Conflict in the Da Vinci Code by Dan Brown
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A Christian Psychologist Looks at the Da Vinci Code
A Christian Psychologist Looks at The Da Vinci Code April 2006 Stephen Farra, PhD, LP, Columbia International University For information about reprinting this article, please contact Dr. Farra at [email protected] Understanding the Agenda behind The Da Vinci Code A number of scholarly, thoughtful responses to The Da Vinci Code have already been produced by other members of the Christian community. These other responses, though, tend to concentrate on historical and factual errors, and the false conclusions these errors can produce. This response is different. While this response also highlights several historical/factual errors in the text of The Da Vinci Code, this response attempts to go to the conceptual and spiritual essence of the book. Instead of focusing on mistakes, and what is obviously distorted and deliberately left out, this response focuses on what is actually being presented and sold in the book. It is the thesis of this review that what is being presented and sold in The Da Vinci Code is Wicca – Neo-paganism, modern Witchcraft, “the Wiccan Way.” People need to make up their own minds on this important issue, however. A comparative chart, and numerous other quotations / examples are employed to present the evidence, and make the case. The Da Vinci Code is not just a novel. If that is all it was or is, there would be no need for the page boldly labeled "FACT” (all capital letters). The FACT page is page 1 in the book, the last printed page before the Prologue, the true beginning of the story. On the FACT page, the author(s) try to convince you that they have done a good job of researching and fairly representing both the Priory of Sion and Opus Dei, and then go on to boldly proclaim: "All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate." This "novel" is really a deconstructionist, post-modern attempt to re-write history, with a hidden agenda deeply embedded within the deconstructionist effort. -
Sacred Feminine Symbol Described in Dan Brown’S the Da Vinci Code
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Udinus Repo SACRED FEMININE SYMBOL DESCRIBED IN DAN BROWN’S THE DA VINCI CODE A THESIS Submitted in partial fulfillment of the requirements for the completion for the Degree of Sarjana Sastra (S.S) in English Language specialized in Literature By: Mathresti Hartono C11.2009.01017 FACULTY OF HUMANITIES DIAN NUSWANTORO UNIVERSITY SEMARANG 2013 STATEMENT OF ORIGINALITY I certify that this thesis is absolutely my own work. I am completely responsible for the content of this thesis. Opinions or findings of others are quoted and cited with respect to ethical standard. Semarang, August 2013 Mathresti Hartono MOTTO Good does never mean good and bad does never mean bad. Dare to choose and never look back. Everything can change depends on how you look and handle it, because every things in this world has many sides to be seen. DEDICATION This thesis is dedicated to: - My parents - My family - My University, Dian Nuswantoro University ACKNOWLEDGEMENT At this happiest moment, I would like to wish a prayer to my Lord, Jesus Christ who has blessed me during writing this thesis. Furthermore, I would like to express my sincere thanks to: 1. Mr. Achmad Basari, S.S., Dean of Faculty of Humanities of Dian Nuswantoro University, who gave me permission to conduct this thesis. 2. Mr. Sunardi, S.S., M.Pd., The head of English Department of Strata 1 Program, Faculty of Humanities, Dian Nuswantoro University, who gave me permission to conduct this thesis. 3. Ms. -
The Da Vinci Code
The Da Vinci Code Dan Brown FOR BLYTHE... AGAIN. MORE THAN EVER. Acknowledgments First and foremost, to my friend and editor, Jason Kaufman, for working so hard on this project and for truly understanding what this book is all about. And to the incomparable Heide Lange—tireless champion of The Da Vinci Code, agent extraordinaire, and trusted friend. I cannot fully express my gratitude to the exceptional team at Doubleday, for their generosity, faith, and superb guidance. Thank you especially to Bill Thomas and Steve Rubin, who believed in this book from the start. My thanks also to the initial core of early in-house supporters, headed by Michael Palgon, Suzanne Herz, Janelle Moburg, Jackie Everly, and Adrienne Sparks, as well as to the talented people of Doubleday's sales force. For their generous assistance in the research of the book, I would like to acknowledge the Louvre Museum, the French Ministry of Culture, Project Gutenberg, Bibliothèque Nationale, the Gnostic Society Library, the Department of Paintings Study and Documentation Service at the Louvre, Catholic World News, Royal Observatory Greenwich, London Record Society, the Muniment Collection at Westminster Abbey, John Pike and the Federation of American Scientists, and the five members of Opus Dei (three active, two former) who recounted their stories, both positive and negative, regarding their experiences inside Opus Dei. My gratitude also to Water Street Bookstore for tracking down so many of my research books, my father Richard Brown—mathematics teacher and author—for his assistance with the Divine Proportion and the Fibonacci Sequence, Stan Planton, Sylvie Baudeloque, Peter McGuigan, Francis McInerney, Margie Wachtel, André Vernet, Ken Kelleher at Anchorball Web Media, Cara Sottak, Karyn Popham, Esther Sung, Miriam Abramowitz, William Tunstall-Pedoe, and Griffin Wooden Brown. -
Working for a Living Working for a Living
Leadership Scholarship is Nicole Caso of degree. The student must have a diagnosis of Bronx, NY. The award was presented by albinism, show strong leadership potential, NOAH Board member, Donna Appell. extracurricular involvement, and academic achievement. The scholarship is awarded Nicole is currently a freshman at Fordham each spring and is used to assist with academic University majoring in Psychology. She plans expenses. to pursue a Master’s Degree in Counseling and a Ph.D. in Psychology, enabling her to perform “I am honored to be the fi rst recipient of the and publish psychological studies. She says, “I NOAH scholarship! I would like to thank don’t look at my albinism as a disability, but a Michael McGowan and the entire NOAH ‘different ability.’ My low vision is just another community for their continued support, both way of viewing the world.” academically and personally, as I begin my studies at Fordham University.”- Nicole Caso The McGowan Scholarship is an annual award presented to a student pursuing a Baccalaureate WorkingWorking for a LivinLivingg ProProfi ling the careers ofof a select group ofof adults with albinism ByBy Kelsey Thompson, NOAH Board of DirectorsDirectors As children, we were often asked, “What do you can, and do excel in every day. want to be when you grow up?” A fi reman? A For many parents of young children with ballerina? A doctor? An astronaut? albinism, one of the most mystifying questions Now, as adults, when introduced to a person, is, “Who will my child grow up to be?” Here one of the fi rst topics of conversation is, “What are some ideas… do you do for a living?” Even though When Luke Chastain was fi ve years old, one’s job is only a small piece of who he wanted to be a train engineer. -
Passionate Publics: Christian Media and the Construction Of
PASSIONATE PUBLICS: CHRISTIAN MEDIA AND THE CONSTRUCTION OF CITIZENSHIP by KRISTJANA MADDUX (Under the Direction of Bonnie J. Dow) ABSTRACT This project elucidates and interrogates constructions of citizenship in contemporary Christian-themed mass media texts. Whereas Jürgen Habermas and Robert Putnam have bemoaned the decline in citizenship—rational-critical deliberation in the public sphere for Habermas and community involvement for Putnam—others have countered that their visions of decline are precipitated by a too-narrow view of citizenship and the public sphere. Beginning with a broadened approach to citizenship—informed by Robert Asen’s “discourse theory of citizenship”—I look to these popular media texts for the models of citizenship they construct. I focus on Christian media in particular in part because of the popular narrative that frames evangelical Christians as a newly-potent political force and a newly-lucrative consumer demographic, but also in light of Putnam’s admission that regular churchgoers buck the trend of declining civic participation. I pursue close textual analysis of three case studies—The Passion of the Christ, Left Behind, and The da Vinci Code—concluding that they offer distinct models of citizenship. The Passion, I maintain, celebrates feminine submission as the faithful practice of citizenship. That film, which depicts the suffering death of Jesus Christ in careful detail, makes heroines of Jesus’s faithful followers whose trust in an omnipotent God allows and encourages them to submit to unjust rulers. Left Behind, conversely, models brutish masculinity as the faithful performance of citizenship. In those novels, the Christian heroes fight the antichrist with physical violence, and they explicitly chastise characters who prize intellect. -
The Da Vinci Code by Dan Brown - Monkeynotes by Pinkmonkey.Com Pinkmonkey Literature Notes On
The Da Vinci Code by Dan Brown - MonkeyNotes by PinkMonkey.com PinkMonkey Literature Notes on . Sample MonkeyNotes Note: this sample contains only excerpts and does not represent the full contents of the booknote. This will give you an idea of the format and content. The Da Vinci Code by Dan Brown 2003 MonkeyNotes by Laurie Lahey Reprinted with permission from TheBestNotes.com Copyright © 2005, All Rights Reserved. Distribution without the written consent of PinkMonkey.com or TheBestNotes.com is strictly prohibited. PinkMonkey.com/TheBestNotes.com. Copyright © 2005, All Rights Reserved. No further distribution without written consent. 1 The Da Vinci Code by Dan Brown - MonkeyNotes by PinkMonkey.com Please note that the following summary and analysis will give away information about the plot if you have not yet finished reading the book. KEY LITERARY ELEMENTS Setting This novel journeys through Paris, London, and just south of Edinburgh, Scotland. The plot also…. CHARACTER LIST Major Characters Robert Langdon - Robert is one of the novel’s two protagonists. He is a professor of symbology at Harvard University. He finds himself entangled in a murder-mystery plot while on a visit to France. Sophie Neveu - Sophie is the novel’s other protagonist. She works for the Department of Cryptology in Paris. She is the granddaughter of the Grand Master of the Priory of Sion. Sophie embarks on a journey not only to find the Holy Grail but also the truth about her family. Sir Lee Teabing - Teabing is a former British Royal Historian who studies the history of Christianity. He is an eccentric old man who has been crippled by polio. -
Reading Group Guide Spotlight
Spotlight on: Reading Group Guide The Da Vinci Code Author: Dan Brown His mother Constance (Connie) was a professional Name: Dan Brown musician, playing organ at church. Brown’s father Born: June 22, 964 in Richard G. Brown taught high school mathematics at Exeter, NH Phillips Exeter Academy from 962 until his retirement in 997. Richard was a prominent mathematician—he Education: Amherst Col- wrote the bestselling mathematics textbook Advanced lege, B.A., 986; studied Mathematics: Precalculus with Discrete Mathematics art history at University of and Data Analysis, and had been offered a job at the Seville, Spain. National Security Agency, but declined because he did not want to move his family out of New Hampshire. Richard was also chosen by President George H.W. Bush to receive the “Presidential Award for Excellence in Science and Mathematics Teaching”. Awards: Book of the Year, British Book Awards, 2005, for The Da Vinci Code. Past Works: Digital Fortress, St. Martin’s Press (New York, NY), 998. Angels and Demons, Pocket Books (New York, NY), 2000. Deception Point, Pocket Books (New York, NY), 200. The Da Vinci Code, Doubleday (New York, NY), 2003. Brown’s work has been translated into numerous languages. Works in Progress: A sequel to The Da Vinci Code. Media Adaptations: Film rights to The Da Vinci Code were purchased by Columbia Pictures, Inc. www.kpl.gov/bookclubkit . Author: Dan Brown (2) Sidelights: Dan Brown’s interest in code-breaking and government intelligence agencies developed after one of his students at Phillips Exeter Academy was detained by the U.S. -
The Da Vinci Code Book Excerpts
The Da Vinci Code Book Excerpts Fact The Priory of Sion —a European secret society founded in 1099—is a real organization. In 1975, Paris’s Bibliothèque Nationale discovered parchments known as Les Dossiers Secrets, identifying numerous members of the Priory of Sion, including Sir Isaac Newton, Botticelli, Victor Hugo, and Leonardo da Vinci. The Vatican prelature known as Opus Dei is a deeply devout Catholic group that has been the topic of recent controversy due to reports of brain-washing, coercion, and a practice known as “corporal mortification.” Opus Dei has just completed construction of a $47 million National Headquarters at 243 Lexington Avenue in New York City. All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate. PROLOGUE Renowned curator Jacques Saunière staggered through the vaulted archway of the museum’s Grand Gallery. He lunged for the nearest painting he could see, a Carravagio. Grabbing the gilded frame, the seventy-three-year-old man heaved the masterpiece toward himself until it tore from the wall and Saunière collapsed backward in a heap beneath the canvas. As he anticipated, a thundering iron gate fell nearby, barricading the entrance to the suite. The par- quet floor shook. Far off, an alarm began to ring. The curator lay a moment, gasping for breath, taking stock. I am still alive. He crawled out from un- der the canvas and scanned the cavernous space for someplace to hide. A voice spoke, chillingly close. “Do not move.” On his hands and knees, the curator froze, turning his head slowly. Only fifteen feet away, outside the sealed gate, the mountainous silhouette of his attacker stared through the iron bars. -
The Narrative Characteristics of the Da Vinci Code
Advances in Literary Study, 2020, 8, 119-132 https://www.scirp.org/journal/als ISSN Online: 2327-4050 ISSN Print: 2327-4034 The Narrative Characteristics of The Da Vinci Code Peng Zhao Lecturer in British and American Literature at Zhongbei College, Nanjing Normal University, Danyang City, Jiangsu Province, China How to cite this paper: Zhao, P. (2020). Abstract The Narrative Characteristics of The Da Vinci Code. Advances in Literary Study, 8, The paper attempts to reveal the narrative characteristics of The Da Vinci 119-132. Code from the perspective of feminist narratology. Based on interpretation of https://doi.org/10.4236/als.2020.83010 embedded narrative, the author discovers that structure of the story is co- vertly inscribed with male domination over female character. In analysis of Received: April 15, 2020 Accepted: May 8, 2020 sequential communal voice, it is proved that Langdon collaborates with Published: May 11, 2020 Teabing to indoctrinate Sophie with patriarchal ideology, which further de- monstrates the novel is fraught with textually marked male hegemony and Copyright © 2020 by author(s) and female marginalization. Scientific Research Publishing Inc. This work is licensed under the Creative Commons Attribution International Keywords License (CC BY 4.0). Embedded Narratives, Actantial Model, Sequential Communal Voice, Female http://creativecommons.org/licenses/by/4.0/ Open Access Marginalization, Patriarchal Domination 1. Introduction Dan Brown’s multi-layered fiction starts from deconstructing the traditional in- terpretation of Leonardo’s artistic works, develops by self-reconstructing the symbolic system of the artistic and religious world, and terminates with an inde- finite, thought-provoking ending. -
The Da Vinci Code
The Da Vinci Code Dan Brown FOR BLYTHE... AGAIN. MORE THAN EVER. Acknowledgments First and foremost, to my friend and editor, Jason Kaufman, for working so hard on this project and for truly understanding what this book is all about. And to the incomparable Heide Lange—tireless champion of The Da Vinci Code, agent extraordinaire, and trusted friend. I cannot fully express my gratitude to the exceptional team at Doubleday, for their generosity, faith, and superb guidance. Thank you especially to Bill Thomas and Steve Rubin, who believed in this book from the start. My thanks also to the initial core of early in-house supporters, headed by Michael Palgon, Suzanne Herz, Janelle Moburg, Jackie Everly, and Adrienne Sparks, as well as to the talented people of Doubleday's sales force. For their generous assistance in the research of the book, I would like to acknowledge the Louvre Museum, the French Ministry of Culture, Project Gutenberg, Bibliothèque Nationale, the Gnostic Society Library, the Department of Paintings Study and Documentation Service at the Louvre, Catholic World News, Royal Observatory Greenwich, London Record Society, the Muniment Collection at Westminster Abbey, John Pike and the Federation of American Scientists, and the five members of Opus Dei (three active, two former) who recounted their stories, both positive and negative, regarding their experiences inside Opus Dei. My gratitude also to Water Street Bookstore for tracking down so many of my research books, my father Richard Brown—mathematics teacher and author—for his assistance with the Divine Proportion and the Fibonacci Sequence, Stan Planton, Sylvie Baudeloque, Peter McGuigan, Francis McInerney, Margie Wachtel, André Vernet, Ken Kelleher at Anchorball Web Media, Cara Sottak, Karyn Popham, Esther Sung, Miriam Abramowitz, William Tunstall-Pedoe, and Griffin Wooden Brown. -
Read Judge Daniels' Decision Denying the Jury
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ------------------------------------------------------------------x DAN BROWN and RANDOM HOUSE, INC., Plaintiffs, 04 Civ. 7417 (GBD) -against- MEMORANDUM OPINION AND ORDER LEWIS PERDUE, Defendant. ------------------------------------------------------------------x LEWIS PERDUE, Counterclaimant, -against- DAN BROWN and RANDOM HOUSE, INC., COLUMBIA PICTURES INDUSTRIES, INC., SONY PICTURES ENTERTAINMENT INC., SONY PICTURES RELEASING CORPORATION, IMAGINE FILMS ENTERTAINMENT, LLC, Counterclaim Defendants. -------------------------------------------------------------------x GEORGE B. DANIELS, District Judge; Plaintiffs Dan Brown and Random House, Inc. bring suit seeking declaratory judgment that the book, The Da Vinci Code, does not infringe the copyrights defendant Lewis Perdue owns in his books, Daughter of God and The Da Vinci Legacy. Defendant asserted counterclaims alleging copyright infringement against plaintiffs and other counterclaim defendants. Plaintiffs submitted a motion for judgment on the pleadings, or in the alternative, for summary judgment on their declaratory judgment claim. Defendant also moved for summary judgment on his counterclaims. The Court finds that there is no substantial similarity between Brown’s book The Da Vinci Code and Lewis Perdue’s books Daughter of God and The Da Vinci Legacy. Accordingly, defendant’s motion for summary judgment is denied and plaintiffs’ motion for summary judgment on their declaratory judgment claim is granted. BACKGROUND This is an action for copyright infringement under the Copyright Act of 1976, as amended, 17 U.S.C. §§ 101 et seq. (1994). Lewis Perdue claims that Dan Brown’s novel, The Da Vinci Code, infringes upon copyrights he owns in Daughter of God and The Da Vinci Legacy.1 Brown, who initiated this lawsuit, seeks a declaratory judgment that his work does not infringe upon Perdue’s. -
Faith and Reason in Dan Brown's the Da Vinci Code
FAITH AND REASON IN DAN BROWN’S THE DA VINCI CODE NOVEL: A SOCIOLOGICAL APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Achieving Bachelor Degree of Education in English Department By SWEPI PANGASTUTI A320060119 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study The Da Vinci Code novel was written by Dan Brown. This novel was first published in March 18, 2003 by Doubleday. The novel consists of 105 chapters and 454 pages. The genre of The Da Vinci Code novel is fiction and thriller. Dan Brown is a well known American novelist. He was born June 22 1964. He was from an area in the New Hampshire US, to be exact, Phillips Exeter Academy. The other novels are: Digital Fortress (1998), Angels and Demons (2000), and Deception Point (2001). The story of The Da Vinci Code novel starts in Paris, where curator Jacques Suniere of the Louvre Museum wants to meet Robert Langdon, Professor of Religious Symbology at Harvard University. Robert Langdon lectures about pagan symbolism hidden in the stones of Chartres Cathedral in The American University of Paris. Jacques Sauniere is accidentally killed at the night and the corpse is found with series of symbols and codes, like a pentagram and a Fibonacci number sequence. Langdon is helped by a good- looking police cryptolographer, Sophie Neveu. In fact, Jacques Suniere is Sophie's grandfather. Police detective Bezu Fache is beginning to chase Langdon, who escapes after receiving a warning about the captain's real intentions.