Of the Taiwanese Victims of Japanese Sexual Slavery
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The “Endangered Voices” of the Taiwanese Victims of Volume 2, Number 2 Japanese Sexual Slavery Fall 2019 DOI: 10.25335/PPJ.2.2-09 Towards Postcolonial Feminist Ethics of Listening to Trauma Magdalena Zolkos Abstract While the question of justice for the victims of sexual slavery institutionalized by the Japanese Imperial Army during the war has generated great communal and scholarly interest, in Taiwan it remains a pressing and unresolved concern what implications this traumatic history has had for the consolidation of the postcolonial and post-authoritarian publics. This is not only because the sexual enslavement of Taiwanese women unfolded before the backdrop of Japan’s colonization of Taiwan, in particular of the Indigenous “highlander” groups but also because the post-war public (and private) narra- tivization of this history, and any pursuit of justice, were impossible during Chiang Kai-shek’s authoritarian era. Referring to the victims by the Taiwanese term “Ama” (rather than the more common but problematic term “comfort women”), I propose that in contemporary Taiwan the traumatic history of female sexual enslavement is of great significance for contemporary public life because it functions as a kind of “optic,” which reveals and magnifies broader historical dynamics of colonial appropriation, of sexual and epistemic violence against women, and of the marginalization of Indigenous and economically disadvantaged groups. Methodologically, the identification of such an optic draws from cultural theory of psychoanalysis, which links traumatic experience to “unspeakability” and to psychic repression of overwhelming contents, and from sociological and philosophic insights into silencing as a mode of epistemic violence. 1. Historical Trauma of Sexual and in terms of her compliance with traditional gendered norms in post-war Taiwan. Slavery in Taiwan These women are known to the contempo- In a 1998 film,A Secret Buried for 50 Years A rary public in Taiwan as “Ama,” which is a Secret Buried for 50 Years—The Story of the Taiwanese-Hokkien term for an “elderly aun- Taiwanese “Comfort Women,” a Taiwanese tie.” According to the information in the Ama survivor of the Japanese sexual slavery pro- Museum in Taipei, the name Ama connotes gram during the Pacific War, Shen Chung Li, “endearment [and] respect for women of the describes the psychological effects of the vio- older generation.”3 In recent years it has gained lence she endured at the hands of Japanese popularity as a supplement to the formal terms soldiers as a paradoxical experience of liv- for the victims of the Japanese sexual enslave- ing-through her own death: “my life had end- ment program: “sexual military slaves” or “com- 1 ed on [that] day,” she says poignantly. Another fort women.”4 What is equally important is that survivor, Jung-mei Chaung, speaks of a contin- uous pain, which has not decreased in severity 3. Exhibition on the history of sexual enslavement of Tai- wanese women by the Japanese imperial army during for fifty years, thus also narrating the effect of the Pacific war, and of the subsequent struggle for justice, her trauma as a “devitalization,” or “withering,” Ama Museum. The material was collected during my field- of subjectivity. A third survivor, Kuei-Ying Tsai, work in Taiwan in 2017. says in an accusatory gesture directed at her 4. The survivors and their supporting activists, legal work- ers, and local allies have preferred the name “Ama” over absent perpetrators, “Our fate was sealed by “comfort women,” which is a direct translation of the Jap- you.”2 With this she hints at the difficulties of anese ian-fu and a euphemism for a female sex worker, overcoming the stigmatizing social effects of as well as the term used by the military policies of sexual sexual violence but at the psychological level slavery during the war. Incorporating within the discourse on the victims of Japanese sexual slavery an alternative 1. A Secret Buried for 50 Years—The Story of the Taiwan- name for the survivors (Ama) has been important for ese “Comfort Women” (Taipei: Taipei Women’s Rescue reshaping the debate. The language of “comfort women” Foundation, 1998). and “comfort stations” had been detrimentally colored 2. Ibid. by the Japanese nationalist and reactionary depictions Zolkos PPJ 2.2 (2019) 2 the use of the name Ama has become a way of the repression of the traumatic contents, its signalling to the Taiwanese public that there is “belated” (Nachträglich) return to the sub- a political urgency in receiving their demands ject’s life, and the aforementioned discursive and listening to their testimonies in the present, and philosophical link between trauma and given the advanced age of the survivors. And death.7 In a text often considered synonymous not only that—the sense of exigency in grant- with the beginning of the “trauma turn” in ing public recognition to the survivors’ stories contemporary theoretical humanities, Cathy also stems from the fact that the avenues for Caruth argues that trauma should be seen not achieving justice for the Taiwanese survivors only as a psychological condition but also as had been exhausted in 2002 when their case a critical and philosophical idiom for the en- was dismissed by the Tokyo District Court and counter with an extreme, incomprehensible, when, in 2004 and 2005, their appeals were and consciously unassimilable occurrence.8 rejected by the Tokyo High Court and Tokyo The “unconscious histories” witnessed by the Supreme Court, respectively.5 In the context of subjects of trauma, as Caruth argues, consti- the impending disappearance of these first- tute “a new kind of historical event,” which is hand accounts, I refer metaphorically to the characterized by “individual not-knowing” and Amas’ voices as “endangered” in order to draw which focuses the testimonial knowledge not attention to the temporal-political urgency of on “what [the subjects] know . but on what listening to Amas as something that needs to they do not fully know in their own traumatic happen now as “the time is running out.”6 pasts.”9 In Caruth’s Freudian theorizing of trau- ma, the subject sustains a kind of “wounding” The testimonies of the surviving victims of the that brings about a temporal disjunction in Japanese military sexual slavery presented her life in that it produces two distinctive life- in the filmFaces of Ah-Ma resonate strongly phases: “before” and “after” trauma. Trauma with the key motifs of the cultural and psy- has to do with the subjective impact of a choanalytic theory of trauma. These include discrete event of catastrophic proportions for which the subject is utterly unprepared in the of the survivors as voluntary profiteers of the economic “opportunities” of the system (perhaps most scandalously, moment of its occurrence and that they are Yoshinori Kobayashi’s manga books “On War” and “On Tai- incapable of absorbing and assimilating in the wan”). Since 1996, the UN has used the name “military sex- present. Caruth thus writes that “trauma is not ual slaves” to refer to the victims, which has been a mark locatable in the simple violent or original event of international recognition of the issue as a war crime and as a gross human rights violation; however, some of in an individual’s past, but rather in the way the survivors expressed their unease with a terminology that its very unassimilated nature—the way it that, they argued, reduced and solidified their identity as was precisely not known in the first instance— (solely) the victims of oppression, and sought to depict returns to haunt the survivor later on.”10 themselves instead as (also) “refractory subjects”—sur- vivors of oppression and agents of history. Scholars and In the case of the trauma of sexual slavery and activists have acknowledged the importance of the term “sexual slavery” as a historical descriptor of the program, the Taiwanese Amas, these theoretical insights rather than older term “enforced prostitution,” but have into the structure of trauma as the haunting also pointed out the limitations stemming from the UN effects of an unassimilable violent event, and and ICC definitions of slavery, which emphasize primarily as a compulsive reenactment of supressed and the commercial exchange and monetary profit as char- acteristics of slavery, and only mention sexual violence unbearable contents, need to be adjusted, or, as its secondary aspect, thereby excluding the victims’ to put it stronger, critiqued, in two important experience of “the loss of control over their bodies” from respects. First, the abstract idiom of a “violent the definition of sexual slavery. C. Sarah Soh, “Japan’s Na- event” in cultural trauma theory, which in Fac- tional/Asian Women’s Fund for ‘Comfort Women,’” Pacific Affairs 76, no. 2 (2003): 209-33. es of Ah-Ma refers to the Taiwanese women’s 5. For reasons of Taiwan’s history and geopolitical situa- experience of sexual enslavement by Japanese tion, the Taiwanese survivors had far less success with ar- soldiers, needs to be located more closely with- guing their case internationally than, for instance, the Ko- in the specific colonial, ethnic, and economic rean survivors. See Tina Dolgopol, “Searching for Justice: The Tokyo Women’s Tribunal,” Open Democracy 12 (May 7. See, for example, Roger Luckhurt, The Trauma Question 2015), https://www.opendemocracy.net/en/opensecurity/ (London: Routledge, 2013). searching-for-justice-tokyo-womens-tribunal. 8. Cathy Caruth, Unclaimed Experience: Trauma, Narra- 6. Christine M. Chinkin, “Women’s International Tribunal tive and History (Baltimore: Johns Hopkins UP, 1996). on Japanese Military Sexual Slavery,” The American Jour- 9. Ibid., xiii, xvi. nal of International Law 95, no. 2 (2001): 335-41. 10. Ibid., 3. Zolkos PPJ 2.2 (2019) 3 context of gender relations in Taiwan before research on that subject and the survivors’ the war.