness Room 1 Hopp, Jessica Cook no limit 0 150 PG-13 none forth equality in our culture. With Episode VII arriving soon, this is a roundtable for all fans of Ken Rose, Kylan Toles, Panel/Seminar 1003 Let's Talk About Star Wars None Friday 12:00 PM 1:00 PM Fitness Room 1 Star Wars to discuss everything in the universe. Greg Dunn no limit 0 150 None none Transformers, GI Joe, TMNT - so many cartoons from the 80s have Ken Rose, Kylan Toles, Panel/Seminar 1004 80s Small Screen to Big Screen been turned into live action films. -
Pdf, 221.57 KB
00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:20 Jesse Host It’s Bullseye. I’m Jesse Thorn. It’s not that Shabaka Hutchings is Thorn eclectic. I mean, yes. The saxophonist and composer blends jazz, calypso, dance hall, hip-hop, African folk music, afrobeat. But that alone isn’t what makes him so great. Shabaka was born in the UK, raised mostly in Barbados. He studied classical music in college— not jazz. And that’s interesting but again, it’s not the reason you should listen to his music. You should listen to the music of Shabaka Hutchings because he makes brilliant, beautiful songs. [Music fades in.] His music is vivid, complex, and hypnotic. 00:01:00 Music Music “Play Mass” from the album Lest We Forget What We Came Here to Do by Sons of Kemet. [Volume decreases and plays under the dialogue then fades out.] 00:01:10 Jesse Host As the leader of the band Shabaka and the Ancestors and Sons of Kemet, Hutchings has found ways to speak using the language of all these genres to make something that is entirely unique and entirely his. When he writes a piece like “Go My Heart, Go to Heaven”. -
1 Samuel Devotionals
1 Samuel 1 As for Hannah, she was speaking in her heart, only her lips were moving, but her voice was not heard. So Eli thought she was drunk. 1 Sam 1:13 As I read this today, I tried to think back to those people that I wanted to have praying for me. There are some people who say "I'll pray for you", but there are those that you know will do it. I remember going to a See You At The Pole event while I was in college at Mizzou. We were standing on the steps, and some adults had shown up to support us and pray with and for us. In my group was a man from my church named Robert. As people went around the circle and prayed, Robert would utter quietly "Yes Lord", "Make it so Lord", and other statements to this effect. At first it bothered me, but then I realized what I am normally doing when I'm in a large group to pray. I pray, and then I sometimes listen to the other people, but more often I just start thinking of unrelated things and my mind would wander. Robert's method was odd to me at first, until I realized that he wanted to really be in prayer with every person as the prayers went around the circle. When I pray in a large group now, I listen to the person so I can pray with them and for them. In this passage, Eli the priest has never truly seen, experienced or uttered fervent prayer.