Core Responsibilities of Design Leaders in Commercially Demanding Environments *
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Interior Design Director Location: Baltimore, MD
Interior Design Director Location: Baltimore, MD JOB DESCRIPTION The Verve Partnership seeks an enthusiastic & creative team player with excellent communication, organization and people skills. Reporting to the Managing Principal and Chief Growth Officer, this person will develop, implement, and manage the company's design strategy. Other responsibilities include bringing new approaches to design process and strategy, coaching and developing next- generation talent, and representing the firm in the larger design community. This is an ideal opportunity for a creative and motivated self-starter who welcomes the challenges and opportunities inherent in joining a firm experiencing tremendous growth. Our environment is collaborative, creative, progressive, demanding and fun and we’re seeking the best people and the right fit. SUMMARY The ideal candidate likes to play with others, shares their crayons and isn’t afraid to raise their hand, ask for help and draw outside the lines. We also prefer someone who is: Entrepreneurial: creative thinker, recognizes & seizes opportunities, strong sense of urgency, understands that the work never ends (work hard, play hard mentality) Leader: results-driven; thinks strategically, seeking out the information required to ensure decisions are made objectively, not subjectively or emotionally; takes financial ownership and requires minimal supervision/direction Project Owner: owns the process, not just the activity. Self-starter. Takes the initiative; attention to detail; follows thru while paying strict attention to details; proven ability to prioritize and successfully manage multiple projects/tasks with concurrent deadlines Multi-Tasker: outstanding project and time management skills; proven ability to manage multiple projects with concurrent deadlines High Energy: positive influence on others; enthusiastic, reliable, can-do attitude; recognizes that learning is a continual process; willingness to learn; enjoys life and smiles Team Player: committed to the organization/team vs. -
Defining Design Facilitation: Exploring and Advocating for New, Strategic Leadership Roles for Designers and What These Mean for the Future of Design Education
Dialectic Volume I, Issue I: Position Paper Defining Design Facilitation: Exploring and Advocating for New, Strategic Leadership Roles for Designers and What These Mean for the Future of Design Education paMela napieR1 and teRRi wada2 (edited by Michael R. GibsOn)3 1. Indiana University Herron School of Art and Design (iUpUi), Indianapolis, Indiana, Usa; Principal in Collabo Creative, Indianapolis, in, Usa 2. Indiana University Herron School of Art and Design (iUpUi), Indianapolis, Indiana, Usa; Principal in Collabo Creative, Indianapolis, in, Usa. 3 The University of North Texas, Denton, Texas, Usa; Producer and Co-Editor, Dialectic, a scholarly journal of thought leadership, education and practice in the discipline of visual communication design published by the aiGa Design Educators Community (DEC) and Michigan Publishing. sUGGested citatiOn: Napier, P. & Wada, T. “Defining Design Facilitation: Exploring New, Strategy Leadership Roles for Designers and What These Mean for the Future of Design Education.” Edited by Gibson, M.R. Dialectic 1.1 (2016): 154-178. dOi: http://dx.doi.org/10.3998/dialectic.14932326.0001.110 Copyright © 2016, Dialectic and the AIGA Design Educators Community (DEC).All rights reserved. poSItIon PapER Defining Design Facilitation: Exploring and Advocating for New, Strategic Leadership Roles for Designers and What These Mean for the Future of Design Education PamELA nApIER & tERRI Wada (EDItED by mIChAEL R. GIbSon) Examining current prevalent trends in design practice and education Over the past decade or so, design as a professional and academic discipline has seen much momentum and growth in interest from areas of both study and practice outside design. Over the course of the last decade, the buzz around design thinking as a transferable “method of creative action” 1 for developing and implementing innovative ideas has grown into broad assortment of ex- ecutive education offerings and workshops. -
Managing Uncertainty and Expectations in Building Design and Construction
SmartMarket Report Produced in Partnership with: Managing Uncertainty and Expectations in Building Design and Construction Premier Industry Partners: Industry Partners: ■ Design and Construction Intelligence SmartMarket Report McGraw Hill Construction Managing Uncertainty and Expectations in Design and President Construction Kathryn E. Cassino SmartMarket Report About McGraw Hill McGraw Hill Construction Executive Editor Research & Analytics/ Harvey M. Bernstein, F.ASCE, LEED AP Construction Industry Insights & Alliances McGraw Hill Construction’s data, Editorial Advisor and Chief Author analytics, and media businesses— Vice President, Industry Stephen A. Jones Insights & Alliances Dodge, Sweets, Architectural Record, Harvey M. Bernstein, F.ASCE, LEED AP Editorial Director and Engineering News-Record— Michele A. Russo, LEED AP create opportunities for owners, Senior Director, Research & Analytics Burleigh Morton Managing Editor architects, engineers, contractors, Donna Laquidara-Carr, LEED AP building product manufacturers, Director, Research Communications and distributors to strengthen their Michele A. Russo, LEED AP Senior Director, Head of Marketing market position, size their markets, William Taylor prioritize prospects, and target and Reproduction or dissemination build relationships that will win more of any information contained Creative Manager, Media business. McGraw Hill Construction herein is granted only by contract Juan Ramos serves more than one million or prior written permission from Art Director customers through its -
Design Leadership Skills Questioning the Difference Between Design Leadership and Generic Leadership in SME Manufacturing Organisations
Design leadership skills Questioning the difference between design leadership and generic leadership in SME manufacturing organisations Author: Jennifer Alnelind & Cecilia Alvén Supervisor: Olle Duhlin Examiner: Lars Lindkvist Date: Spring 14 Subject: Thesis Level: Master (60hp) Course code: 4FE66E Abstract Title: Design leadership skills - Questioning the difference between design leadership and generic leadership in SME manufacturing organisations Authors: Jennifer Alnelind & Cecilia Alvén Supervisor: Olle Duhlin Examiner: Lars Lindkvist Course: 4FE66E, Företagsekonomi IV, examensarbete, 15 hp Purpose: The purpose of this study was to describe and develop what set of skills a design leader require and if these differentiate them from the generic leader in SME organisations. Theory: The themes and concepts we have based the research on is first and foremost design leadership and skills. We have utilised studies by for example: Miller and Moultrie (2013), Joziasse (2011), Turner (2013) and Mumford et al. (2007) in order to develop an extensive theoretical framework. Methodology: We have approach this research in a deductive and qualitative manner through a descriptive and somewhat exploratory design. We have conducted six semi-structured interviews with leaders at manufacturing SME organisations in ‘Småland’. Conclusion: Through this research we have established a set of skills that a design leader requires in manufacturing SME organisations. In conclusion we found that the design leader requires well developed generic leadership skills in form of; learn/adapt, speak (convey information), listen (attentive), motivate, inspire, analyse, manage, problem solve, project manage, observe, plan and apprise as well as design specific skills; draw, synthesize, envision-imagine-visualise, edit, design and employ technology. We also identified the difference between the design leader and generic leader, whereby we found a slight difference, even though most generic leaders interviewed utilise aspects of design leadership due to positions interlinking. -
Deputy Design Director Creative Director / Graphic Designer Graphic Designer Art Director Bachelor of Fine Arts, Art &
EXPERIENCE CONTACT Deputy Design Director yeskelsey.com THE HOLLYWOOD REPORTER Los Angeles, CA [email protected] January 2013 - present 805.305.7792 Collaborate with company-wide staff to • Maintain and evolve THR’s visual presentation across mediums • Spearhead full redesign of the publication’s web and print products • Design features and pages in all sections of the magazine TECHNICAL SKILLS • Oversee art department workload, deadlines, and budget allocation • Shepherd design of all special awards-season issues (25-30 per year) Adobe InDesign, • Lead off-site art and production of international festival daily issues Photoshop, Illustrator, • Generate concepts for and art direct photoshoots XD, and Bridge; K4, • Hire and direct contractors, freelancers, and interns Wordpress, Google • Manage and art direct in-house web graphics Sheets, Docs, and Slides; • Create photo illustrations for print and digital Airtable, basic HTML • Improve and generate intra- and interdepartmental processes and CSS Hired in 2013 as Assistant Art Director; promoted in 2014 to Associate Art Director; promoted in 2015 to Art Director; promoted in 2018 to Senior Managing Art Director; promoted in 2019 to Deputy Design Director EDUCATION Creative Director / Graphic Designer Bachelor of FREELANCE Los Angeles, CA Fine Arts, February 2012 - present Art & Design CALIFORNIA POLYTECHNIC Creative direction and graphic design of editorial, advertising, and STATE UNIVERSITY philanthropic projects; clients include Reebok, BOND Advertising, Troika, San Luis Obispo, CA The Refinery Creative, Yes Plz Weekly, Immigrant Families Together Graduated June 2009 Magna Cum Laude Graphic Designer GRAVILLIS, INC. Los Angeles, CA February 2011 - February 2012 Conceptualize, execute, and refine key art, album covers, and other advertising pieces for film, television, and music clients Art Director BPG Los Angeles, CA August 2009 - February 2011 Design key art and other collateral for a variety of film and TV projects. -
Design Update
Design Update CREATING CITYCENTER MGM MIRAGE’s urbane and sustainable “city within a city” redefines Las Vegas CityCenter is for people who want the Las Vegas they’ve never seen before. Jim Murren, Chairman and CEO, MGM MIRAGE This is the future of Las Vegas—CityCenter is in an entirely different category. Bobby Baldwin, President and CEO, CityCenter CityCenter is the best example anywhere of a REINVENTING collaborative design process. Art Gensler, Founder and Chairman, Gensler LAS VEGAS Once a generation, Las Vegas reinvents itself. In the Rat Pack era, it embraced midcentury modernism. Then, The Mirage and Bellagio remade The Strip as an entertainment resort 12/16/09 destination. Early in this new century, MGM MIRAGE CityCenter Grand Opening envisioned a “city within a city”—a new symbol of Las Vegas that, in the words of CityCenter’s Bobby Baldwin, combines “the vitality of Las Vegas with the experiences tourists seek in great cities around the world.” In 2005, master plan in hand, MGM MIRAGE asked Gensler to join it and make CityCenter a reality. How our team helped reinvent Las Vegas is a case study in design leadership. Contents The vision 2Making it happen 14 The challenge 4Greening CityCenter 18 Design leadership 6The vision realized 22 Catalyst for ideas 8Project and team information 24 Branding the destination 10 Gensler Design Update CityCenter 1 CityCenter aims to transform Las Vegas as a new symbol at its core. Bobby Baldwin, President and CEO, CityCenter A CITY WITHIN A CITY THE VISION It took strong design leadership to bring the initial Bobby Baldwin on CityCenter: “This is one of the few CityCenter gives The Strip an urban core—a new plan and building program to a fully realized vision places in the world where we had a completely clean city-scale development that supports a rich, full, 24/7 of an urbane and dynamic place, the heart of a new canvas—and the resources for the best of everything life. -
A Design Charrette on Density in Denmark May and ,
West nd St. New York, NY vanalen.org Converging Grounds | A Design Charrette on Density in Denmark May and , *Location of work Van Alen Institute International Council Kai-Uwe Bergmann, Partner, Bjarke Ingels Group — NYC, Copenhagen *Council Founding Co-Chair Kim Herforth Nielsen, Founder, XN — Copenhagen *Council Co-Chair Jack Renteria, Partner, XN — Copenhagen Alfredo Caraballo, Partner, Allies & Morrison — London Daniel Elsea, Director, Allies & Morrison — London Raymond Quinn, Principal, Arup — NYC and more Denzil Gallagher, Principal, BuroHappold — Bath, NYC, Warsaw, and more Neil Billett, Global Design Director, BuroHappold — Bath, NYC, Warsaw, and more Kasia Chwalbinska-Kusek, Assoc. Director, BuroHappold — Bath, NYC, Warsaw, and more Michael Henriksen, Associate, Coffey Architects — London Susanna Sirefman, President, Dovetail Design Strategists —NYC Eveline Petcu, Project Manager, Gehl Architects — Copenhagen, San Francisco, NYC Scott Grady, Director, Haptic Architects — London, Oslo Tomas Stokke, Director, Haptic Architects — London, Oslo Jessica Healy, Former: USA Pavilion Expo Milano — NYC Douglas Healy, Former: Credit Suisse — NYC Louis Becker, Principal Partner, Henning Larsen — Copenhagen, NYC, Riyadh, and more Michael Sørensen, Partner, Henning Larsen — Copenhagen, NYC, Riyadh, and more Manuelle Gautrand, Founder + Principal, Manuelle Gautrand Architecture — Paris Rick Splinter, Associate Partner, Mecanoo — Delft, Manchester, Washington, Taiwan Kirsten Murray, Owner + Principal, Olson Kundig — Seattle Kevin Kudo-King, -
IIT-ID-Pathways-Report-2020.Pdf
IIT Institute 2020 of Design Report Lead with Purpose Design’s central role in realizing executive vision This research was jointly initiated and undertaken Lead with Purpose: The 2020 IIT Institute of Design (ID) Report 1 through partnership with these organizations: © 2020 by IIT Institute of Design (ID). All rights reserved. Quotations appearing in this report attributed to IIT Institute of Design (ID) 2020 Pathways Study respondents have been lightly edited for readability and clarity. We use imagery of the ID community in this report to represent design work. These are not research photos or photos of research respondents. 2 Lead with Purpose: The 2020 IIT Institute of Design (ID) Report Contents Introduction 4 Scale your design operations. 37 Embrace the Flywheel of Design. 38 Ask, listen, and learn. 6 The Flywheel of Design has four parts— Design—not why, but how? 7 all of them key. 39 Understand our research methodology. 7 Design Leadership 39 Hear from our diverse respondents. 7 Problem-Driven Pathway 40 Put our findings to work for your organization. 7 Generalized Design Competency 41 Seven critical trends will help you frame the Specialized Design Competency 42 future of your organization. 9 Remove all barriers and pave the Grasp two vital, urgent truths about Intent-to-Effect Pathway within design—and what they mean your organization. 43 for your organization. 12 Clarify language. 44 Integrity needs to be design’s M.O. 13 Understand the business. 45 Change—particularly seamlessness— Assess impact. 46 begins at home. 15 Customer-centric means people-centric— Lead the way. 47 so apply the ethic internally, too. -
Iab2021 Industrial Advisory Board Annual Meeting
IAB2021 INDUSTRIAL ADVISORY BOARD ANNUAL MEETING MICROSYSTEMS TECHNOLOGY LABORATORIES ANNUAL EXPO 2021 January 28, 2021 Virtual Annual Meeting MICROSYSTEMS TECHNOLOGY LABORATORIES • MASSACHUSETTS INSTITUTE OF TECHNOLOGY INDUSTRIAL ADVISORY BOARD ANNUAL MEETING IAB2021 JANUARY 28, 2021 AGENDA 6:00pm Prof. Harry Lee: “MTL Director’s Update” 6:45pm Prof. Vladimir Bulović: “MIT.nano Update” 7:15pm Prof. Marc Baldo: “MTL/RLE Integration” 7:45pm Break 8:00pm Prof. Dave Perreault: “Powering the Future: A Research Overview of the MIT Power Electronics Research Group” 8:30pm Prof. Polina Anikeeva: “Electrical, Optical, and Magnetic Approaches for Body-Machine Interfaces” 9:00pm Dr. Vicky Diadiuk, Dr. Jorg Scholvin, Nick Menounos, Prof. Duane Boning: “Facilities and Servies Update” 9:45pm Discussion 10:00pm Adjourn 1 MIG MEMBER BIOGRAPHIES Susan Feindt Chorng-Ping Chang Fellow & Advanced Process Development Director Senior Director Analog Devices Applied Materials Susan is an ADI fellow and Director of Analog’s Advanced Dr. Chorng-Ping Chang is Senior Director of Strategic Process Development Group in Wilmington, MA. She has External Research in the office of CTO, Applied Materials. been with Analog Devices for over 30 years. Susan has led Prior to joining Applied Materials in 2004, Dr. Chang process development efforts for integrated circuits used was a Distinguished Member of Technical Staff at Bell in various applications and markets including automotive, Laboratories, Murray Hill, New Jersey, where he had done communications, industrial and healthcare. She focuses extensive R&D on advanced plasma sources, processing on silicon based Bipolar and BiCMOS processes, Gallium technology, CMOS integration, and novel device architec- Nitride and Heterogeneous Integration. -
Richard Irving Senior Design Director Experience Education Skills & Expertise Awards
RICHARD IRVING SENIOR DESIGN DIRECTOR [email protected] 917-575-4505 EXPERIENCE Judging Panel Design Lead, Brand Marketing Adobe Design Acheivement Awards Abercrombie & Fitch 2019 October 2008 - March 2014 Senior Design Director, Marketing Responsible for a team of designers working Hollister Co. across all A&F brands (Abercrombie & Fitch, March 2014 - Present abercrombie kids, Hollister, Gilly Hicks, Ruehl) to concept and develop all brand marketing design, Leading a creative team to develop best in class, on-product collateral, in-store messaging, and award winning creative across all channels internal brand communications. including, Media, Advertising, Social, Online, and In-Store Marketing at Hollister Co. Also, working Graphic Designer closely with the Creative Director to develop and Atelier Ten, New York, NY execute seasonal brand campaigns. February 2008 - August 2008 Art Director, Digital Experience Design Graphic Designer Hollister Co. Deborah Berke & Partners Architects LLP, March 2014 - August 2017 New York, NY March 2007 - February 2008 Leading a team of digital designers for the Hollister brand across all digital channels including Site, Graphic Designer, Marketing Emails, Advertising and Social. Working closely The Scout Association, London, UK with the Creative Director to develop and execute January 2005 - March 2007 seasonal brand campaigns. EDUCATION SKILLS & EXPERTISE BA (hons), Graphic Design Art Direction Central Saint Martins College of Art & Design Creative Direction University of the Arts London Design Direction 2001 - 2004 Creative Team Management Graphic Design Web Design AWARDS Marketing Branding & Identity Billboards Live Music Award Adobe Creative Suite Concert Marketing & Promotion Photography 2018 Khalid X Hollister Campaign Packaging. -
2017 01 24 Lorraine Masch
Lorraine Masch, LEED AP Interior Design Professional 13851 SW 37 th Ct, Davie, FL 33330 Cell: 954-801-3644 Email: [email protected] A creative, accomplished interior design professional with superior communications skills and the ability to build valuable relationships with clients, consultants, contractors & vendors HIGHLIGHTS / QUALIFICATIONS 20+ years’ experience, specialized in hospitality, entertainment, restaurant, retail projects Expert at synthesizing client’s ideas and culture plus concrete project requirements into a superlative visual, tactile environment Knowledgeable advocate and specifier of sustainable products and practices Effective problem-solver, organized team-leader and -member Able to apply “big picture” thinking and detail orientation simultaneously Strong idea generator, creative thinker PROFESSIONAL NARRATIVE The Gettys Group, Coral Gables , FL 2014 – 2017 Design Director, Coral Gables office Manage satellite design studio responsible for full-service hospitality design projects focused on, but not limited to the southeastern US, Caribbean and South America. • Supervise a team of 10 designers with multiple projects and timelines; staff and prioritize projects • Provide quality assurance and design oversight for all studio work • Communicate and apply all company procedures & systems from Chicago home office, implement locally to assure consistency • Write new business proposals; present along with qualifications to prospective new clients • Cultivate strong Client relationships • Obtain Brand design approval for both renovation and new-build projects, coordinating Brand standards with Ownership goals and budget • Mentor young designers; direct training in company CAD standards, spec-writing and design process Starbucks Coffee Company, Miami, FL 2010 – 2013 Senior Design Manager, Southeast & Florida Regions Manage Regional design studio responsible for store design from Virginia through coastal states to Louisiana. -
Fashionista Salary Report 2018
SALARY SURVEY FINDINGS 2018 Whether you’re wondering what your dream fashion job typically pays, what other people in your same position make on average, or how those salaries really fluctuate with years of experience or gender, Fashionista’s annual salary report is an invaluable resource. At the beginning of the year, we anonymously surveyed thousands of our readers from all corners of the fashion industry to find out what they make in jobs ranging from design to editorial to PR, at companies like Nordstrom, Tiffany & Co., Condé Nast, Marc Jacobs and Ralph Lauren, as well as smaller companies with under 25 employees. So in the charts and graphs below, broken down by field, you’ll see average salaries for all of the fashion industry’s most common professions. You’ll see how those numbers correspond with years of experience, what an assistant designer makes vs. a creative director, and which fields have the highest portion of people who make six figures. You’ll see how working for a private company compares to working for a public one and how working in print compares to working in digital editorial. You’ll see that, unfortunately, fashion is not always very lucrative. Our goal is to provide compensation transparency so that our readers can make more informed career decisions. RESPONDENT DEMOGRAPHICS RESPONDENT ROLES 7.66 % 19.39% 14.13% 6.97% 11.20% STYLING RETAIL /SALES/ PUBLICITY PRODUCT OTHER E-COMMERCE DEVELOPMENT/ SUPPLY CHAIN 14.40% 2.78% 12.08% 10.17% 1.22% MARKETING/ GRAPHIC DESIGN/ EDITORIAL DESIGN ADVERTISING SOCIAL MEDIA PHOTOGRAPHY/ PHOTO EDITING 3 RESPONDENT DEMOGRAPHICS RESPONDENT EXPERIENCE: ALL 0-2 3-6 7-10 11-15 YEARS 16-20 20+ 10% 20% 30% 40% 50% COMPANY SIZE: ALL FORTUNE 250 FORTUNE 500 FORTUNE 1000 LARGE PRIVATE (1000+ EMPLOYEES) MEDIUM PRIVATE (100 - 1,000 EMPLOYEES) SMALL PRIVATE (25-100 EMPLOYEES) VERY SMALL PRIVATE (<25 EMPLOYEES) 10% 20% 30% 40% 50% 4 RESPONDENT DEMOGRAPHICS RESPONDENT LOCATION: ALL 54.1% 13% 12.2% 3.3% 2% NYC OUTSIDE THE U.S.