New Accents in Swiss Music Promotion

Total Page:16

File Type:pdf, Size:1020Kb

New Accents in Swiss Music Promotion passages New Accents in Swiss Music Promotion Swiss-Indian Comics p. 8 | Ten Years in Cape Town p. 40 The British Council p. 46 tHe cUltUral MagaZine oF Pro HelVetia, no. 47/2008 Carnival figure in Urnäsch (2006) Photo: Lukas Wassmann 2 editorial Transitions The music industry is undergoing radical change. Album sales are dwindling, the major labels are in crisis, retailers are closing their doors. At the same time the internet is booming: digitalization has created un- precedented new channels of distribution for music. Perhaps most sur- prisingly, live music events are flourishing as never before. For pop music in particular, the crisis is also an opportunity. The de- cline of global music corporations has made room for innovative inde- pendents. Online communities like MySpace and YouTube offer new strat- egies for self-promotion and for reaching potential fans around the world. The Swiss pop and jazz scene has also benefited from these developments, growing and multiplying in all directions. Even folk music – which has not enjoyed a lot of cultural support – is experiencing a renaissance and making effective use of the new technologies. The hootenanny has now gone online. Such wide-ranging transitions also pose new challenges for cultural policy. The transformation of the music industry and the resulting shifts in cultural support are the subject of this issue of Passages – while the magazine has undergone its own transformation. In its Dossier section Passages continues to focus on noteworthy topics in cultural policy and to profile art and culture from Switzerland. In addition, the magazine now includes some new features: coverage of Pro Helvetia’s projects, extensive cultural reports, portraits of our part- ners, sharp commentary by outside observers, and visits to Pro Helvetia’s liaison offices around the world. This issue also marks a change in the Passages editorial office. Our longtime senior editor Andreas Langenbacher is moving on to a new post in Pro Helvetia’s Literature and Society department. With his fine intui- tion for new and interesting topics, he was responsible for the rich sub- stance of Passages. We thank him for his achievements, and welcome sea- soned editor Janine Messerli to the masthead. From now on she will supply the multi-faceted look at the world that makes Passages so unique. Pius Knüsel Director, Swiss Arts Council Pro Helvetia 3 contents 12–39 DossieR New Accents in Swiss Music Promotion 2 GalleRY 40 Local Time A Showcase for Artists Cape Town: The Challenges This issue features four of Cultural Cross-Fertilization works by photographer Matthew Krouse Lukas Wassmann (pages 2/5/44/47) Cairo: Can Dance Be Nourish- ed by Camel-Knee Soup? 3 EDITORIAL In keeping with the theme of this issue, Salome Schneebeli Transitions Andri Pol presents a selection of his Pius Knüsel photographs on the subject of music, 43 Coming UP taken throughout Switzerland. ReadeRS’ FORum 6 PRO HelVetia Newsflash Passages Online Folk Culture for the Future / 14 “We Need to Focus More on ImpRessum Summertime: Festival Time / Reaching Audiences” Switzerland Meets China / Thomas Meyer interviews 45 PARtneR PRofile TRADUKI – Literary Thomas Gartmann The British Council Encounters with South “When things break down, East Europe 18 There’s Nothing More Serious cultural relationships Than Entertainment can keep the channels of 8 REPORTAGE John Wolf Brennan communication open.” Cities Individual and Shared Lilo Weber Susanne Schanda (Text) 21 Sounds from the Digital Jungle Julian Salinas (Photos) Judith Wyder 46 Viewpoint Publishing Without Editing 25 Swiss Folk Music at the Isabelle Rüf Crossroads Franz-Xaver Nager 30 Artists’ Grants for Pop Music: A Contradiction in Terms? Markus Ganz 35 Supporting Emerging Talent Pierre-Jean Crittin interviews Marc Ridet and Christian Steulet Andri Pol (b. 1961 in Berne) lives in Weggis Lukas Wassmann (b. 1980) is based in Zurich and Basel. The self-taught photographer and Berlin, where he studied photography after regularly publishes his work in magazines such first training as a carpenter. One-man shows as Time, Geo and Neon. His most recent photo in Basel, Zurich and Paris. book is Grüezi (with texts by David Signer), He has self-published Straight Forward (2002), DJ at a Christmas party in Tokyo. in English and German editions, Kontrast Watermillions (2004) and Holzkopf (2006). Photo: Andri Pol Verlag, Zurich. www.andripol.com www.lukaswassmann.com 4 From the series hang in there (2007) Photo: Lukas Wassmann 5 PRO HELVETIA NEWsFLASH Summertime: Festival Time Folk Culture for the Future The Alpine chant has arrived downtown of the future. Chosen Evening scenes at Zurich’s from 133 submis - Theaterspektakel sions, the 10 winning projects whet the When the days grow longer and appetite for new cul- the evenings warmer, festivals bloom tural worlds and all over Switzerland, showcasing live Ethnokitsch or a revival of tradi- close the gap between contemporary performances of all kinds. These five tion? Yodelling, folk dancing, folk art and folk culture. They will be festivals offer audiences a broad spec- music and old customs are experienc- presented at the “Echoes” closing trum of new works to discover in ing a renaissance and entering into festival from 19 – 21 September 2008 theatre, music and dance. In Fribourg contemporary artistic practice. The in St. Gallen. The festival marks the the Belluard Bollwerk International winning projects from Pro Helvetia’s conclusion of the two-year transdisci- celebrates its 25th anniversary and “Echoes – Folk Culture for Tomorrow” plinary programme, which included includes walking tours featuring glimp- programme are prime examples art projects, public debates and con- ses into unexplored corners of the city. of a larger trend. ferences. The discussion is far from over, The transdisciplinary and cosmopolitan however: Where is folk culture headed? La Bâtie held in Geneva and neigh- “Loba, zuä Loba, i Gottes Name What kind of cultural support does it bouring France boasts over 50 perform- Loba!” – Chanting to praise the Lord need? And what does the new flowering ances of dance, theatre and music. and bless the cattle is a centuries-old of traditional folk music mean for A large variety of theatre productions tradition practiced by herdsmen in music sponsorship? See Franz-Xaver will be on view at the Festival des arts the Alps, who would call down from the Nager’s article on p. 25 and join the vivants in Nyon, and Zurich’s Theater- mountaintops each evening and be debate online: spektakel features highlights from heard across the valleys. Echoes of those www.blog-volkskultur.ch. Africa, Asia and Latin America. The calls have now reached today’s urban www.pro-helvetia.ch/echos/ Zurich Festspiele kick off the festival centres, as the Loba Town project www.lobatown.ch season in late June. For information shows: rappers, performers, poets and programmes online: and herdspeople have transposed the www.batie.ch traditional Alpine litanies into the www.belluard.ch www.festival-far.ch context of contemporary city life, blow- www.theaterspektakel.ch ing modern melodies into 15 over- www.zuercher-festspiele.ch sized wooden horns. Loba Town is one of 10 winning projects from the “Echoes – Folk Cuture for Tomorrow” competition, initiated by Pro Helvetia to encourage the mingling of tradition and innovation and pave the way for the folk culture 6 Photos:Alpine chant: Andri Pol; Theaterspektakel: Hans X.Hagen; Installation: Yves Netzhammer Switzerland Meets China technology by established and up - coming of artists from over 30 coun- tries. Synthetic Times includes art works, performances, workshops and China’s arts and symposia, and documents the search for culture scene is experi- new artistic responses to a society encing rapid growth. increasingly dominated by technology. Artists show great inter- The exhibition will also facilitate con- est in new and experi- tacts between artists from both coun- mental forms, while tries and from Chinese universities. audiences are eager to Pro Helvetia supports 4 Swiss pro- discover Western art. ductions: Mission Eternity-Etoy, Yves This October Pro Helve- Netzhammer, Knowbotic Research and tia will launch a two- Jeffrey Huang Design Lab. year pilot programme www.prohelvetia.ch/china0810 for cultural exchange www.mediartchina.org with China. With “China 2008–2010” the Arts Council is seeking to develop stable partner- ships for long-term cooperation, especially in the thriving informal sector. Installation by the Swiss A pre-event will be held in June artist Yves Netzhammer 2008 in Beijing, with the opening of the exhibition Synthetic Times – Media Art China 2008 at the National Art Museum of China (NAMOC). It features 50 installations in the areas of art and TRADUKI – Literary Encoun- work, but by TRADUKI, a multilateral programme: it is a project with European ters with South translation programme launched this political relevance, encouraging dialo- spring. gue between South East Europe and the East Europe TRADUKI means “to translate” in German-speaking countries. Esperanto. Selected works of contem- TRADUKI is a joint initiative of porary fiction, non-fiction, children’s Pro Helvetia, the German Federal and youth literature are to be translated Foreign Office, the Austrian Ministry into the languages of the participating for European and International Affairs, Albania, Austria, Bosnia and countries with the support of TRADUKI. KulturKontakt Austria, the Goethe Herzegovina, Bulgaria, Croatia, In addition, work grants and readings Institut and the S. Fischer Foundation. Germany, Kosovo, Macedonia, aim to promote cultural exchange and Montenegro, Romania, Serbia, Slovenia, encounters between authors, translators Switzerland. These countries have and publishers in South East Europe. not been linked by a new railway net- TRADUKI is more than just a translation 7 rePortage ago and I will be leaving from here again,” he says laconically. He steps back and aims his camera at the statue of Alfred Escher, the people on the square, a streetcar pass- ing by and the railway station in the back- Cities Individual ground.
Recommended publications
  • Is Hip Hop Dead?
    IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work.
    [Show full text]
  • Praxedis & Praxedis
    GUILD MUSIC GMCD 7413 SOUND OF ZURICH GMCD 7413 2014 Guild GmbH © 2014 Guild GmbH PRAXEDIS & PRAXEDIS Guild GmbH Switzerland GUILD MUSIC GMCD 7413 SOUND OF ZURICH A GUILD DIGITAL RECORDING THEO WEGMANN (b. 1950) • Producer: Duo PRAXEDIS Arpiano (2013) • Balance Engineers: Andreas Werner, Winterthur [1-5]; Patrick Wind Konstanz, Germany [6-11] • Editor: Andreas Werner 1 I. Landscape 8:35 • Recorded: Zűrich Radio Studio 12-13 May 2014 [1-5] 2 II. Aria 5:56 Aula Sargans, Switzerland 23 October 2013 [6-11] 3 III. Toccata 3:01 • Final master preparation: Reynolds Mastering, Colchester, England • English translation: Dagmar Staub WALTER BAER (b. 1928) • Front cover picture by Christian Gerth (www.christiangerth.ch) 4 Lichtspuren (2011) 14:30 • Photo of Daniel Fueter © Toni Suter / T+T Fotografie • Design: Paul Brooks, [email protected] DANIEL FUETER (b. 1949) • Art direction: Guild GmbH • Executive co-ordination: Guild GmbH 5 Nocturne (2013) 20:49 Die verschiedenen Kompositionen wurden ermöglicht dank der grosszügigen finanziellen Unterstützung der Steo-Stiftung, 6 WILLY FRANK (b. 1935) Cassinelli-Vogel-Stiftung, CLB-Stiftung und der Stadt Zürich. Herzlichsten Dank. Pas de deux (2012) 6:39 Für die finanzielle Unterstützung der CD-Produktion danken wir der Adolf Streuli-Stiftung, Walter Haefner-Stiftung, Kanton Zürich und Kanton Luzern. Besonderen Dank Andreas Werner für die sensiblen Tonaufnahmen und Roland Wächter von Radio SRF für die MARTIN DERUNGS (b. 1943) Bereitschaft, die CD als Co-Produktion zu veröffentlichen. 5 Portraits, Op.110 (2011) GUILD specialises in supreme recordings of the Great British Cathedral Choirs, Orchestral 7 I. Laura 1:53 Works and exclusive Chamber Music.
    [Show full text]
  • Multiple Documents
    Alex Morgan et al v. United States Soccer Federation, Inc., Docket No. 2_19-cv-01717 (C.D. Cal. Mar 08, 2019), Court Docket Multiple Documents Part Description 1 3 pages 2 Memorandum Defendant's Memorandum of Points and Authorities in Support of i 3 Exhibit Defendant's Statement of Uncontroverted Facts and Conclusions of La 4 Declaration Gulati Declaration 5 Exhibit 1 to Gulati Declaration - Britanica World Cup 6 Exhibit 2 - to Gulati Declaration - 2010 MWC Television Audience Report 7 Exhibit 3 to Gulati Declaration - 2014 MWC Television Audience Report Alex Morgan et al v. United States Soccer Federation, Inc., Docket No. 2_19-cv-01717 (C.D. Cal. Mar 08, 2019), Court Docket 8 Exhibit 4 to Gulati Declaration - 2018 MWC Television Audience Report 9 Exhibit 5 to Gulati Declaration - 2011 WWC TElevision Audience Report 10 Exhibit 6 to Gulati Declaration - 2015 WWC Television Audience Report 11 Exhibit 7 to Gulati Declaration - 2019 WWC Television Audience Report 12 Exhibit 8 to Gulati Declaration - 2010 Prize Money Memorandum 13 Exhibit 9 to Gulati Declaration - 2011 Prize Money Memorandum 14 Exhibit 10 to Gulati Declaration - 2014 Prize Money Memorandum 15 Exhibit 11 to Gulati Declaration - 2015 Prize Money Memorandum 16 Exhibit 12 to Gulati Declaration - 2019 Prize Money Memorandum 17 Exhibit 13 to Gulati Declaration - 3-19-13 MOU 18 Exhibit 14 to Gulati Declaration - 11-1-12 WNTPA Proposal 19 Exhibit 15 to Gulati Declaration - 12-4-12 Gleason Email Financial Proposal 20 Exhibit 15a to Gulati Declaration - 12-3-12 USSF Proposed financial Terms 21 Exhibit 16 to Gulati Declaration - Gleason 2005-2011 Revenue 22 Declaration Tom King Declaration 23 Exhibit 1 to King Declaration - Men's CBA 24 Exhibit 2 to King Declaration - Stolzenbach to Levinstein Email 25 Exhibit 3 to King Declaration - 2005 WNT CBA Alex Morgan et al v.
    [Show full text]
  • Balancing Japanese Musical Elements and Western Influence Within an Historical and Cultural Context
    FENCE, FLAVOR, AND PHANTASM: BALANCING JAPANESE MUSICAL ELEMENTS AND WESTERN INFLUENCE WITHIN AN HISTORICAL AND CULTURAL CONTEXT Kelly Desjardins, B.M., M.A. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2018 APPROVED: Eugene Migliaro Corporon, Major Professor Darhyl Ramsey, Committee Member Dennis Fisher, Committee Member Nicholas Williams, Interim Chair of the Division of Conducting and Ensembles Warren Henry, Interim Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Desjardins, Kelly. Fence, Flavor, and Phantasm: Balancing Japanese Musical Elements and Western Influence within an Historical and Cultural Context. Doctor of Musical Arts (Performance), May 2018, 99 pp., 14 tables, 44 musical examples, bibliography, 63 titles. Given the diversity found in today's Japanese culture and the size of the country's population, it is easy to see why the understanding of Japanese wind band repertoire must be multi-faceted. Alongside Western elements, many Japanese composers have intentionally sought to maintain their cultural identity through the addition of Japanese musical elements or concepts. These added elements provide a historical and cultural context from which to frame a composition or, in some cases, a composer's compositional output. The employment of these elements serve as a means to categorize the Japanese wind band repertoire. In his studies on cultural identities found in Japanese music, Gordon Matthews suggests there are three genres found within Japanese culture. He explains these as "senses of 'Japaneseness' among Japanese musicians." They include Fence, Flavor, and Phantasm.
    [Show full text]
  • Switzerland: the Largest Country in the World
    Title: Switzerland: The Largest Country in the World Author(s): Leonard Cecil Source: Cecil, L. (1990, Winter). Switzerland: The largest country in the world. The Quarterly, 1(4), pp. 54-65. (Reprinted with permission in Visions of Research in Music Education, 16(1), Summer, 2010). Retrieved from http://www-usr.rider.edu/~vrme/ It is with pleasure that we inaugurate the reprint of the entire seven volumes of The Quarterly Journal of Music Teaching and Learning. The journal began in 1990 as The Quarterly. In 1992, with volume 3, the name changed to The Quarterly Journal of Music Teaching and Learning and continued until 1997. The journal contained articles on issues that were timely when they appeared and are now important for their historical relevance. For many authors, it was their first major publication. Visions of Research in Music Education will publish facsimiles of each issue as it originally appeared. Each article will be a separate pdf file. Jason D. Vodicka has accepted my invitation to serve as guest editor for the reprint project and will compose a new editorial to introduce each volume. Chad Keilman is the production manager. I express deepest thanks to Richard Colwell for granting VRME permission to re-publish The Quarterly in online format. He has graciously prepared an introduction to the reprint series. Switzerland: The Largest Country in the World By Leonard Cecil Musik-Akademie der Stadt Basel Abstract: Switzerland's widely diver- populations, such as Bern and Freiburg, but gent geography and many cultures most are more or less of one language. The allow the music educators of the language spoken by the greatest percentage country to exchange ideas with their of the population is Gelman, but as in neighbors while preserving rich local Germany, one doesn't speak the "real" traditions.
    [Show full text]
  • Ferienkurse Für Internationale Neue Musik, 25.8.-29.9. 1946
    Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946 Seminare der Fachgruppen: Dirigieren Carl Mathieu Lange Komposition Wolfgang Fortner (Hauptkurs) Hermann Heiß (Zusatzkurs) Kammermusik Fritz Straub (Hauptkurs) Kurt Redel (Zusatzkurs) Klavier Georg Kuhlmann (auch Zusatzkurs Kammermusik) Gesang Elisabeth Delseit Henny Wolff (Zusatzkurs) Violine Günter Kehr Opernregie Bruno Heyn Walter Jockisch Musikkritik Fred Hamel Gemeinsame Veranstaltungen und Vorträge: Den zweiten Teil dieser Übersicht bilden die Veranstaltungen der „Internationalen zeitgenössischen Musiktage“ (22.9.-29.9.), die zum Abschluß der Ferienkurse von der Stadt Darmstadt in Verbindung mit dem Landestheater Darmstadt, der „Neuen Darmstädter Sezession“ und dem Süddeutschen Rundfunk, Radio Frankfurt, durchgeführt wurden. Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit So., 25.8. Erste Schloßhof-Serenade Kst., 11.00 Ansprache: Bürgermeister Julius Reiber Conrad Beck Serenade für Flöte, Klarinette und Streichorchester des Landes- Streichorchester (1935) theaters Darmstadt, Ltg.: Carl Wolfgang Fortner Konzert für Streichorchester Mathieu Lange (1933) Solisten: Kurt Redel (Fl.), Michael Mayer (Klar.) Kst., 16.00 Erstes Schloß-Konzert mit neuer Kammermusik Ansprachen: Kultusminister F. Schramm, Oberbürger- meister Ludwig Metzger Lehrkräfte der Ferienkurse: Paul Hindemith Sonate für Klavier vierhändig Heinz Schröter, Georg Kuhl- (1938) mann (Kl.) Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit Hermann Heiß Sonate für Flöte und Klavier Kurt Redel (Fl.), Hermann Heiß (1944-45) (Kl.) Heinz Schröter Altdeutsches Liederspiel , II. Teil, Elisabeth Delseit (Sopr.), Heinz op. 4 Nr. 4-6 (1936-37) Schröter (Kl.) Wolfgang Fortner Sonatina für Klavier (1934) Georg Kuhlmann (Kl.) Igor Strawinsky Duo concertant für Violine und Günter Kehr (Vl.), Heinz Schrö- Klavier (1931-32) ter (Kl.) Mo., 26.8. Komponisten-Selbstporträts I: Helmut Degen Kst., 16.00 Kst., 19.00 Einführung zum Klavierabend Georg Kuhlmann Di., 27.8.
    [Show full text]
  • 08, Reynald Blion Est Responsable Media & Diversité Pour La Campagne Dites Non À La Discrimination Du Conseil De L’Europe
    25 November 2010 DGIV/Campaign/Istanbul(2010)2 M E D I A , I NTERCULTURAL D IALOGUE & F IGHT AGAINST D ISCRIMINATION - C R O S S -R EPORTS FROM T U R K E Y A EUROPEAN MEDIA ENCOUNTER Participants’ Biography Biographie Participants UNE RENCONTRE MEDIATIQUE EUROPEENNE M E D I A , D IALOGUE I NTERCULTUREL & L UTTE CONTRE LES D ISCRIMINATIONS - R EPORTAGES CROISES EN T U R Q U I E İstanbul 29.11. – 03.12.2010 Biographies and information are given here under the entire responsibility of their author / Les biographies et autres données transmises dans ce document le sont sous la seule responsabilité de leurs auteurs. ABADAY Ali H. – Turkey NTVMSNBC - Editor NTVMSNBC , Turkey’s News Portal, started out on May 15, 2000; by forming a partnership with world’s most visited news portal MSNBC, ntvmsnbc took the advantage of MSNBC’s technological ability and NTV’s experience on th subject of “news”. NTVMSNBC news portal offers information on a wide range of subjects. Its content prepared by its own staff editors in an impartial and unbiased manner. Users can get access to the news, of the latest developments, real time data on market and exclusive topics. Ali H. Abaday - In 2006 I have graduated from Middle East Technical University with a B.S degree in International Relations. Between 2007 and 2009, I worked for TARAF daily newspaper as foreign news deputy chief. Currently, I am working for NTVMSNBC as editor on current affairs desk. I am also free lance correspondent of Pittsburgh Tribune daily newspaper.
    [Show full text]
  • Music and Artistic Citizenship: in Search of a Swiss Identity
    253 Music and Artistic Citizenship: In Search of a Swiss Identity CARLO PICCARDI (Lugano) Although, for obvious reasons, one cannot speak of a “Swiss music” in terms of a unified, homogeneous culture or style, this does not mean there are no observable constants within the variety of its manifestations and its development over time. More than individual elaborations, historical con- ditions have had the greatest influence in determining the aesthetic prin- ciples which have imposed themselves; general behaviour and interests have outweighed particular interests, and the way the country has de- fined itself as a distinct community in relation to its neighbouring nations. This essay draws upon well-known studies to examine music, art and cul- ture from historical, social, civil and political perspectives in an attempt to critically re-examine the question. It will be shown how a certain Swiss musical identity is constituted with regard to its functional role in the country’s interests, as an expression of a collective dimension, as a regu- lating organisation of its integration within society, and as a permanent and recognised dialogue with the institutions. The fact that certain char- acteristics recur both in situations of conservative withdrawal and in those of opening to new influences, leads us to speak of a shared value in the diversity of attitudes. About the fact that Switzerland has been the location of choice for travellers and refugees from all over the continent, someone has said that this country has more often welcomed the people who have found com- fort and refuge here than it has welcomed the messages they have brought with them.
    [Show full text]
  • New 6-Page Template a 22/11/13 4:40 PM Page 1
    572841bk Hummel:New 6-page template A 22/11/13 4:40 PM Page 1 Uwe Grodd Martin Rummel ̈ The New Zealand based German flautist and conductor Uwe Grodd first hlich After early lessons from Wilfried Tachezi and a soloistʼs diploma from what is gained worldwide recognition when he won First Prize at the Cannes today the Anton Bruckner Privatuniversität, where he was its youngest Classical Awards 2000 for the Best Eighteenth Century Orchestral Recording graduate ever at the time, Martin Rummel continued his studies with Maria with his CD of Symphonies by J.B. Vanhal (8.554341). Two recordings of Kliegel in Cologne, as well as with William Pleeth in London, whose last pupil music by Hummel have received Editorʼs Choice in the Gramophone he was to become. Aged only sixteen, he worked with composer Alfred magazine (2004/2008). His recording of the complete works for piano and Schnittke. He has also collaborated with other composers including Jörn orchestra of Beethovenʼs longstanding friend Ferdinand Ries (1784-1838) Arnecke, Howard Blake, Sofia Gubaidulina, Rudolf Kelterborn, Matthias with Christopher Hinterhuber began in 2003 and in 2013 the final volume Photo: Marlene Fro Pintscher, Thomas Daniel Schlee and Graham Whettam. His repertoire now received the IRR OUTSTANDING from the International Record Review. includes some forty cello concertos, ranging from the baroque to the present. Performance highlights include eight concerts with the Mexico City Born in 1974, Martin Rummel is based in Vienna and is a highly active soloist Philharmonic, televised open-air concerts of the Handel Festival Halle, with a and chamber musician.
    [Show full text]
  • The Clarinet Choir Music of Russell S
    Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation.
    [Show full text]
  • RSR (SRT-VD) Indirectement, Dans Les Mains Des Exécutifs Cantonaux
    MÉDIATIC MeP n°88 8/01/04 18:04 Page 1 Berne, Fribourg, Genève, Jura, Neuchâtel, Valais, Vaud membres de SSR idée suisse ROMANDE Dans un texte faisant le point sur la révision de la LRTV, on peut lire sous Conseil du public • Un Conseil du public de 15 à 30 personnes par région linguistique • Election par le Conseil fédéral Édito • Chaque conseil dispose au minimum de deux experts scientifiques • etc... Ceux qui croyaient que le fameux "Beirat" de la procédure de consultation, avec sa dizaine de "professionnels" nommés par le seul Conseil fédéral pour toute la Suisse, avait dis- paru se sont frotté les yeux. Par la grâce de l'OFCOM, les Chambres devraient bénir un autre "Beirat", qui sera : Médiascope - beaucoup plus coûteux que l'organisation actuelle et peut-être autant que le défunt "Beirat", à charge de la redevance.Voilà quelques millions détournés des d Conseil des programmes programmes... H La TSR a 50 ans - l’actuel Conseil des programmes RTSR quant à lui, reflète les décisions des SRT cantonales qui occupent chacune trois sièges, ce qui assure une bonne représentation, au moins géographique, Infos-régions - bien loin d'une désignation d'esprit démocratique par le Conseil Fédéral et I Un nouveau départ (SRT-JU) lui seul. 1) Assemblée générale… à Berne (SRT-FR) Un rappel même lointain s'impose.Avant 1980, la "surveillance" était, même 1@ Visite des studios RSR (SRT-VD) indirectement, dans les mains des exécutifs cantonaux. La structure mise en place en 1980 et modifiée depuis lors assure une représentation des régions issue des sociétés cantonales, à travers leurs comités (une centaine de per- Pleins feux sonnes en Suisse romande) et leurs membres (plus de cinq mille), proches du public dans sa diversité.
    [Show full text]
  • 3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
    3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money
    [Show full text]